Tag: book marketing methods

Alternative Marketing Methods, Book Marketing, Kelly Speaks, Marketing Your Self-Published Book, Social Media Marketing, Uncategorized

Marketing Missteps Episode 8 : Not Finding Your People

As the weeks go by, our list of marketing missteps grows longer, but here’s the thing: no matter which step you take next, or which foot you put forward, whether it turns out to be a mistake or a blinding success, there are options.  This is because you have chosen to self-publish, and self-publishing by its very nature puts the narrative into your hands at all stages of the process.  And while I do not advocate for underestimating the impact of these missteps I’m chronicling and examining here, I do advocate for not giving up if you happen to make one.  There are ways to overcome disaster–and I’ll write about those, too, in my next series!

The Missteps So Far:

This week, I’ll be looking at a mistake that at first glance might seem like a directive to the Millennial Generation, what with its emphasis on social connectivity and whatnot, but is actually a guidepost for us all.  The misstep?

Not Finding Your People

Many years back, when I was still in college, I took a course on the architecture of Frank Lloyd Wright.  (Yes, yes, I know.)  I’m more than 90% sure that I took the class exclusively because of inglenooks, a strange little architectural quirk endemic to Wright’s earliest buildings.  “And pray, what is this inglenook?” you might ask.  It’s a fireside niche, or place to tuck yourself away in, with a book and a quilt and a hot mug of coffee.  It’s a tiny little retreat that Wright carved out of designs that seemed to leave no room for more experimentation.

Forgive me if architectural anecdotes seem a little out of line with marketing your self-published book, but here’s the thing: niches aren’t just useless ornamentation, whether we’re talking about someone’s home or someone’s book hitting the market.  We need niches.

building blueprint

When it comes to publishing your book, we’re talking about placing something into a market already packed with hundreds of thousands of new books published each year.  It’s more important than ever for authors to understand their niches if they want to sell books, because niches provide access to readers through hyperspecific keyword searches and in the “If you liked this book, you might also enjoy…” tools generated by websites like Amazon, Goodreads, and so forth.

Ideally, authors should figure out what niche their books will fall into before they even write their book, but it’s never too late to put the power of niche marketing at your fingertips.  I’m not just talking about broad sweeping genre categories–like “Western” or “Crime”–but the hyperspecific demographic of who among the world’s millions of devoted readers will really love and devour your book.  Whether your book is in its beginning conceptual stages or is well down the road to publication, it’s well worth sitting down and making a list that takes into account all the major demographic data points: ages, genders, interests, hobbies, and geographic locations.  This will help you narrow down your target audience.  And once you know your target audience, you can start compiling another list of keywords that relate to these people (think “parachute silk” or “dinosaur bones”) and that you can use to flesh out your website and book page metadata to make your book more findable by people interested in these specific things.

I absolutely guarantee that it’s easier to market your book if you sell it as a piece about baking out-of-doors in a kiln oven with all-natural ingredients than to sell it as a simple organic cookbook.  A book that is confident in its niche–in its dedicated readership–is a book that knows where they’re at and how to sell to them.  You want to be the one selling a book that declares:

tumblr_inline_nhma94hBqD1qbk0s4

 

I suppose, when push comes to shove, what I mean to say is this: you both need to find your people and make them your people.

Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com. 10:00 AM
Alternative Marketing Methods, Book Marketing, Kelly Speaks, Marketing Your Self-Published Book, Social Media Marketing, Uncategorized

Defining The Hybrid Publishing Experience

If you’ve spent much time on this blog or researching your publishing options, you probably have a fairly substantial definition in mind for the terms “self-publishing” and “traditional publishing,” but can you say the same for “hybrid publishing“?  We use the term rather often here on Self Publishing Advisor as a catch-all for every company and business model that doesn’t fit neatly into the aforementioned binary––but what does it mean, really?  It’s not enough to define a thing by what it is not … we need some basis for a positive, holistic understanding of what hybrid publishing has to offer the indie author.

What qualifies as “hybrid”?

Biologically speaking, a hybrid is “the offspring of two plants or animals of different species or varieties, such as a mule (a hybrid of a donkey and a horse).” Most of us are familiar with a different kind of hybrid, which is to say the mythological kind, where different species find themselves mashed up into one single creature on a physical but not cellular level.  A centaur is a mythological hybrid between man and horse, the Sphinx between a woman, lion, and raptor.  Is a hybrid publishing company, then, the offspring of two warring traditions (self- and traditional publishing)––or is it some oddball thing that adopts the best or most distinctive features of other publishing traditions to serve an entirely different narrative?

Says Jane Friedman of Publisher’s Weekly, it has become “nearly impossible to categorize certain publishers and services; some wish to avoid being labeled altogether. They consider themselves innovators, providing an important alternative for authors.”  These companies self-advertise as providing a third way altogether, not just cutting the difference between the two established publishing modes.  This reality would seem to indicate that hybrid publishing shares more with a centaur than it does with a mule, but perhaps we’re splitting hairs.

Perhaps, when it all shakes out, we can safely define hybrid publishing on its own terms.  Brook Warner of Huff Post Books suggests  four categories that fit the catchall term:

Traditional publishers who’ve been brokering hybrid deals for years. […]

Partnership publishing models. […]

Agent-assisted publishing models. [… and]

Other assisted publishing models.

All four of these categories acknowledge “assistance” as a defining feature, but here’s the problem: assuming that self-publishing and traditional publishing don’t  offer assistance as a part of their mechanism creates a false dichotomy that does nobody justice, and many companies that Warner might call “hybrid” do in fact distance themselves intentionally from the term because it implies too heavy a reliance on paid assistance––or authors “taking the easy way out,” so to speak.  This just in: elitism may be the bread and butter of gatekeeping traditional publishing, but it doesn’t have to be the same for self-publishing!

This still leaves us with a problem, however: How to define hybrid publishing?  Let me suggest a new definition:

Hybrid publishing is any publishing model that allows authors to enter into direct, flexible, contractual collaborations with industry professionals that in traditional publishing would be indirect (they would be paid by the publishing house, not the author) and are not traditionally available to self-publishing authors.  This includes companies like Outskirts Press, which offers a range of collaborative services, and excludes the so-called “hybrid author,” or someone who has moved from traditional publishing into self-publishing or vice versa.

Playing the field:

As Friedman goes on to point out, each of the companies that might fit into the hybrid category operates on a different business model, making it difficult to compare them against each other.  She advocates asking a series of questions, such as “How will your books be distributed?” and “What marketing and promotion support do their titles receive?” before committing to a certain choice.  But this doesn’t exactly help new authors decide whether hybrid publishing and a “third way” is for them––and with so many options now available, narrowing the field is an important part of the decision-making process. Ultimately, the choice of whom to choose may rest on individual features such as those Friedman suggests evaluating … or it may rest instead on the complicated matrix of human need.  Hybrid publishing companies, despite their extreme differences, do seem to collectively meet authors’ desires for a human-driven, relational publishing experience.

In conclusion … for now:

The world of hybrid publishing is perhaps a bit too complicated to break down in its entirety within the constraints of an initial foray such as this one, but it is a world we will be returning to again and again here on Self-Publishing Advisor.  As the world of publishing evolves and diversifies, so too must the companies who serve to send our stories out into that world.

Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.
Alternative Marketing Methods, Book Marketing, Kelly Speaks, Marketing Your Self-Published Book, Uncategorized

Back to the Basics of Marketing

Over the last couple of months, I’ve used this Wednesday blog slot to talk about a lot of different things.  Many of them have been marketing related, and many of them have been inspired by topics that self-publishing authors may find useful before the marketing process begins––for example, my series on e-readers––but I’d like to step back, if you will join me, and refocus on what has traditionally made Wednesdays on Self-Publishing Advisor unique.

earlobe

I’d like to take us back to the basics of marketing for self-publishing authors.  Where does an author new to self-publishing get started?  How might an experienced indie author re-infuse a lackluster marketing campaign with new energy and more effective strategies for self-promotion?  This is the heart and soul, the real meat, of what I want to get at here.

The first order of business is, of course, to listen:

  • What topics would you like me to cover here?

  • Where are your marketing methods running into trouble, and …

  • Where are they succeeding?

  • Where do you turn for advice and resources for self-promotion?

My first instinct is, of course, to launch us back into this subject with a defense of marketing for self-publishing authors, but … let’s face it: we’re already here.  We’re already convinced that we need to sell our books, and we’re already fully aware that the heavy lifting falls on us as authors to make that happen.  What’s useful––what’s really useful––is information on how to make marketing better, or more effective.  Easier.  We want, and need, the tips and tricks of the trade, without having to waste time on trial and error in a world (and a market) that waits for no man or woman.

And no, there’s never going to be a day when publishing and selling a book is as easy as clicking a button and sending it into the aether––for indie authors as well as traditionally-published authors––despite what all of the corporate jingles and advertisements would have us believe.  There’s never going to be a day where we don’t have to pay for publication, whether we’re talking about sacrificing years of our time before release as well as our rights and royalties (as with traditional publishing), or whether we’re talking about sacrificing years of our time and energy after release to marketing and self-promotion (as with self-publishing), or whether we’re talking about sacrificing money to skip the lines but retain the professional marketing campaign (as with hybrid publishing).

There’s always a cost … but the payoff is worth it.  We have to remember that.  You have to remember the fact that there’s a book inside of you that needs to be read, that could indeed change someone’s life.  And it will change your life, too, to know that your book is out there in the world and exists in a universe outside of your own mind.  And that book is worth reading.  It’s worth buying.

The trick is in getting the word out there.  The trick is to raise awareness.  And that is exactly what I’m going to help you do in the coming weeks as we dive back into the deep end of the Marketing Maelstrom that is … your life as a newly minted self-published author!

 

Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.
Alternative Marketing Methods, Book Promotion Strategy

Alternative Book Marketing Methods Series: Partnering with Local Bookstores to Offer Groupon/Local Offer

There are many ways authors can market their books. Some of these include planning virtual book tours, scheduling book signings, distributing a press release, etc. However, many authors do these things. How can you reach an untapped market? How can you stand out from the crowd?

That’s why we decided to offer you the Alternative Book Marketing Methods Series. The goal of this series is to reveal and discuss possible success rates of marketing ideas that are a bit “different”. While there may be some authors that are already implementing these methods as a part of their overall book promotion strategy, these are not widely used and often can make the author stand out in the crowd.

Today’s tactic involves partnering with local bookstores to offer a deal for buyers of your book. There are several local deal sites out there, but the most popular is Groupon. Have you ever heard of them? On their website, they describe themselves as: “…an easy way to get huge discounts while discovering fun activities in your city. Our daily deals consist of restaurants, spas, massages, theaters, hotels, and a whole lot more, in dozens of cities across the country.”

Here’s a sample Groupon:

Groupon Example

How’s this for an idea? You contact a local independent bookstore and ask them about listing your book on consignment. In exchange, you can partner with them (split the cost) of offering a Groupon. A few ideas for the offer can be:

  • Save 50% on your purchase when you buy _______ (insert the title of your book here). You can vary the percentage to you and the store owner/manager’s liking.
  • Get _____ (the name of a popular book) for $5 when you buy _____ (insert the title of your book here). You can vary the money savings to you and the store owner/manager’s liking.
  • Get a gift certificate for $10 off your next purchase of $15 or more when you buy _______ (insert the title of your book here). You can vary the gift certificate amount to you and the store owner/manager’s liking.

These suggestions are just the tip of the iceberg. Be creative, think up some more creative ideas, and (most importantly), share them with us here. Happy marketing!