Self-Publishing News: 6.20.2016

This week in the world of self-publishing:

Carole Nelson Douglas published sixty novels the old-fashioned traditional way before she decided to explore self-publishing, writes Drucilla Shultz for Publisher’s Weekly on June 17th.  Why?  She wanted more control over her published materials, a familiar story to many who are involved in self-publishing today.  And the change, while not entirely without discouragements (Douglas has felt victim of a certain degree of “status downgrade”) has reaped a great deal more rewards (Douglas’ latest book is receiving positive critical recognition).  Perhaps the greatest byproduct of Douglas’ conversion, however, may be her advocacy for indie and self-publishing authors everywhere.  “Look to your audience,” says Douglas (by way of Shultz):

“Figure out who your audience is, who you’re writing for, what genre you’re writing in, and what the books in that genre look like. Recognize that indie publishing is a lifetime learning experience. Yes, some authors broke out big and fast a few years ago, and those gold rush days are over, but audience-expanding strategies are still out there. Look for role models online. Authors love to tell ‘how I did it.’”

Douglas also recommends looking to the internet (“Online Advice”) and seeking out a professional copyeditor (“Professional Help”).  Refreshingly direct, she’s up-front about the fact that self-publishing is a lifetime commitment, with plenty of avenues to success and an equal number of pitfalls.  For Shultz’s entire article and interview with Douglas, tap into the original piece at the link.

“Michele Melton of Olathe loves to bake,” writes Sara Beane for The Kansas City Star on June 17th:

“So after years of being asked by family and friends how to make her popular cake pops — bite-sized pieces of chocolate-dipped cake on a stick — she decided it was time to put her tried-and-true recipe on paper with a children’s book to teach kids how to make her cake pops. But she didn’t want it to be just any book; she wanted it to be interactive.”

I don’t know about you, but crafting an interactive work is hardly a recipe for traditional success.  Breakout phenomenons like Dragonology and so forth have occasionally reached bookshelves, but by nature traditional publishing houses are steadfastly conservative, and opposed to experimentation.  Melton’s book, Beane reports, is about a 10-year-old girl who loves to bake–Cake Pops With Marlee–and is designed to teach children how to bake alongside their parents and caregivers.  “The process of self-publishing the book was both costly and time-consuming for Melton,” says Beane, and “Things were already stressful when life threw her a curveball in November. That’s when Melton’s 24-year-old son Jake collapsed while at work and was soon diagnosed with an inoperable brain tumor.”  Under mounting pressure, already committed to self-publishing her book and now coping with her son’s life-changing illness on limited funds, Melton found escape in writing.  And eventually, writes Beane, what “started as a way to share a recipe with others has now turned into something much more important for Melton. It’s a chance to remind parents to take the time to cherish their kids.”  For the rest of Melton’s heart-touching story, read Beane’s full article here.

It’s not often that self-publishing received professional treatment at length, but that’s exactly what Catherine Dunn is doing for Digital Book World.  Her June 16th article serves as part four of a six-part series, a series which has already recommended that a self-publishing author “[makes] sure your manuscript is formatted, […] had it copy-edited, and […] engaged a professional designer to create a stunning cover that will capture readers’ attention.”  This installment deals with six additional points that all revolve around the processes that take place after finishing writing:

  • Choose your services
  • Check the spec
  • Don’t forget your illustrations
  • Don’t leave anything to chance
  • Take time over the metadata
  • Marketing

And Dunn concludes her article with a checklist of further tips to assist self-publishing authors in moving from the manuscript stage to the “successfully published” stage.  A word of caution, however: while her ideas are excellent, this is just one installment in a series.  Hang around for two or three more weeks, and all six installations will be complete.  It’s always a little disappointing to start a great series only to discover it’s not quite finished, right?  If you can’t resist peeking, however, you can find installment four at the link.


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As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Conversations: 6/17/2016

JUNE IS BUSTING OUT ALL OVER

The Season for Short Stories (Part III)

Within most every month on our calendar there is some type of celebration honoring the men and women who serve our countries in the military. To support, encourage and thank them, children have sent handmade cards to those on active duty. Family and Friend groups have hired local artists to create one-of-a-kind Thank You cards and sent them with personalized messages to thousands of our armed forces around the world. The big-name producers of greeting cards (e.g. Hallmark etc.) have created animated eCards that deliver messages such as: “Spirit, promise, hope. Once a soldier, always a hero,” and “Thanks for being the kind of person our country can depend on.” I love the concept of eCards. Their short messages are like short stories from the heart—much like eBooks.

In a previous blog I mentioned that a collection of short stories can quickly build into a book. One excellent example of this development method combined the author’s love for canine companions with her knowledge of training police and military working dogs. Violetta Kovacs collected multiple short stories about various K9s who exemplify excellence in the daring and often deadly “jobs” they carry out. Then, she published her book: K9 COMMANDO, Police and Army Dogs from New York to Berlin.

YOU, TOO can collect short stories and publish!

  • Are there people in your writing group (s) who’ve written an excellent short story but never did anything with it?
  • Are you in contact with friends who love to tell a good story, but have never written them?
  • Have your parents, grandparents, great-grandparents told you a story that is so vivid in your memory you could write it yourself?

What is stopping you?

  • Are you an art collector of ODD pieces—maybe found in dumpsters or garage sales? Does each individual item TELL you a story?
  • Are you a photographer whose focus is on Mountain Peaks, or Tree Tops, or Valleys, or Meadows? What are the STORIES behind your specific photographic interests?
  • Are you a sculptor of clay or wood who allows the object to inspire the piece AS IF it TELLS you its story as you work?

ARE YOU LISTENING to all these stories?

IF (or when) you find yourself struggling with completing your novel, writing and/or collecting short stories will send you on a whole new adventure! It will give you fresh insights and fresh perspectives that can not only give you a publishable collection, but will loosen your writing flow and provide a boost to the completion of your novel!

Grab hold of one (or two or three) of the ideas listed here today, and run with it! You’ll be happily surprised how much FUN you’ll have while becoming a published author! ⚓︎

RoyaleneABOUT ROYALENE DOYLE: Royalene has been writing something since before kindergarten days and continues to love the process. Through her small business—DOYLE WRITING SERVICES—she brings more than 40 years of writing experience to authors who need “just a little assistance” with completing their projects. This is a nice fit as she develops these blogs for Outskirts Press (OP) a leading self-publisher, and occasionally accepts a ghostwriting project from one of their clients. Her recent book release (with OP) titled FIREPROOF PROVERBS, A Writer’s Study of Words, is already receiving excellent reviews including several professional writer’s endorsements given on the book’s back cover.  

Royalene’s writing experience grew through a wide variety of positions from Office Manager and Administrative Assistant to Teacher of Literature and Advanced Writing courses and editor/writer for an International Christian ministry. Her willingness to listen to struggling authors, learn their goals and expectations and discern their writing voice has brought many manuscripts into the published books arena.

From the Archives: “How Much Do Illustrations Cost?”

Welcome back to our Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

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[ Originally posted: April 16th, 2012 ]

Like ghost writing or copyediting, illustrations take time and require a great deal of skill and talent. It is important to remember that illustrators must be paid fairly for their time and expertise. The price for illustrations can range from a few hundred dollars to a few thousand dollars. It depends on the size and complexity of your project. When considering illustrations, it is important to do some research, figure out your goals, and create a budget. Once you know your expectations, you’ll want to find an illustrator who meshes with your style. To do this, find out if your self publishing company offers illustration services and get a quote. You can also look at sites such as guru.com or elance.com to find a freelance illustrator. Be sure to always look at sample work before choosing an illustrator. There are many different styles, and you want to find an artist who matches your vision.

For more information on illustrations, check out these articles.

The Importance of Illustrations

What You Need to Know About Custom Covers

Illustrations Affect the Success of You Children’s Book

– by Cheri Breeding

I love Cheri’s post from 2012 in part because she has such a legacy on this blog of creating a space for illustration and fine art in the context of self-publishing.  Her attitude is not all that common!  Like many contractors with carefully curated skill sets, illustrators often struggle to make ends meet as well as earn the respect they deserve for a lifetime of work.  Why is this?  In part, it’s because illustrators often do not own the rights to the work that others commission, or pay for.  This depends on what contract they sign with the commissioner, of course, but self-publishing authors know all about what it’s like to sign away rights to something, and thereby lose access to future profits.  Illustrators also often struggle because making art for someone else just doesn’t have the social cachet or respect as making art for the sake of art.

The world can be an very unfair place.  But you don’t have to be!

To expand a little upon what Cheri rightfully included in her original post, I thought I’d provide a couple of resources to get you started calculating hard numbers–actual figures to pay any illustrator you hire.  And I won’t lie: good art doesn’t come cheap.  In fact, if you’re hiring someone and they’re not asking for much, you should always go back and re-read the fine print.  They may just be young illustrators starting out and looking to build their portfolios, or otherwise inexperienced in the market, or something more sinister.  It’s worth checking.

The first step is finding the illustrator whose art you like, right?  Between the Society for Children’s Book Writers and Illustrators (very respectable, high-end) and DeviantArt (a real mix of experienced and inexperienced illustrators) it’s fairly easy to find what you need.  If you’re still feeling a bit lost, this article from The Creative Penn provides a handy launchpad for further illustrator-sleuthing.

The second step is negotiating a commission fee and contract.  I find it’s most helpful to start from the same materials that illustrators are using to determine their requested charges, and this article from the Business of Illustration blog is one that my illustrator friends keep pointing me to.  It is thorough, and allows for multiple different scenarios.  Illustrators Online provides a handy chart to start your rough calculations–another excellent resource.  And Elizabeth O. Dulemba provides a list of questions to ask before hiring an illustrator, specifically geared towards authors.

Last but not least, it’s worth keeping bundles in mind.  I mean the service bundles provided by hybrid or self-publishing companies like Outskirts Press, which provides options for a custom-designed book cover as well as full-color illustrations.  If you’re already looking for an avenue to self-publish your book, keep an eye out for deals and price specials amongst these bundles–it’s a great way to save money and let someone else manage the fiddly bits.

No matter which option you choose, do your own calculations.  Price check your illustrators!  And most importantly of all, get in direct contact with every contractor who is going to design material for your book.  The more an illustrator knows your mind, the more quickly and easily he or she will be able to create artwork that meets or even exceeds your expectations!

Thanks for reading.  If you have any other ideas, I’d love to hear them.  Drop me a line in the comments section below and I’ll respond as quickly as I can.  ♠

 


 

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

In Your Corner : Want to win big at marketing? Unleash the wisdom of “Game of Thrones”!

Oh, I bet I could get myself into a lot of hot water for this kind of headline–from fans and the show’s detractors alike–but I can’t help it!  This paradigm shift of an HBO show (based, rather loosely at times, on George R.R. Martin’s bestselling book series) changed the way we watch television … for better or worse.  It ramped up the intensity of on-screen cruelties, particularly against women but sparing no one in the end, and has sparked some of the most interesting conversations about human nature and power that I’ve ever had the pleasure of listening in on–and yes, it has spawned its own raft of political memes during the current American presidential election season.

Game of Thrones isn’t the only pop culture machine to be churning out this kind of material … but it’s the show that everyone seems to be watching.  Or have an opinion about, as it were.  (A very very strong opinion, at that.)  So why do I love it–and what could Game of Thrones possibly offer a self-publishing author in respect to marketing acumen?

It’s all about consequences.

The similarities just about end there, but that’s plenty of food for thought.  Just about every five minutes, some character of other in the Game of Thrones universe makes a decision along the lines of:

game of thrones

Cersei Lannister (above) often serves as the show’s mouthpiece for raw human instinct: strive, dominate, circle the wagons, protect family, etc etc.  But the best part about her character’s storyline, and the narrative arc of the television series as a whole, is in the nature of action and consequence.  There’s no escaping the laws of physics: what goes up must come down, that sort of thing.  It might only take fifteen minutes of screen time for these actions-and-consequences scenarios to play out … but sometimes it takes five, or six, seasons to unwind the implications and effects of a decision some character made years back … and that George R.R. Martin probably made to write into the story over a decade ago

Which is … kind of like life.

And is kind of like … marketing!

Here’s the self-publishing parallel: it’s vitally important to consider how you plan on marketing your book, even before publication.  (Actions have consequences!)  You have an opportunity prior to publication to make decisions that can either help or hurt your marketing efforts after publication … sometimes long after.  And I guarantee you don’t want to be sitting in a room somewhere (in front of a roaring fire, with perfectly styled hair, and a mug of honeyed mead or whatever they drink in Pseudomedieval England With Bonus Dragons) thinking:

game of thrones

Which isn’t to say you should constantly battle to outpace regret.  There’s no such thing as a mistake-free life, just as there’s no such thing as a healthy parent-child dynamic in the Game of Thrones universe!  But you’re not a character in a niche television drama.  You’re an author, dangnabbit!  You’re not blind to the benefits of foresight … and you’re not trapped in the midst of a story you have no control over.  Every decision you make, from start to finish, drafting to publication, will have long-term consequences.  You can predict these consequences by being the most informed, educated, and responsible author you can be.  In a world of traditional publishing, this conversation wouldn’t be possible.  But in the world of indie, hybrid, and self publishing–it is.  You are in control of your book’s long-term success!  And …

 

You are not alone. ♣︎

ElizabethABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

 

 

In Your Corner : Amplifying Your Voice, OR, “What IS a Press Release Anyway?”

Are you ready to amplify your voice? A press release may just be your next step.

I know what you’re thinking: You’ve written your book, and now you’re on track to building a marketing campaign to do it justice. The hard part’s over … right? But it’s never easy getting word out to new readers about a brilliant new book they should be reading, especially for a self-publishing author with limited resources of time and energy to spend building connections and broadcasting the release. But while there are few events you might think worth publicizing with a press release, publishing your book should definitely one of them!

But … what is a press release?

Generally speaking, a press release is a written or visual bundle of information sent to members of the news media in order to announce something newsworthy. They are typically sent to the staff of newspapers, magazines, radio or television stations, and the administrators of various popular websites. If this sounds like a lot of work for one person to organize and distribute, that’s because … it is. But the benefits of a press release are extraordinary: the resulting national and even international exposure cultivates the interest of untold numbers of new readers who otherwise would never hear about your book.

There are a number of ways to go about writing and posting a press release. You can do what I’ve just said, and carry the entire burden yourself, or you can work with a self-publishing company that will partner with you to produce the press release for a small fee.  Every company is different in what it bundles together, but I do know that Outskirts Press (my employer) offers its authors the opportunity to have a professional writer draft a press release as a part of its Book Blast package.

Generally speaking–whichever company you opt to run with–once the first draft has been composed, you can elect to make moderate changes and corrections before the final draft is published. You should then receive a copy to use in your own marketing campaign, while the company makes use of its existing connections to distribute your professional custom press release through the News Wire–an electronic database of around 100,000 media contacts, newsrooms, industry analysts, and freelance writers who choose to receive daily emails regarding press releases that fit certain criteria. If the company you’ve chosen is on top of its game, it will also ensure that a number of popular websites and ezines, magazines like ForeWord Reviews and Publisher’s Weekly as well as newspapers like the Wall Street Journal, New York Times, and USA Today will receive notice of your book’s publication.

This press release will help drive sales by piquing the interest of reviewers, journalists, bloggers, and members of the media and encouraging them to pick up copies of your book. If you read the fine print of your publishing company’s press release package, you might find hidden gems to maximize each distribution, as OP does by optimizing your press release for search engine indexing, and working hard to ensure a speedy one-month start-to-finish turnaround on press releases. Always read the fine print!

Once you have your press release in hand, what next? I’d recommend a PR Publicist, if you have the free capital–it costs a bit, but the payoff is extraordinary, especially for self-publishing authors who don’t yet feel like they have a good handle on publicity and marketing campaigns. Ever and always in search of ways to make your work as an author easier and to help you build a successful marketing campaign worthy of your book, a PR Publicist will assist you distributing your press release to the personal email inboxes of credible book reviewers and editors in print, radio, and television, with connections to multiple trades, ezines, syndicates, and local, regional, and national wires. Unlike many authors, who don’t have the time to cultivate relationships with “influencers” in the publishing world, a PR Publicist’s entire job is to build a powerful distribution circuit that will help but your book on the map with those experts and resources who wield real influence over new readers.

A PR Publicist is not just confined to the digital world. In addition to email distribution, your publicist should follow up your press release with phone calls to key editors, beat writers, and particularly important reviewers to lift your press release to the top of the pile. This kind of detailed and personal contact increases the probability of both interest and coverage by these industry experts, and because these experts have agreed to receive press releases relevant to their interest, these qualify as something altogether more valuable than a “cold call.”

But here, too, I recommend taking a look at the fine print. A good PR Publicist, just like a well-written and widely-distributed press release, can go a long way to raising awareness about your book. But not all PR Publicists and not all press release packages are created equal. I work for Outskirts Press, so I’m definitely not unbiased in recommending who to choose, and in all things I want to place the power of choice back where it should be: in the hands of the author. Do your research, and balance your needs against what you can afford–what will prove most useful to you. You and your satisfaction are my priority, and I want to be here as a resource for you, no matter what course you choose in navigating the world of self-publishing!

You are not alone. ♣︎

ElizabethABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.