From the Archives: “Self-Publishing Ripple Effect Marketing”

Welcome back to our Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

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[ Originally posted: May 27th, 2010 ]

Later this week, on May 18th, the Colorado Independent Publishers Association (CIPA) EVVY Awards will be hosting the 2013 award banquet. The event will take place at Marriott Denver South at Park Meadows and all proceeds will benefit the literacy projects of the CIPA Education and Literacy Foundation (CIPA ELF).

CIPA is a nonprofit association of independent book publishers, authors, future authors and related publishing service providers that has been providing leadership since 1992. Members come from many states as well as from Colorado and three foreign countries to take advantage of the resources made available through CIPA membership. Organization membership, along with active participation in CIPA programs, can open doors to many opportunities and can save thousands of dollars in costly mistakes.

Best of luck to all the finalists! To learn more about the event, visit http://www.cipacatalog.com/pages/CIPA-EVVY-Awards.

by Kelly Schuknecht

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Thanks for reading.  If you have any other ideas, I’d love to hear them.  Drop me a line in the comments section below and I’ll respond as quickly as I can.  ♠


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com

The Book Beautiful: Illustrations

We all started out reading illustrated children’s books; perhaps your parents would read the words as your eyes were captivated by the images of a hungry caterpillar, the Berenstain bears, a Curious little George, etc. As we grow older, however, it’s probably not too often that the books we fill our time with have accompanying illustrations. Nevertheless, it has not always been the case that book for adults went unillustrated. Charles Dickens, for example, was known to have very close relationships with his illustrators, to whom he would give plot outlines before he’d even written the text itself. So while it’s easy to pull up references to colorful children’s books illustrations, that is not to say that they don’t have a valid and important place in other genres of books geared toward young adults and adults as well.

curious george illustration

So you want to write an illustrated book? First of all, don’t look at the illustrations to an illustrated book as supplemental, but as a crucial aspect to the themes you are trying to convey. Images help augment the reader’s imaginative experience, they make a book fun and easier to read, and they definitely help hold on to the reader’s attention.

There are certain genres that illustrations or photographs seem to be an obvious and necessary accompaniment–cookbooks, DIY-books, textbooks, autobiographies and biographies, and as we’ve previously mentioned, children’s books. The illustrations for a cookbook could simply be photographs of the final result of your recipe, and for a DIY-book they could be drawings or photographs of the different steps of the project your book conveys. If you’re writing an autobiography or a biography, photographs of the subject throughout their life or at pivotal moments in their life will help the reader further identify with the subject as a person rather than as a character in a story whom they have to fabricate an image of in their mind. As far as children’s books goes, the adage ‘don’t judge a book by its cover’ doesn’t really apply–kids will always judge a book by its cover and they will be inevitably more drawn to eye-catching, colorful illustrations.

Quantity is another important consideration to make as far as illustrations go. For a young-adult book, one illustration per chapter will usually suffice, while a children’s book should probably have one illustration per page. With a children’s book then, layout becomes another consideration–will your images be a full-page spread, or will they be next to, above, or below the text? If you’re writing a biography or an autobiography, you may want to have your photographs placed at the relevant points in your text–for example, your subject won the Olympic gold medal and here is a picture of her doing just that. OR, you could have a center panel with multiple pages of photographs and use footnotes in the text that will direct the reader to the relevant images that they can flip to easily.

Now, assuming that you yourself are not going to illustrate your own book (not to at all doubt your artistic abilities), the question of how to get your book illustrated become important. Outskirts Press offers custom, full-color illustrations for authors, even if they haven’t published through our company. By using this service, you can be sure that you’ll never have to split royalties with an artist, a cost that is always nice to avoid. Remember, no matter who you choose to illustrate your book, that quality illustrations are going to be a very important factor in the marketing value of your book.


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com

In Your Corner: Partnering With Bloggers

Or, How to Find Others Who Care As Much As You Do

And therein lies the rub.  There will never be another person out there to whom your book will mean the same thing that it means to you, the self-publishing author–but as our current president is wont to say on tour in Australia, “we have faced our share of sticky wickets!” (Don’t worry if you haven’t watched a game of cricket in your life … this is where I end my allusions to that game.)  There will be other people out there–readers and other authors and self-publishing aficionados alike–to whom your book means a great deal.  Just, you know, in different ways.

And some of them will run blogs.

No, wait, that’s a very important detail!  Blogs sell books.  More specifically, blogs have collectively served as the underground advertising board (and yes, market) for self-published books since the dawn of the internet.  It has proven to be a mutually beneficial relationship, borne out of the early years of both blogging as a digital platform; think how LiveJournal and MySpace and, yes, WordPress were all coming into being around the same time as the modern incarnation of the self-published book–and the ebook.  Blogging was a celebration of the freedom of expression of the highest order, and self-publishing was a reaction against excessive control and gatekeeping by the traditional publishing institution.  Many bloggers became self-publishing authors, and vise versa.  They were made for each other.

blogging

The mutually beneficial relationship continues today, as lists like “52 Great Blogs for Self-Publishers” by Joel Friedlander of The Book Designer illustrate.  “Book bloggers love to read books and to recommend them to their own followers,” writes Alan Rinzler, a consulting editor with former entanglements at Harvard and The New York Times.  He takes an in-depth look at the story of self-publishing megastar Amanda Hocking, whose books sold in the millions, reminding his followers–in, yes, a blog post–that they “collectively build markets that can reach millions of potential readers and can turn books into bestsellers. As serious and discerning critics and social networkers, these book lovers have formed regional and national organizations and established huge databases, including this searchable list of more than 1,400 bloggers.”  It’s not ironic that Rinzler uses his own blog to discuss this; really, it’s incredibly easy to find bloggers who care about self-publishing enough to use their personal blogs to discuss it.

What’s hard is finding the right blog to help you sell your books.  And by “sell,” I mean the word in both a transactive and a persuasive sense.  You want someone who believes in your book–not just a passing mention or two.  To find your blogsoulmate, I recommend following a few simple steps.

  1. Dig a little.  If you’ve found us here at Self-Publishing Advisor, I’m going to go out on a limb and venture a guess that you’ve done your research.  At the very least, you’re handy with Google and WordPress.  That’s all you need to get started.  Dig around a bit and increase your exposure to the types of blogs out there.  We feature reviews of self-published books once a week, but we do a lot of other things, too, and many of our bloggers have close ties to one specific self-publishing company.  Other blogs might feature only one blogger with no ties to the industry itself, but who maybe posts multiple reviews a week.  Write yourself up a list of blog names that catch your interest, either in tone or reach.
  2. Take part in the conversation.  Every blog has a comments section, unless someone ran wild and posted something offensive in the past and thereby forced the blogrunner to disable this feature.  Whether the blog is on WordPress, Tumblr, Blogger, or somewhere else, the whole point of its existance is to engender conversation.  Sign yourself up for a profile if you need to, or use the handy “Google Sign-In” or “Facebook Sign-In” options to comment.  As a blogger, I can tell you that replies are always awesome, and they are indicators of where real interest lies.  I guarantee a blogger will take note if you interact with their posts on a regular basis, unless they have something on the order of a trillion commenters already.  But that, too, is useful information.  You want to engage withy communities where you’ll be noticed–so if you feel overwhelmed or lost, that might be a sign to pick a different blog with a slightly more manageable following.
  3. Ask for things.  You know, once you’ve established a toe-hold in the community, don’t be afraid to ask for those things you really want–book reviews, interviews, the blog equivalent of a public service announcement.  Everything helps.  Don’t be afraid of rejection; the worst that can happen is the blogger says “no,” and there are plenty of bloggers out there, so it’s not the end of the road.  In fact, since you’re looking for a believer and not just any blogger, nos are simply the most efficient way to whittle down your options to the best ones.  Once you’ve got a couple of blogs interested in your work, step it up and ask for a blog tour.
  4. Don’t be afraid of the money question.  Sometimes, you might really need the boost that a paid service provides.  It’s a question of weighing the benefits against the expenditure, and determining whether A) you can afford it, and B) it fills a need.  In my personal experience, most indie authors don’t like to consider this option until they’ve run out of other options–and understandably.  I get it, I really do.  Self-publishing is one high-wire act after another, and money is always tight.  But I’ve seen a lot of authors who really could or even would have benefited from a promotional campaign like the one my company and many other companies offer–all of which come with promotion on the company’s official blog, with an extensive reach indeed–but who waited until they’d exhausted all other options.  Like a lot of other components to your marketing campaign, paid promotion should be on the table early and woven organically into the rest of your strategies.

That’s it!  Four steps!  Each of them relies on you to take initiative, which may or may not prove exhausting, but I hope you know one simple thing:

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

In Your Corner: The Voice in Your Ear

Or, When to Call for Help

“Your book isn’t just a product,” wrote my fellow Self-Publishing Advisor blogger Kelly back in February.  “It is, in every way and shape and form, an investment.”  She was in the middle of her Marketing B.A.S.I.C.S. series (which holds up well over time, I have to say) at the time, and put together an eloquent defense for those of us who feel the sting of the stigma wrapped around the whole notion of seeking help and advice within the self-publishing world.  We all have felt it, that little itch at the back of our mind, that but you were supposed to be D-I-Ying this! protest sparking our neurons into a frenzy of self-doubt.

There are a lot of myths about seeking help, which Kelly did a pretty good job of dispelling; I want to talk a little about what form that help might take, and specifically I want to talk about a little job title called “Personal Marketing Assistant.”  Or at least, that’s what they’re called by my employer, Outskirts Press (which I feel compelled to be transparent about).  I don’t know what some other companies like Dog Ear title this position, but they’re fundamental to our self-publishing model: in short, they’re the person you talk to on the phone when you’re trying to figure out which service bundle best fits your needs, and what the next steps are to put together a really kicking marketing campaign.  The difference is, perhaps, that at Outskirts we recognize just how vital this voice in your ear can be–so we offer 30-minute to 5-hour conversations with one of our Personal Marketing Assistants as a dedicated service.  There are a lot of reasons why this is a good thing, but ultimately they boil down to: it’s good for our PMAs themselves (to receive public recognition as integral parts of our work) and it’s good for our customers (who can be assured of reaching someone as committed to their project’s success as they are).

A Personal Marketing Assistant comes in most handy, you might have guessed, once you already have your book put together and ready to go.  They are the sort of person you want by your side when you’re putting together a marketing plan or arranging a book signing, developing your author platform or following up on marketing campaign leads.  But a good PMA–no matter which company you elect to self-publish with–will do far more for you than just talk.  A good PMA gets his or her hands dirty with your project, and does a lot of the heavy lifting for those of you who need and ask for the intervention.  This is because you don’t pay them for inspiring words or even just plain good advice.  You pay them to help, and sometimes helping looks like direct involvement.  They are your extra arms and legs, fan extension of your vision for your book.  For the most part, they’re truly gifted and empathetic individuals who got into this business because they thrive on coming alongside others and helping get the job done–helping others realize their dreams.

Q: So when do you call for this kind of help?

A: Whenever you need to.  Whenever you want to.  The stigma associated with asking for help makes it difficult for a lot of us to admit we need help, and it more or less silences those of us who simply want help.  Maybe we can do the job all by ourselves.  But maybe we don’t want to.  Maybe we have the skill set to market our book, technically, but we know we could get a lot more done–maybe around the house, maybe starting our next book–if we cede some of the workload to an expert who is paid to be an expert.  I don’t just want to kick the stigma of asking for help when we need it; I want to bring us back to that foundational self-publishing ethos that says ‘We’re here and self-publishing because we want the power to do exactly what we want without being policed by an agent or publisher.’ Want is as critical a component of self-publishing as need, and I think we forget that.

So: do a little research.  Does your self-publishing company offer the chance to talk to a Personal Marketing Assistant?  Good.  Now, do you want or need a little advice on what to do next?  You go and get it.  And I’ll be right here to cheer you on!

marketing assistant

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

The Book Beautiful: Hard vs. Soft Cover

When self-publishing, one of the aesthetic decisions you’ll have to make is whether or not to publish your book as a hard or soft cover. The decision is one that will mainly affect your readers, so when exploring the pros and cons of this decision, we will be considering the experience and opinions of your potential readers.

books on display India

First let’s consider what the pros are to publishing a hardcover title?

  1. Hardcovers are just plain nice to look at. They are sleek.
  2. You don’t have to worry about the pages getting ‘flappy’ or folded at the edges.
  3. They absolutely last longer–I can’t tell you how many paperback books I have with torn off or taped on covers.
  4. No need for a bookmark, just use the handy-dandy book jacket!
  5. Look great as additions to a bookshelf or coffee table.

And the cons to publishing a hardcover title?

  1. They are heavy as can be; i.e. not ideal for travel.
  2. They are undoubtedly more expensive which will deter a lot of potential readers. This also means a higher publishing expense which is important to those of us self-publishing authors.
  3. A lot of readers find book jackets annoying and simply remove them, which means all that time you spent designing a cover may go to waste.
  4. It can certainly be more awkward to handle and read a hardcover; they are bulky and not easily wielded with one hand.
  5. Readers tend to only buy hardcover books of authors they are already die-hard fans of, so if you don’t already have a fan base, it may be more difficult to create one if your book is only available in hardcover.

Now to consider to pros of publishing a softcover title:

  1. Relatively speaking, softcover books are cheaper, both to print and to purchase.
  2. Softcovers are easier to travel with, they are also easier to read on the go.
  3. They are more widely purchased, so you have a better chance of people buying your book, especially first time readers of yours.

And then cons of publishing a softcover title?

  1. They are semi-easy to tear; the cover may fall off.
  2. Not long lasting, especially if you travel with them.
  3. Depending on printing costs, they may not have as high of a profit margin.

With those things in mind, the decision is now yours! (I won’t further complicate things by discussing the pros and cons of adding an ebook to your publication artillery. 🙂 )


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com