From the Archives: “Self-Publishing Advantages Out on the Table”

Welcome back to our Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

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[ Originally posted: November 10th, 2009 ]

This posts and blog exists to help you make the best informed choices for the future of their books. Whether you’re still in the conceptualization phase or searching for a publisher, these are tips, each worthy of careful consideration.

For example, take a moment and write out your personal publishing goals…

For many authors, these 7 are the most important:

1) Keeping 100% of your rights and creative control to your book
2) Keeping 100% of your author royalties
3) Unlimited wholesale and retail availability
4) Additional marketing support and services
5) Publishing imprint and ISBN flexibility
6) High-quality book design
7) Complete print-run flexibility (1 to 1000s)

What would you add to this list?

I don’t know about you, but when we first published this piece on Self Publishing Advisor, we created a bit of cognitive dissonance; while the seven items listed are indeed advantages, they’re not necessarily advantages which show themselves on a shelf (unless you’re filling a shelf with 1000 copies of your book, which is quite a shelf indeed). Instead, we gave you a list of seven fantastic, but more general, advantages to self-publishing.

So, what are the advantages a self-published book might find on a shelf against other, more traditionally published books?

Many people are accustomed to thinking of self-publishing books as at rather a disadvantage, rather than an advantage, on such a shelf. This is because yes, once upon a time, the cover designs available to indie authors were far more limited in customizability than those available to their traditional competitors. After all, traditionally published authors have the full weight of their publishing houses behind them, with their marketing teams, their graphic designers, and their many other well-financed technical experts on staff.

But things have changed. So even if in terms of covers, the playing field is rather more level than tipped to advantage either traditional or indie authors, there are other ways at which indie books can–and often do–rise above the competition. First of all, there’s the local angle. Many bookstores and libraries privilege local authors over the general horde; all you have to do is bring this to the proprietor’s attention. This “local advantage” also works on potential readers, too. Don’t underestimate the immediate impact that this one simple factor can have on your ideal readers!

There are other advantages your indie book can have “out on the table,” of course! Because you control the price, you also control the price tag. The appeal of an affordable number should not be underestimated. But most of all, your book’s cover is your avatar in the world, a representation of you, and a truer one than any publication company could create. That alone is enough to make it stand out.

book cover designs

Thanks for reading.  If you have any other ideas, I’d love to hear them.  Drop me a line in the comments section below and I’ll respond as quickly as I can.  ♠


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Self-Publishing News: 3.20.2017

And now for the news!

This week in the world of self-publishing:

“According to data gathering website Author Earnings, self-published novels now make up 42 per cent of the fiction book market, offered via distributors like Kindle, Kobo, and niche websites like Smashwords,” according to this CBC news article by Maryse Zeidler. 42% is a pretty significant chunk of the fiction book market, considering what a niche, almost frowned upon practice self publishing once was; it now almost seems…mainstream. Public libraries across Canada are even going so far as to promote collections of self-published authors!

Because of how prolific self-published books have become, the cost for the readers can be very small, allowing them to try out authors they’ve never heard of without very much risk. This is good for authors who are just starting out and need to slowly gather a fan base. Zeidler points out that this also allows for a vast array of genres like “science fiction, mysteries and thrillers, not to mention ultra-niche genres like steampunk or even dinosaur erotica.”

The stigma around self-publishing has not disappeared, as there are some poor quality things that do get published. However, there is a rising number of professional authors who are putting out high quality material and offsetting that stigma and sometimes even becoming best sellers!

This is an absolutely fabulous and entertaining article by James Altucher, a successful self-published author, in which he gives all the reasons he has decided to self publish.

First on his list? Speed. Althucher once challenged himself to write and publish a small novel…in a weekend. He successfully did so and published it on Amazon under a pseudonym almost simply because doing so would’ve been unthought of even just a few decades ago. Six months is the normal time frame James will take on one of his books, which is still unthought of if he were to go through a traditional publisher who would want outlines, drafts, etc over a span of most likely one to two years. “Another friend of mine publishes a book every two or three months. Another friend writes fantasy novels –maybe two or three a month,” he says, “He’s sold over two million copies of his books. All through self-publishing.”

Second on his list is control. Now that the best designers and editors have discovered that freelancing is more profitable, that’s what they do, and that means anyone who wants to publish a book can hire them. For James, the cost of hiring the best freelance writers is well beyond worth it, as he prizes his readers more than money and knows that a well designed book will sell infinitely more copies.

Another reason he gives is that you don’t need permission to write a book anymore. “You don’t need to be a good writer,” he says, “You don’t need to have a good story. You don’t need to have anything to say.” He finds a beauty in this. Writing has now become an artistic act available to any/everyone. Self-publishing being the great equalizer.

Money is an oft-cited reason by many successful published authors, but James cites some pretty staggering figures from his traditional published earnings -vs- his self-published earnings. The maximum figure he gave from traditional publishing was $100,000, and his current self-published novel has made him between $300 and $400,000.

I’d go on, but you should really read the list yourself. He’s curt, to the point, and a hoot to read. He’ll make you want to go out and hug a stranger or publish a book this weekend on Amazon.


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As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry. This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Saturday Book Review: “Read: Decoding the Reading Obstacle – Increase Your Test Scores in Reading and Science”

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.

When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this week’s book review, courtesy of Midwest Book Review:

Read: Decoding the Reading Obstacle - Increase Your Test Scores in Reading and Science by Walker Guerrier

Read: Decoding the Reading Obstacle – Increase Your Test Scores in Reading and Science

by Walker Guerrier

Publisher: Outskirts Press

ISBN: 9781478776253

Synopsis*:

This book is design for top students, who have the desire to go above and beyond. I call them the seeds of greatness. The students I grew up who have used this approach are now doctors, scientists, and writers. These particular students became an engineer and doctor. Once you start using this book, your intellect will never be the same. This approach will help you attain your highest potential. Students all over the world use this book as a key to their success.

 * courtesy of Amazon.com

Critique:

A consumable workbook, “Read: Decoding the Reading Obstacle” is especially recommended for both public school, private school, and home-schooling curriculums, and as an ideal, effective, and ‘user friendly’ do-it-yourself study skills improvement manual for college students.

reviewed on the Education Bookshelf of Midwest Book Review ]


saturday self-published book review

Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space every Saturday!

Self Publishing Advisor

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Conversations: 3/17/2017

MARCH INTO SPRING

WITH A SPRING IN YOUR WRITING STEP Part III

Today I continue with examples of books written by authors who publish in the genre of Inspiration/Faith and who meet my criteria of educational reading that enhances the education of all writers no matter what genre we write.

Many of these authors are sharing their own true stories, revealing the miracles that have taken place in their lives and the lives of people they know. I will admit that this was a genre I avoided for years. I’m not sure why—other than the fact that I was never encouraged to investigate theses book on our library shelves. However, once I connected with several real authors who have published in this category, I can’t seem to get enough of them.

Finding strength and courage to meet life’s challenges is a main topic of royalene1this genre. Author Rachel Dupree-Grant offers her true life story—Being Strong in the Faith—that demonstrates it is possible to rise from poverty and climb the ladder of success no matter the obstacles or abuses or storms that are thrown against you. Through every situation she believes God is a Healer and a mountain mover. Rachel includes Scriptures and prayers that help us all grow in Faith and “be strong.”

royalene2Author, Mary Johnson-Gordon, writes of her personal experiences in Revealing Divine Mysteries of the LORD of Mercy. With boldness she informs us that her book publishing is mandated by God so that all people will know of His extreme—and very real—love for us. Detailing her visions and transport into Heavenly realms where she is taught many things we close the book praying for such a close walk with God. The revelations are, indeed, inspiring and have led me to consider my own writer’s calling—the skills God has planted in me to be an active part of His plans.

My third example today offers practical and healthy living guidance. Author Ellie royalene3Marrandette offers us sensible Biblical principles in Life’s Too Short To Eat Bad Cheese, as she shows us how to restore and maintain our health and vitality. I love her quote on Amazon: “…people needlessly consume ‘sticks and twigs’ or drink tasteless protein shakes when God has already given us a perfect dietary plan in Genesis.” I don’t know about you, but all my life I’ve heard that “if you just quit eating chocolate and cheese you’ll lose weight.” Finding this author’s book give a whole new perspective for me.

As these examples “testify” the Faith and Inspiration genre is wide open to a variety of topics which expands even wider when writers realize this includes the categories of Business, Building, Education, Politics, Personal Relationships and oh, so many more.

And why should we think of great success in this Faith/Inspiration genre? Have you heard about the miraculous publishing story of a little book called The Shack? The author will quickly tell you that he’s just as amazed as anyone about its success. It was on The New York Times Best Seller’s list from June 2008 until early 2010—and the movie was just released this month!

So…let your own Faith be heard! Write! Publish! Be blessed!  ⚓︎


Royalene

ABOUT ROYALENE DOYLE: Royalene has been writing something since before kindergarten days and continues to love the process. Through her small business—DOYLE WRITING SERVICES—she brings more than 40 years of writing experience to authors who need “just a little assistance” with completing their projects. This is a nice fit as she develops these blogs for Outskirts Press (OP) a leading self-publisher, and occasionally accepts a ghostwriting project from one of their clients. Her recent book release (with OP) titled FIREPROOF PROVERBS, A Writer’s Study of Words, is already receiving excellent reviews including several professional writer’s endorsements given on the book’s back cover.  

Royalene’s writing experience grew through a wide variety of positions from Office Manager and Administrative Assistant to Teacher of Literature and Advanced Writing courses and editor/writer for an International Christian ministry. Her willingness to listen to struggling authors, learn their goals and expectations and discern their writing voice has brought many manuscripts into the published books arena.

In Your Corner: Nom de Plume (Part III)

Two weeks ago, I began a quick series on the merits of using a nom de plume–otherwise known as a pen name, otherwise known as a pseudonym–under which to self-publish your next book. The series continued last week, with an examination of the drawbacks of using such a cover, and concluded with the question:

So: You’re ready. What next?

And … here we go.

masked unmasked nom de plume pseudonym pen name

If you’ve decided to adopt a pseudonym, there are a few steps you should take to ensure you do it right. (And by right, I mean correctly!)

  1. Choose wisely. Once you’ve selected a pen name, yup, you’re stuck with it. Or rather, you will want to be stuck with it for a whole host of reasons to do with convenience and consistency, so make sure it’s not a name that ages poorly or that you will grow out of in a year or two. Don’t go overboard in making up a name so memorable that it comes off as goofy to others. Use friends and family that you trust as a sounding board for pseudonym ideas–they’ll let you know if they catch a whiff of something goofy immediately, since your reputation is important to them.
  2. Choose something unique. Don’t settle for your first idea; your pen name should be unique, so it’s well worth your time to do a little searching through Google and so forth in order to check that your pseudonym of choice is not already used by another writer (past or present) since you want to avoid confusion. Also: steer clear of imitating famous names. Stephen King will not be happy when he hears you’ve stolen his name, and you’re favorite dead author wants you to know her estate will be calling to sue, even though she’s long gone. Hunt through the U.S. Trademark Office website to make doubly sure you won’t get into any hot water for duplication, conscious or unconscious.
  3. Put a ring on it. Or, you know, your personal domain. Search for available domain names before committing to a pseudonym, and then buy it. Also make sure to file a Fictitious Business Name Statement if you’re likely to receive payments made out to your nom de plume instead of your real name. This is a real thing, and you should do it.
  4. Put your mouth where your money is. I know, I know, this is a total reversal of the usual statement. But once you put money down on a domain name, you want to make good on that expenditure. Put your pseudonym on your book’s cover and on your copyright notice. It is worth putting the notice in both your real and pen names.
  5. Keep your publisher in the loop. I know this sounds obvious, but it’s crucial that you be in touch with your self-publishing company at every step of this process. They’re the ones who will catch a lot of the flack if something goes wrong, but they also can do a lot to make sure your pseudonym is a success. Talk with them! And if total anonymity is your desire, then you’ll want to make that clear to them, possibly even going so far as to set up a corporation, LLC, or other entity in order to sign your contract under a name other than your real one. But that’s expensive, and complicated. If you are content with being anonymous only to the general public and fully frank with your publisher, there’s little need for that step.
  6. Register that copyright. Look, this might sound like an extra detail, but it’s 100% worth the fiddly work. You really ought to register the copyright of your work under your real name, your pseudonym, or both. There are different ways of going about this, but my personal recommendation is to lean towards “both.” That way, all of your bases are covered and you’ll never be caught out in a tricky legal situation where you can’t prove that your works are, well, products you made yourself.

No matter what, the decision about choosing a pen name rests with you, the self-publishing author, and while there are several potential missteps you might make, good intentions go a long way in the world of words. The one crucial thing you’ll need to do in choosing a pseudonym is to choose it sooner rather than later, especially if secrecy is something you want to weave into your relationship with your publisher. But the sooner you settle on a name, the sooner you can get your cover designs settled, and your copyright paperwork filed, and so on and so forth. “The early bird publishes in a timely fashion” would seem to be the moral of our story this week!

Do you have any questions about pseudonyms that we can answer here on SPA? I’d love to tackle them, or to hear you weigh in on your past experiences with pseudonyms, good or bad. We’re here for you, as a listening ear and a resource.

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.