Self-Publishing News: 12.3.2019

December banner with fir branches.

Welcome to December!

And now for the news.

Highlights from this month in the world of self-publishing:

While December is usually a slow news month in the world of publishing (both traditional and indie) as attention shifts to yearly book lists and awards nominations–as well as to busy personal lives as the holiday season reaches its frantic peak–we bring you this excellent article by way of ArtsHub, an Australia-based website dedicated to boosting the stories and voices of those in the arts, including the literary arts. The article, originally written for New Zealand’s The Big Idea by bestselling self-published author Steff Green under the title “Doing it for yourself,” might just be the most compelling rallying cry or self-publishing manifesto we’ve read this year. “In the beginning …” Green begins, “If you were an author who’d exhausted the options for having your book traditionally published, you only really had a few options left.” There were always a few small-scale operations that managed to just scrape by, but self-publishing only really took off as something attainable and sustainable with the rise of ebooks and dedicated e-readers (although we’ve largely moved beyond those, now, to reading on smartphones and regular tablets). And Green herself has benefited from those new opportunities. She writes:

I’ve been self-publishing my fiction since 2014. My first few fantasy books sold only a handful of copies every month, mainly because I didn’t know what I was doing. It wasn’t until I switched genres to paranormal romance and learned how to write for my readers that I started moving serious units. Now, I’m a bestselling author who gets to make up stories for a living, and it’s an amazing and humbling career.

With numerous books in her personal backlist and a more refined sense of what she wants to do next, Green’s experience serves as both a demonstration of what’s possible and an encouragement to keep choosing self-publishing over the traditional model; she crunches some of the numbers in this article, reminding readers that the royalties really are significantly better in the indie model. She also reminds readers that the world has changed, and for the better. “Self-publishing is no longer a dirty term,” she notes. “It’s a viable career option that’s giving back creative control to authors. To be successful, you have to know who your readers are, and give them more of what they want.” If you can do that more effectively through self-publishing, why not give it a try?

Green’s final words are also an invitation, and we can’t think of a better way to sign off today’s post than to repeat her words:

“Are you ready to join the self-publishing revolution?”


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

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Self-Publishing News: 11.26.2019

november

And now for the news!

Some highlights from this month in the world of self-publishing!

We kick off this week’s news post with an article from Matia Madrona Query of Publisher’s Weekly, who covers the story of Adam Pelzman, an author whose first book was published traditionally but who has recently made the choice to go indie and self-publish his second. He felt comfortable self-publishing The Papaya King, his latest book, in large part because he’d already developed a healthy relationship with his local indie booksellers. As Query puts it, “Little is more validating for indie authors than seeing their books displayed prominently on bookstore shelves—but not too many bricks-and-mortar stores are willing to take a chance on unvetted authors.” The Wellington Square Bookshop may just show other bookstores a path forward towards better supporting their local indie authors; says Query, “The Exton, Pa., bookstore has a section devoted solely to indie authors, runs writing workshops for aspiring writers, and even selects indie books for the store’s book clubs.” Owner Sam Hankin makes real space in his own life to support the project as well, by reading their books and organizing events for the authors at his store. As Query puts it, “Hankin focuses on a work’s exceptional qualities and merit rather than its publishing platform, and he frequently carries promising indie books to other area bookstores—as he has done with The Papaya King. ‘If I think this should belong to the world, it’s worth sending it into the world,’ Hankin says.” Pelzman’s success, and Hankin’s passion, make Query’s story an inspiring read and well worth your time.

Pat Pattison, an executive coach and author working on a book about creative re-invention, brings us this lovely article by way of Next Avenue. He profiles self-publishing senior Patricia Jacobson, who first started her novel Fern in 1986, and uses her story to lay out five steps to successfully self-publishing—and redefining what success means. His suggestions include seeking out editorial insight, doing one’s due diligence on researching self-publishing companies (that may or may not offer editorial services), and ensuring that one’s book is properly formatted before being distributed for sale in print or digital formats. He also tackles the thorny issue of pricing, and sorting out pricing outside of the traditional publishing standards. More than anything, he suggests looking beyond the money for one’s incentive to self-publish. As he puts it, turning a profit isn’t always the ultimate goal. Jacobson herself is a great example of someone who found the process its own kind of reward; she says “‘At eighty-seven, I really wanted to see Fern in book form, so I could share it with family and friends. When I first saw the final product with its classy cover and perfect size, I burst into tears!'” And if that’s not the heart-warming story you needed this holiday season, we don’t know what is!

If you need a little encouragement, Montclair Local contributor Melissa Sullivan has just the thing. While attending the annual Bucks County Book Festival this year, she found herself inspired by the story of Judith Leyster, a Seventeenth-Century Dutch artist who became something of an icon of successful self-promotion to Sullivan as a result of the fearless face she showed the world. As an author who needed a bit of encouragement herself to distribute promotional materials (specifically, bookmarks), Sullivan knew she needed to put herself out there as well. As Sullivan puts it, “often self-promotion can be the hardest part of our job as an artist.” This is because, she goes on to note,

We are used to working by ourselves, doubting if what we are doing is any good. And then, when we are finally successful and have our work out there in the world, we have to start telling people about it, in the hopes that maybe they might want to read it.
This can all be excruciatingly painful if you are bent towards introversion, as many artists are. But even if you are an extrovert, as I am under normal non-writer circumstances, this need to self-promote can still feel like you are swimming through molasses, dragging yourself to the ultimate point of pushing your work on some stranger.

It’s hard work, but it’s necessary too. And if Leyster could do it, and if Sullivan could do it, you too can find a way. We believe in you!


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

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Self-Publishing News: 11.19.2019

november

And now for the news!

Some highlights from this month in the world of self-publishing!

The news we first covered last week about the continued rise of self-publishing is still making waves around the Internet. This week, the science fiction and fantasy site Locus uploaded their own coverage of Bowker’s exciting report, an exciting development since science fiction and fantasy make up one of the top genres in respect to both publishing and reading. We look forward to seeing what current and future authors of SFF do with this information!

This week, Jonathan Giammaria of the McGill Tribune covered the happenings at Expozine 2019 in Montreal, Canada–an event which drew over 15,000 visitors this year. Writes Giammaria, “Zines have often been associated with fringe issues, speaking for and about marginalized people and providing a platform for countercultural ideas and movements. Since zines have often had small circulations due to their DIY nature, their distribution has generally remained within the communities that produced them.” There, are, understandably, many connections between zine culture and the world of independent and self-publishing industries. And at Expozine, “In contrast to mainstream conventions like the upcoming Salon du livre de Montréal, […] value comes from showcasing a variety of artists whose eclectic niches might otherwise be overlooked.” This is a sentiment most self-published authors know very well indeed, and we’ll be keeping our eye(s) on Expozine in the future as another place to showcase our niche stories.

Are we, or are we not, living in the end times of traditionally published media? Dave Winterlich, chief strategy officer with Dentsu Aegis Ireland, thinks we just might be … at least, we might be if traditional media doesn’t take a long and hard look at its underlying principles. This week, Winterlich wrote for the Irish Times website that the combination of free content and the migration of advertising revenue into a digital space dovetailed with a loss of purpose within the industry itself to create a kind of crisis. (At least, it’s a crisis if you don’t buy into self-publishing.) But it doesn’t have to end there, writes Winterlich: “Traditional publishers can continue to run quality paid newsrooms while still providing a platform extension for self-publishing.” We’ve already seen how fluid the boundary between traditional media and independent publishing can be, with authors creating their own individualized approaches based on services available and their personal needs. Radio and the gaming industry have begun to experiment with self-publishing, and comics have been working in this liminal space for decades. We hope that Winterlich revisits the idea in future articles, and delves a bit deeper into what this new both/and modality might look like.


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

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Self-Publishing News: 11.12.2019

november

And now for the news!

Some highlights from this month in the world of self-publishing!

The biggest news in self-publishing this week comes from The Good Men Project (again! We’re so excited about their new focus on self-publishing, as evidenced by multiple recent related articles on the subject). Contributor Rose Ernst put together this list of, you guessed it, twenty-nine must-listen podcast episodes on the subject of self-publishing. Writes Ernst, “My life changed when I discovered independent publishing in December 2017. Since then, I’ve published seven mysteries, one non-fiction book, and have two more in the pipeline. I’ve sold over 5,500 copies and given away 40,000. And I owe it all to Joanna Penn. The host of the Creative Penn Podcast.”

Chances are, if you’ve spent much time around both self-publishing and podcasts, you will already have heard of the Creative Penn. But if you haven’t listened to the show before, it can feel incredibly daunting to figure out where to start with Penn’s enormous backlist of episodes. And that’s where Ernst’s list comes in really useful, providing as it does a list of recommendations not just for several must-not-miss Creative Penn episodes but also recommendations for where to start when digging into The Author Biz, Rocking Self-Publishing, the Self-Publishing Roundtable, How Do You Write, and numerous other amazing podcasts. This list is absolutely critical guidance for anyone interested in self-publishing, period! We are so grateful to Ernst for taking the time to put together such a thoughtfully curated selection of episodes (all of which are hyperlinked for easy listening, another bonus!).


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

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Self-Publishing News: 11.5.2019

november

And now for the news!

Some highlights from this month in the world of self-publishing!

Woohoo! We are always excited to learn about new review services and opportunities for self-published authors, and this one comes from an extremely reliable and legitimate source with an already-extensive existing reach. This article from John Maher of Publishers Weekly covers the launch of BookLife Reviews, a new paid service from PW dedicated exclusively to covering self-published book reviews. Writes Maher:

BookLife Reviews will be written by Publishers Weekly reviewers, but remain distinct from Publishers Weekly reviews. The service is designed to help self-published authors reach readers by providing them with credible and reliable assessments of their work from reviewers with expertise in their genres and styles.

BookLife Reviews differ from Publishers Weekly reviews in that they are longer—approximately 300 words, compared to 200-250 words for a Publishers Weekly review—and are focused on reaching readers rather than booksellers and librarians. Authors are guaranteed to receive a review, and may elect whether to have it published in the monthly BookLife supplement, which is bound into the print edition of Publishers Weekly. Participants will receive their reviews within four to six weeks of submission. Self-published authors are also still invited to submit their books to Publishers Weekly for review consideration at no cost.

Given the reach of PW and its status in the publishing community, it is perhaps to be expected that these reviews do not come cheap, however. You can find out more about BookLife Reviews at https://booklife.com/about-us/booklife-reviews-faqs.html.

That’s right, self-publishing made waves at Forbes again this week, with an article from Bernhard Schroeder on its powerful slice of the market. And while publishing industry statistics have stayed fairly flat, writes Schroeder,

[…] year over year, self publishing is rapidly rising with e-books, print on demand and audiobooks bringing in billions of U.S. dollars in revenue each year. According to the latest report from ProQuest affiliate Bowker, self-publishing grew at a rate of more than 28% in 2017. The total number of self-published titles grew from 786,935 to 1,009,188, surpassing the million mark for the first time.

This is good news for self-publishing authors, Schroeder notes, before going on to also make note of several key ways that authors can make use of the (buzzword alert) gig economy to further their aims. And while it’s never a bad thing to make headlines at Forbes or any other major industry news engine, the continued thrivingness of self-publishing only seems to come as a surprise to those who haven’t been plugged into the publishing story over the last decade. For the rest of us, self-publishing’s continued outperformance of its own preexisting highwater marks is less of a surprise than a happy affirmation of what we already suspected: self-publishing is around for good.


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

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Self-Publishing News: 10.29.2019

hello October word abstrtact in wood type

And now for the news!

Some highlights from this month in the world of self-publishing!

This fascinating article from Matia Madrona Query of Publishers Weekly tackles the story of author Melissa Marr, an author already well-known for her traditionally published work but who has recently made the decision to “go indie,” by which we mean that she has moved into self-publishing for her most recent projects, including short stories, a collection, and re-releases of at least two books from her backlist that have gone out of print. “‘Let’s be honest: I’m lousy at boxes,'” Query quotes Marr as saying. “‘I write picture books, middle grade, YA, adult, short fiction, and manga. Why not try this?'” Why not indeed? And Marr seems to be finding her feet; writes Query, “in taking control of the publishing process, she has relished the additional freedom to package and juxtapose her work in new and novel ways—a particular benefit for an author whose literary fantasy realms are often layered and intermingling.” Marr’s, Query goes on to point out, experience some benefits as well, including a quick turnaround from manuscript to print copies on the shelf. Marr’s experience has given her some useful insights into the value of visibility, an attractive cover, and a responsive self-publishing platform as well—all of which are worth reading!

Publishers Weekly showed up for self-publishing in a big way this week, with multiple articles touching on different possibilities enabled by self-publishing. This article from contributors Raquel Delemos and Tiffany Richardson tackle the thorny issue of boosting diversity within indie and self-publishing (and frankly, publishing at large) through the writing collective Big Black Chapters, of which there are now more than 3,000 members. Write Delemos and Richardson, “we believe that having safe spaces for writers of color to address the issues they face is critical for the creative process. Alongside writing prompts and story excerpts, our group discussions involve topics relating to race and navigating mainstream creative writing spaces. We discuss the complexities of self-publishing alongside issues within our own community such as colorism and ethnic bias.” Fascinating, right? We’re always excited to see authors from underrepresented and marginalized communities take advantage of the democratization of publishing as offered and expanded by self-publishing platforms; we wish Big Black Chapters the best in all their future endeavors.

Margaret Atwood, mega-blockbuster-success of an author with a new book out (you miiiight have heard of it, given it became a Nobel prize-winner within weeks of its publication this Fall) is known for tackling tough subjects, and she broke into writing when there were very few women’s names on book spines. But there’s a side to her story that not many readers know about. Writes Dianca London Potts of Glamour, Atwood got her start when she self-published a collection of poetry: “‘We went around to bookstores, and they actually took them for 50 cents. It’s just what you did,’ she explains. ‘It taught me that you could make things, and there are still these entry points that involve a certain amount of self-publication.'” While most of Atwood’s story has been subsumed within the larger white noise of the traditional publishing industry, she still pays homage to her roots. And her characters, whether in book form or on screen, are at least in some small way able to give voice to powerful concepts of feminism and personal agency because of those bookstores that shelled out 50c back in the 1960s. How’s that for a testimonial?


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

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Self-Publishing News: 10.22.2019

hello October word abstrtact in wood type

And now for the news!

Some highlights from this month in the world of self-publishing!

Today’s news comes as a set of three!

For Publishers Weekly by Jim Milliot

For Good E-Reader by Michael Kozlowski

For Books + Publishing


We felt it would be fun this week to show how sometimes one particular newsflash can really circle the globe! This week, a report from Bowker revealed some very good and interesting news about publishing: there was a huge jump in self-published titles (or at the very least, trackable self-published titles) from the 2017 publishing year to the 2018 publishing year. (2019 data is not yet available.) Bowker, which in the report self-professes to “[publish] authoritative statistical reports for the publishing industry on a regular basis,” also notes that three specific companies have reached a kind of monopoly on the market, releasing over 90% of all trackable self-published titles in that year. There is some variation in who dominates in each sub-market (ebook versus print, books with ISBNs versus those without), but the overall picture is one that reflects past decadal trends towards big companies eating their way through initially diverse markets. This is certainly a trend we’ll be keeping an eye on in future, and we’ll be back with more updates as soon as Bowker releases reports on the 2019 publishing year!


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

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