In Your Corner: What Happens … After?

what's next

There’s a lot that goes into bringing a book to the point of publication … but there’s a lot that comes after, too–as you likely already know, since you’re here and reading this post.

So … where to start? Planning out what you’re going to do now that your book has been published–or if you’re one of the more prescient among us and are looking ahead, when your book has been published–is almost as important as writing your book. Not quite, maybe. You wouldn’t have a book to market if you didn’t actually write the thing, so there’s that. But it’s undeniable that a careful, thoughtful, and strategic plan for what comes after–after the writing, after the publication–is vital to making sure your book actually sells.

I have a couple of questions to help you get started, questions which might just shape how you go forward after publication:

  1. Do you plan on selling your book on your own at a local event or book signing? If yes, make sure to watch what your publisher charges you for book copies. There’s quite a lot of legalese and fine print to parse, especially when we’re talking about vanity presses and self-publishing companies which privilege profit over people. If you don’t understand immediately how much your author copies will cost, both now and in the future, it’s probably a sign that the company in question is trying to make it hard to understand. And that’s never a good sign. Go with a company which goes out of its way to make the author copy situation and pricing transparent and easy to understand! And one which offers you a consistent discount. No matter who you go with as your publisher, you’ll want some physical copies on hand. They’re amongst the best marketing tools you have!
  2. Are you planning on selling your book online? Watch out for the prices of other books in the same genre or content area; pricing your book correctly will go a long way toward making sure it sells. Don’t trust Google to answer the pricing question for you, either … thousands upon thousands of blog posts and pieces have been written in the past to explain the intricacies of the Amazon marketplace, but the situation with online retailers like Amazon and B&N is always fluid and changing, so even if we’re talking about an article written this year, the information may already be out of date. There’s a fine line between overvaluing and undervaluing your book; the former will cut into your sales figures, and the latter will make it hard to turn a profit, no matter how many copies you sell! The best policy is to do your own market research–and this is doubly useful, since you will learn a lot about how books similar to yours make use of the digital sales space–with giveaways, sales copy, and linkages across social media.

And look, it’s okay if you’re not yet through the publishing process. It’s always a good time to plan ahead. In fact, knowing what you’re going to do after your book is published will help you select the right publisher to fit you and your book in the first place! Before you open your pocketbook and give someone your money, you absolutely should consider all of the fine print and the advantages available to you … both during the publishing process itself, and during the marketing and support periods which come after.

Luckily, you and I both live in a day and age when there are plenty of options available, so you rather have your pick of the buffet. Some publishing companies are long on publishing assistance and short on marketing, and others are the opposite. Some offer stellar services across the board … but at a price which is too high for the average self-publishing author. And others … others walk the tight rope between quality services and affordability, and walk it well. The key to making the most of your money is to have a good sense of what has to come after publication, what you want to come after, and how your existing resources and skill sets fit into the picture. Your priorities are paramount, and have everything to do with crafting a solid plan for your book’s future.

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

Easy Breezy Summer Publishing (Part 6)

goodbye summer

Summer’s Over … What Next?

Here’s a hard thing for me to contemplate, much less say ….

Sometimes, we have to move on.

And at the end of Summer, as we transition into a new school year and all of the challenges and possibilities which it has to offer, I think we have to consider the reality and visceral truth of this statement.

Sometimes, we have to move on.

There’s no better time to do it, really. Ending something, after all, is often a doorway into starting something new–and we all need a reminder of this every now and again, especially when or if we find ourselves stuck in ruts and looking for a way out.

Oh, don’t get me wrong–everything I’ve said throughout this series ( 1 | 2 | 3 | 4 | 5 ) is still true. If you have the willpower and the resources–and everyone has just a little of each, for sure–then you should definitely keep plugging away at marketing your existing, already-published indie books. You should definitely work on innovating your strategies. You should definitely think forward to the holidays now while you have the chance.

But also … you should probably end a few things. If you’ve been hammering away at the same marketing strategy for a while now with no change in sales prospects, it’s time. If you’ve been chipping away piecemeal at a new manuscript and have lost the joy of working on the project, it’s time. If you have been sending queries out to editors, agents, and traditional publishers and receiving only rejections in reply ….

It’s time.

Ending things–bad habits, dependencies, wish-dreams with no likelihood of fulfillment–is agonizing. I have no illusions about that. And it can be absolutely terrifying to cut off something now without a clear plan in place for the future. But if I’ve discovered anything–and I have some personal news to share in the days to come on this–it’s that sometimes you have to end a thing before you can really, truly, and clearly think about what comes next.

So here are my last thoughts in this series, where we have considered oh-so-many ways to sharpen your marketing strategies and hone your self-promotional skills:

  • Recognizing a thing as incomplete, unproductive, or simply “not working out” and deciding to end it is not the same thing as giving up. It’s giving yourself a new way forward!
  • We all face some tough decisions in the days to come, if the news reports are correct, and we simply can’t afford to entrap ourselves in habitual behaviors if they’re not producing the kind of results we need to see.
  • Y’all, our dear readers, give me constant hope that with a bit of diligence, a lot of pluck, and a community of writers and writing professionals to surround ourselves with, we can find a way forward, together ….
  • Even if it means ending a couple of things now.

What have you been trying for a while that isn’t working out? Is it time to tweak or a time to change tracks entirely?


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the outgoing Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com

Easy Breezy Summer Publishing (Part 4)

future forecast

As the summer draws to a late middle, it’s time to ask some of the tough questions—questions about the future for you and other self-publishing authors looking to market your books.

So, what is the general outlook for self-publishing in terms of independence?

Everyone seems to have an opinion.

Lorraine Candy, interviewed for The Guardian, thinks that “There is enough evidence to prove that there will be print, and it will continue to be in many forms and be available in many places,” and that the future “will be about working in a much more collaborative, better and bespoke way.” Sounds neat. The Guardian‘s other interviewees have a lot to say about journalism (understandably) and the “disruption” created by social media.

Meanwhile, over at the 2017 London Book Fair, industry vet and the executive director of a publishing business, Kristen McLean writes that “one thing we do know: there is no going back. People now integrate technology seamlessly into their lives, and they do whatever makes the most sense to them as they pursue their goals in a particular moment.” So—disruption isn’t all bad, and we don’t at this point in time have to pick a side in the ongoing Print vs. Digital debate. Says McLean:

The passion of the individual organizes [their] pattern of investigation, not necessarily the content creator. In fact, the most exciting examples of this type of consumption are not usually the product of a single creator or company, and seem to take on a life of their own. (For instance, are you aware of the current slime frenzy? Google it.)

All the same, children’s media and audio—particularly cross-platform audio, available in analog and digital forms—are on the rise. If you’re looking to market a self-publishing book this year, you’ll need to pay attention to the buzzwords associated with these trends. Check out the Publisher’s Weekly article for more!

Jason Illian of Digital Book World begs to disagree—or at the very least, to take a different tack from these other pieces. In an article titled, somewhat snarkily, “The (Real) Future of Publishing” he writes that “Everything being said about the state of publishing is (relatively) true—but not everything that is true is being said, as there are data points and trends being left out of the broad discussion.” What isn’t being said? He cites major shifts at institutions as diverse as Penguin Random House, Wal*Mart, Barnes & Noble, and public libraries as representing a growing confidence in digital, despite talk about plateaus and slow-downs. Says Illian:

When a new technology gets talked up and fails to fundamentally change everything in a short amount of time, the conversation turns negative. But that doesn’t mean change is over. It is the pause in the action, the short breath of time where most traditional firms tout their belief that disruption is over, only to soon find out that real change has just begun. What we are experiencing rather is just the break between the waves. And the next wave could forever change publishing.

Lastly, Justin Pang of Tech Crunch has his own take. Says Pang, “The playing field is starting to level between the most-savvy traditional publishers and top digital native publishers.” This is good news for indie and self-publishing authors looking to break into a crowded market, although Pang’s primary interest is with companies like Netflix and Gawker. It does seem clear, however, that as messaging apps overtake social media for the highest number of user hits per month, that we may need to shift how and where we market our books. As publishing races to catch up to this particular shift, smaller and more nimble indies may finally find themselves on an even playing field.

It’s time to get savvy and experiment with some of these trends. How will you go about marketing in a post-digital, rapidly changing world? We’d love to hear from you; simply drop us a line in the comments section below!


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com

Easy Breezy Summer Publishing (Part 3)

Two weeks ago, I launched a new summer series on self-publishing, particularly as regards publishing and marketing your book during this busy time of year–and how to take advantage of our July theme of freedoms and independence while doing so! And I continued the series last week, with a discussion of unfreedom and what constraints are placed upon us as self-publishing authors also engaged in self-promotion by necessity. How does one market a book effectively, without the reach or access or time-honed skills of a publishing company’s full marketing team? (It’s hard, but not impossible.)

This week, seguewaying off of last week’s discussion, I’m here to talk about the freedoms which are possible when working as a part of a team. Not just any team, either–a team of self-publishing authors! Which I think you will find is something of a different proposition from a marketing team at one of the Big Five traditional publishing houses.

teamwork

But first, let’s dispel the myth of the solo indie author, struggling valiantly against the current of traditional publishing, and vanquishing his or her demons alone, without assistance, and for free. It may in fact be true that some indie authors make a success of themselves this way, just as James Patterson and Suzanne Collins and J.K. Rowling have made blockbuster success stories out of their lives in traditional publishing … all while conveniently ignoring the fact that there are thousands upon thousands of midlist authors struggling to get by, and required, despite their status as “traditionally published authors” to carry the majority of the promotional burden for their books.

Publishing is hard, no matter which way you go about it–and going solo, either in the publication process or all that comes after, harder still.

But freedom can be a collective achievement. You sacrifice nothing by teaming up with your fellow indie authors to sell your books! You lose none of your dignity, your creative control, your independence–your freedoms–but you gain oh-so-much-indeed! 

We’ve talked about the importance of book readings, book signings, and attending book fairs in promoting your book to new readers–but what if you didn’t have to go it alone? Many of the best readings, signings, and other bookish events I’ve attended have been panels, not singular affairs. Pulling multiple authors into one space, particularly indie authors, lessens the load on each participant while multiplying the event’s outreach. Imagine–even if all that happens is that your fellow readers bring their friends and families along, you’ve reached two or three or four times as many friends and families as you yourself were able to bring! That’s no shabby number.

Or, you might consider partnerships with local businesses, your public library, or events like our annual Cherry Festival as opportunities to build a coalition. Some of the fiercest book advocates are librarians and indie booksellers, yes, but don’t forget about the reach of a clerk at the counter of your local quilt store, or a restaurant with a waiting area! Your self-assembled team of advocates doesn’t have to be made up of the expected literary types; your team should make room for readers of all shapes and tastes, and partners who you normally wouldn’t think of. Once you’ve made contact with someone offline, make sure to make them a part of your online presence as well–either as a part of your social media network, or an email newsletter distribution, or something along those lines!

Lastly, you might consider going in for something like a co-op advertisement, something along the lines of this fabulous offering from Outskirts Press. In this case, you may never actually meet your fellow authors, but you’ll help each other out anyway–financially!–by reducing the cost burden on each contributing author. (And watch OP’s yearly deals, too–they often offer seasonal holiday-specific deals on their co-op ads.)

This is just a couple of examples of the kind of collaborative partnerships which can make your life, as an indie author, so much easier! Dig around online and see what suits you, but remember: you’re only freed if the marketing workload itself is reduced by your partnerships, so commit to projects with tangible and measurable outcomes, and clearly defined contributions.

 


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com

Easy Breezy Summer Publishing (Part 2)

Last week, I launched a new summer series on self-publishing, particularly as regards publishing and marketing your book during this busy time of year–and how to take advantage of our July theme of freedoms and independence while doing so!

Today, I want to talk about the flip side of freedom.

You might call it … UNFREEDOM*.

(*After all, there has to be some sort of language to describe the opposite of ‘freedom’ which isn’t problematically tied to this nation’s long and deeply troubling relationship to captivities of various kinds … right? I’ll make the attempt, while recognizing and honoring the tight spot into which the English language … and the history of American expansion … has put me. Here goes!)

Point: Self-publishing authors are constrained by their circumstances, and therefore limited as marketers of their works. Let’s slow down and look at some of the speed bumps in our way!

independence, bird

Time.

The first constraint you’re likely to hear about when talking with self-publishing authors about their marketing attempts is how difficult it is to find the time to market well! After all, most indie authors aren’t living lives of leisure; they’re working, sometimes multiple jobs, to pay the rent and bring in the groceries. They usually have families; often, young kids and sleepless nights are also on order. In this kind of typical environment, it’s hard enough to find time to sleep much less write much less market your books for sale to the general public! And this problem also often inspires a great deal of self-doubt and frustration, as the marketing goes on.

Why don’t people just buy my book already? Hint: if it were that easy to sell books, traditional publishing houses wouldn’t have dedicated marketing staff, either! As a self-publishing author, you’ve written and signed a contract with yourself to do whatever it takes to become a published author … and that includes signing away a large chunk of your time.

Suggestion #1: Protect your time by slowing down long enough to sort out your priorities, and set a schedule that is both ambitious … and attainable.

Money.

Here’s the other big speed bump, right? If you don’t have the time, energy, skills, or access to do what needs doing in order to market your book, you’re going to have to fork over some cash to make it happen! Of course, how much you spend is going to vary greatly depending on what path you take towards publication; vanity presses often tout their marketing successes, but often prove disappointing in results anyway, and the really good self-publishing companies–with dependable, expert staff who’ve been in the business long enough to give you a really good leg up–cost a pretty penny.

Spending some money is unavoidable. Breaking the bank … is.

Suggestion #2: Guard yourself against both amazement and disappointment by doing your research ahead of time. Don’t trust a company’s own press releases for your data, either! Do your due diligence and check out customer reviews, and as with my suggestion for time, go ahead and slow down long enough to plot out what services you can take care of effectively on your own … and which ones you really need help with!

Energy.

Alright–it’s time to take a deep breath and feel your body for a moment. Are you sitting in a chair? Criss-cross-applesauce on the hardwood floor? Hanging from the rafters? Are you comfortable? Are you feeling … a little … sleepy?

We’ve mentioned this every now and again on SPA, but it’s always worth mentioning again: a person doesn’t wake up each morning with endless energy! Energy is a budgeted resource, and your body has no qualms about letting you know when you’re close to running the tank totally dry. Like, right now, my eyes are burning from having worn contacts all day, my knees are aching from walking in to work, and I can’t stop yawning no matter how hard I try–all of which are signs that I’m about a half hour from keeping the neighbors up with my zzzzs.

As a self-publishing author, you need to pay close attention to your energy level: it comes at a premium, and just like time, once it’s spent you’re done. There’s no writing when tired, and even coffee will only get you so far. Sleep, my friends, is inevitable!

Suggestion #3: Build some select mindfulness-based practices into your daily writing routine. Check in with your body when you sit down in your chair. Are you actually feeling good and comfortable–and energetic? If your body is screaming “NO MORE! I CHANGED THIRTY DIAPERS TODAY!” then it may be time to back off, allow yourself to get some sleep, eat the right kind of meal, and do a thing which brings you joy. Make a promise to yourself to come back the next day in a better frame of mind and body, and I guarantee you’ll produce better work–work you can be proud of!

Skills.

Look … we’re not all born with a Wacom tablet or a Master of Business in our hands! It’s okay if you don’t know how to set up social media accounts … THIRTY DIFFERENT WAYS … or how to design your own book cover, including blurb, ISBN, LOC numbers, and so on and so forth.

Knowing what your skill set is, and how best to take advantage of what you already know how to do, is absolutely imperative! So, too, is knowing where your skill set runs out, and therefore when you ought to turn to established and verifiable experts–such as those employed at various self-publishing companies, or working on a freelance basis.

Suggestion #4: Before you sit down to submit your book for publication, sit down and sketch out all of the different little processes which go into making a book, from start to finish. EVERY SINGLE ONE. (There ought to be at least thirty!) Only then can you come back and say–“Ah, yes, I can easily take care of those, but not anything to do with Goodreads giveways or writing a press release!” Listing everything will feed straight back into allocating where you spend your time, money, and energy … so make sure you get it right before the wheels are in motion and momentum is pulling you in another direction!

Access.

Last but certainly not least, one of the most oft-mentioned barriers to self-publishing–an unfreedom–is the strictures placed upon indie authors by those with the knowledge and access to make things happen. Indie authors are often left out in the cold, with no recourse but to generate their own networks and influences from scratch … which, yes, can work but often doesn’t. Meanwhile, traditional publishing houses–who have, by the way, refused to evolve to fit the changed world around their signature markets!–snigger behind their hands and offer little or no help at all … because, I assume, they don’t want the competition.

Oh, if only you could imagine all the wonderful ways we might help each other!

But what a pipe dream. Traditional publishing houses have good reasons (from a business point of view) to try and uphold their monopolies by restricting access and denying support to indie authors looking to break out. I’m talking about everything from email lists of potential customers who they hold in reserve, contracts denying their authors from collaborating with self-publishing authors, and so on.

Access is a big problem for indie authors. If you don’t know who to get in touch with to get this certain thing done, it doesn’t get done.

Suggestion #5: Don’t despair. As I’ve mentioned, some authors have made it! There are some existing networks and resources in place to help you … but just don’t expect to find easy access to knowledge and the means to act upon that knowledge within more “mainstream” or “traditional” circles. I mean, take us for example. We’re here for you–every week!


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com