In Your Corner: The Art of the Outline (III)

Two posts ago, I introduced the concept of outlining as a function of planning your next book, and in my last post, I began to present you with a buffet of possibilities you might mix and match between, with the idea that you could research further into the one or few that appeal to you. As it turned out, I had rather too much to say about too many possible options to put into just one post, so I had to break off about halfway through with the promise to finish in this, my latest post.

If you missed the previous methods of outlining, we covered the Bullet Point, Sticky Note, and Index Card methods, some of the apps and software available, and the Hero’s Journey, an organizational metaphor which might just provide a structure upon which to hang one’s outline. [You can read that post here.]

This week, I have four more outline options for you to consider.

FIVE COMMANDMENTS

If this method sounds a little biblical in nature, don’t worry, we’re not suggesting you carve anything onto stone tablets (unless you actually enjoy that–in which case, I admire you and your wrist strength very much). It is perhaps appropriate that the Five Commandments method would evoke visions of bygone days, given that it’s a well-respected outlining practice with a long legacy of usage. As with my last post’s description of the Hero’s Journey, this is an outlining practice distilled from an organizational metaphor. This one, as we’ve already noted, evokes the sense of a sacred text, but what it describes is the standard five-point plan often taught in high school and college classrooms to creative writing students. The points are:

  1. Inciting Incident
  2. Complications
  3. Crisis
  4. Climax
  5. Resolution

The general idea is for the writer to use these “five essentials of a good story” (as one of my professors once put it) as a starting point, or as a framework upon which to hang the coat of one’s entire book. Functionally one can make that outline as simple or as complicated as is useful–simple phrases or entire paragraphs answering to the implicit questions posed by each point. I absolutely must recommend checking out Joslyn Chase’s “How to Write a Book Using an Outline,” which covers both the Five Commandments method in detail as well as the next one I’m going to summarize here: the Nine Checkpoints. (She also points to some additional resources to flesh out your understanding of outlines, which is always nice.)

NINE CHECKPOINTS

The Nine Checkpoints method sounds a bit more bureaucratic than biblical, which can be either freeing or somewhat discouraging in the way of standing in lines at the DMV. In reality, it’s simply an unpacked version of the previously described commandments, only instead of five points around which to cluster one’s ideas, there are nine:

  1. Hook
  2. Backstory
  3. Trigger
  4. Crisis
  5. Struggle
  6. Epiphany
  7. Plan
  8. Climax
  9. Resolution

In this outline method, one can look at the hook, backstory, and trigger sections as equating roughly with the Five Commandments’ “Inciting Incident” point, with the crisis, climax, and resolution sections all have exact correspondence. The only loose points remaining, then, are the struggle, epiphany, and plan sections. It’s easy to see the correlations and divergences between the two methods; what’s less easy to see is the organizational metaphor behind this outlining method. In my mind, each checkpoint in a line of checkpoints carries equal weight and priority, which may or may not reflect how I actually feel about the work I’m writing. Perhaps I know with absolute certainty what I want for one or three or eight of the points, and the others are able to flex and be sculpted around those certain ones. Perhaps I don’t. It all depends on the specific demands of the work in progress.

GROCERY STORE

Before this last month, I would have ended my list of suggested outlining methods there, with a Cold War or Man From U.N.C.L.E. reference regarding checkpoints. But then, while researching additional resources to point you to, I stumbled across this excellent piece on Sharon Watson’s blog, “Fun with Outlines. No, Really.” (Putting a positive spin on things is one sure way to always hook my attention!) Watson’s post on outlining introduced me to the idea of the Grocery Store method, as well as the final one I’ll summarize, the Restaurant method. What I love most about these methods is that they flow naturally out of a more intuitive writing process, and they flex in exactly the way that I hinted at earlier. This is not to discount the value of a more evenly-weighted lists or principles around which to circle an outline, which I feel have significant benefits in ensuring even pacing and a sense of “completeness,” particularly if one is drafting a work of creative nonfiction or memoir. That said, I might just love the intuitive means of the Grocery Store method best.

Grocery stores are easy to picture in the mind’s eye. They’re organized in intuitive ways, with snacks near drinks since they tend to be consumed together, and household cleaning supplies near pet supplies since, well, half of caring for a pet is cleaning up after her. (I’m putting off vacuuming right now. Why do cats have to have so much fur?) It’s also easy to put yourself in the mindset of a shopper in a grocery store: you go in with a few items you have to get on your list, but a couple of other things catch your eye as you walk up and down the aisles. This is where you need to be in order to use the Grocery Store method to outline your next book. Then, all you have to do is picture the contents of your work in progress as the produce filling the aisles. You can reflect this structure in a bullet point list (taking us alllll the way back to my first recommendation in respect to outlining!), or you can mock up a visual outline more along the lines of the Sticky Note method: sketch some aisles, and fill them with all the information you feel is important going into your book, leaving room for extra items to fill out the shelves as you get underway.

RESTAURANT

Last but certainly not least, the restaurant method is another outlining option I first read about in Sharon Watson’s outline post. This one is a little harder to visualize mentally, since Watson is sharing tips as an educator with other educators in mind, and her worksheets are designed with high schoolers in mind. The challenge she issues to her students is to picture the variety of restaurants and how they’re arranged, from a fast food restaurant to a buffet to a sit-down gourmet restaurant. In a sense, I can see this as a useful starting point in the quest to outlining your next book, as it may present you with a range of organizational metaphors from which you need only pick one to develop further using one of the other methods I’ve described over the last two of my own posts. I did think it worth including, however, simply because of its novelty; we’ve all heard of sticky notes and bullet points before, but have you thought of using a restaurant to outline your work before? Chances are there are some seeds of possibility there.

Looking for yet more information on outlining, and how to make it work for you? I’ll be back in two weeks to close out this series and to answer any questions you might have.

Thinking of you always. ♣︎

Elizabeth
Do you have ideas to share? Please don’t hesitate to drop us a line in the comments section, below.
ABOUT ELIZABETH JAVOR: With over 20 years of experience in sales and management, Elizabeth Javor works as the Director of Sales and Marketing for Outskirts Press. The Sales and Marketing departments are composed of knowledgeable publishing consultants, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

Ask the Book Doctor: Are Book Titles Protected by Copyright?

Q: I’m considering a title for my novel that is already being used on another book. Can titles by copyrighted?

A: Titles are not eligible for protection under current copyright law (a search on Amazon will often reveal many different books all sharing the same title).  However, titles can be trademarked if used to cover more than one item in a series, such as a cluster of seminars based on a book of the same name. Or try self-publishing a book with “Harry Potter” in the title and get ready to hear from some lawyers.

<Image of Harry Potter not shown below, due to copyright…>

red candle
Photo by Pixabay on Pexels.com

While you can legally use a  book title that has been used by someone else, a better idea is to change the title and make it different, so people who search for your title will find only your book, and not others.  This is your chance to come up with something memorable and unique, and you’d be a muggle if you didn’t take advantage of that opportunity.

Bobbie Christmas, book doctor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor” questions and answers at www.zebraeditor.com. This article republished from the Self Publishing Advisor Archives.

In Your Corner: Fall Abundance (Part II)

Are you facing down the same cold snap that I am? It’s looking to be quite an early start to Winter, almost skipping straight over Fall, but I’m determined to wring every last drop of sunshine and joy out of these long afternoons.

Last time I wrote to you, dear readers, I launched this series about fall abundance and taking a moment just to breathe it all in … along with all those pine needle and pumpkin spice and fresh-baked shortbread aromas that are spiking the air right now.

fall cookies pumpkin autumn halloween

As the evenings take on a distinct bite, there’s still the tang of summer smoke in the air–all the fire of a season packed with heat and mixed feelings–and it’s time to start thinking of how to make the most of the Autumn writing and marketing season. Yes, it may be most often called the ‘back-to-school’ season, but we all of us go back to things in Fall. Back to work, back to family routines, back to the marketing strategies we … may … have let languish during the busy summer months.

How can we flip the switch and get back to work?

Here are my recommendations:

  • You’re not the only one who may need a reminder that change is upon us. Use the next month as an opportunity to launch a special deal or giveaway. You can frame it as ‘back-to-school savings’ or you can use it as a promo for new or upcoming releases.
  • Think visual. Fall is perhaps the most striking of all (or at the very least, one of the most striking) seasons. Take advantage! Your book is a product, and selling a product is at least half of the time about selling an image. If you haven’t created an Instagram and Pinterest, now is the time! These two social media platforms offer a great way of humanizing your brand and showcasing your product.
  • Fall is a great time to get your networking game on! People may not be thinking about taxes just yet (or they might be thinking about them a lot if they applied for an extension), but you certainly want to get your foot in the door before the holiday craze so that readers remember your name and your book come tax time–and come the holidays! Connect the dots between everyone you ‘meet’ on Facebook, Twitter, Instagram, Pinterest, Goodreads, and even LinkedIn and work those contacts and relationships now, while they’re planning out their budget, calendar, and holiday schemes for the school year.
  • And on that note, it’s time to plan your own editorial and marketing calendar–or at least to sketch out the outlines! Is it your hope to write some newsletters, blog posts, or social media updates in the coming months? Do you have some new work on the horizon? Now is the time to schedule not just your writing time or your own holiday marketing plan–it’s time to lay the groundwork for an entire year of editorial works!

And these are just a few of my recommendations! As you might expect, there are plenty of chances to enrich your opportunities during the Fall. Don’t put things off–start now! More than just a hint of pumpkin spice is wafting on the rising breeze of Autumn ….

fall cookies pumpkin autumn halloween

You are not alone. ♣︎

Do you have ideas to share? Please don’t hesitate to drop us a line in the comments section, and I’ll make sure to feature your thoughts and respond to them in my next post!

Elizabeth

ABOUT ELIZABETH JAVOR: With over 20 years of experience in sales and management, Elizabeth Javor works as the Director of Sales and Marketing for Outskirts Press. The Sales and Marketing departments are composed of knowledgeable publishing consultants, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

2019: Time for a Fresh Start on Marketing

Oh, no, it’s time to review that dreaded list of New Year’s resolutions!  It’s not uncommon for these lists to be either too long or too ambitious for their makers to actually accomplish within twelve months, but that doesn’t seem to stop any of us from feeling the compulsive tug toward writing them–or from feeling miserable when we find ourselves running into a brick wall of complications.

writing goals

For those of us who are authors, many of us will end up making at least one of our resolutions that of writing and publishing a book in 2019.  But how might an author go from creating the goal of writing a book to actually getting it on paper and, finally, to publishing it?  If you’ve resolved upon a similar goal, here area couple of ideas to get you started:

  • Join a writer’s group.  

While there are certainly plenty of online options available to you, through internet forums and listservs and Facebook groups and the like, the best kind of feedback a writer can receive is the kind that is delivered in face-to-face conversation with people who have held your manuscript in their hands and feel some sort of personal stake in delivering detailed high-quality responses to the questions that you pose.  This is why, above all other things, I recommend you look to join a writer’s group in 2019.

But where to look?  I recommend stealing a page of or Lorena Knapp’s playbook over at the Write Life blog.  She recommends researching a variety of options before committing to any one writer’s group; you might start with local writing centers and then move on to conferences, bulletin boards, writing associations, your personal network, online networking sites like Meetup.com, and then as a last resort turn to social media and so on.  In my personal experience, conferences can be overwhelming (a case study in over-stimulation), bulletin boards are rarely up-to-date, and online networking sites lead to as many “misses” as “hits.”  I found out about my local writing association after attending an event at my local library, which often plays host to local authors–many of whom are self-published.  You can’t go wrong by asking a librarian!

  • Join a book club.

The library also happens to be a great place to begin your hunt for a local book club, since most libraries directly or indirectly sponsor these sorts of events, and can point you to the right people or resources to set up your own book club if there isn’t one already geared toward your interests.  You can also check online at the Reader’s Circle, a nonprofit organization dedicated to connecting readers with each other, to see if there are otherwise off-the-grid book clubs meeting in your area.

But why should a writer join a book club?  The answer isn’t as simple or the dots as easy to connect as with writing circles and writer’s groups, where writing is the common theme.  But as Evan Maloney wrote for The Guardian back in 2010, reading and reading well is actually the most fundamental of skills for a writer to practice:

As well as a large vocabulary, novels give writers a sense of how it is done. They offer templates that can be borrowed and adapted; they teach a writer how to create narrative structures and characters, how to develop tension, write dialogue, and maintain a consistent tone and pitch. Novels also trigger memories from a reader’s personal experience, and these give writers ideas for their own stories.

Best of all, writes Maloney, “whenever writing gets too painful, when each word and idea seems to be dragged from the mind like the limb of an aborted camel, reading offers a writer a lovely escape into a fantasy world where stories are revealed with simple ease and order on the page.”  Sometimes, that’s exactly what we need.

  • Work with a ghostwriter, or if that’s not quite your speed, with an editor.

With a book club feeding you inspiration and a writer’s group providing you support and feedback as you write, the next best step is to find your voice.  If you’re struggling to find the time or cultivate the skills you think necessary to capturing your story, it may be time to look for a ghostwriter–someone who can sit down with you, hash out all of the relevant details, and then serve as architect and project manager for your book–all rolled into one.  We often associate ghostwriters with the traditional publishing model, since most of the ghostwritten books we see hit shelves are celebrity autobiographies–but you can be a self-publishing author and develop a healthy rapport with a ghostwriter, too!  Hybrid self-publishing companies like mine–Outskirts Press–often offer ghostwriting and editorial services as several of many tools to put in your toolbox.  The differences between ghostwriting and editing is significant–the former will take on a large part of the “generative” process, while the latter will help shape or reshape material you have already created–but the general impulse is the same: these services exist to help you get stuff done.  Don’t underestimate the power of a good edit!

  • Cultivate new and sustainable writing habits.

Here’s where things get a bit hazy.  Every author has individual writing habits developed over years of hard work and necessity, so what a “good writing day” looks like to you will most likely differ from everyone else you meet.  We can look to our heroes for inspiration, sure, but ultimately I find comparison a toxic, toxic beast.  The best way to succeed at adopting new and useful writing habits is to do so slowly and sustainably–by making incremental changes and sticking with them over the long term.

There’s a reason NaNoWriMo proves so difficult for authors to just “pick up” and do: it’s such an intense process that it requires writers to make enormous changes to their daily schedules just to fit it in.  A much better course might be to adopt more manageable alterations–boosting the time you spend writing every morning by five minutes a day for a week, perhaps, or by restricting your self-editing to only five minutes a day–and to evaluate their efficacy regularly, discarding the useless ones and keeping the useful ones.  As my grandmother used to say, “trim the fat!”  Keep the things that help you, and shed the weight of those which don’t.

You are not alone. ♣︎

Do you have ideas to share? Please don’t hesitate to drop us a line in the comments section, and I’ll make sure to feature your thoughts and respond to them in my next post!

Elizabeth

ABOUT ELIZABETH JAVOR: With over 20 years of experience in sales and management, Elizabeth Javor works as the Director of Sales and Marketing for Outskirts Press. The Sales and Marketing departments are composed of knowledgeable publishing consultants, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

 

In Your Corner: How Does One Stay Creative in the Midst of the Doldrums?

Have you ever struggled to figure out just how to keep generating good new material, as an author? Have you ever tangled with the doldrums when it comes to dredging up new ideas for marketing your self-publishing book?

Staying creative is hard.

Perhaps this is self-explanatory, or the sort of statement which prompts a “duh” reaction in some of our readers, but it’s worth saying nonetheless. Recognizing and honoring a difficulty like this is paramount in moving forward to address it. Denial is not a friend to productivity, on any level.

In all of my years working alongside self-publishing authors, one of the most common questions I receive is simply: “What else can I try?” The unspoken statement, uttered in the silences between words, is this: “I’ve run out of ideas, but I know I need to try something different since what I’m currently doing is not working or somehow not enough.” And perhaps that’s part of the difficulty; when authors go looking for just “enough,” they are hoping creativity will do what dogged persistence and dedication to craft won’t. They’re hoping creativity will level up their book’s success.

But that’s not strictly true. Creativity is a part of the whole, just as dogged persistence and dedication are. Creativity, however, differs greatly from those other two things, which can be counted on to produce measurable and reliable results. Generally speaking, if you put time and energy into something with persistence and dedication, you’ll be guaranteed to see results. Creativity, on the other hand, is fickle. It’s hard to qualify what it is, much less quantify what it does. I think of it as part of your navigation system; alone, it won’t get you anywhere, but it can certainly help you find your destination … but I don’t know, I think my metaphors tend to break down sooner than I can pin them down in pixels or on paper.

Instead of digging myself a deeper hole to step in, I thought I might shift gears a little bit, and talk about some of the tried-and-true methods to coax creativity out of hiding. What are some ways we can boost our creativity in at least a semi-reliable fashion?*

creativity listening

Ten Starter Tips to Summon Creativity

  1. Sleep (& walk to work) with a notebook and pen. The best ideas crop up when we least expect them, which is why it’s important to … well, expect them. Put yourself in the best possible position to jot down those nuggets of dream-time wisdom (at night) and kinetic inspiration (while you’re on the move) and contemplative excellence (when you’re at work, or eating dinner). And just as important as writing them down is the need to do something with them … so schedule a half hour or more every day to expand one of your jotspirations into something that later might fit into your larger project. Don’t put too much pressure on the individual pieces to become anything; they’ll assemble into something larger or inform your work as you go.
  2. Change your project. This is the scariest item on the list, perhaps. But it’s important to be open to changing directions mid-stream, no matter how far along in your project you are. I’ve known artists to destroy eight or nine of every ten artworks because they weren’t what they wanted, and I’ve known authors to strike one of every two pages during the editing stage, or delete entire drafts and start over from scratch. This might be a bit extreme for you, and there’s no need to go that far if it doesn’t fit your feeling for what’s right, but you should pay attention to your intuition. Is your current manuscript headed where you want it to? Has what you want changed? Should it?
  3. Steal like an artist. Beg, borrow, steal. You know how it goes: we are what we read, what we see, what we witness. Instead of feeling shame or repugnance at stealing from others whose work you admire, consider instead a system by which you acknowledge, pay homage to, honor, and celebrate these influences. I guarantee you that you already have a number of influences that are bleeding into your work; it’s simply a matter of recognizing them and working with them as a feature rather than a distraction.
  4. Get up earlier, don’t stay up later. Quite a few items on this list could have been taken up with “self-care” instructions, but use this item as the lynchpin of a body-friendly, healthy writing strategy. Studies show that getting up earlier (and going to bed earlier to account for the difference) and eating well, getting out and about, and seeking out friendly company are all significant physiological boosters for creativity and productivity both. You won’t be able to pin down your inspiration if you can’t even concentrate, so take the time and set a schedule which allows you to inhabit the best, healthiest possible body–and therefore create the best possible work you can.
  5. Read, read, read. Books are food for the soul, friends for the lonely, and so many other things. They’re also the raw material we chew up in our heads and turn into fuel for inspiration. Don’t shut down the assembly line which delivers this vital ingredient of your work! Spend as much time reading as you do watching television or scrolling through your Facebook timeline, and I guarantee your work will benefit.
  6. Diagram it. Not all brains work the same way, but many brains benefit from branching out and trying out some of the tried-and-true methods of people who might be gifted in other ways. Case in point? I am terrible at math. Or at least, I wasn’t a fond student of the subject. I’m a rather predictable writer in that I love words, words, always words–but once in a great while, when I get stuck, I find I really benefit from posing the question: “What would my friend A. do?” A. is an engineer and gifted mathematician. And what would she do? She’d diagram the thing. She’d figure out how to visually represent the component parts of an ongoing project: inputs, outputs, time and energy budgets, and the architecture of the piece itself. Seeing it laid out in this way helps me grasp where the holes are, and where to spend (or “budget”) my next writing session.
  7. Sing in the shower. No, seriously. Get up out of your chair if you’re struggling and go take a shower. Eat a piece of fruit. Pears are great for this, as are apples. Did you know a single apple contains more caffeine than a shot of espresso? True fact. I heard that one from my family doctor. Kick up your heels; put the radio on for a minute and go for a drive, just because. Belt out one of your favorite songs as if no one was listening. (If they are and don’t like it, well they can go lump it.) Get your blood moving, and vary your activities every fifteen or thirty minutes while writing.
  8. Clean your work space. Ha. Yeah, I know, I’m not doing too good on this front myself right now. But it’s a fact that most people operate best, focus best, when their work spaces are organized and cleared of clutter. Also, the act of cleaning often knocks out some of the cobwebs, maybe even knocks some new ideas loose. Don’t underestimate the power of those bubbling shower cleansers and elbow grease in prompting creativity to scuttle out of some dark corner.
  9. Finish something. And by this I mean: “If you can’t finish the big project, finish a little one.” It can be something related to your piece, as in, a chapter or a paragraph. And reward yourself for this! Or it can be something completely unrelated to your writing, like cleaning the bathroom or writing a thank-you letter to your niece for that lovely Christmas gift you forgot to mention earlier. (Oops.) Some people call this procrastination–but if you recognize the need to vary your tasks, and turn it into a productive deviation, one that you can reward yourself for finishing, your morale will spike. Just make sure you do get back around to writing again afterward.
  10. Count the ways. Count the ways you’re doing well. More than anything, struggling with creativity can sap your self-confidence, your morale, and your sense of your work’s value. But you’ve done so much good work already! Make a list, maybe, but no matter how you count the ways, make sure you celebrate each and every accomplishment!

*PLEASE NOTE: These tips are tricky, and the object elusive. If you’re struggling to make any one of them work (that is, you’re struggling to summon that spirit of creativity), there’s nothing at all wrong with you or with your methods, necessarily. There are no failures in the pursuit of creativity, merely delays. And as always, if you’re facing a daunting prospect, remember that we’re here for you, both to commiserate and offer up all of the expertise we collectively have on offer.

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.