Category: Alternative Marketing Methods

Advocacy in Self-Publishing, Alternative Marketing Methods, elizabeth speaks, in your corner, outskirts press

In Your Corner : Celebrate National Reading Month With These Marketing Tips! (part four)

Exactly three weeks ago, I started us off on a month-long exploration of what I revealed to be one of my favorite subjects–the intersection of reading with writing and publishing–in light of the fact that the month of March is National Reading Awareness Month here in the United States.  I continued my series two weeks ago and last week with a number of additional ways in which you, the indie or self-publishing author, can take advantages of the resources on offer to bolster both your existing writing methods and your book sales.  This week, I would like to invite you to continue in joining me in making reading a focus all month long, here in our Thursday blog post slot.  We may have one more week left in the month of March, but I’m holding nothing back–you get only the best of the best, my absolute top tips, here today! 

TIP TWELVE : Give your blog or website a face lift

If you already have a blog or website where you have been promoting your book in advance of its release, there’s no better time than the present to refresh the look and feel or add content.  And by “refresh,” I don’t just mean a couple of small tweaks or optimizations here and there–I mean a complete overhaul.  As in all things, the self-publishing author must demonstrate full willingness to meet readers where they live, rather than expecting them to stumble across one’s book by happenstance.  There are no (or at least, very very few) happenstances in the publishing industry, since everyone and their lawyer is out to make a profit off of gaming the system.  You don’t want to play your readers–in fact, you want to be wholly honest and authentic at all times–but you do want to show them that you care enough about them to design a website or a blog that meets their needs and outperforms their expectations.  Think big, not small, and make sure your site is inviting and reflects who you are as a writer.  

facelift

TIP THIRTEEN : Play well with others

It should come as no surprise that I’m an advocate for sharing.  After all, I didn’t ignore every single admonition to play well with others when I was a child–some of that well-intentioned parental advice rubbed off.  But in the world of self-publishing, there’s nothing more powerful than sharing!  It’s not just a “good idea”–it’s a vital and impactful way of reaching new readers.  The first step to sharing promotions with other indie authors is one of logistics and networking: I recommend getting started by connecting with other independent authors whose work compliments yours or who live nearby.  Local writers’ groups are a fantastic resource for this!  From there, you can discuss how best to share advertising in your local media to promote your books and events.  Sharing an event with another writer is an excellent way to generate more interest among venues and readers.

sharing

TIP FOURTEEN : Take the Grand Tour

In years gone by–that is, from the mid 1600s to the mid 1800s–it was the custom of the European and American elite to send their children on the Grand Tour of the European continent and parts of Asia Minor and Northern Africa.  The point of the Tour was to expose people of taste to the primary object of their taste–the cultural legacy of the West.  But there’s a far better Grand Tour which you can partake in as an indie author!  There are dozens upon dozens of prime opportunities for promoting your book throughout the year outside of your homeland, including the London Book Fair, BookExpo America, Beijing Book Fair and the Frankfurt Book Fair.  But who, you may ask, has the time or money to do that?  Self-publishing may be a recourse for those of humble budgets, but it is also a haven for ingenuity and creative thinking.  You don’t need to stress if you don’t have the time (or money) to travel the world this year: a number of self-publishing companies, including the one I work for (Outskirts Press) offer the opportunity to represent your book at any (or all) of these events throughout the year.  There is usually still some sort of cost associated with this project, of course, but it is a dramatic reduction on what you might pay individually to travel to these places, register for display space and lodging, and for marketing materials.  Just a thought: you can be a world travel vicariously through your book!

That’s it for this week, but I’ll be back next Wednesday with some final tips and ways forward!  And …

… always remember: you are not alone. ♣︎

ElizabethABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.
Alternative Marketing Methods, Book Marketing, Kelly Speaks, Marketing Your Self-Published Book, Social Media Marketing

Marketing Missteps Episode 1: The Self-Centered Campaign

You’re a self-publishing author, recently come out with a new book, and you’ve already decided to throw yourself into marketing in a serious capacity.  So what next?  Finding that starting point is a tough first act, but it’s always helpful to know a couple of false starts that others have made before you, isn’t it?  That way, at least you know a couple of places not to start, and you can find a path to success that fits your own indie experience, bolstering your skills and steering clear of your weaknesses.

Today, I’m going to begin a new series that will take a close look at several of the most important marketing missteps to avoid; the story doesn’t end here, of course, but hopefully this series will prompt you away from the edge of a few abysses.  One or two of the mistakes I’ll point out may strike you as “common sense” points, but as my dad once whispered to ten-year-old me on a sidewalk corner facing a four-way stop in heavy traffic where nobody could quite figure out the correct right-of-way: “Common sense ain’t so common now, is it?”  Even if a mistake strikes you as obvious, every reminder is a good one!

This week’s post is going to examine one of the most pernicious of all marketing missteps: that of the self-centered campaign.  At its simplest distillation, the self-centered campaign will alienate you from your readers quicker than a ten-year-old at a traffic stop.  Why?  Because readers are smart.  (I find it’s a wise policy to always assume my readers are smarter than I am, and they always seem to notice even the tiniest of continuity errors in my work before I do!)  They will pick up on the arrogance–intentional or unconscious–of an author who makes their marketing campaign all about his or her excellence instead of shining the spotlight on the real stars of the show: the book itself, and the readers who have so cleverly fallen in love with it.

arrogance in marketing

Here’s a hard fact to swallow: Your readers won’t always care about you, the author.  You might be able to persuade them to, a little, over time, simply by virtue of writing excellent social media posts or demonstrating sensitivity to others.  One crucial misunderstanding that self-publishing authors make is believing that they and their readers value the same things.  Hopefully, your readers will care about your humanity and the work you produce, but beyond that is murky waters.  How do we un-murkify them?  By doing the work.  By doing the research.  By figuring out what you do for your readers that no one else can.

To successfully market your indie book, don’t sell the customer your product (or book) … sell them your solution to their needs.  What issues interest your readers?  What subjects compel them?  These are the basic components with which you can build a successful marketing campaign.

Market research, even basic, is more than just helpful.  It’s necessary.  It is the one magical ingredient that will move your strategy away from something self-centered and toward something that is product- and consumer-centered.

But how to get there?  What are the best strategies for research?  One consideration might be to craft a simple survey with SurveyMonkey, or to poll a small focus group.  I recommend steering clear of using friends or family as focus group members, since their personal connections to you will skew how they answer.  And besides, online crowd-sourcing platforms like the aforementioned SurveyMonkey (as well as Facebook Groups and Google Forms) make for an inexpensive replacement for focus groups.  What you ask depends on what you find useful, but it might be worth crafting a few questions that speak to your readers’ genres of interest, the amount of time they spend reading or on social media, and how they like best to engage with fellow fans and their favorite authors.

Whichever avenue you pursue, these basic data-gathering methods should give you new insight into your readers, and help you shape your marketing message to focus less on you and more on the them.

Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com. 10:00 AM
Alternative Marketing Methods, Book Marketing, Kelly Speaks, Marketing Your Self-Published Book, outskirts press, Uncategorized

Marketing in the Hybrid Publishing World

Two weeks ago, after much consideration, we settled on a simple and straightforward definition for hybrid publishing:

Hybrid publishing is any publishing model that allows authors to enter into direct, flexible, contractual collaborations with industry professionals that in traditional publishing would be indirect (they would be paid by the publishing house, not the author) and are not traditionally available to self-publishing authors.  This includes companies like Outskirts Press, which offers a range of collaborative services, and excludes the so-called “hybrid author,” or someone who has moved from traditional publishing into self-publishing or vice versa.

And last week, in hopes of getting a glimpse into the actual experience, I dove into the stories of two self-publishing authors who have chosen the hybrid publishing track: Norman Smith  of Dog Ear Publishing, and Mirtha Michelle Castro Mármol of Outskirts Press fame.  Smith’s review spoke to what I consider the real strengths of the hybrid publishing experience: constant communication, flexibility, and a real willingness to put the author’s vision at the forefront of the publishing process.  Meanwhile, Mirtha Michelle’s interview highlighted the collaborative nature of hybrid publishing––from writing her book, to finding the company she wanted to go with, to finding a designer for her book’s cover, to connecting with her readers after the fact.

This week, I want to answer a different set of questions, and I want to take us back to marketing, our focus for our Wednesday posts here on Self-Publishing Advisor.  How does hybrid publishing assist an indie author in the realm of marketing a book, for example?  Does it offer tangible benefits?  How can an author know when the expense is paying off?

 

Value vs. Expense:

As hybrid self-publishing superstar CJ Lyons puts it, “If you are spending more time marketing than you writing a book, then you are probably doing a disservice to your readers by not writing the best book that you can. You can trust your readers and if you are writing a book they love then they will do the marketing for you.”  And it’s true: your readers are the greatest force for influence that you have!  When readers fall in love with a new world or a new book, as you are probably already well aware, they can’t help but want to share the thrill of discovery with their friends, families, and other social connections.

marketing hybrid publishing

Connecting with your readers is, of course, a matter requiring some delicacy in and of itself.  Marketing doesn’t happen by itself; your social media presence, whether you’re a solo act or working with a hybrid self-publishing company, will require work.  You have to balance your personal time and energy budget without falling behind on either sleep or sacrificing valuable time you might spend writing that next book (and that next book is a powerful marketing tool in and of itself, so you don’t want to sacrifice it).  The difference between being a “regular” self-publishing author–assuming, for the moment, that we set aside the massive range of experiences that fall into that category–and being a self-publishing author who chooses to work within the hybrid model boils down to resources.  A good hybrid publishing company will reduce the amount of time and energy and expertise required to keep up a vigorous social media campaign as well as a nationwide marketing plan to something more like light maintenance than heavy work.

marketing hybrid publishing

Within the hybrid model, you the self-publishing author don’t have to be the one running down to Kinkos to print out a massive pile of fliers that you spent weeks designing yourself, or staying up late squinting at a dim computer screen scrolling through tweets about your book.  You pay to let the professionals assist you with that.  Most companies offer a range of marketing products  (like this one from Outskirts Press) and bundles so that you can choose to pay for only the services you need or that you don’t know how to manage yourself, and which allows you to only spend money on truly necessary expenses.  An easy way to know if a product is worth spending money on is to hop on a web forum and ask around after authors of equal expertise in, say, book trailer creation–and see how long it took them to design one.  Multiply the hours they spent by the average going wage for freelance videographers (anywhere between $20 and $50 an hour in USD) and compare against the price for that product.  Run the numbers for each product you’re thinking about purchasing, and make your decisions accordingly.  These figures don’t allow for the expertise you’ll have access to by paying a professional to do them for you, but they do give you a starting point–and we all need one of those!

Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com. 10:00 AM
Alternative Marketing Methods, Book Marketing, elizabeth speaks, Marketing Your Self-Published Book, Social Media Marketing

In Your Corner : Celebrate National Reading Month With These Marketing Tips! (part one)

March is National Reading Awareness Month!  Here at Self-Publishing Advisor, we love the fact that there’s an entire month devoted to celebrating the written word–as well as the ways in which we can spread the joy of literacy–and I would like to invite you to join me in making reading a focus all month long, here in our Thursday blog post slot.  

As writers, we’re not just people who produce stories; we also consume them, share them, and advocate on their behalf.  As writers, March of 2016 is the ideal time for you to not only finish your book and start publishing it, but also to promote yourself and your book while encouraging everyone to read.  

Think this sounds like a challenge?  Maybe it is.  But I have some pointed ideas to get you started.  This is doable.  I promise you!  All you need to do is dedicate some time each day this month to pursuing the marketing and promotion tips I’ll be posting here for the next four weeks.

GETTING STARTED : Become the local expert.  

If you haven’t heard of National Reading Awareness Month or know the details of its longstanding connection to Dr. Seuss’ birthday, the history of the National Education Association, and how you can participate … well, it’s time to you pay a visit to the NEA’s website and browse through the plentiful promotional materials, media tips, press release tips and fact sheets the NEA has posted there in order to introduce you and other acolytes to the Read Across America celebration.  

Another tip?  It’s well worth offering to speak at local schools and NEA events, or to local organizations on the importance of childhood reading skills.  Many schools, libraries, bookstores, and other organizations welcome the outside help in putting on events of this kind, and yes–there’s something in it for you, too.  The more you make yourself indispensable to your local literary and literacy-building community, the more likely you are to be called on again in the future, and to get word of your own work before fresh eyes.  Best of all, there’s a great deal of satisfaction in knowing you’re helping to foster the next generation of readers–some of whom may go on to read your book!  Which leads me to ….

First Lady Michelle Obama takes part in Read Across America 2012

TIP TWO: GET ‘EM WHILE THEY’RE YOUNG 

Yesterday was Read Across America Day!  Writers are some of the biggest supporters of this day and event.  While you may have missed the boat for 2016, there’s no better time to prepare for the next year than now, when the opportunities (even the missed ones) are fresh on parents’ and teachers’ minds.  Contact local schools, libraries, and nonprofits to find out how you can help promote reading, writing, and kindergarten readiness in general–not just today, but throughout the entire month of March.  Ask if you might partner with some of them in throwing an event next year, in 2017, and start lining up the logistics.  When it comes to scheduling things in March, which is testing season for many American schools, the earlier you get started the better an outcome you can expect.

Read Across America 2007

TIP THREE: CONSIDER ONLINE ADVERTISING  

The last two tips built upon a foundation of interpersonal networking–that is, meeting people face to face and using this method to benefit everyone.  But what about those readers beyond your immediate sphere of influence?  How can you get them reading–and reading your book in particular?  Here’s a thought: Once your book is published, consider whether it might benefit from any online advertising.  You can set up ads on sites like Facebook, Google and Goodreads easily, or with some assistance from your self-publishing company and the marketing consultants they likely keep on staff.  If you’ve published through a company like Outskirts Press (my own stomping grounds), you can count on their staff to help you make your book more discoverable on Google with something like the Google Books Preview Program.

Reading in Madrid

TIP FOUR: INTRODUCE NEW FORMATS OF YOUR BOOK 

You know how it goes: The more easy a thing is to buy, and the more accessible it is to a large number of people, the more sales of that thing will jump.  It’s a well-demonstrated fact that self-publishing authors can reach a larger audience of readers by offering additional formats such as Kindle, Apple iPad or NOOK editions of your book.  And if you’ve only ever published your book digitally, perhaps it’s time you branched out into Print on Demand (POD) copies of your masterpiece!  Consider which formats you want to offer and add them before or after your hardcover format hits the virtual shelves.  If you feel inexpert in how to make the most of a multiplatform, multiedition publication, don’t hesitate to turn to those with the most wisdom to share: your fellow self-publishing authors!  We’re here for you.

Always remember: you are not alone. ♣︎

ElizabethABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.
Alternative Marketing Methods, Book Marketing, Kelly Speaks, Marketing Your Self-Published Book, Social Media Marketing, Uncategorized

Defining The Hybrid Publishing Experience

If you’ve spent much time on this blog or researching your publishing options, you probably have a fairly substantial definition in mind for the terms “self-publishing” and “traditional publishing,” but can you say the same for “hybrid publishing“?  We use the term rather often here on Self Publishing Advisor as a catch-all for every company and business model that doesn’t fit neatly into the aforementioned binary––but what does it mean, really?  It’s not enough to define a thing by what it is not … we need some basis for a positive, holistic understanding of what hybrid publishing has to offer the indie author.

What qualifies as “hybrid”?

Biologically speaking, a hybrid is “the offspring of two plants or animals of different species or varieties, such as a mule (a hybrid of a donkey and a horse).” Most of us are familiar with a different kind of hybrid, which is to say the mythological kind, where different species find themselves mashed up into one single creature on a physical but not cellular level.  A centaur is a mythological hybrid between man and horse, the Sphinx between a woman, lion, and raptor.  Is a hybrid publishing company, then, the offspring of two warring traditions (self- and traditional publishing)––or is it some oddball thing that adopts the best or most distinctive features of other publishing traditions to serve an entirely different narrative?

Says Jane Friedman of Publisher’s Weekly, it has become “nearly impossible to categorize certain publishers and services; some wish to avoid being labeled altogether. They consider themselves innovators, providing an important alternative for authors.”  These companies self-advertise as providing a third way altogether, not just cutting the difference between the two established publishing modes.  This reality would seem to indicate that hybrid publishing shares more with a centaur than it does with a mule, but perhaps we’re splitting hairs.

Perhaps, when it all shakes out, we can safely define hybrid publishing on its own terms.  Brook Warner of Huff Post Books suggests  four categories that fit the catchall term:

Traditional publishers who’ve been brokering hybrid deals for years. […]

Partnership publishing models. […]

Agent-assisted publishing models. [… and]

Other assisted publishing models.

All four of these categories acknowledge “assistance” as a defining feature, but here’s the problem: assuming that self-publishing and traditional publishing don’t  offer assistance as a part of their mechanism creates a false dichotomy that does nobody justice, and many companies that Warner might call “hybrid” do in fact distance themselves intentionally from the term because it implies too heavy a reliance on paid assistance––or authors “taking the easy way out,” so to speak.  This just in: elitism may be the bread and butter of gatekeeping traditional publishing, but it doesn’t have to be the same for self-publishing!

This still leaves us with a problem, however: How to define hybrid publishing?  Let me suggest a new definition:

Hybrid publishing is any publishing model that allows authors to enter into direct, flexible, contractual collaborations with industry professionals that in traditional publishing would be indirect (they would be paid by the publishing house, not the author) and are not traditionally available to self-publishing authors.  This includes companies like Outskirts Press, which offers a range of collaborative services, and excludes the so-called “hybrid author,” or someone who has moved from traditional publishing into self-publishing or vice versa.

Playing the field:

As Friedman goes on to point out, each of the companies that might fit into the hybrid category operates on a different business model, making it difficult to compare them against each other.  She advocates asking a series of questions, such as “How will your books be distributed?” and “What marketing and promotion support do their titles receive?” before committing to a certain choice.  But this doesn’t exactly help new authors decide whether hybrid publishing and a “third way” is for them––and with so many options now available, narrowing the field is an important part of the decision-making process. Ultimately, the choice of whom to choose may rest on individual features such as those Friedman suggests evaluating … or it may rest instead on the complicated matrix of human need.  Hybrid publishing companies, despite their extreme differences, do seem to collectively meet authors’ desires for a human-driven, relational publishing experience.

In conclusion … for now:

The world of hybrid publishing is perhaps a bit too complicated to break down in its entirety within the constraints of an initial foray such as this one, but it is a world we will be returning to again and again here on Self-Publishing Advisor.  As the world of publishing evolves and diversifies, so too must the companies who serve to send our stories out into that world.

Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.