Saturday Book Review: “The Legacy of Skur: Volume One”

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.

When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this week’s book review, courtesy of Blue Ink Review:

legacy of skur

The Legacy of Skur : Volume One

by L.F. Falconer

Publisher: Outskirts Press

ISBN: 978-1478761914

Synopsis:

The Legacy of Skur is as grim a fairy tale as one could want. Volume One begins with Fane’s quest of misfortune upon the mountain of Skur which ultimately leaves him imprisoned there. His sole companion has come from underground. And his only protection is a crystal talisman. When Fane’s brother, Kael, is unwittingly thrust into the care of Fane’s newborn daughter, he also gains possession of the crystal talisman. Yet when the talisman’s rightful owner comes to demand its return and holds Fane’s daughter for ransom, an impossible choice must be made. How much is Kael willing to sacrifice? More than he realizes. Fane’s daughter is the legacy of Skur. She’s four and a half feet tall, wields a sword yet is no warrior, claims the title of wizard yet cannot cast a spell, and of the two parents she never knew, only one was human. Her story has only begun….

Critique:

L.F. Falconer boldly embraces complex narrative devices in The Legacy of Skur, the second of what promises to be an epic saga.

The tome reads like three fantasy books in one: Each of three sections boasts its own well-crafted characters, distinct tone and unique perspective. The first part follows Fane, the son of a warrior intent on becoming a wizard. Along with his companion Jink, Fane sets out to scale the ominous mountain Skur in hopes of bringing back gold and other riches guarded by the dragon Ragg, but the mountain ultimately ends up being his prison. The second part focuses on Fane’s warrior brother Kael, as he brings up his brother’s infant daughter, finds love and wages his own battle against the shape-shifting dragon. Fane’s grown daughter Elva is the protagonist of the third part, which is rooted in themes of legacy, revenge and redemption.

Although the book spans several generations and explores the Tillaman Realm, a world full of magic, mystery and complex mythology, Falconer ties everything together through characters and setting. She works to distinguish each story, using different tenses and perspectives, adjusting her narrative style to fit each epic chapter.

Throughout, the author offers a well-honed approach to storytelling, employing descriptive prose and a vast vocabulary. This description includes—as with George R.R. Martin’s A Song of Ice and Fire saga—plenty of graphic details regarding sex and violence. Even typical battle scenes contain far more bloody detail than one finds in J.R.R. Tolkien or Terry Brooks novels; after a battle with a monstrous boar, for instance, one character gleefully dines on the beast’s entrails and manipulates its corpse. This, and the shifts from first-person to third-person perspective, may make the book a bit too challenging for casual or young fantasy readers.

However, for adult fans of the genre who appreciate experiments with narrative conventions and aren’t repelled by graphic elements, Falconer offers an intriguing and well-crafted fantasy of epic proportions.

reviewed by the staff of Blue Ink Review  ]

Here’s what some other reviewers are saying:

As I was reading this book, The Legacy of Skur, a blockbuster movie-in-the-making was all I could picture. Every chapter, every scene, was laid out before my eyes with such precision, such mastery, such descriptive prose that only a master at the craft of writing could accomplish, and L.F. Falconer is just that.

This “grim” tale could do no wrong. While darker than I normally like and gorier than I normally tolerate, it had me absolutely hooked from the very first page, the very first scene.

I pictured everything as if seated in a movie theatre, watching this tale unfold on a silver screen in panavision and technicolor. Move over Lord of The Rings because this Legacy needs to be seen and heard by the masses!

My heart was pounding from the get-go in Part One reading Fane and Jink’s trek to the dreaded mountain of Skur, and their encounters with Larque and Seret and Ragg were marvelous.

Ms. Falconer’s words jump right off the page and onto the silver screen of my imagination . . . it’s THAT good because this author is that good! I cannot wait to get my hands on Volume Two. Hurry it up, Ms. Falconer. Your loyal fans await the next exciting installment with bated breath.

– Goodreads Reviewer Elizabeth Good

L.F. Falconer is one of my favorite authors. This book was no exception in its complexity. It was like reading three different books that were all connected. The writing was superb, and the characters compelling. I learned a new word on almost every page. That being said, I wish I had known it was a dark fantasy going in. I’m more of a PG-PG13 reader and this book deserved more of an R rating. Plus, it was dark, which is not my preference. So, it’s a matter of taste. If you want a fantastic dark fantasy, you’ll love the Legacy of Skur. I guarantee it!

– Amazon Reviewer j. turner

Book Trailer:


saturday self-published book review

Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space every Saturday!

Self Publishing Advisor

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Conversations: 3/4/2016

WHAT IF…We Could Not Read?

 

Do you remember the times—sitting with one or both of your parents—as they read a story to you? Within my writing (and reading) group of friends, we’ve asked ourselves that question. Most remember turning the pages of their first Little Golden Books as someone’s voice “read the pictures.” A few recall pointing to an illustration on the page and then the word that matched it. Then, there’s me. I saved several of my early reading books—Little Golden Books: Three Little Kittens, Jack and the Beanstalk, and Tootle—and the children’s version of the Lassie and Tarzan series. Yet I don’t have any recollection of any reading to me. Both my parents were avid readers, but their books were their books and we rarely discussed them. Then someone gave me a copy of Annie Oakley, Sharpshooter! Yes, that was a Little Golden Book, too. I was reading on my own by then, and my imagination took flight! AND THAT IS WHAT WRITING—FOR READERS—IS ALL ABOUT! It never gets old to imagine the moment when someone reads what you’ve written and grasps the meaning.

communication

History tells us that humans are compelled to communicate—to tell their stories whether fact or fiction—thus the creation of writing (written languages) somewhere around 3200 BC. Just as the people of that ancient civilization found value in being able to share their thoughts, so it is that today, we find not only value but joy. Frederick Douglass, one of the most well-known African-American writers, statesmen and orators, said: “Once you learn to read, you will be forever free.” This also applies to the writer, who—once our skills are honed—enjoys a unique freedom with the completion of the last page of every manuscript! And, as Dr. Seuss says, “You can find magic wherever you look. Sit back and relax, all you need is a book!”

communication

Recent statistics tell us that over 120,000 books are published each year in the United States. Of those books, 53% of Readers seek out Fiction—and 43% select Non-Fiction. Does your genre of writing fit in one of these categories? Of course! So be encouraged! We are possibly the most blessed writing generation of all, because the majority of people on this planet are Readers.

DID you know that the whole month of March is National Reading Month? What are you doing to support this cause? An increased population of Readers will be an increased population of buyers for your books! The National Education Association will be hosting a 6-city Reading Tour. Check out their website for event schedules, planning tips, artwork, and more @ www.nea.org. The Scholastic teachers’ organization suggests selecting a theme (for yourself or your family, office friends, etc.). Some of their favorite themes include OUT of this WorldSpace, Wild About ReadingJungles, and All AmericanPatriotic. For the writer in you, these themes should also inspire new projects!

The very creative and wild-idea-man, Walt Disney, once said: “There is more treasure in books than in all the pirate’s loot on Treasure Island.” Are you writing something golden? Have you started the project and find yourself stumped? READING one (or two) of those treasure books written by your favorite author—or a new author—just might inspire your next chapter(s). Reading IS the “pause that refreshes” and, as one of my writing mentors told us (constantly), “Passionate readers make skillful writers, and skillful writers become published authors of books that sell.” ⚓︎

RoyaleneABOUT ROYALENE DOYLE: Royalene has been writing something since before kindergarten days and continues to love the process. Through her small business—DOYLE WRITING SERVICES—she brings more than 40 years of writing experience to authors who need “just a little assistance” with completing their projects. This is a nice fit as she develops these blogs for Outskirts Press (OP) a leading self-publisher, and occasionally accepts a ghostwriting project from one of their clients. Her recent book release (with OP) titled FIREPROOF PROVERBS, A Writer’s Study of Words, is already receiving excellent reviews including several professional writer’s endorsements given on the book’s back cover.  

Royalene’s writing experience grew through a wide variety of positions from Office Manager and Administrative Assistant to Teacher of Literature and Advanced Writing courses and editor/writer for an International Christian ministry. Her willingness to listen to struggling authors, learn their goals and expectations and discern their writing voice has brought many manuscripts into the published books arena.

In Your Corner : Celebrate National Reading Month With These Marketing Tips! (part one)

March is National Reading Awareness Month!  Here at Self-Publishing Advisor, we love the fact that there’s an entire month devoted to celebrating the written word–as well as the ways in which we can spread the joy of literacy–and I would like to invite you to join me in making reading a focus all month long, here in our Thursday blog post slot.  

As writers, we’re not just people who produce stories; we also consume them, share them, and advocate on their behalf.  As writers, March of 2016 is the ideal time for you to not only finish your book and start publishing it, but also to promote yourself and your book while encouraging everyone to read.  

Think this sounds like a challenge?  Maybe it is.  But I have some pointed ideas to get you started.  This is doable.  I promise you!  All you need to do is dedicate some time each day this month to pursuing the marketing and promotion tips I’ll be posting here for the next four weeks.

GETTING STARTED : Become the local expert.  

If you haven’t heard of National Reading Awareness Month or know the details of its longstanding connection to Dr. Seuss’ birthday, the history of the National Education Association, and how you can participate … well, it’s time to you pay a visit to the NEA’s website and browse through the plentiful promotional materials, media tips, press release tips and fact sheets the NEA has posted there in order to introduce you and other acolytes to the Read Across America celebration.  

Another tip?  It’s well worth offering to speak at local schools and NEA events, or to local organizations on the importance of childhood reading skills.  Many schools, libraries, bookstores, and other organizations welcome the outside help in putting on events of this kind, and yes–there’s something in it for you, too.  The more you make yourself indispensable to your local literary and literacy-building community, the more likely you are to be called on again in the future, and to get word of your own work before fresh eyes.  Best of all, there’s a great deal of satisfaction in knowing you’re helping to foster the next generation of readers–some of whom may go on to read your book!  Which leads me to ….

First Lady Michelle Obama takes part in Read Across America 2012

TIP TWO: GET ‘EM WHILE THEY’RE YOUNG 

Yesterday was Read Across America Day!  Writers are some of the biggest supporters of this day and event.  While you may have missed the boat for 2016, there’s no better time to prepare for the next year than now, when the opportunities (even the missed ones) are fresh on parents’ and teachers’ minds.  Contact local schools, libraries, and nonprofits to find out how you can help promote reading, writing, and kindergarten readiness in general–not just today, but throughout the entire month of March.  Ask if you might partner with some of them in throwing an event next year, in 2017, and start lining up the logistics.  When it comes to scheduling things in March, which is testing season for many American schools, the earlier you get started the better an outcome you can expect.

Read Across America 2007

TIP THREE: CONSIDER ONLINE ADVERTISING  

The last two tips built upon a foundation of interpersonal networking–that is, meeting people face to face and using this method to benefit everyone.  But what about those readers beyond your immediate sphere of influence?  How can you get them reading–and reading your book in particular?  Here’s a thought: Once your book is published, consider whether it might benefit from any online advertising.  You can set up ads on sites like Facebook, Google and Goodreads easily, or with some assistance from your self-publishing company and the marketing consultants they likely keep on staff.  If you’ve published through a company like Outskirts Press (my own stomping grounds), you can count on their staff to help you make your book more discoverable on Google with something like the Google Books Preview Program.

Reading in Madrid

TIP FOUR: INTRODUCE NEW FORMATS OF YOUR BOOK 

You know how it goes: The more easy a thing is to buy, and the more accessible it is to a large number of people, the more sales of that thing will jump.  It’s a well-demonstrated fact that self-publishing authors can reach a larger audience of readers by offering additional formats such as Kindle, Apple iPad or NOOK editions of your book.  And if you’ve only ever published your book digitally, perhaps it’s time you branched out into Print on Demand (POD) copies of your masterpiece!  Consider which formats you want to offer and add them before or after your hardcover format hits the virtual shelves.  If you feel inexpert in how to make the most of a multiplatform, multiedition publication, don’t hesitate to turn to those with the most wisdom to share: your fellow self-publishing authors!  We’re here for you.

Always remember: you are not alone. ♣︎

ElizabethABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

Defining The Hybrid Publishing Experience

If you’ve spent much time on this blog or researching your publishing options, you probably have a fairly substantial definition in mind for the terms “self-publishing” and “traditional publishing,” but can you say the same for “hybrid publishing“?  We use the term rather often here on Self Publishing Advisor as a catch-all for every company and business model that doesn’t fit neatly into the aforementioned binary––but what does it mean, really?  It’s not enough to define a thing by what it is not … we need some basis for a positive, holistic understanding of what hybrid publishing has to offer the indie author.

What qualifies as “hybrid”?

Biologically speaking, a hybrid is “the offspring of two plants or animals of different species or varieties, such as a mule (a hybrid of a donkey and a horse).” Most of us are familiar with a different kind of hybrid, which is to say the mythological kind, where different species find themselves mashed up into one single creature on a physical but not cellular level.  A centaur is a mythological hybrid between man and horse, the Sphinx between a woman, lion, and raptor.  Is a hybrid publishing company, then, the offspring of two warring traditions (self- and traditional publishing)––or is it some oddball thing that adopts the best or most distinctive features of other publishing traditions to serve an entirely different narrative?

Says Jane Friedman of Publisher’s Weekly, it has become “nearly impossible to categorize certain publishers and services; some wish to avoid being labeled altogether. They consider themselves innovators, providing an important alternative for authors.”  These companies self-advertise as providing a third way altogether, not just cutting the difference between the two established publishing modes.  This reality would seem to indicate that hybrid publishing shares more with a centaur than it does with a mule, but perhaps we’re splitting hairs.

Perhaps, when it all shakes out, we can safely define hybrid publishing on its own terms.  Brook Warner of Huff Post Books suggests  four categories that fit the catchall term:

Traditional publishers who’ve been brokering hybrid deals for years. […]

Partnership publishing models. […]

Agent-assisted publishing models. [… and]

Other assisted publishing models.

All four of these categories acknowledge “assistance” as a defining feature, but here’s the problem: assuming that self-publishing and traditional publishing don’t  offer assistance as a part of their mechanism creates a false dichotomy that does nobody justice, and many companies that Warner might call “hybrid” do in fact distance themselves intentionally from the term because it implies too heavy a reliance on paid assistance––or authors “taking the easy way out,” so to speak.  This just in: elitism may be the bread and butter of gatekeeping traditional publishing, but it doesn’t have to be the same for self-publishing!

This still leaves us with a problem, however: How to define hybrid publishing?  Let me suggest a new definition:

Hybrid publishing is any publishing model that allows authors to enter into direct, flexible, contractual collaborations with industry professionals that in traditional publishing would be indirect (they would be paid by the publishing house, not the author) and are not traditionally available to self-publishing authors.  This includes companies like Outskirts Press, which offers a range of collaborative services, and excludes the so-called “hybrid author,” or someone who has moved from traditional publishing into self-publishing or vice versa.

Playing the field:

As Friedman goes on to point out, each of the companies that might fit into the hybrid category operates on a different business model, making it difficult to compare them against each other.  She advocates asking a series of questions, such as “How will your books be distributed?” and “What marketing and promotion support do their titles receive?” before committing to a certain choice.  But this doesn’t exactly help new authors decide whether hybrid publishing and a “third way” is for them––and with so many options now available, narrowing the field is an important part of the decision-making process. Ultimately, the choice of whom to choose may rest on individual features such as those Friedman suggests evaluating … or it may rest instead on the complicated matrix of human need.  Hybrid publishing companies, despite their extreme differences, do seem to collectively meet authors’ desires for a human-driven, relational publishing experience.

In conclusion … for now:

The world of hybrid publishing is perhaps a bit too complicated to break down in its entirety within the constraints of an initial foray such as this one, but it is a world we will be returning to again and again here on Self-Publishing Advisor.  As the world of publishing evolves and diversifies, so too must the companies who serve to send our stories out into that world.


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

From the Archives: “Avoid these 5 mistakes when choosing your publisher”

Welcome back to our Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

∗∗∗∗∗

[ Originally posted: April 23rd, 2010 ]

1) DO NOT CHOOSE SPEED OVER QUALITY
Avoid publishers that claim to publish in 24 hours. After the time it took to write your book, do you want it published right, or overnight? Avoid overnight publishers no matter what they charge because the only one looking at your book will be a computer. It should take between 6-15 weeks.

2) DO NOT BE FOOLED BY HIGH ROYALTY CLAIMS
A royalty is simply a percentage of another number. The actual dollars and cents you earn depends upon that second number. The truest royalty is a royalty based upon the retail price of your book. Many publishers use “net royalty” which is a royalty based upon their profit. To be sure, always confirm your profit in dollars and cents.

3) DO NOT SIGN YOUR RIGHTS AWAY
The main advantage to self-publishing alternatively with a on-demand publisher is that you keep all the rights to your work. The rights are valuable. Read the contract. Your rights should clearly stay with you.

4) DO NOT BE CONFUSED BY BULK DISCOUNTS
If a publisher normally offers discounts to an author who buys their own book in bulk, that tells you two things. 1) It tells you they are more concerned with selling to you than to other readers. 2) It tells you they are charging you too much for lower quantities. Do you really want to be forced to buy 100 books at a time just to get a fair price? “Bulk” discounts simply trick the author into buying more books than they need, which defeats the whole advantage of on-demand printing.

5) DO NOT BE TRICKED BY AUTHOR DISCOUNTS
As an author, your per-book price should be based upon the production cost of the book, not the retail price. No wonder publishers inflate their retail pricing. You should always receive a below-wholesale price, regardless of how many you buy. You will never make money if you have to buy your own book at wholesale from the publisher.

When push comes to shove, all five of these points boil down to the same core idea:

You ought always to look for a self-publishing company that puts you––the author––first.  A company that shares your ethics and vision for rendering stories accessible to readers.  A company that knows how to treat people right and does so consistently, day in and day out.

A company that works solely to satisfy its bottom line and invested parties is a company that has forgotten the human element … and the whole point of self-publishing, to be perfectly frank.  Responsibility to shareholders and investors is one thing, but the deliberate choice to inflate profits at the expense of quality products, customer satisfaction, and author empowerment is unconscionable and inexcusable.  I sometimes wonder how much of the corporate soullessness we see in certain corners of the world today has its roots in people not loving the work they do––not finding value and meaning in enriching the lives of others in addition to their own, and not seeing the significance of their daily tasks or the opportunities to craft a career that is as much art as it is science.  But here I’m rambling!

Looking back nearly six years to this original post, I now see the five mistakes noted above to be more a list of symptoms than a list of “to-not-dos” … because each and every single one points to a company that prioritizes itself over its product and clients:

  • If a company maximizes profits by creating artificially high prices that only seem reasonable when reduced to a bulk or “author-only” rate, it is clearly a company that cares very little about balancing the need for profit and survival in a competitive market with the reality that self-publishing is a market and industry that demands transparency, accessibility, and progressive thinking.  It is a company that looks to trap its customers into a long-term, toxic, parasitic relationship.
  • If a company prioritizes speed over a quality product or quality customer service, then it’s a company that sells itself using gimmicks … and gimmicks, as we are all well aware, are the desperate empty gestures of a company lacking imagination.  Innovation and creativity do not produce inferior versions of a thing; they find new and fresh ways to look at problems and to improve upon that thing.

constraints in self publishing

In short, no, nothing really has changed in the six years since this post first hit the Self Publishing Advisor front page.  There were ungenerous self-publishing companies in existence then, and there are ungenerous self-publishing companies in existence now.  We haven’t changed that fact in half a decade, and we’re not particularly likely to change it in the next.  What we can change, however, is our own degree of discernment.  We can spot the warning signs––the symptoms above––and steer well away from companies that manifest them.  We can choose not to sell ourselves short, and to choose instead a publishing option that respects us as authors and empowers us to better ends than a bottom line.

If you have any other ideas, I’d love to hear them.  Drop me a line in the comments section below and I’ll respond as quickly as I can.  ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.