In Your Corner : Celebrate National Reading Month With These Marketing Tips! (summary edition)

Four weeks ago, I set out to gather together my absolute all-time favorite marketing advice––advice I have both given and received over my years as a self-publishing advocate working in sales and management––and today is a good day, because I get to look at it all together.  Over the course of four Thursdays, I have laid out a map––a blueprint––for an indie author’s success on the marketing trail: Fourteen tips you can put to work as you decide upon your own personal priorities as an author and put together your own marketing campaign.

They are:

Part One:

  • GETTING STARTED : Become the local expert.
  • TIP TWO: Get ’em while they’re young
  • TIP THREE: Consider online advertising
  • TIP FOUR: Introduce new formats of your book

Part Two:

  • TIP FIVE : Ask for book reviews
  • TIP SIX: Request peer reviews
  • TIP SEVEN : Create a mailing list or Facebook group

Part Three:

  • TIP EIGHT : Craft a “keep in touch” plan
  • TIP NINE : Go to the Press
  • TIP TEN : Get your next manuscript off the drawing board
  • TIP ELEVEN : The book must be blogged!

Part Four:

  • TIP TWELVE : Give your blog or website a face lift
  • TIP THIRTEEN : Play well with others
  • TIP FOURTEEN : Take the Grand Tour

 

If you think this list is a long one, consider this: Marketing is no joke.  It’s not an easy thing to do, especially if you’re embarking upon the journey solo.  You’ve already done some mammoth work in finishing your manuscript––in being an author, period––and to be faced with a list like this might seem daunting.  Which is why I didn’t really want to leave you with fourteen tips.  What I really want is to leave you with one.  And so, without further ado, I give you:

THE ONLY TIP YOU’LL EVER NEED: Let others help shoulder the burden

This is both the simplest and the hardest thing of all.  We’re indie authors.  We are accustomed not just to wanting to go it alone, but to having to go it alone.  But the thing is, we’re at a critical and beautiful point in the self-publishing industry’s evolution: every door is open to us, and nobody is looking to slam them shut on someone just starting out, or on a veteran who needs to change things up.  Take a breath.  Take all the time you need.  This is and always will be, your story.  And it will be exactly what you want it to be, even if you have to ask for a little assistance along the way.

There are more resources than ever before available at your Google-savvy fingertips.  There are hybrid self-publishing companies offering incredibly diverse kinds of assistance, tailored to your needs.  There are advocates like me and like many of the people I work with at Outskirts Press who want nothing more than to help you achieve what you want to achieve.  We’re here for you, and we’ll always be here for you.

Now more than ever before, one thing is true:

You are not alone. ♣︎

making a list and checking it twice

 

ElizabethABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

 

 

Marketing Missteps Episode 2: Confusing the Sales Message with the Marketing Campaign

Those of you who have been following my Wednesday posts here on Self Publishing Advisor for a while will probably have picked up on a couple of my habits by now, and one of them is diving into series that examine the many facets of an issue under a microscope.  I like to see every angle, follow every lead, and to be thorough.  Which is why, in continuing this new series that began with last week’s post on the subject of “Marketing Missteps” I want to do full justice to the heart of the matter.

What, then, is the heart of marketing?

This is the question that has rightfully dominated boardroom discussions at the top traditional publishing houses as well as the living rooms and kitchens and offices of thousands of entrepreneurial independent authors’ homes. Marketing, when push comes to shove, is about raising both awareness about and motivated interest in your product.  And by “motivated interest,” I mean the kind of interest that leads to product sales.  But note one thing: the sales come after the awareness.  To push for sales with a mercenary if understandable motive is, as an author, to do both your book and your readers a disservice.

To prioritize sales above the human being on the other end of the Facebook group, the email listserv, the Twitter feed, the phone line, the book signing table, and the Goodreads book page is to declare your financial gain to be more important than quality human communication, and art.  Readers, like everyone else in the market for new acquisitions, have a sixth sense about pushy and over-eager sellers.  And here’s a fact:

Your readers want you to be a storyteller, not the stereotype of a used-car salesman.

sales

So, what does “pushy” look like and how can you avoid it?

Many first-time self-publishing authors release a book accompanied by persistent announcements across all social media platforms––and not just cute little notices, but noisy and self-interested announcements.  (And if you’ll remember, we talked about the self-centered marketing campaign last week in detail.)  Marketing is a more subtle endeavor than a Sears Factory Clearance ad, however.  You are entering a crowded market––with around five hundred thousand new books released each year––with every other entry clamoring for readers to spend money.  When you as an indie author begin shouting into the void, cramming shotgun marketing messages into every available Tweet and post and picture and conversation––well, you do nothing but damage.  You have become part of the background noise readers must filter through every day, in search of a story they actually connect with.

And how not to become yet another unheard voice?  Lead with your wit and your humanity.  Look to the authors you admire on social media and their blogs and elsewhere––how much space do they dedicate to explicitly sales-related messaging?  I guarantee you it’s not much.  Instead of constantly pushing links to sales pages, the successful self-publishing author and marketer is increasing the value proposition of both their own personal brand––as an author and person––as well as the value proposition of the their work (published and ongoing).

We’ve mentioned it many times before and elsewhere that the best marketing strategy is to write another book and to talk about that process instead of constantly pushing sales for an already published book––readers will have their interest piqued by a work still in progress in a way they won’t be by something they can simply hop on to Amazon or Goodreads to read detailed reviews about.  The mystery of an unfinished novel is an incredible asset!  Whatever else you do, don’t stop writing––offline.

Don’t confuse sales messaging with a healthy and engaged marketing campaign.  Do remember how you first fell in love with a book, an author, and filling your bookshelves.  That is the kind of positive impulse that you want to tap into.

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Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com. 10:00 AM

From the Archives: “Setting up Book Signings as a Self Published Author”

Welcome back to our Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

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[ Originally posted: August 14th, 2008 ]

How would you like to sell more copies of your book? Would you like to read excerpts from your book to a captivated audience?

Book signings at local bookstores are one of the cornerstone of an author’s post-publication foundation. But how do you set them up?

Organizing book signings, readings, and public appearances is one of the most important parts of a successful marketing campaign.

A book signing or reading is a bookstore event that features you and your latest book. This is your opportunity to meet potential buyers face to face. Plus it adds a personal touch to your promotion efforts.

Many customers may feel more motivated to purchase a copy of your book if they hear it explained or read from your point of view. And the opportunity to get a copy signed by the author doesn’t hurt, either!

Independent book stores and larger chain retailers both organize book signings. Your chances for finalizing an appearance are greater with the local independent stores. They have to compete with larger chains and are therefore more willing to support local (and self-published) authors.

In order to pinpoint potential book stores, check your local newspapers or see if book retailers in your area offer a “calendar of events” or post upcoming events on a public bulletin board.

By asking around for the owner of the store or the communications manager you can typically find the appropriate person with whom to propose your book signing. In many cases, both the large and small retailers will have their events planned weeks or even months in advance. Plan early.

When you have a list of people and/or stores you plan on contacting, prepare your pitch. Have a small script that outlines what your book is about and why people would be interested in meeting you or reading the book. The store manager or PR person will most likely ask. After all, they are not there just to help you. They are there to make money selling books. Tell them why your book will make their store money.

If your subject matter is timely, all the better! Remember, this is the point during which the store manager or book buyer will be screening your presentation skills, either over the phone or in person. If they are not captivated by your presentation, they will have very little faith in your ability to captivate a crowd. Be extroverted and dynamic.

It also helps to be concise. Understand that these are busy people. You want to sell them on your event fast. Have your press release and/or sell sheet ready. It’s helpful in case they ask for a copy or if they ask about specific information about the book. They may want to know the retail price, the discount, and the ISBN number immediately so they can order a review copy themselves prior to deciding.

Provide them with your web site address. They might be impressed enough by your initial marketing initiatives to go forward with the book signing.

Offer to help them with promotion, especially if you’re targeting smaller book stores. They will be more interested in offering to host an event if they know you will be absorbing some of the burden of marketing it. Tell them all your friends and family will be attending the event (and then make sure to invite your friends and family!), and if it’s within the scope of your marketing budget, offer to advertise in the local paper at your expense. Remember, the easier you make it for the book store owner or manager, the more likely they will say yes.

Follow-up with prospective book stores who have not confirmed dates. Selling yourself and your book is a number’s game, and as any salesperson will tell you, the amount of contact is directly proportionate to the amount of sales. So be persistent without being annoying. If you experience three or four unsuccessful attempts with a particular store or person, move on to another prospect.

And don’t forget your signing pen….

by Kelly Schuknecht

Looking back eight years can reveal a lot of holes in any article, but I’m fairly certain my original treatise on searching out opportunities for book signings has aged as well as is humanly possible for a blog post (by its nature, a medium that fosters timeliness) on the subject of self-publishing (a moving target in and of itself).  That said, I think there’s room for improvement, expansion, and a bit of an update.

What does 2016 Kelly have to say about book signings that 2008 Kelly didn’t know or didn’t think to share?  I’ll give you a clue: venues.

book reading

Traditionally, book signings have been carried out at a narrow and very specific range of venues.  And by that, I mean bookstores.  But in the silicon age, when internet sales are king and even the biggest box bookstores are facing mounting challenges to keeping their doors open, what can self-publishing authors do to launch a book tour?  I simply don’t accept the mindset that limitations present anything other than opportunities for a little creative thinking.

In that mindset, here are a few alternative venues I think you should consider for your book signing:

  • the LIBRARY : libraries and librarians are among some of the most powerful advocates an indie author could hope for, and most libraries offer space or a choice of spaces to host events. My local library ordinarily only allows not-for-profit uses in its meeting room, but when an author comes to town, they never fail to make an exception.  In fact, now that I think about it, the last author to travel through didn’t even have to bring his own books–the library partnered with a local bookstore to spread out the cost (and yes, a little of the profit) of those for-purchase books.  Since you will probably want to sell books as well as sign them at your event, it’s well worth exploring what options your local library has to offer, and pick the right situation for you!
  • the CAMPUS : this one can be a bit tricky, simply because there are so many different ways to set up an event at a local school, university, or church campus.  Many schools host fairs and other such events where you might be able to purchase display space for an affordable fee, and many might welcome you for a reading or roundtable discussion in addition to a signing–perhaps even as a featured guest in a classroom environment.  It’s worth not just checking with school administrators like the Principal (in the case of an elementary school) or Pastor (in the case of a church) but also with the head of the English or Creative Writing faculty (particularly in the case of a college campus).  The university library or bookstore may also prove a fruitful option to pursue.
  • the CAFE : restaurants, bars, coffee shops, and cafés have long been a second home for authors seeking refuge, but they also have a legacy of making room for authors as performance spaces. Giant chains like Starbucks are a little leery of hosting events, but local joints tend to pull together to feature local authors–and are often far more congenial when it comes to pricing (if they charge anything at all).  Check with your local havens to see whether they might be interested, and don’t forget to mention that a signing will very likely help drive traffic to their store–especially if you and the venue pool together marketing resources.
  • the SPECIALTY RETAILER : if your book touches upon something distinctive that a local store perhaps caters too–say, if your book is set on the French Riviera and you happen to have a French bakery or a wine merchant featuring high-quality French wines–you should at least pose the question of whether they’d be interested in hosting an event.  In the case of specialty retailers of the expensive variety, you may have more complicated logistics to work out: who foots the bill?  Can you split the cost, or at least get a discount?  If you set up the event along the lines of a “wine and paint” party, it’s expected that everyone who attends pays a bit into a central pot of money to cover the night’s bill.  This may not leave a lot of money left over to generate a profit–but book signings are as much about raising awareness as they are about raising money, so it still may have a part to play in your larger marketing campaign.
  • the GUERRILLA LAUNCH : the best part of the guerrilla launch is that nobody pays for parking or for the event venue, because the whole point is to generate interest via a “flash mob” mentality.  Set up a viral campaign on Twitter, Facebook, email, SMS, and everywhere else you have a thriving following, and pick a time and a place to show up.  The more interesting or offbeat the place, the better!  A local mall is a good starting point, but many authors choose local landmarks of interest as well.  If you’re hosting it on public or private lands, I advocate for checking with whoever manages the land–generating controversy may land you a little extra buzz, but ultimately you’re looking to set up a sustainable practice that can be replicated over time.
  • the INTERNET : the internet is not, contrary to some thinking, the death of the classical literary career–and anyway, self-publishing is all about meeting readers where they are at and freeing up authors to use their full set of skills to capacity!  There are many ways you might host a digital signing, even though that might sound counter-intuitive, and a live drawing or giveaway is a fantastic twist on the time-honored signing tradition.  And that’s just one thought I had this morning; I’m sure you can think up an infinite variety!

 

poetry reading

Thanks for reading!  If you have any other ideas, I’d love to hear them.  Drop me a line in the comments section below and I’ll respond as quickly as I can.  ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Self-Publishing News: 03.28.2016

This week in the world of self-publishing:

We’ve written before about how self-publishing is thriving in eastern markets, but the story of Jalan Jalan‘s author Mike Stoner might take the cake for success stories––as recounted by Tim Hannigan in this March 25th article for The Guardian.  (Talk about fame and recognition––The Guardian has been a go-to resource for literary aficionados for decades.)  Stoner’s novel––which “follows a heartbroken young Brit through Indonesia, where he finds himself embroiled in a murky world at the bottom of the expat barrel after accepting a teaching job at a dodgy language school after a five-minute telephone interview”––won The Guardian‘s much coveted self-published book of the month award in December of 2014, and it didn’t stop there.  After a year or more picking up momentum in social media and overseas markets, Jalan Jalan found a second home with Tuttle and Periplus, one of southeast Asia’s biggest distributors of English-language books. If it seems like your average rags-to-riches indie-to-traditional stories, hold on a moment: Stoner says that he was only able to reach such a large audience because he first chose to self-publish.  “I’d recommend self-publishing to anyone who writes and gets dejected about being rejected,” he says, “because you never know where it might lead. If I hadn’t made the effort I’d never have won the Guardian award.”  For the complete article in The Guardian, follow the link.

“In 2015, I celebrated my 18th birthday in quite an unconventional way: by debuting my first authored book on Amazon,” begins this March 25th article by Julia Schemmer for HuffPost Books.  The teen entrepreneur continues: “I decided to take the road more traveled by self-publishing my work, 20 Seconds of Insane Courage instead of seeking a publisher and pursuing printed copies. Looking back, it is a decision I still stand behind, and am proud of.”  If this seems like an unconventional way to begin a defense of self-publishing, chew on this for a moment, too: in a world where teens are constantly competing to be heard on issues ranging from the controversial to the mundane, self-publishing provides one of the few paths forward in the evolution from private to public voice.  It would be easy to see Schemmer as an exception to the rule, a Truly Gifted Individual and not the exact model for many of her generation hope to do, but one of the largest demographic groups within the world of self-publishing authors is, in fact, teens.  So when Schemmer speaks in defense of self-publishing, she’s speaking as more than just one teen who hit a lucky streak––she’s speaking as an advocate for many others.  And what does she have to say?  Quite a lot!  With points ranging from creative control to broader access for readers, Schemmer’s article is well worth a read–and you can find it here.

The conversation about improving diverse representation within the publishing––specifically, the self-publishing––industry is ongoing, but significant inroads are being made and there’s no better example of people leading the change through decades of hard work than 24-year publishing veteran Erika Berg, writes Drucilla Shultz in this March 21st article for Publisher’s Weekly.  Berg, who crowd-funded and then self-published Forced to Flee: Visual Stories by Refugee Youth from Burma and launched a companion website, looks to use her experience and her skills as an author “as an advocacy tool for giving voice to refugees” and other often-silenced minority groups.  Asked about her advice for other indie authors, Berg advises going “off the beaten path”:

When it comes to marketing, again, be alert to possible win-win partnerships. Forced to Flee’s most fruitful events haven’t been at bookstores; they have been hosted by school districts, universities, organizations, etc. that had even more to gain from a large turnout and media coverage than I did.

For more of her stellar advice, check out Shultz’s entire interview and article on the Publisher’s Weekly website.


 

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As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Saturday Book Review: “I Wonder: A Book for Children, Parents and Other Grownups”

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.

When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this week’s book review, courtesy of The Fairview Review:

I Wonder: A Book for Children, Parents and Other Grownups

I Wonder: A Book for Children, Parents and Other Grownups

by Jane Altman

Publisher: Outskirts Press

ISBN: 978-1478765820

Synopsis:

This book is a treasure! It is unusual in its endearing and educational verses and illustrations for children and in its engaging and varied pieces for parents – and other grownups. The rhymes are appealing, the illustrations are wonderful and the writings range from heartfelt to very funny. All in all a must read.

Critique:

In “I Wonder,” Jane Altman has created a poem that children will feel is familiar from the start. It has a similar structure to that of “Twinkle, Twinkle, Little Star” that will help young readers easily catch on to the rhythm of the text. Each verse opens up the possibility for discussion about the various animals that are mentioned, elephants, mice, bats, etc. And the illustration for the final verse also allows the child to paste a photo of him/herself into the book and making it very personal. There is also a fantasy story titled “The Glow-Stones,” which portrays the ability of children to perceive the magical when adults only see the commonplace.

Within the second part of the book, Altman has a collection of poetry that is tailored for the adults in the family. Some are nostalgic in tone – pieces wondering over how children will grow up, how one would feel on the very last day of the one-hundredth year of life, or why youth fades away. Others reflect on more everyday occurrences such as admiring flowers or pondering why grass can be so much work to maintain. And then there is the comedic piece about an undergarment that t’aint fittin’ any longer. The whole book feels like a peek into someone’s journal and catching their changing moods from day to day.

This is a book meant to be read together and enjoyed together.

reviewed by Suzanne Costner  of The Fairview Review  ]

Here’s what another reviewer is saying:

The first section of part one contains a series of four line rhymes that generally have the same rhythm, one that reminded me of the song “Twinkle twinkle little star.” The structure is an image referencing the rhyme on the left side with the text on the right. There are fourteen such items, all but the last referring to animals. The last one is designed to reference the young reader.

The next section of part one is a short story about a small village near the ruins of a very old castle. No one ever goes into it and no one seems to care about it. When a young man decides to leave the village and go out in the world, a stone in the castle glows at him, so he stops to grab it and then takes it with him. Something similar happens when a young woman also starts her journey out of the village.

The two people then marry other people and have children, the story continues after their deaths when their children are going through their belongings and find what appear to be nondescript stones. They all return to the ancestral village and the children then see things in the castle that their parents cannot.

Part two is given the designation that it is for the parents and grownups and is a set of short segments of more complex verse. There are rhymes having various orders where the matches occur. For example, the section of verse called “What to Do?” has three line segments where the first two lines rhyme as well as the third lines of sequential sections. They are designed to be read to children, they will sound pretty good if the proper intonation is applied.

This is a good book for children, one that children will enjoy having read to them, for they have a natural affinity for rhyming verse.

– Goodreads Reviewer Charles


saturday self-published book review

Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space every Saturday!

Self Publishing Advisor

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