Saturday Book Review: ” Surviving in a Ever-Changing Healthcare Industry”

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.

When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this week’s book review, courtesy of Midwest Book Review:

Surviving in a Ever-Changing Healthcare Industry Donna Gault

Surviving in a Ever-Changing Healthcare Industry

by Donna Gault

Publisher: Outskirts Press

ISBN: 9781478780717

Synopsis*:

Surviving in an Ever-Changing Healthcare Industry is a short book that packs a powerful punch. Donna Gault, a registered nurse with nearly 50 years of experience, explains the many changes in the healthcare industry today and the challenges facing doctors, nurses, hospitals, and especially you-the patient. She then provides guidelines to help everyone obtain safer healthcare. The book includes sections written by two physicians who offer their own viewpoints on the changes facing physicians today, and how to help doctors provide the best care for you.

 * courtesy of Amazon.com

Critique:

Practical, informative, insightful, and thoroughly ‘reader friendly’ in organization and presentation, “Surviving in a Ever-Changing Healthcare Industry” is very highly recommended for clinic, community, and academic library Health/Medicine collections. For personal reading lists it should be noted that “Surviving in a Ever-Changing Healthcare Industry” is also available in a Kindle format ($5.95).

reviewed on The Health Shelf of Midwest Book Review ]

Here’s what some other reviewers are saying:

This book is a must read for anyone who is concerned about the changes taking place in our Healthcare system.

Donna does a great job of articulating the changes with good sound advice .
We all need to be prepared to ask the tough questions and get the answers we need to be better informed. Donna gives us well thought out and researched tools to take charge of our health.

I appreciated the two Doctors who contributed to this book . Each Doctor sharing their viewpoint their perspective on how the changes are affecting them and their practice.

This little easy to read 88 page book is a powerhouse. One that you will keep and refer to over and over in your life.

Bravo Donna and Thank you.

– Amazon Reviewer Brenda

This book is a must have to understand what you need to know to advocate for yourself and loved ones in an ever changing health system. Strengths are emphasized as well as weaknesses in the system. Times have changed since the days of the family physician and this book is based on reality and gives information and advise that every patient needs to know. I would highly recommend this book and encourage everyone to read it. The book is short and easy reading, but packed with vital information that will help you to better advocate for yourself and your loved ones.

– Amazon Reviewer Diane Gray

Book Trailer


saturday self-published book review

Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space every Saturday!

Self Publishing Advisor

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Conversations: 5/5/2017

LET’S PLAY!

WRITE YOUR CHILDREN’S BOOKS!

Have you ever considered writing books for children? I took a swing at it when my daughter was just starting kindergarten. The plan was to use her experiences to develop a story that would be great fun for lots of children as well as give her a book filled with many of her very own memories. As the pages fell from my typewriter—no personal PC at my house in those days—my embellishments carried her story into an imaginary realm. Although I read it to her at the time, and she laughed and became surprised at all the right spots, the manuscript never left our house. Today, I’m thinking of revising it a bit and try it out with our great-grandchildren. I’ve learned a lot over these years. What better time to share these children’s writing techniques with you than springtime when the world comes alive with blossoms and playgrounds full of children.

children's picture book

Possibly the best advice—and instruction—I received when seeking “the way” to write for children of various ages was this:

Keep it simple. Keep it focused. Keep it moving. Those were the key points given by a well-known children’s author I met at the first writer’s conference I attended. Although she was speaking specifically about writing for young children, I’ve sown those guidelines into all my writing efforts.

Keep it simple. We’ve all heard that educating our children “starts in the womb” when Mom reads aloud. And that infants and toddlers are “sponge learners” absorbing sights, sounds and language very quickly. However, if we over-write a children’s book, it will be of no use to the child/audience we’re want to reach.

  • Hold the story to a 1,200-1,500 word length.
  • Each sentence should reveal one single specific idea.
  • Use words that describe the idea—words that translate into beautiful illustrations.
  • Paragraphs: no longer than three sentences.
  • KEEP YOUR WORDS VISUAL. I’ve added this piece to my Start Here list because once an infant’s eyes begin to “track” the sounds and voices they hear their world expands dramatically.

Keep it focused. It’s all about the available “attention span” of the age group we’re writing for.

  • Picture books/Board books: full color pages with large, easily identifiable characters and illustrations, and one-to-five words per page. These stories need to be tightly written.
  • Short Story books where each page of eight to fifteen words is considered a “chapter.”
  • Longer Chapter books connect to the specific likes of kindergarten and first grade age children. Remember, the parents are still selecting these books, and if the illustrations appear too “different” to them, they will buy a different book.

Keep it moving. All great stories are built on the same essential elements: character(s), interesting setting and plot—ups and downs of some level of conflict—and the resolution. When author Margaret Wise Brown wrote a rhyming poem (1947) describing the bedtime ritual of a bunny rabbit she could not have guessed the millions of children who have enjoyed it. GOOD NIGHT MOON gave very young children the rhythm of the words which flowed with the actions of the main character resulting a peaceful night’s sleep.

Takeaway for today: whether you aim to make a career in the children’s books world, or write in ANY other genre, take the opportunity to exercise your skills and follow the above steps to create one Picture Book. Think of this as PLAY TIME and allow images to float in your thoughts as the words pour onto the page. You may just find yourself writing the next book that sells 48 billion copies. ⚓︎


Royalene

ABOUT ROYALENE DOYLE: Royalene has been writing something since before kindergarten days and continues to love the process. Through her small business—DOYLE WRITING SERVICES—she brings more than 40 years of writing experience to authors who need “just a little assistance” with completing their projects. This is a nice fit as she develops these blogs for Outskirts Press (OP) a leading self-publisher, and occasionally accepts a ghostwriting project from one of their clients. Her recent book release (with OP) titled FIREPROOF PROVERBS, A Writer’s Study of Words, is already receiving excellent reviews including several professional writer’s endorsements given on the book’s back cover.  

Royalene’s writing experience grew through a wide variety of positions from Office Manager and Administrative Assistant to Teacher of Literature and Advanced Writing courses and editor/writer for an International Christian ministry. Her willingness to listen to struggling authors, learn their goals and expectations and discern their writing voice has brought many manuscripts into the published books arena.

In Your Corner: Royalties. What do they mean?

fountain pen money coins royalties

Royalties. There is no better word to convey a connotation of status, power, and entitlement for the published author … but it’s a word which can be dangerously misleading, or seductive. For one thing, getting your royalties isn’t the same thing as getting royalty.

royals tv show

Just sayin’.

You might be confused by the word. In fact, it took years of working in the self-publishing industry with legitimate experts on this subject for me to really get a handle on the finer points. I can’t go into all of them in a single blog post, of course, but I’m here today to talk about some of the common misconceptions about royalties as well as what royalties really are, and what they can do for you.

Definition A:
Royalties or a royalty paid to an author is a percentage of revenue earned on book sales.

Definition B:
Whatever the vanity presses can eke out of you without you knowing.

Traditional publishing houses pay royalties to their author clients based on a percentage of the listed retail prices of their books. This percentage depends on format, and can be tied to net receipts and/or net profits, which are essentially two more loopholes the industry invented to keep a little more of the money out of authors’ hands. And many times, these same institutions will offer authors advances against their expected royalties, which only occasionally works in the authors’ favor.

We never said they weren’t smart. But they’re definitely not out for their authors’ best interests.

So, what about self-publishing? Aren’t there royalties to be had there, too?

 

Yes and no. As a self-publishing author, you’re both author and publisher. So in the strictest sense, you don’t receive royalties because you don’t extend a deal to yourself and give yourself a percentage of your book’s profit, gross or net or anything else. But in a looser sense, and in most self-publishing literature, this is equivalent to receiving 100% of your book’s royalties–which sounds pretty great, doesn’t it? You’ve already covered the up-front costs of editing, publishing, and marketing, so what’s left is all yours, kids!

In self-publishing, your royalty is the total amount you’re paid. There might conceivably be situations where you split your revenue–say, if you co-authored your book, have a translator or illustrator you did not pay as an independent contractor, or if you accidentally publish through a shady vanity press service which keeps a percentage for themselves.

Read the fine print, always! This is especially true when it comes to paying vanity presses, self-publishing service providers, and DIY self-publishing platforms like Amazon’s Kindle Direct.

princess bridge inconceivable gif

Incidentally, the Princess Bride contains plenty of useful material for the conscious self-publishing author. Case in point:

princess bridge inconceivable gif

Royalty as a word has its roots in an ancient, mostly outdated traditional model of business. You want to steer clear of any of the aforementioned companies which offer “X percentage of your royalties!” unless they’re offering a flat 100%. Simply put, you’re already paying them for the same services which traditional publishing houses withhold from your royalties to pay for–marketing and such–so there’s absolutely zero reason to let these vanity presses take money out of your royalties on top of everything else you paid a flat starting fee for! They are counting on you not understanding what royalties were invented for, and fleecing you out of the difference.

It’s oh-so-easy to fall into a trap if you don’t do the math. And the only math here worth having is the full, 100% royalties delivered straight to you. Every book sale is your revenue or earnings, and always be sure to do your due diligence before selecting a publishing company. Your down payment and up-front publishing costs are an investment, and your royalties are the payoff! With a little care and a keen eye for the fine print, you can make back those initial expenditures.

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

Growing Pains: Part II

Continuing in the vein of growing your business or brand as an author, I want to talk about how you can hone in on what product or service it is you provide. As an author, your product is probably books, right? You might also offer other services though, such as freelance writing, editing, illustrating etc. Make a list of the products or services you supply and pick the most important item from each. It’s important to focus on the most important “thing” you want your business to be known for. Having too many options or services to market and sell will be overwhelming not only for you, but also for your customers.

growing pains marketing

The first step to ensuring you can expose your product or service to the marketplace is to, of course, market them. Marketing is definitely the dead horse we beat on this blog, but it is a crucial piece of being a self-published author. Here are some easy ways to market your book or writing services:

  • Social media! Use relevant hashtags (if you’re stumped, google relevant hashtags for ideas). Add and follow people and actively comment on their posts to get your name out there and encourage them to look on your page. Be active on forums, blogs, your website, etc.
  • Local events. Host local readings, poetry slams, etc. to network with other local authors.
  • Engage with those who already consume your products to ensure a good business/customer relation that will continue on in the future.

The next step is selling your product. Do you have a website where people can easily purchase your books or contact you for your services? Do your social media pages have links to your website? Do you have business cards to hand out at events?

You want there to be a certain ease of purchasing products for your customers. There’s nothing more annoying than a broken “purchase” link, or a giant “out of stock” next to your item. Make sure you have product to sell and make sure you have a means for people to buy it. If you go on tour, think about investing in a “square reader” for your iPhone so that if someone wants to buy your book and they don’t have cash you don’t lose that sale. Often someone will want to buy something on the spot, but if the opportunity passes, they will talk themselves out of it later or forget about it entirely, losing you a sale. Always be prepared to sell. This could be as simple as keeping books in your car or bag so that if you strike up a conversation with someone on the subway you have the opportunity to show them your work, or maybe even sell it.

Ultimately, once you’ve identified what you’re in the “business” of selling, it should be relatively easy to figure out how it is you can grow your business. Once you’ve nailed down who your customer base is and figured out how best to market to them, it’s time to streamline a way to sell your products and services to them.


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com

From the Archives: “By virtue of the term: Self-publishing”

Welcome back to our Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

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[ Originally posted: October 14th, 2010 ]

Digital democracy. iTunes changed the record business forever. Blogs have reshaped the landscape of traditional print news. YouTube challenged the way television and advertising CEO’s communicated with the viewing public. Who would have thought even ten years ago that a majority of users would value a user-generated encyclopedia over Britannica?

Technology has quickly and powerfully changed the way we think, enjoy, communicate, and create. Across each industry one thing holds – a democratization effect – where artists make the rules.

On-demand and digital self-publishing is equally shaking things up. As the WSJ notes, “once derided as ‘vanity’ titles by the publishing establishment, self-published books suddenly are able to thrive by circumventing the establishment.”

“Playing God” in his book Mickey Mantle is Going to Heaven, former Yankee pitcher opted to self-publish in order to maintain his content control. A wise move that is rumored to have been opted into a movie project reuniting Matt Damon and Ben Affleck.

democracy definition

The democratization of self-publishing is a big deal, even seven years after we originally mentioned it. With our current grab-bag of print on demand services, self-publishing companies and vanity presses alike, we have an enormous quantity of titles available to readers for affordable consumption–and while few of them get printed in any quantity, is that really an undesirable thing? I mean on a large scale, not an individual one. Clearly it’s better for the individual to have more money in the wallet than otherwise. But a democratic system is a diversified one, with products and services to meet every preference. And that’s where we are, more or less!

So how does this democratization help authors? As someone who has dabbled in both nonfiction and memoir, here’s one way:

Traditionally, nonfiction authors were required to draft outlines and preliminary chapters, submit these to agents and publishing houses for review, and hope that someone would like that material enough to give them an advance–money to help them do the research required to write the rest of the book. Research, generally speaking, is expensive–especially because for nonfiction it usually requires travel, lodging, meals, and subscription or access fees to information repositories like museums and so forth to complete. Many wonderful nonfiction books have not been written simply because authors weren’t able to give publishers a real sense of what their book was about because the money had to come first in order to really do so….

Self-publishing, however, has co-evolved with a whole host of crowdsourcing options. I have at least one friend who financed her book over Kickstarter with some success, and others who have been even more creative. (But that’s for another post. Soon, I promise.) These alternate revenue streams mean that self-publishing authors don’t have to wait on anyone’s say-so, and they don’t have to sacrifice any creative control over the research, writing, and publishing experience to an institution which will always value its own success over its authors’. So nonfiction authors, in this situation specifically, benefit a great deal from not being dependent on an advance. The same holds true for fiction authors in all of the most important ways, and you only have to follow the career of poet Rupi Kaur to see how self-publishing can indeed be more than congenial to that third great genre.

Of course, the idea and status “commercial author” may be on the way out, or at least these authors who’ve chosen to struggle through the traditional publishing model may have diminished opportunities. Fewer authors each year see the virtue in being one of these so-called “starving artists,” who make their way in the world based on an antiquated publishing model which never treated them well in the first place. This is okay. It’s also okay to be a starving artist, by the way. I just wouldn’t want to be one, and it’s no longer the only model of a successful artist anymore.

Self-publishing still has its flaws. But anything that makes publishing possible for more authors, more affordably, and guarantees them more rights and freedoms, is a democratizing influence. And I love democracy! The fact that self-publishing also makes reading more affordable and a more diverse experience can only lead to good things.

 

Fun Note: A quick foray on Google reveals that as of 2015, at least, Peterson’s book is still under development by Affleck and Damon, so that’s another ray of good news.

Thanks for reading.  If you have any other ideas, I’d love to hear them.  Drop me a line in the comments section below and I’ll respond as quickly as I can.  ♠


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.