In Your Corner: Libraries, the book-lover’s paradise!

public library

Let’s face it, if there’s one place we go to find out information about books, it’s our local public library. Bookstores just feel like such a commitment sometimes, you know? But at a library, the art of browsing is elevated to an art form, and you can feel free to study the shelving arrangement, the genres, the popular nooks and crannies, the competition, and the various ways and means librarians use to “sell” their books to the public–all without feeling guilty for not buying something! In fact, if you’re “caught” browsing in a library and the librarians find our you’re a local author, you’re far more likely to get hooked into giving a book reading than you are to get shushed or to get side-eye from booksellers who really need to sell a certain number of books a day.

Libraries mean unlimited books and unlimited resources for free. And one of the best resources is the librarians themselves. Your local librarian can provide help with, yes, possibly setting up a book reading event to help you market your book, as well as finding answers to questions on how to have your book stocked in that library and much more. Librarians are an amazing source of help and information!

What are some other ways you can promote your book by using the library?

  • Donate a copy (or several copies) of your book to the library. Be sure to go through the proper donation channels.
  • If your book is geared towards children, give a school library presentation on your book’s subject. School libraries are always looking for new books! Just make sure to reach out through the proper channels (i.e. through the principal and administration, as well as the librarian).
  • Connect with librarians via social networks. Twitter, Facebook, and LinkedIn are powerful ways to network!
  • Stock promotional materials such as flyers and letters at local libraries. Be sure to include of the essential information about your book such as subject, genre, audience and purchasing information. It’s best to ask if they’d be willing to stock these supplies on their “freebies” counter or in their brochure pocket wall first, just in case they need to check their policies.
  • Ask a librarian to review your book in a local publication. This will bring positive attention to your book and encourage other locals to buy it! You might even be able to get a librarian to review it in your library’s state or regional newsletter, which would encourage other librarians to buy it.

Libraries are a powerful part of your book promotion strategy. Creative marketing tactics can increase your chances of a library stocking your book. They can also lead to great relationships with librarians and readers. The best way to find out what your local library wants is to talk to the librarians. Work on building an honest relationship, and you may just find one your book’s best promoters.

Not sure where to find your local library? Hop on www.publiclibraries.com and search by city, state, or zip code–or you can visit the American Library Association (ALA) at www.ala.org, where you’ll find loads of information on the current state of libraries and how you can get involved, both as a self-publishing author and a lover of books!

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author SeLibraries are a book-lovers paradise.  Unlimited books and resources everywhere.  One of the best resources is the librarian itself.  Your local librarian can provide help with possibly setting up a book reading event to help you market your book, answers to questions on how to have your book stocked in the library and much more.  Librarians are an amazing source of help and information.rvices for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

In Your Corner: Put Your Vacation to Work!

laptop flowers

Oh, I know–turning a vacation into a working vacation isn’t necessarily what you had in mind for your summer, but the fact remains: books aren’t going to sell themselves, and when it comes to being an indie author, there’s not a moment to be wasted.

Even … vacation hours.

Maybe even especially vacation hours!

Luckily for everyone, there are some easy ways to boost your sales and make your vacations work for you rather than against your book sales!

Vacations and the reunions that go with them can be the absolutely most ideal time to market your book and gather some new readers. Or maybe old readers. Age doesn’t matter. Everybody reads, especially when they have a personal connection to the author–you! Reunions are a fantastic place to tell family members, friends, and other personal connections about your book and where they can buy it.

Then there’s the most magical of all summer vacation destinations: the gift shop, the ultimate place to display and present your book for shoppers and readers on their various road trips. And while you travel, too–any stranger you meet on a trip is only a stranger until you break the ice by sharing your book!

Of course, if you’re going to make the most of your vacation, there are some things to keep in mind. You’ll need to:

Keep up with your social media.

Before you take off for the beach of the mountains, schedule. Schedule, schedule, schedule. Facebook has a lovely, easy tool built-in to make this possible–simply put your posts together, and click the drop-down arrow next to the ‘post’ button and input the date and time of your intended schedule.

But what about the others? There are quite a few tools out there to manage all of your media at once. Hootsuite is one, Later.com another, Buffer yet a third. Do your due diligence and pick a service that fits your needs, and be aware that there are free options, so you should theoretically be able to take care of your scheduling needs affordably. Once you have an account, all you have to do is preload your tweets, your posts to Google+ and Instagram and so on.

And of course, be safe! Play up your travels as much as you like as a kind of promotion, but don’t make a point of mentioning how long you’ll be away from home, or other personal details that the disingenuous might exploit. Take pictures and make plenty of memories to share later!

Network!

Take full advantage of your trip to plan for the future. Is there a writing conference taking place in one of your destination cities? Get on the list. Are there book readings? Could you plan a book reading at one of the libraries near your beach or mountain idyll? Local writing groups are another great option. Plenty of people might be interested in having you speak about the process of self-publishing.

And of course, come prepared. Keep a pack of business cards, bookmarks, postcards, posters, and a couple of promotional copies of your book on hand, and practice your elevator pitch thoroughly before hand. If you haven’t yet invested in some merch, go ahead and start down that glorious road. Think outside the box, too: is there a way to promote a giveaway while traveling, guerrilla style?

Make it a GRAND tour!

Some of the items on your agenda are a given, no matter what kind of vacation we’re talking about. But it’s well worth your effort to look into the libraries, museums, gift shops, bookstores, civic spaces, and other places that might serve as a spot for a reading, signing, or other promotional event. If your book somehow relates to local history or events—even better! Marketing your self-published book shouldn’t take up all of your precious vacation time, but spending even just a handful of minutes each day checking Twitter or arranging a couple of book readings will help support the marketing and sales momentum you’ve worked so hard to build–not to mention pay for an even better vacation next year!

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

In Your Corner: Put a Schedule On It

Holiday suitcase

Look, summer presents unique challenges to writers, doesn’t it? By July, everyone’s deep into their vacations, children are running riot while out of school, family streams in and out in a series of reunions, and … it can be hard to continue writing.

Of course … there are remedies. And this week, I suggest trying your hand at a schedule––and then, of all things, sticking to it!

Now, those who know me well know that I’m not aways given over to structured practicalities and organizational tricks. I know how to kick back and relax, especially in summer. After all, if you work in publishing or with authors, as I do, you’ll know that victories are hard-won and well worth celebrating! So … don’t take this as heavy-handed pontification from someone who’s eminently hypocritical. I often suggest many things which I do not myself do all the time, since I’m as firm a believer in changing the habits to fit the situation as I am that success in self-publishing is the nexus of persistence, skill, and good luck.

I recommend schedules for everyone. If not for always, than for a season––and there’s no better season to try your hand at scheduling in summer, when the emotional, physical, and social stakes are so high … and very little writing is getting done anyways, so why not try a new approach? You may be writing by a pool with a mimosa at your side, but you can still work a schedule like nobody’s business, and churn out more writing than you would otherwise. Anyone with a plan can make it work!

In garden a woman surfing on internet with laptop.

Oh … but a plan? How do I come up with one of those?

Here’s where I get a little bit … experimental. As the first step to developing a schedule, I recommend starting a bullet journal. You have probably heard this term before, and associated it with highly neurotic, organized, possibly even OCD? people with phenomenal artistic skills. sure did, and refused to start a bullet journal, until I dug into a great conversation at the local library with a young mother named Melissa.

Melissa bullet journals. No surprise there! But wow, she has zero artistic skills. I mean, not a single artistic bone in her body! She was a bit reticent to show me her bullet journal, since she felt insecure about the lettering and such, but I was eventually able to persuade her. And I was incredibly impressed! Melissa has gotten to the heart of what a bullet journal is all about, which is to say, she started hers with lists––shopping lists, to-do lists, etc––and by tracking the little things she does throughout the day. Then she took it one step further and started to set goals … once she knew what her days usually already looked like, and what was feasible.

That, my friends and dear readers, is the value of a bullet journal. It can eventually help you shape behaviors, yes, but first it shows you what you already do––and therefore, what you’re already good at, and maybe some areas to work on. It’s like Google Analytics, but for a person’s daily productivity!

Printable Journaling Cards with Rooster Illustration. Line Style

You can put a bullet journal to work describing your days and then use the data you gather––when meals happen, what they look like, how many hours you’re sleeping a night, what your weekly and daily commitments look like and how they change in the summer––to transform or tweak your schedule just a little to squeak some more writing in. Poolside, or otherwise.

It’s all about sustainability. Radically altering your writing behaviors without a plan just isn’t a good idea––and it isn’t, ultimately, sustainable. Small changes are great, however, and over time you can build one change upon another until your summers are your most productive months, rather than the opposite! But it starts with knowing where you are, first.

If you’re looking for insight into bullet journaling, hop on Google or YouTube! There are literally thousands of them out there, but beware: many are a bit deceiving, touting life-altering effects and demonstrating uncannily beautiful hand lettering skills. You don’t have to make all the big changes at once, and you don’t need to be a gifted artist to figure out a better summer schedule by bullet journaling!

Still, here’s a quick snippet to get you started:

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

In Your Corner: The Benefit of Personal Service

personal service

Personal service. What does that even look like?

Consider where we are, in 2017: a world where one can order groceries off of the internet for home delivery, where autonomous cars are a real and actual thing and only a couple hundred rounds of safety testing from sitting in your garage, and where robots write blogs, and pretty well, too. (Don’t worry, there’s a person writing this blog. We promise. She just needs her morning coffee.) In fact, bots run quite a lot of what we do these days.

In the world of 2017, you can quite feasibly buy all the things a person needs to live–‘food, shelter, and safety’ echoing down from fifth grade science classes–online and without ever once leaving the house. And this is a potentially wonderful thing, especially for those with anxiety disorders and mobility problems. And while a lot has been made of the whole ‘bot stealing your job!’ meme, the facts do not (yet) bear that out. Most of the jobs being ‘taken’ by bots are more like gaps in the workforce that software designers and engineers are working to fill. (Most. That blog-writing bot still has me worried.)

The thing is, sometimes we really need personal service and help, and in a world so digitized and automated, it’s hard both to find it and even to figure out that you need it in the first place. After all, if no-one’s offering it as an option and recommending it in the various blogs and news articles you read, how are you going to know that personal service–particularly in self-publishing, our industry–is of benefit to you? How are you going to know where to get it?

It’s worth paying for someone to advise you, guide you, and to help you when it comes to something as important as publishing your book. Personal help from an expert that advises authors for a living is a valuable tool, not just some luxury, and should be perceived (and treated, and marketed) as such. Of all the self-published and self-publishing authors who I’ve worked with over the years, a grand total of zero (ZERO!) have commented that they “really didn’t need as much help” as they got through the company I work for (Outskirts Press). And since Outskirts consistently wins awards for its personal service … well, I guess it’s just proof that one can’t have too much of a good and useful thing.

It’s not just Outskirts Press who offers great personal customer support, but they are a great case study. When the company was founded all the way back in 2002, the world of self-publishing was a disorganized mess! There weren’t a lot of companies in the business yet, and there weren’t a lot of options available for the discerning author to allow for the flexibility which we so take for granted today. But it became a part of our founder’s operational framework that his company would focus on customer service and personal contact, starting with an author’s first expression of interest and continuing all the way through the publishing and marketing processes. This has since become our guiding star, and exerted an influence on other self-publishing companies, as well.

When you see the benefits of personal service, there’s no going back to simple templates and click-and-paste solutions.

But what about the cost?

One of the things you’re paying for at a self-publishing company is its personal service, and the more people working on your book–a Personal Marketing Assistant, a Graphic Designer, a Copywriter–the more you can expect to pay. But once you do pay for them, whether up-front or in installments, the benefits you unlock will last for years. You’ll have a cover design of which you can be proud and which will reel new readers in. You’ll have a marketing plan laid out from start to finish, and next steps for when you’re ready to publish your next book. You’ll have promotion on a variety of platforms, perhaps a book trailer on YouTube and a press release sent to various reviewers’ inboxes. This costs money, yes, but it pays its dividends.

And there are costs to doing it the other way, too–to going people-free in self-publishing. Although some publishers offer free digital services, when you need help, no one is there to guide you through the process. And it’s an incontestable fact that books with generic, template-based covers don’t catch customers’ eyes all too often. That their interior formatting is often a mess because there was no one there to make sure it copied over cleanly. That there’s no fanfare, no publicity, no social media optimization–unless you know how to do it yourself and are willing to pay the price in time and energy to make it work.

It’s worth the cost to have someone in your court, ready to help you when you need it.

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

In Your Corner: When Free Isn’t Free

When it comes to self-publishing, “free” isn’t always free, if you catch my meaning. In an industry where we’re used to self-publishing and indie presses being the much-lauded “little guy” going up against the Big Five traditional publishing houses, we sometimes overlook an important fact: indie authors still need to read the fine print.

Every publisher is a business–small presses, vanity publishers, and self-publishing companies like Outskirts Press included–and therefore, publishers still must make a profit somewhere. And that “somewhere” part is … well, the key. Rather than learn about hidden fees after you’ve gotten started down the path to self-publishing, wouldn’t it be better to know ahead of time how much you’ll need to spend? Planning, budgeting, and creative control are all vital facets of the experience, and we want to put you in the driver’s seat.

To that end, here are a couple of hidden fees to watch out for:

  • Amazon’s “Megabyte” Fee: If you happen to choose the 70% royalty option when publishing through Amazon’s KDP store, Amazon will charge you for each megabyte of your document. They have a full explanation on their KDP pricing page. It’s also worth noting that Amazon is not the only publisher to invoke this kind of hidden fee; many digital publishers do. So read that fine print!
  • Cover Design: Unless you opt for a bundle or collected service from a self-publishing company which offers professional cover design, you won’t be receiving one for free! And while many online websites offer free tutorials, the results … don’t always look so good. If you need a little convincing to pay out the money for a professional cover design, see one of our many previous posts on the benefits! The same is true for professional copyediting and many other interior design aspects of your book.
  • ISBNs: Unless you already knew you needed one, you might not know about this hidden fee. It’s a sneaky one, too–but there’s help at hand! It’s easy to file for an ISBN, if you know how or who to hire.
  • Street Cred & File Conversion: Some of the unquantifiables of self-publishing include more generic “business expenses,” like establishing credibility by having an imprint’s name rather than your own personal name on the Library of Congress information page, and paying for a good and accurate conversion of your manuscript file to the final format. Neither of these things is strictly necessary, in that you can self-publish without them, but it will take you much longer to get your book out there, and much longer to sell those books once they’re printed if they’re not formatted correctly or attached to a “legitimizing” imprint.

In many ways, you get what you pay for, so hidden fees aren’t strictly an evil thing. They exist for a reason, and your success depends on knowing which of them is useful to bow to and which ones you can forego. Just be aware … they’re out there, and you need to budget them in before committing to a final bank balance.

hidden fees

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path

In Your Corner: What’s in it for you at the book fair?

What’s in it For You?

Book fairs are great! … but they can also be terrifying, or worse, difficult to access for the average self-publishing author.  Combine tens of thousands of highly passionate librarians and booksellers, teeming crowds of readers, not to mention casual browsers and you have an unparalleled opportunity for exposure!  The book fair is unequaled by anything else in the reading and writing world, and because it most often reflects the best aspects of the writing and reading and publishing processes, it has plenty of room for you, the self-publishing author.

Many self-publishing platforms and hybrid publishing companies send representatives to book fairs.  Many, including Outskirts Press, even sponsor booths in order to feature self-published books at home and abroad–face-out, not spine-out! And more than anything else in terms of presentation, face-out exposure sells books!

Audience Matters.

What kind of person attends a book fair?  Interestingly, the London Book Fair has already answered that question and thoroughly; according to the LBF website, the 2015 event drew 1,591 exhibitors from 60 countries and some 25,000 attendees from 118 countries.  In attendance also were around 900 members of the media, also from all over the world.  Since Planet Earth only sports around 196 countries at the moment, this means that the London Book Fair manages to represent at least 60% of the world’s population in some way, shape, or form–each year!  And the LBF is just one book fair among many.

You belong there.

Your book is wonderful. It needs to be read. You may be a bit of a rebel: you’re already striking out on your own, dispensing with the false and burdensome values of traditional publishing, after all. But you and your book are free to take advantage of scaffolding like book fairs without being shackled to the rest of it, and your book is a bonafide example of an author designing and creating and publishing exactly what he or she envisioned.  That kind of artistic integrity creates its own gravity, its own magnetic attraction to readers.  Fair-goers will pick up on that authenticity right away!

Your book ought to be the star of the show.

Often a busy or crowded space isn’t the most comfortable environment to spend time talking or browsing for new reading material.  Think of Starbucks–and of bookstores like Denver’s the Tattered Cover.  Both of these companies use small nooks to great effect, and it’s not by just packing in a lot of stuff and posters and wallpapering the whole area with product information.  A book fair is not a bookstore; it doesn’t revolve around books.  A book fair revolves around authors and the worlds that they create.  People can order whatever they like off of Amazon and have it in their hands with far less expense of time and energy and money than attending a book fair–but people still flock to them!  And why?  Because they want to participate in the social world of books.  They want to meet the people who make books happen.  They want to meet you and your book.

So, how do you make your book the star of the show?  You winnow down your display and your presence to the absolute essentials–with full face-out exposure–and you focus on building human connections with the people there. All you need is the confidence to go, and perhaps the support of those who have gone before.

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path

In Your Corner: Where (& Where NOT) to Sell Your Book

Typically, a (midlist, traditionally-published) book tour can only last so long–about three months, on the average–and that same book has about the same length of time to linger around brick-and-mortar bookstores like Barnes & Noble before being shuffled off to (midlist, traditionally-published) book heaven. There are exceptions to the rule, of course, and those rare blockbuster successes like Harry Potter and John Grisham’s latest book will never know these trials. But what about self-published books and self-publishing authors? It’s hard enough to get your book on any shelf, period, so how do you figure out which shelves matter the most, given the limited times that various retailers will be interested in stocking it?

I would offer up the following list of places to consider NOT selling your book:

  1. Big box stores. I read somewhere recently that around seventy percent of American adults haven’t stepped inside a bookstore for the last ten years. Blame the skyrocketing usefulness of digital services if you like, but the point is … most people aren’t going to find your book if it’s only for sale in a bookstore, particularly a big box store like … well, Barnes & Noble and now Amazon’s physical bookstores (Amazon’s algorithms are always sure to privilege Kindle Direct-published titles, anyway). The greatest problem of all with big box stores is, however, simply this: they won’t go to bat for you. There are too many other competing concerns, and they’re not likely to take the time to care about your individual success in the midst of all that. This isn’t to say you shouldn’t try at all to stock your book at B&N and elsewhere, but be prepared to have your books returned to you after some months if you don’t actively promote your book in each location yourself. We’ve mentioned it elsewhere on the blog, but stores may not even be willing to stock your book if you don’t give them a free return option.
  2. Independent bookstores. This one might get me into trouble with some other self-publishing authors, but my point is that independent bookstores are for the most part incredibly crowded places, with thousands of competing titles jammed into a small space. I would posit that the indie bookstore is a fantastic place to hold a reading, but a difficult place to sell books if you yourself are not present at a book launch party or a reading in order to promote it. Indies don’t have the budget to do that for you, and as with all other sales locations you should expect to bear the brunt of the marketing.
  3. Restaurants and wine bars. There can be ways to make a restaurant or wine bar or coffee shop or other “edible” establishment a happy home for your book, but usually only as a live event space–for readings and launch parties and such. Problematically, however, these locations tend to charge for such events, often a hefty sum, and the cost can outweigh the advantages–especially if there is a library or civic space nearby where you can hold your reading for free. If you’re going to sell at a restaurant, be ready to have to compete with lots of other activity and noise OR to be sectioned away from the main public area and therefore unable to draw newcomers in. It’s hard to feed serendipity when there’s a wall between you and the front door!
  4. Online. Not all algorithms are created equal, right? Amazon has come under fire in the last few months for deliberately downplaying indie and self-published works that were produced by other publishers than their own Kindle Direct service, and Barnes & Noble’s Nook store has never seen the same level of traffic as their amorphous competitor. You should not expect for your book to sell, magically, online without extensive marketing on your part and careful attention to where you sell. As in a lot of other facets of self-publishing, you want to sell through people who will go to bat for you. The folks over at Outskirts Press seem like a great example of such a company, and their online bookstore is easy to find and navigate.
  5. Under your bed. There are plenty of ways to NOT sell your book, but hiding them under the bed and expecting them to sell without you having to put in some serious elbow grease is perhaps the worst of all. The other entries on this list of “NOTs” is still a better place to start than here, in the realm of neglect. Promote, promote, promote!

… but of course, every challenge has its flip side. I would offer up this second list, in increasing order of value, as a compendium of places to DEFINITELY sell your book:

  1. Local indies. Look, I know what I said about independent bookstores on list #1. But local indies are another story. A nearby town has three of them, and they constantly compete to get visiting and local authors to stop by and sign books, host readings, and generally be a presence in their stores. It’s a mutually beneficial partnership, and many of the problems of the general indie bookstore disappear when you’re able to stop by multiple times a month and make yourself a part of the life of your local indies. They’re often willing, even, to pass word along about your other local events–readings at libraries and such. The three local indies I mentioned above all network with the big city library to take some of the pressure off in hosting parts of the annual state book festival. When things are local, they become fertile ground for long-lasting relationships.
  2. Local libraries. For many of the same reasons as with local indies, local libraries are fantastic places to sell your book. Not just at book launch parties and readings, although those too are fantastic, but possibly even at the front desk or via the community bulletin board. The point is, again, to keep yourself an active presence at the library, to stop by both at planned and unplanned moments to engage with the library patrons and staff. To cultivate relationships. One little local library I visit regularly had a special relationship with a local historian who published books about the town, and always had one or two copies of his book on hand to sell for him. When he passed away, those books suddenly became very hot property in the community, and the library hosted a farewell memorial with his family. I won’t say this particular arrangement is a common occurrence, but it’s a possibility.
  3. Local businesses. There are all kinds which might be willing to partner with you, either by putting up posters or keeping a couple of copies by the register–hair salons, museums, art galleries, specialty stores, you name it! Wherever people browse slowly, that’s an opportunity. And it’s all the better if you have a personal connection with the staff at these businesses, so that they’re interested in picking up the books themselves and having a read. The more people who know what’s inside the covers of your book and who stand behind counters in authority positions, the better, I say! The author who had that special relationship with his library? His books really move at the local city museum, too. There ought to be at least one place which just fits so perfectly for you, right?
  4. Elevators. You will have heard of the “elevator pitch” if you’ve hung around authors or businessfolk at all, and I can’t overemphasize the importance of having one of your own. There are countless opportunities to deliver a thirty-second spiel as you’re going about your daily life, your weekly routine, and your monthly once-offs! It’s all in the mindset, and flipping that switch which turns you from a regular everyday commuter to a self-promoting self-publishing author. It’s often a conscious decision, and it’s not always easy–we all want to just zombie around and relax, every now and then. Social interactions can be awkward enough as it is! But every day is full of opportunities, and if you’re sensitive to them and the mood of the person stuck in that hypothetical elevator with you, you might just have a potential future fan on your hands.
  5. Online. Yeah, yeah, I know this made my list of “NOTs” earlier. But it’s more about how you go about it and where you do that going-aboutness. And as always, think in terms of relationships. Where can you cultivate relationships so that you’ll be creating a team of people willing to promote your book with you? Very likely, social media will play an important role–but only if you’re willing to spend the time to cultivate real and actual, authentic interactions with your followers. So long as you’re dependent upon people you trust and care about–your fans–and not some faceless algorithm, you have a very good chance of growing your reach and selling some books along the way.
Girl (6-7) standing in front of bookshelf
Girl (6-7) standing in front of bookshelf — Image by © Sasha Gulish/Corbis

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.