From the Archives: “Setting up Book Signings as a Self Published Author”

Welcome back to our Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

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[ Originally posted: August 14th, 2008 ]

How would you like to sell more copies of your book? Would you like to read excerpts from your book to a captivated audience?

Book signings at local bookstores are one of the cornerstone of an author’s post-publication foundation. But how do you set them up?

Organizing book signings, readings, and public appearances is one of the most important parts of a successful marketing campaign.

A book signing or reading is a bookstore event that features you and your latest book. This is your opportunity to meet potential buyers face to face. Plus it adds a personal touch to your promotion efforts.

Many customers may feel more motivated to purchase a copy of your book if they hear it explained or read from your point of view. And the opportunity to get a copy signed by the author doesn’t hurt, either!

Independent book stores and larger chain retailers both organize book signings. Your chances for finalizing an appearance are greater with the local independent stores. They have to compete with larger chains and are therefore more willing to support local (and self-published) authors.

In order to pinpoint potential book stores, check your local newspapers or see if book retailers in your area offer a “calendar of events” or post upcoming events on a public bulletin board.

By asking around for the owner of the store or the communications manager you can typically find the appropriate person with whom to propose your book signing. In many cases, both the large and small retailers will have their events planned weeks or even months in advance. Plan early.

When you have a list of people and/or stores you plan on contacting, prepare your pitch. Have a small script that outlines what your book is about and why people would be interested in meeting you or reading the book. The store manager or PR person will most likely ask. After all, they are not there just to help you. They are there to make money selling books. Tell them why your book will make their store money.

If your subject matter is timely, all the better! Remember, this is the point during which the store manager or book buyer will be screening your presentation skills, either over the phone or in person. If they are not captivated by your presentation, they will have very little faith in your ability to captivate a crowd. Be extroverted and dynamic.

It also helps to be concise. Understand that these are busy people. You want to sell them on your event fast. Have your press release and/or sell sheet ready. It’s helpful in case they ask for a copy or if they ask about specific information about the book. They may want to know the retail price, the discount, and the ISBN number immediately so they can order a review copy themselves prior to deciding.

Provide them with your web site address. They might be impressed enough by your initial marketing initiatives to go forward with the book signing.

Offer to help them with promotion, especially if you’re targeting smaller book stores. They will be more interested in offering to host an event if they know you will be absorbing some of the burden of marketing it. Tell them all your friends and family will be attending the event (and then make sure to invite your friends and family!), and if it’s within the scope of your marketing budget, offer to advertise in the local paper at your expense. Remember, the easier you make it for the book store owner or manager, the more likely they will say yes.

Follow-up with prospective book stores who have not confirmed dates. Selling yourself and your book is a number’s game, and as any salesperson will tell you, the amount of contact is directly proportionate to the amount of sales. So be persistent without being annoying. If you experience three or four unsuccessful attempts with a particular store or person, move on to another prospect.

And don’t forget your signing pen….

by Kelly Schuknecht

Looking back eight years can reveal a lot of holes in any article, but I’m fairly certain my original treatise on searching out opportunities for book signings has aged as well as is humanly possible for a blog post (by its nature, a medium that fosters timeliness) on the subject of self-publishing (a moving target in and of itself).  That said, I think there’s room for improvement, expansion, and a bit of an update.

What does 2016 Kelly have to say about book signings that 2008 Kelly didn’t know or didn’t think to share?  I’ll give you a clue: venues.

book reading

Traditionally, book signings have been carried out at a narrow and very specific range of venues.  And by that, I mean bookstores.  But in the silicon age, when internet sales are king and even the biggest box bookstores are facing mounting challenges to keeping their doors open, what can self-publishing authors do to launch a book tour?  I simply don’t accept the mindset that limitations present anything other than opportunities for a little creative thinking.

In that mindset, here are a few alternative venues I think you should consider for your book signing:

  • the LIBRARY : libraries and librarians are among some of the most powerful advocates an indie author could hope for, and most libraries offer space or a choice of spaces to host events. My local library ordinarily only allows not-for-profit uses in its meeting room, but when an author comes to town, they never fail to make an exception.  In fact, now that I think about it, the last author to travel through didn’t even have to bring his own books–the library partnered with a local bookstore to spread out the cost (and yes, a little of the profit) of those for-purchase books.  Since you will probably want to sell books as well as sign them at your event, it’s well worth exploring what options your local library has to offer, and pick the right situation for you!
  • the CAMPUS : this one can be a bit tricky, simply because there are so many different ways to set up an event at a local school, university, or church campus.  Many schools host fairs and other such events where you might be able to purchase display space for an affordable fee, and many might welcome you for a reading or roundtable discussion in addition to a signing–perhaps even as a featured guest in a classroom environment.  It’s worth not just checking with school administrators like the Principal (in the case of an elementary school) or Pastor (in the case of a church) but also with the head of the English or Creative Writing faculty (particularly in the case of a college campus).  The university library or bookstore may also prove a fruitful option to pursue.
  • the CAFE : restaurants, bars, coffee shops, and cafés have long been a second home for authors seeking refuge, but they also have a legacy of making room for authors as performance spaces. Giant chains like Starbucks are a little leery of hosting events, but local joints tend to pull together to feature local authors–and are often far more congenial when it comes to pricing (if they charge anything at all).  Check with your local havens to see whether they might be interested, and don’t forget to mention that a signing will very likely help drive traffic to their store–especially if you and the venue pool together marketing resources.
  • the SPECIALTY RETAILER : if your book touches upon something distinctive that a local store perhaps caters too–say, if your book is set on the French Riviera and you happen to have a French bakery or a wine merchant featuring high-quality French wines–you should at least pose the question of whether they’d be interested in hosting an event.  In the case of specialty retailers of the expensive variety, you may have more complicated logistics to work out: who foots the bill?  Can you split the cost, or at least get a discount?  If you set up the event along the lines of a “wine and paint” party, it’s expected that everyone who attends pays a bit into a central pot of money to cover the night’s bill.  This may not leave a lot of money left over to generate a profit–but book signings are as much about raising awareness as they are about raising money, so it still may have a part to play in your larger marketing campaign.
  • the GUERRILLA LAUNCH : the best part of the guerrilla launch is that nobody pays for parking or for the event venue, because the whole point is to generate interest via a “flash mob” mentality.  Set up a viral campaign on Twitter, Facebook, email, SMS, and everywhere else you have a thriving following, and pick a time and a place to show up.  The more interesting or offbeat the place, the better!  A local mall is a good starting point, but many authors choose local landmarks of interest as well.  If you’re hosting it on public or private lands, I advocate for checking with whoever manages the land–generating controversy may land you a little extra buzz, but ultimately you’re looking to set up a sustainable practice that can be replicated over time.
  • the INTERNET : the internet is not, contrary to some thinking, the death of the classical literary career–and anyway, self-publishing is all about meeting readers where they are at and freeing up authors to use their full set of skills to capacity!  There are many ways you might host a digital signing, even though that might sound counter-intuitive, and a live drawing or giveaway is a fantastic twist on the time-honored signing tradition.  And that’s just one thought I had this morning; I’m sure you can think up an infinite variety!

 

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Thanks for reading!  If you have any other ideas, I’d love to hear them.  Drop me a line in the comments section below and I’ll respond as quickly as I can.  ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Self-Publishing News: 03.28.2016

This week in the world of self-publishing:

We’ve written before about how self-publishing is thriving in eastern markets, but the story of Jalan Jalan‘s author Mike Stoner might take the cake for success stories––as recounted by Tim Hannigan in this March 25th article for The Guardian.  (Talk about fame and recognition––The Guardian has been a go-to resource for literary aficionados for decades.)  Stoner’s novel––which “follows a heartbroken young Brit through Indonesia, where he finds himself embroiled in a murky world at the bottom of the expat barrel after accepting a teaching job at a dodgy language school after a five-minute telephone interview”––won The Guardian‘s much coveted self-published book of the month award in December of 2014, and it didn’t stop there.  After a year or more picking up momentum in social media and overseas markets, Jalan Jalan found a second home with Tuttle and Periplus, one of southeast Asia’s biggest distributors of English-language books. If it seems like your average rags-to-riches indie-to-traditional stories, hold on a moment: Stoner says that he was only able to reach such a large audience because he first chose to self-publish.  “I’d recommend self-publishing to anyone who writes and gets dejected about being rejected,” he says, “because you never know where it might lead. If I hadn’t made the effort I’d never have won the Guardian award.”  For the complete article in The Guardian, follow the link.

“In 2015, I celebrated my 18th birthday in quite an unconventional way: by debuting my first authored book on Amazon,” begins this March 25th article by Julia Schemmer for HuffPost Books.  The teen entrepreneur continues: “I decided to take the road more traveled by self-publishing my work, 20 Seconds of Insane Courage instead of seeking a publisher and pursuing printed copies. Looking back, it is a decision I still stand behind, and am proud of.”  If this seems like an unconventional way to begin a defense of self-publishing, chew on this for a moment, too: in a world where teens are constantly competing to be heard on issues ranging from the controversial to the mundane, self-publishing provides one of the few paths forward in the evolution from private to public voice.  It would be easy to see Schemmer as an exception to the rule, a Truly Gifted Individual and not the exact model for many of her generation hope to do, but one of the largest demographic groups within the world of self-publishing authors is, in fact, teens.  So when Schemmer speaks in defense of self-publishing, she’s speaking as more than just one teen who hit a lucky streak––she’s speaking as an advocate for many others.  And what does she have to say?  Quite a lot!  With points ranging from creative control to broader access for readers, Schemmer’s article is well worth a read–and you can find it here.

The conversation about improving diverse representation within the publishing––specifically, the self-publishing––industry is ongoing, but significant inroads are being made and there’s no better example of people leading the change through decades of hard work than 24-year publishing veteran Erika Berg, writes Drucilla Shultz in this March 21st article for Publisher’s Weekly.  Berg, who crowd-funded and then self-published Forced to Flee: Visual Stories by Refugee Youth from Burma and launched a companion website, looks to use her experience and her skills as an author “as an advocacy tool for giving voice to refugees” and other often-silenced minority groups.  Asked about her advice for other indie authors, Berg advises going “off the beaten path”:

When it comes to marketing, again, be alert to possible win-win partnerships. Forced to Flee’s most fruitful events haven’t been at bookstores; they have been hosted by school districts, universities, organizations, etc. that had even more to gain from a large turnout and media coverage than I did.

For more of her stellar advice, check out Shultz’s entire interview and article on the Publisher’s Weekly website.


 

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As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Saturday Book Review: “I Wonder: A Book for Children, Parents and Other Grownups”

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.

When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this week’s book review, courtesy of The Fairview Review:

I Wonder: A Book for Children, Parents and Other Grownups

I Wonder: A Book for Children, Parents and Other Grownups

by Jane Altman

Publisher: Outskirts Press

ISBN: 978-1478765820

Synopsis:

This book is a treasure! It is unusual in its endearing and educational verses and illustrations for children and in its engaging and varied pieces for parents – and other grownups. The rhymes are appealing, the illustrations are wonderful and the writings range from heartfelt to very funny. All in all a must read.

Critique:

In “I Wonder,” Jane Altman has created a poem that children will feel is familiar from the start. It has a similar structure to that of “Twinkle, Twinkle, Little Star” that will help young readers easily catch on to the rhythm of the text. Each verse opens up the possibility for discussion about the various animals that are mentioned, elephants, mice, bats, etc. And the illustration for the final verse also allows the child to paste a photo of him/herself into the book and making it very personal. There is also a fantasy story titled “The Glow-Stones,” which portrays the ability of children to perceive the magical when adults only see the commonplace.

Within the second part of the book, Altman has a collection of poetry that is tailored for the adults in the family. Some are nostalgic in tone – pieces wondering over how children will grow up, how one would feel on the very last day of the one-hundredth year of life, or why youth fades away. Others reflect on more everyday occurrences such as admiring flowers or pondering why grass can be so much work to maintain. And then there is the comedic piece about an undergarment that t’aint fittin’ any longer. The whole book feels like a peek into someone’s journal and catching their changing moods from day to day.

This is a book meant to be read together and enjoyed together.

reviewed by Suzanne Costner  of The Fairview Review  ]

Here’s what another reviewer is saying:

The first section of part one contains a series of four line rhymes that generally have the same rhythm, one that reminded me of the song “Twinkle twinkle little star.” The structure is an image referencing the rhyme on the left side with the text on the right. There are fourteen such items, all but the last referring to animals. The last one is designed to reference the young reader.

The next section of part one is a short story about a small village near the ruins of a very old castle. No one ever goes into it and no one seems to care about it. When a young man decides to leave the village and go out in the world, a stone in the castle glows at him, so he stops to grab it and then takes it with him. Something similar happens when a young woman also starts her journey out of the village.

The two people then marry other people and have children, the story continues after their deaths when their children are going through their belongings and find what appear to be nondescript stones. They all return to the ancestral village and the children then see things in the castle that their parents cannot.

Part two is given the designation that it is for the parents and grownups and is a set of short segments of more complex verse. There are rhymes having various orders where the matches occur. For example, the section of verse called “What to Do?” has three line segments where the first two lines rhyme as well as the third lines of sequential sections. They are designed to be read to children, they will sound pretty good if the proper intonation is applied.

This is a good book for children, one that children will enjoy having read to them, for they have a natural affinity for rhyming verse.

– Goodreads Reviewer Charles


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Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space every Saturday!

Self Publishing Advisor

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Conversations: 3/25/2016

WHAT IF… ALL iPhones, iPads, Nooks and Kindle Services Disappeared?

If you grew up in the 1960s—or are a youthful fan of classic TV—you’re probably familiar with THE TWILIGHT ZONE TV series. In stark black and white contrasts those 30 minute “short story dramatizations” offered viewers a wide variety of theories to ponder. My all-time favorite is titled: “Time Enough at Last.” It was adapted from a short story that appeared in a Science Fiction magazine in 1953. This fact alone should encourage all of us as we see what is written and published today can (and does) live into the future.

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“Time Enough at Last” gave us the story of one man (Henry Bemis) who LOVED to READ. He carried a book with him wherever he went. However, he is surrounded by people who think he is foolish “reading all the time,” and they do all they can to prevent him having any time to read. Henry worked in a bank, and one day accidentally got locked inside. It was almost like a dream come true, because he had a book with him! Suddenly, there is an explosion! When Henry is able to pop the loosened door open, he finds the world had been decimated. He was all alone. As he stumbles through the rubble, he reaches some steps and sits down to rest. There is a hardbound book on the step below, and he realizes he’s sitting on the steps of the LIBRARY! BOOKS! ALL the books he could read in a lifetime! BOOKS! GLORIOUS BOOKS! And no one to stop him from reading each and every one!

Of course, there are multiple themes within this one short-story-episode—another one being to beware of our reliance on technology. Yet the one that continues to strike me is the possibility of a culture—a society—that no longer encourages reading. If fact, the societal attitudes toward books in this fiction story points a straight finger at those who attempt to keep people from reading as happens today in too many countries. This concept has stayed with me a whole lot of years, and as I look back I am so THANKFUL to that writer whose words watered the seed of writing—and getting my books published—deep within me.

So it is that I close this month of March with several quotes that have inspired and fortified me during times when I slouched at my writing desk.

  • First Lady, Jacqueline Kennedy, said: “There are many little ways to enlarge your world. Love of books is the best of all.”
  • From Charlie and the Chocolate Factory author, Roald Dahl: “So please, oh PLEASE, we beg, we pray, go throw your TV set away, and in its place you can install, a lovely bookshelf on the wall.”
  • Sci-Fi author, Stephen King said: “Books are a uniquely portable magic.”
  • Singer-songwriter, Taylor Swift says: “Books train your mind to imagine and think big.”

 

DO WRITERS face challenges? Of course, as do all people of every career and every generation. However, the blessing we have is the ability to use words that create mind-imaginings and allow Readers the opportunity to think big—and BIGGER. The words we choose to write on the pages of our manuscripts have POWER. We must take care to use them wisely as they will impact our own lives—and the world. ⚓︎

RoyaleneABOUT ROYALENE DOYLE: Royalene has been writing something since before kindergarten days and continues to love the process. Through her small business—DOYLE WRITING SERVICES—she brings more than 40 years of writing experience to authors who need “just a little assistance” with completing their projects. This is a nice fit as she develops these blogs for Outskirts Press (OP) a leading self-publisher, and occasionally accepts a ghostwriting project from one of their clients. Her recent book release (with OP) titled FIREPROOF PROVERBS, A Writer’s Study of Words, is already receiving excellent reviews including several professional writer’s endorsements given on the book’s back cover.  

Royalene’s writing experience grew through a wide variety of positions from Office Manager and Administrative Assistant to Teacher of Literature and Advanced Writing courses and editor/writer for an International Christian ministry. Her willingness to listen to struggling authors, learn their goals and expectations and discern their writing voice has brought many manuscripts into the published books arena.

In Your Corner : Celebrate National Reading Month With These Marketing Tips! (part four)

Exactly three weeks ago, I started us off on a month-long exploration of what I revealed to be one of my favorite subjects–the intersection of reading with writing and publishing–in light of the fact that the month of March is National Reading Awareness Month here in the United States.  I continued my series two weeks ago and last week with a number of additional ways in which you, the indie or self-publishing author, can take advantages of the resources on offer to bolster both your existing writing methods and your book sales.  This week, I would like to invite you to continue in joining me in making reading a focus all month long, here in our Thursday blog post slot.  We may have one more week left in the month of March, but I’m holding nothing back–you get only the best of the best, my absolute top tips, here today! 

TIP TWELVE : Give your blog or website a face lift

If you already have a blog or website where you have been promoting your book in advance of its release, there’s no better time than the present to refresh the look and feel or add content.  And by “refresh,” I don’t just mean a couple of small tweaks or optimizations here and there–I mean a complete overhaul.  As in all things, the self-publishing author must demonstrate full willingness to meet readers where they live, rather than expecting them to stumble across one’s book by happenstance.  There are no (or at least, very very few) happenstances in the publishing industry, since everyone and their lawyer is out to make a profit off of gaming the system.  You don’t want to play your readers–in fact, you want to be wholly honest and authentic at all times–but you do want to show them that you care enough about them to design a website or a blog that meets their needs and outperforms their expectations.  Think big, not small, and make sure your site is inviting and reflects who you are as a writer.  

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TIP THIRTEEN : Play well with others

It should come as no surprise that I’m an advocate for sharing.  After all, I didn’t ignore every single admonition to play well with others when I was a child–some of that well-intentioned parental advice rubbed off.  But in the world of self-publishing, there’s nothing more powerful than sharing!  It’s not just a “good idea”–it’s a vital and impactful way of reaching new readers.  The first step to sharing promotions with other indie authors is one of logistics and networking: I recommend getting started by connecting with other independent authors whose work compliments yours or who live nearby.  Local writers’ groups are a fantastic resource for this!  From there, you can discuss how best to share advertising in your local media to promote your books and events.  Sharing an event with another writer is an excellent way to generate more interest among venues and readers.

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TIP FOURTEEN : Take the Grand Tour

In years gone by–that is, from the mid 1600s to the mid 1800s–it was the custom of the European and American elite to send their children on the Grand Tour of the European continent and parts of Asia Minor and Northern Africa.  The point of the Tour was to expose people of taste to the primary object of their taste–the cultural legacy of the West.  But there’s a far better Grand Tour which you can partake in as an indie author!  There are dozens upon dozens of prime opportunities for promoting your book throughout the year outside of your homeland, including the London Book Fair, BookExpo America, Beijing Book Fair and the Frankfurt Book Fair.  But who, you may ask, has the time or money to do that?  Self-publishing may be a recourse for those of humble budgets, but it is also a haven for ingenuity and creative thinking.  You don’t need to stress if you don’t have the time (or money) to travel the world this year: a number of self-publishing companies, including the one I work for (Outskirts Press) offer the opportunity to represent your book at any (or all) of these events throughout the year.  There is usually still some sort of cost associated with this project, of course, but it is a dramatic reduction on what you might pay individually to travel to these places, register for display space and lodging, and for marketing materials.  Just a thought: you can be a world travel vicariously through your book!

That’s it for this week, but I’ll be back next Wednesday with some final tips and ways forward!  And …

… always remember: you are not alone. ♣︎

ElizabethABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.