In Your Corner: Know Thyself (& Thy Genre)

Over the last couple of weeks, I’ve spent some time looking a few of the many choices authors have to make during the self-publication and marketing processes, starting with the Big Whopper (“Choosing a Self-Publishing Company“) and then moving into choices regarding the text itself (“Choosing a Trim Size for Your Book“).  This Thursday, however, I’m writing less about making a choice than I am about detecting past choices you may not have been aware you were making … and then totally exploiting them for marketing purposes.

Let me explain.

You Don’t Choose A Genre So Much As Discover It:

It Probably Only Matters for Marketing Anyway

Thinking back over the history of publishing, I can’t begin to count the number of times a book has been rejected as “too weird” or “too out-there” when really, the issue at hand was the fact that the book in question didn’t fit neatly into one of the prescribed genres (Fiction, Non-Fiction, Fantasy/Science Fiction, Western, Biography, etc).  And the marketing folks at a traditional publisher know: it’s hard to market something that doesn’t fit neatly into a category, because doing so requires flexibility and out-of-the-box thinking.  Hybrid thinking.  Opinions are changing, slowly, but not fast enough within the Big Five traditional publishing houses.

Self-publishing gives you a third way. You don’t have to pick a genre while writing, but you can take advantage of a book’s genre or genres plural by approaching genre as a diagnosis after the fact, and an expedition in search of what the Atlantic’s Noah Berlatsky calls “a ‘web of resemblances’ created by intertexual references” that are “constituted basically by social and cultural agreement,” quoting John Rieder and Jason Mittel.  It’s a hunt for markers that point you toward certain resemblances … resemblances you can capitalize on for their social currency.

genre

The diagnosis process is simple:

  1. What books have you read that influenced your work in a measurable way?
  2. What books on the shelves in bookstores now bear resemblance to yours in style and content?

Once you sketch out a couple of lists to answer this question, it’s time to hit the bookstore and your library.  Libraries tend to scale the number of genre sections they stock according to how much shelf space they have, so bigger libraries will have finer distinctions between genres, while bookstores tend to pick the genres they’re going to stock according to what’s popular.  If you survey both your local Barnes & Noble, Tattered Cover, or (*gasp*) actual real-life physical Amazon Bookstore as well as your local public library, you’ll pick up on some of the more common genres out there, including:

  • Action/Adventure
  • Biography
  • Fantasy/Sci-Fi
  • Horror
  • “Literary” Fiction
  • Mystery
  • Thriller/Suspense
  • Romance
  • Self-Help
  • Westerns
  • Women’s fiction

But the list could be a lot, lot longer.  I haven’t, for instance, mentioned more obscure genres like Steampunk and Grimoire.

Once you’ve found the shelf or shelves on which you could picture your book sitting in a bookstore or library, you’re ready to start integrating genre into your publishing and marketing processes.  Now, your book may have “resemblances” to any number of genres, but for simplicity’s sake it’s a good idea to pick just one or two that have left very clear thumbprints on your text.  You can take a quick poll of your early readers, or consult the professionals, for what they find most striking about the style and tone and voice of your book if you end up stuck for answers.  And before committing to your genre or genres, you’ll want to consider your readership.  What are they likely to connect to the most in terms of language?

Genre safely discovered and stowed away for future use, it’s time to start putting it to work.  The language of genre is rich with possibility in terms of “buzzwords” for marketing purposes, so sow them liberally amongst your back-cover blurbs, your press releases, your Amazon and Goodreads listings, your website and blog posts, as well as your social media interactions.  (Genres like #biopunk and #horrorlit make for great hashtags, don’t you think?)

There are lots of ways to use genre once your book is already written and ready to meet the world…but remember, it’s all a matter of timing.  You don’t need to write your entire book to meet a genre’s proscriptive requirements…just your promotional materials.  Genre can be confining, so it’s best to bring it into play only after the creative work is already done.  In my opinion.

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

Marketing Missteps Episode 1: The Self-Centered Campaign

You’re a self-publishing author, recently come out with a new book, and you’ve already decided to throw yourself into marketing in a serious capacity.  So what next?  Finding that starting point is a tough first act, but it’s always helpful to know a couple of false starts that others have made before you, isn’t it?  That way, at least you know a couple of places not to start, and you can find a path to success that fits your own indie experience, bolstering your skills and steering clear of your weaknesses.

Today, I’m going to begin a new series that will take a close look at several of the most important marketing missteps to avoid; the story doesn’t end here, of course, but hopefully this series will prompt you away from the edge of a few abysses.  One or two of the mistakes I’ll point out may strike you as “common sense” points, but as my dad once whispered to ten-year-old me on a sidewalk corner facing a four-way stop in heavy traffic where nobody could quite figure out the correct right-of-way: “Common sense ain’t so common now, is it?”  Even if a mistake strikes you as obvious, every reminder is a good one!

This week’s post is going to examine one of the most pernicious of all marketing missteps: that of the self-centered campaign.  At its simplest distillation, the self-centered campaign will alienate you from your readers quicker than a ten-year-old at a traffic stop.  Why?  Because readers are smart.  (I find it’s a wise policy to always assume my readers are smarter than I am, and they always seem to notice even the tiniest of continuity errors in my work before I do!)  They will pick up on the arrogance–intentional or unconscious–of an author who makes their marketing campaign all about his or her excellence instead of shining the spotlight on the real stars of the show: the book itself, and the readers who have so cleverly fallen in love with it.

arrogance in marketing

Here’s a hard fact to swallow: Your readers won’t always care about you, the author.  You might be able to persuade them to, a little, over time, simply by virtue of writing excellent social media posts or demonstrating sensitivity to others.  One crucial misunderstanding that self-publishing authors make is believing that they and their readers value the same things.  Hopefully, your readers will care about your humanity and the work you produce, but beyond that is murky waters.  How do we un-murkify them?  By doing the work.  By doing the research.  By figuring out what you do for your readers that no one else can.

To successfully market your indie book, don’t sell the customer your product (or book) … sell them your solution to their needs.  What issues interest your readers?  What subjects compel them?  These are the basic components with which you can build a successful marketing campaign.

Market research, even basic, is more than just helpful.  It’s necessary.  It is the one magical ingredient that will move your strategy away from something self-centered and toward something that is product- and consumer-centered.

But how to get there?  What are the best strategies for research?  One consideration might be to craft a simple survey with SurveyMonkey, or to poll a small focus group.  I recommend steering clear of using friends or family as focus group members, since their personal connections to you will skew how they answer.  And besides, online crowd-sourcing platforms like the aforementioned SurveyMonkey (as well as Facebook Groups and Google Forms) make for an inexpensive replacement for focus groups.  What you ask depends on what you find useful, but it might be worth crafting a few questions that speak to your readers’ genres of interest, the amount of time they spend reading or on social media, and how they like best to engage with fellow fans and their favorite authors.

Whichever avenue you pursue, these basic data-gathering methods should give you new insight into your readers, and help you shape your marketing message to focus less on you and more on the them.


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com. 10:00 AM

6 Tips to Combat the Marketing Blues

Chances are, you’ve probably already experienced the very real struggle that is the Marketing Blues––that nebulous cluster of miseries and disappointments that are unique to the self-publishing experience.  Going through the publishing process alone––much less the marketing one that follows––is bound to feel isolating or solitary at times.  After all, you’re doing a Big Thing indeed in self-publishing your book, and you’re investing a lot of elbow grease.

So how best to beat the blues?  Here are six tips to get you started:

  • FOCUS ON THE POSITIVE: Sounds straightforward, doesn’t it?  But it’s much, much harder than a simple phrase suggests: altering your perspective and slimming down your method to focus on the things you’re doing well–this is hard, hard stuff.  When I use the word “focus,” I mean it in both an emotional and a practical sense; you can’t afford to waste time on marketing strategies that you have already tried repeatedly in several different ways.  (This is, after all, the definition of “insanity.”)
  • KEEP WRITING: We’ve said it before here on Self-Publishing Advisor, but we should say it again: your best advertisement and your best marketing strategy is to write the next book.  Don’t lose what you love most in the midst of the marketing frenzy, and don’t allow the publication process and everything that goes along with it to lead you away from the person you want to be: an author.  Keep doing what you love; readers are drawn to that authenticity … not to mention the probability that they’ll have more to read from you in the future!
  • THINK LIKE A READER: Your readers aren’t agonizing over the gaps in your marketing strategy that they can’t see; and they’re definitely not looking for an author who isn’t listening to them and what they want.  They’re simply eager to discover new and wonderful things, to fall in love with the brave new worlds they find between the covers of a book.  And so, if you think like a reader, you’ll find new ways to put your book in front of fresh eyes day after day without fail.  Engage with your readers and demonstrate you’re not just another author looking to push your own sales!  How to do this?  Reach out to them where they live––on social media, or elsewhere.
  • TREAT YOURSELF: What’s fun for you?  Do that thing.  You can find ways to make your own passions intersect with your marketing strategy, sure, but if it’s not fun for you … it probably isn’t going to be fun for your readers, either–especially when we’re talking about what you put out through social media.  Ultimately, anecdotal evidence overwhelmingly indicates that the most sustainable marketing strategies are the ones that authors enjoyed implementing.  And sometimes, the only way to rescue a deadly dull one is to break the mold a little bit.
  • DON’T FIXATE: I’m talking about reviews, folks.  And other things, too.  But this principle applies to authors who have mostly positive OR mostly negative OR even very mixed reviews (on Amazon, Goodreads, blogs, and elsewhere).  Here’s a fact you should hear repeated often: accumulating positive reviews isn’t worth sacrificing your own emotional health over.  I’m not saying that reviews aren’t an important––an incredibly important––part of any decent marketing strategy.  I’m saying that fixating on any single aspect of the process can be toxic, if it tarnishes your enjoyment of the self-publishing experience.
  • FIND YOUR PEOPLE: Communities of like-minded individuals are our safe-havens, our ports in the storm.  There are countless self-publishing-centered communities out there on the web and in the offline world, and most of them are so easy to join and so welcoming that it seems almost a crime not to join one right away!  (It’s not a crime, I promise.  Especially if you’re not yet ready for others to read your work.)  If you’re feeling blue and struggling your way through the process of marketing your self-published book, having the emotional support of your fellow writers and drawing upon their infinite wisdom born from personal experience may be exactly what you need to kick your own experience back into gear!

marketing blues

Of course, I rather hope that you don’t ever experience the Marketing Blues.  I know that escaping unscathed is rather unlikely, but having been there, I know what it’s like.  It’s rough.  It is also, however, temporary.  It will pass … and we will still be here, you and I, doing what we love.


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Marketing BASICS : Call Your Own Shots

Last week, I tackled a fairly unpleasant reality when I itemized a few reasons why paying for a little advice isn’t such a bad idea––why it is, in fact, a fantastic idea––but I wanted to follow that lengthy tidbit up with an equally lengthy reminder that the whole reason self-publishing is worth exploring is the fact that it allows us––the authors––to call the shots when it comes to our own work.  And there’s no getting around the fact that free things are wonderful, just as there’s also no denying the reality that sometimes it’s best to do a few things really well and bring others alongside who can do the rest instead of doing everything decently and nothing exceptionally well (or worse, doing everything poorly).

Paying a little out of pocket doesn’t negate the value of an author’s hard work, and it certainly doesn’t erode our creative control, but rather reinforces it; when we foot the bill, graphic designers, copyeditors, and other paid publishing consultants become our employees, and our vision becomes their mission.


Welcome back to my series on marketing B.A.S.I.C.S.!  This is the fifth in a series of blog posts where I tackle the fundamentals of marketing in hopes of making things a little more manageable for you, the self-publishing author.  Four weeks ago I launched the series with this introductory post, followed by:

This week, as you might have guessed, we’re taking a look at:

  • C. Calling Your Own Shots

applause applause applause we live for the applause plause

There is, of course, an upside and a downside to being your own boss.  The upside is, as previously mentioned, you’re in control at every step of the process (that you want to be).  The product of your labors will turn out exactly the way you want and pay for it to do.  Your masterpiece, made your way by the people of your choosing.  Perfection.

The downside is: Bosses abide by deadlines, just like everyone else.  Better still, they set their own deadlines.  This is quite a leap to make, if you’ve never been self-employed or self-directed before––but it’s not the end of the world!  As Tom Wood of Killer Nashville Magazine writes, “self-imposed deadlines might be the hardest of all—precisely because only three people will push you to complete the book: Me, myself and I.”  Says Wood, “It’s not easy to find the time to write in a day full of work, chores, raising a family or whatever.”

Maybe deadlines aren’t actually a downside.  Some people thrive at the challenge of creating their own internal structure and abiding by it!  I don’t hate deadlines, even after the requisite years of working under the thumb of many such requirements, but I do hate falling behind and I have a tendency to fall into cycles of unproductive self-loathing when I do so.  It’s not hard for me to finish projects if nothing else (Wood’s “whatever”) interrupts me … but it’s really hard to re-hone and focus my attention if (or when) it does.  My main problem is I forget to write things down, and if it’s not on paper … well, it doesn’t happen.  Period.

The best investment I ever made was in a large––I mean, large––calendar planner, broken out into days on top of the usual weeks and months.  It doesn’t exactly solve all of my problems for me, and it doesn’t magically give me the motivation to do things I didn’t want to do in the first place, but it reminds me of the bare minimum.  And some days, we can all take pride in doing the bare minimum since even that is an insurmountable difficulty in a busy life and a busy world.  On days when I do more than what I write in my calendar … well, let’s just say that I’m not above keeping a chocolate stash in my desk drawer to celebrate.

Whether it’s buying a planner or tracking down an accountability partner, take some time to figure out your best fit when it comes to setting––and keeping––deadlines.  We may or may not like ’em, but we definitely can’t avoid living among them.  In the wild moors of self-publishing, singing with the echoes of a dream-laden wind, we call the shots.  Every.  Single. One.


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Marketing BASICS : Investing in a Little Advice

Your book isn’t just a product, as neat and simple as that might seem to make things when it comes to marketing; it’s much, much more.  It is, in every way and shape and form, an investment.

  • you have already invested valuable time, energy, and other resources in writing it; and
  • you will continue to invest valuable time, energy, and other resources in marketing it.

More importantly, however, you should constantly monitor how you are spending these resources in respect to spreading the word and promoting it to fans and followers and readers alike.  In a impossibly cool and detached financial sense, you need to know when you’re spending more on your book than you should be––and then be prepared to take action.  (Though, let’s face it, who of us is ever cool and detached about our precious offspring of the imagination?  Not I.)  The Return on Investment (ROI) of your book should always reflect a balanced approach and a sustainable increase of returns.


 

Welcome back to my series on marketing B.A.S.I.C.S.!  This is the fifth in a series of blog posts where I tackle the fundamentals of marketing in hopes of making things a little more manageable for you, the self-publishing author.  Four weeks ago I launched the series with this introductory post, followed by:

This week, as you might have guessed, we’re taking a look at:

  • I. “Investing in a Little Advice.”

So, what happens when your investment isn’t paying off?

First off, I’d like to remind you that no matter what profit you make off of your book in financial terms, it’s an absolutely fantastic thing that you’ve done!  You’ve written a book!  You’ve published it!  You’ve sent it out into the world for others to be changed by!

Secondly, I’d like to clear up a myth about self-publishing: you don’t have to go through it alone.  Let me phrase it a little differently:

There’s nothing wrong with asking for help.

I wish I had known this sooner––I wish I’d felt convicted of the truth of this sooner.  I’ll be the first to admit that one of the greatest appeals to me of self-publishing is that it provides a platform to and a haven for the fierce individualist, exactly the sort of person to incur the wrath of Traditional Publishing for wanting too much artistic control, among other things.  But the truth of the matter is that self-publishing is for everyone, including the insecure first-time author, including the burnt-out and disillusioned veteran author, including the technologically-challenged author, including the risk-averse author, including authors who find themselves at the end of the rope and in desperate need of assistance.

The indie community isn’t just a community of self-assured and confident entrepreneurs; we’re far more diverse than that.  And the indie community is a remarkably non-judgmental, unsnobby collection of people, in possession of vast and varied resources and an overwhelmingly supportive, generous spirit.  I promise you, if you hop on to a forum or listserv or social media group dedicated to indie authors and pose a question, you will be inundated with advice and shared resources.

Of course, sometimes what you really need is targeted advice.  If you have been posting promotional material to a blog or social media platform for a long time with very little engagement, or if you’ve been spending hours upon hours obsessing over marketing only to sell very few books, it’s time you sought professional advice.  But where to begin?  Even just a quick Google search for “Consultant for self-publishing a book” turns up “About 7,330,000 results,” which says a lot about the growth in this sector of the publishing industry––even once Google’s many duplicates, oblique references, outdated listings, and other “wrong” search results are set aside.  Seven million results!

There are a lot of marketing consultation websites out there geared toward you, the self-publishing author, ranging from freelance consultants (including many who’ve transitioned from being publishing consultants within Traditional Publishing) to personal marketing assistants with hybrid/self-publishing companies.  Freelance consultants can be excellent, but it’s difficult to know which ones have the know-how you need.  The benefit of going through a hybrid/self-publishing company is that every consultant has been vetted for expertise, experience, and the quality of their insight.  That’s a pedigree worth exploring.

marketing consultant

No illusions here: when it comes to seeking professional advices on marketing your book, you’ll have to spend some money.  Remember how I spoke about your book as an investment?  So too any money you spend on marketing is the same.  The only difference is, exchanging money to save yourself the time and energy and frustration of sorting out all the details on your own is what we might call a “fair market value.”  It’s worth it, in other words, to see your book’s future set on a solid foundation and to use your time far more effectively in writing the next book.


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.