In Your Corner: Help. It’s Not What You Think.

When we talk about seeking help in the world of self-publishing, we come up against a struggle almost right away—a struggle almost as old as the indie publishing world itself: that inner debate between going it alone and creating the best possible book, a goal which in reality sometimes requires us to go very much not alone. A reality which requires us to seek assistance. And when you face up to that question, what you’re really asking is something else entirely. Something even more important:

What can having an expert in your corner do for you?

There’s great value in seeking personal help when it’s called for, just as there’s great value in considering all of your options and pursuing only those which benefit you more than they cost you. And really, when you think about it, pretty much every option costs you something, even if we’re talking about intangibles like time and energy and creativity instead of tangibles like hard cash. (But even hard cash is largely symbolic, isn’t it? That’s another story for another blog, though.) Often, the costs are ones we don’t think about, beyond the surface-level acquiescence of I guess I have to do this thing or this other thing, so here goes. I’ve spent many an evening on the floor of my living room snipping out shapes from craft paper only to sit back after hours of sweat (and the occasional tear, if I’m honest) with the lightning-strike realization that I could have just ordered these shapes online or something. But for one reason or another, I had already sunk a great deal of labor into the craft while assuming that I had no other option.

Many people have the same kind of AHA! moment when it comes to self-publishing—only, most of them have it too late, after they’ve already agonized through the various minutiae of picking out a self-publishing package, maybe even designing their own book cover or conscripting vaguely interested friends into copyediting, and even chasing down local distribution options to no avail.

consultation

Here’s the thing, though:

Help, in the world of self-publishing, is abundant. And it’s readily available. If you know where to look, and if you’re willing to look.  There’s definitely a bit of resistance to giving up the solo attempt, stemming partly from the legacy of indie being tied to a flat rejection of the traditional publishing model, with its teams of marketing aides and editors with gatekeeping tendencies. And there’s certainly nothing wrong with questioning the need for help. Question away! Just know that it’s out there, and that true to the indie mindset it is as myriad and adaptable as the self-publishing process itself.

Thinking of my own personal experience in the world of self-publishing, I know for a fact you can find help with:

The true value of personal help in the self-publishing process is in knowing you have an ally. Many allies. All of the time. They might come in the form of a Publishing Consultant or a Personal Marketing Assistant, or something else entirely. They’re out there on message boards, email, and of course you can catch them over the phone. They’re even out there lurking in live chats.

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

The Book Beautiful: Illustrations

We all started out reading illustrated children’s books; perhaps your parents would read the words as your eyes were captivated by the images of a hungry caterpillar, the Berenstain bears, a Curious little George, etc. As we grow older, however, it’s probably not too often that the books we fill our time with have accompanying illustrations. Nevertheless, it has not always been the case that book for adults went unillustrated. Charles Dickens, for example, was known to have very close relationships with his illustrators, to whom he would give plot outlines before he’d even written the text itself. So while it’s easy to pull up references to colorful children’s books illustrations, that is not to say that they don’t have a valid and important place in other genres of books geared toward young adults and adults as well.

curious george illustration

So you want to write an illustrated book? First of all, don’t look at the illustrations to an illustrated book as supplemental, but as a crucial aspect to the themes you are trying to convey. Images help augment the reader’s imaginative experience, they make a book fun and easier to read, and they definitely help hold on to the reader’s attention.

There are certain genres that illustrations or photographs seem to be an obvious and necessary accompaniment–cookbooks, DIY-books, textbooks, autobiographies and biographies, and as we’ve previously mentioned, children’s books. The illustrations for a cookbook could simply be photographs of the final result of your recipe, and for a DIY-book they could be drawings or photographs of the different steps of the project your book conveys. If you’re writing an autobiography or a biography, photographs of the subject throughout their life or at pivotal moments in their life will help the reader further identify with the subject as a person rather than as a character in a story whom they have to fabricate an image of in their mind. As far as children’s books goes, the adage ‘don’t judge a book by its cover’ doesn’t really apply–kids will always judge a book by its cover and they will be inevitably more drawn to eye-catching, colorful illustrations.

Quantity is another important consideration to make as far as illustrations go. For a young-adult book, one illustration per chapter will usually suffice, while a children’s book should probably have one illustration per page. With a children’s book then, layout becomes another consideration–will your images be a full-page spread, or will they be next to, above, or below the text? If you’re writing a biography or an autobiography, you may want to have your photographs placed at the relevant points in your text–for example, your subject won the Olympic gold medal and here is a picture of her doing just that. OR, you could have a center panel with multiple pages of photographs and use footnotes in the text that will direct the reader to the relevant images that they can flip to easily.

Now, assuming that you yourself are not going to illustrate your own book (not to at all doubt your artistic abilities), the question of how to get your book illustrated become important. Outskirts Press offers custom, full-color illustrations for authors, even if they haven’t published through our company. By using this service, you can be sure that you’ll never have to split royalties with an artist, a cost that is always nice to avoid. Remember, no matter who you choose to illustrate your book, that quality illustrations are going to be a very important factor in the marketing value of your book.


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com

Self-Publishing News: 8.29.2016

And now for the news!

This week in the world of self-publishing:

“When former Farrar, Straus and Giroux editor Jesse Coleman was looking to get back into publishing after spending years building a freelance editorial business,” writes Rachel Deahl in this August 26th article for Publishers Weekly, “he found himself weighing opportunities at Big Five houses against a job at a software company.” Ultimately, it seems, he was able to create his own third way between the two and launched a publishing branch to the Los Angeles-based software company, NationBuilder.  “That a software company would be interested in a book division seems, as Coleman acknowledged, a bit odd,” writes Deahl. But neither Coleman nor NationBuilder were new to the notion of publishing–or self-publishing.  NationBuilder’s cofounder and CEO, Jim Gilliam, gave a viral speech to the Personal Democracy Forum in 2011, a speech he and his fellow cofounder Lea Endres later transformed into a manuscript that Coleman edited and they together self-published. The book’s success, according to Deahl, whetted their appetite and they noticed a distinct synergy between nontraditional publishing models and their own company’s mission. It seemed natural, then, to develop a publishing arm to their own company with the goal of creating “the kind of nonfiction books that have consumer appeal, and extend the company’s brand.” NationBuilder Books, says Deahl, launch this fall when The Internet Is My Religion is officially rereleased on September 13. Says Deahl, “NationBuilder’s titles will be available in both print and online, and Gilliam said he’s currently in negotiations with a major distributor. Veering from the traditional royalty model, Coleman is instead commissioning books as works for hire. In lieu of royalties, authors will be offered flat advances of $20,000 each.” This places NationBuilder somewhere in the grey zone just off center of the traditional publishing houses–albeit a grey zone that has its roots deep in the self-publishing movement. For the full story, follow the link!

A quick update on a story we first brought you news on back at the beginning of the month: FlipHTML5 is officially live and seeing its first users according to this press release published to Digital Journal on August 26th. The Hong-Kong based developer, FlipHTML5 Software Co. Ltd, promotes this software as “significantly useful for self publishers as it allows them to distribute their magazines everywhere in order to reach more people,” but the proof will remain in the pudding until more users have reported back their experiences with the software over time. The demos provided on the FlipHTML5 website, including one for “Dumb Starbucks,” demonstrate the interactivity and potential for the medium–albeit, for very corporate ends. (There are also demos for H&M, WeddingWire, Miss Dior, Apple, Hard Graft, Outside Magazine, Top Gear, GoToMeeting, and a number of others under the website’s “Case Studies” tab.) One could foresee this becoming a new and beautiful way to publish zines, for one. To read the rest of the press release, click here.

Here’s some good news to start your week off on a happy note: the Independent Publishing Resource Center, given notice of its upcoming ousting earlier this summer, is close to finding its next home according to Portland Business Journal staff reporter Ron Bell in this August 24th article. “The nonprofit, which has offered publishing tools, workshops and other resources to writers and self-publishers for nearly 20 years, got word of the increase in July and needs to find a new home to replace its Southeast Division Street location by April 2017,” says Bell, making it one of “handful of recent real estate transactions that have triggered the ousting of Portland artists — including the Towne Storage Building, the Troy Laundry Building and the impending sale of Imago Theatre’s home.” The rent hike of 300 percent may not be feasible for the Independent Publishing Resource Center, but its recent successes in providing support to the self-publishing industry … is. Writes Bell, the organization turned to its friends to help out with the costs associated with leaving its 20-year home and “launched a Kickstarter campaign with a goal of $20,000. As of this past Friday, the nonprofit had cleared that and then some. This morning, the total had hit $20,754, and the campaign still had another 10 days to go.” This is good news for everyone that the IPRC has helped over the years and will help in the years to come! For the rest of Bell’s coverage of the situation, read the original article here.


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry. This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com

“A Dog Named Cat” : A Saturday Self-Published Book Review

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.

When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this week’s book review, courtesy of Charles Ashbacher Reviews:

a dog named cat by anne toole

A Dog Named Cat

by Anne Toole

Publisher: Outskirts Press

ISBN: 978-1478773450

Synopsis*:

A little dog named Cat decides he doesn’t want to be named that. What does he do to change his name to something new? A little dog named Cat Wondered how he got a name like that! From other animals, he had found That cats weren’t very nice to be around. Another name he wished he had, Because being named Cat made him mad! What did the little dog do To change his name to something new?

Critique:

Five out of five stars

It began as a joke, when a family went to a shelter in order to acquire a dog, the boy Tad picked out one with a brown, gray and white coat. When the time came for a name to be given, the baby pointed at the dog and said, “Cat.” The human members of the family though this was cute and non-traditional and decided to use that name.

However, over time when Cat was repeatedly told by other animals that he was not a cat, he began feeling bad. Cat tried barking a lot and other things in an attempt to show his displeasure, but nothing ever worked. Finally, when he steps in and “saves” Tad from a snake, Tad refers to Cat as “Lucky.” The new name sticks and the source of unhappiness in the life of the family dog is removed.

The structure of the story is in the form of two or four line sections where the alternate lines rhyme and the level of difficulty is approximately that of the second grade. The illustrations are very well-colored with a great deal of detail. Light shadows and even reflections off the tiled floor can be seen.

This is a book that children will find fun to read, for they like stories that are formed from simple rhymes as well as about animals that communicate. I would have read this book to my daughter when she was young and she would have loved it.

reviewed by Charles at Charles Ashbacher Reviews ]

Here’s what other reviewers are saying:

This is an excellent story with rhyming verses about a dog named Cat. Upon meeting several creatures (mouse, bird, goldfish), the little dog is confused as to why he was named Cat since he does not look like a cat or acts like a cat. He takes steps to try to get his name changed that prove unsuccessful. He is finally successful in getting his name changed following an event involving a snake.

The illustrations are very good and the rhyming is excellent. Children from kindergarten to 2nd grade would find this book enjoyable.

I also enjoyed Ms. Toole’s other books that include rhyming verses and that also teach valuable lessons (Mean Mike, The Bird That Didn’t Want to be a Bird, and The Frog that Lost His Croak.)

– Amazon Reviewer BL

In A Dog Named Cat, a little dog with an unfortunate name learns that 1) he is not a cat, and 2) some cats are not very nice, so why would he want to be named after one? Cat is determined to change his name. But how?

A little dog named Cat 

Wondered how he got a name like that!

From other animals he had found

That cats weren’t very nice to be around.

Another name he wished he had,

Because being named Cat made him mad!

What did the little dog do

To change his name to something new?

Author Anne Toole was a first grade teacher and ESOL instructor before she began writing children’s books, and understands the issues children deal with on a daily basis—making friends, what makes them special, fitting in, etc.

“When I became a teacher, I used nursery rhymes and simple poems to enhance the regular Language Arts curriculum. As a child, I loved to listen to nursery rhymes, and so most of my stories are written in verse.”

– Yahgottareadthis blogger Chelsea

* = courtesy of the book’s Amazon book page.


saturday self-published book review

Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space every Saturday!

Self Publishing Advisor

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