The Importance of Interior Design for Self-Published Books

ebooks

The self-publishing industry has come a long way since the early 2000’s. Back then, self-publishing a book carried a huge stigma, but today, more books are self-published than traditionally published, and more self-published books are purchased than traditionally published books.  Yet, in many readers’ minds, the stigma still exists because self-published books are so often inferior to traditionally published books.

What can a professional self-published author do to overcome this mindset?

  1. Don’t worry about your publisher.  The vast majority of readers do not care who your publisher is. They won’t look at who published your book when deciding whether or not to buy it. So any fear you have about a stigma that is associated with your self-publisher of choice is unwarranted.  
  2. Invest in a custom cover design.  The first thing a potential buyer will see is your book cover. And the book cover is the single easiest way to tell if a book is self-published or not.  If asked, most people might not even be able to describe why a cover looks amateurish; but it doesn’t matter – an amateur cover will scream “self-published” to potential buyers and due to that stigma, they may shy away.
  3. Invest in professional interior formatting. The vast majority of self-published books are purchased from Amazon, and most of them feature the “look inside” element, which allows shoppers to view pages from within the book.  The interior of your book is the second way potential customers recognize self-published books. Interiors that are formatted by computers look like they were formatted by computers, and that makes them look like amateur, self-published books. Even worse, it looks like the author doesn’t care about what the book looks like.  If the author doesn’t even care what the book looks like, why should a potential reader buy it?

good-vs-bad-book-design_new

After the cover design, the interior design of your book is what separates most professional self-published books from “free” self-published books. Professional self-published books, like those published by full-service self-publishing providers, feature interior designs formatted by human beings.  “Free” self-published books, on the other hand, feature interior designs formatted by computers. The difference, when compared side by side, is staggering. Don’t allow your book to look amateurish and cheap by allowing a computer algorithm to format it for you. Your potential buyers will notice. They may not care who published it; they may think the cover looks great; but without a professional interior, they’re still going to know your book is self-published with just a glance. And, as a result, they’re going to think twice about ordering it.

Fortunately, it’s easy to make your book interior look professional.  Nearly all full-service self-publishing providers will professionally format your interior as a part of their publishing package fees.  And most will offer you the opportunity of “enhanced” or “custom” interior designs. Don’t pass on this opportunity lightly. While the standard interior formatting offered by most full-service providers is certainly better than anything a computer can do at those “free” places, enhanced or upgraded interior designs typically go one or two steps further – by integrating design elements, unique styles, and customizations to truly make your book one-of-a-kind. The improvement is usually worth the cost of admission.

Page-by-page custom interior designs are best suited for children’s books, or complex literature where the book itself is a work of art, like with some poetry or coffee table books. Rarely does a page-by-page custom design suit a typical black/white fiction or non-fiction work of average length (100-300 pages).  The result just doesn’t justify the cost.

When it comes to selecting a standard, included interior, do some research. Look at similar books in your genre and choose a similar style for your book.  While a cover should be unique and eye-catching, you don’t want your interior to rock the boat. Give the reader what they expect.

If you choose to enhance or upgrade your interior for a professional format that is more customized to your book and vision, work with your designer closely, and heed his/her advice. After all, this is what they do for a living; they know what they’re doing and their recommendations are worth their weight in gold. If you have a particular vision that contradicts your designer’s recommendations, have a strong, valid reason for going against conventions.  

If you choose to publish with a “free” publishing service, format your book in advance and save it as a PDF file. Do not allow their computers to “format” your book for you. That’s a sure way to make your book look self-published and, worse of all, cheap.  While formatting a book in Word is acceptable, and certainly preferable to computers, the better alternative is to use design software like inDesign. This is what professional designers use and this is what professional publishers use. Yes, your book’s interior design is that important. Most writers do not know how to design a book in inDesign, which, of course, is why most professional self-published authors use full-service publishing providers.


brent sampson
In 2002, Ernst & Young Entrepreneur of the Year Semi-Finalist Brent Sampson founded Outskirts Press, a custom book publishing solution that provides a cost-effective, fast, and powerful way to help authors publish, distribute, and market their books worldwide while leaving 100% of the rights and 100% of the profits with the author. Outskirts Press was incorporated in Colorado in October, 2003.
In his capacity as the Chief Executive Officer and Chief Marketing Officer, Brent is an expert in the field of book publishing and book marketing. He is also the author of several books on both subjects, including the bestseller Sell Your Book on Amazon, which debuted at #29 on Amazon’s bestseller list.

The Importance of Book Covers for Self-Publishing Authors

Self-publishing has become so quick and easy that many authors are tricked into satisfying their urge for instant gratification instead of being encouraged to take a step back and look at their book as more than just a commodity to thrust into the marketplace with a computer-generated cover and a computer-generated interior. After all, it probably took you months or even years to write your book; don’t rob yourself of the satisfaction of distributing something truly amazing just because some sites allow you to “publish” it in minutes.  Computers don’t know what makes a good cover. Cover designers do.

When it comes to deciding on the cover for your self-published book, there is a simple rule of thumb: The easier it is, the worse it will be. If all you have to do to “generate” a cover for your book is click an “ok” button, you are doing your book and your writing career a huge disservice.  The cover of your book is arguably the most important element. It plays a role in your promotion and marketing. It entices buyers on Amazon and Barnes & Noble. It attracts people at author events and book fairs. But it only does those things if it’s good.  And a good cover is never created by simply clicking an “ok” button.  

Most self-publishing service providers offer authors a choice when it comes to book covers.  They typically provide “free” cover options, and they typically provide “custom” cover options for an additional fee that ranges from $400-$1200 depending upon your service provider. Most of the “free” publishing websites don’t offer custom cover designs, but instead, point you in the direction of 3rd party cover designers. Their “free” selections are typically limited to words on a plain background. You may be able to customize the font and the background color, but that’s usually it.   Full-service self-publishers typically offer “templates” that can be customized with colors, fonts, and even images, usually for free. They all offer custom cover design options, too.

A custom cover is always the best option, but if a custom cover design is outside of your budget, there are still some important considerations when it comes to using one of the “free” covers provided by your publishing provider.

  1. Never accept the default.  Just about every self-publishing provider will provide you with a “free” cover that you can accept without lifting a finger.  Don’t! Remember the simple rule of thumb a few paragraphs up? The easier it is, the worse it will be. That’s not to say the default cover is bad – it might be very nice.  But hundreds or even thousands of authors have already selected it. You want to make sure your cover stands out. Change the background cover. Choose a different image. Change the font.  
  2. Speaking of background cover, give it some thought.  In all likelihood, the majority of your sales are going to occur from Amazon. Do some competitive research.  Go to Amazon and type a keyword or key phrase into the search box that someone might type to find your book. Look at the results.  Look at the colors of the books that appear in the results. Is there a common color? Do you notice any books that really stand-out?  What color could you choose that would increase the chances of browsers noticing your book among all those competitive books? That’s the background color you want.
  3. If your self-publisher allows you to change the default image of your cover for something else, you should definitely do it.  Again, the rule of thumb is to avoid what is easiest. It may take some time to locate the image you want, but it is time well spent.  You don’t want your book looking like all the other books that were published by authors who chose the default cover, do you? Even if you feel the default image works for your book, it is worth the effort to find a unique image instead. In most cases, your self-publisher will allow you to swap the image without an additional charge, but even if you have to purchase the rights to an image on a stock photography site, it’s still worth doing.
  4. Most self-publishers will allow you to change the font on your free cover, and if they do, you should take advantage of that option (since most authors won’t).  Look at the font choices that are available and select a font that represents the genre of your book. Romance book covers typically feature flowing script. Sci-fi fonts, on the other hand, are typically large and blocky. Conduct another search on Amazon to see the types of fonts that are used on books similar to yours.  Stay within the vein of your genre while still being unique.

These concepts are second-nature to most professional book cover designers, which is why a custom designed cover by a professional is always the best option.  After all, what’s the point of publishing a book if your cover isn’t going to attract anyone to it?

book cover design


brent sampson
In 2002, Ernst & Young Entrepreneur of the Year Semi-Finalist Brent Sampson founded Outskirts Press, a custom book publishing solution that provides a cost-effective, fast, and powerful way to help authors publish, distribute, and market their books worldwide while leaving 100% of the rights and 100% of the profits with the author. Outskirts Press was incorporated in Colorado in October, 2003.
In his capacity as the Chief Executive Officer and Chief Marketing Officer, Brent is an expert in the field of book publishing and book marketing. He is also the author of several books on both subjects, including the bestseller Sell Your Book on Amazon, which debuted at #29 on Amazon’s bestseller list.

6 Reasons to Add Postcards to Your Author Arsenal

There’s no doubt that book marketing can be challenging.  And giving advice or instruction on how to market a book is also not without its challenges. What works incredibly well for one author with one book may not deliver nearly the same results for a different author with a different book.  That is why the best recommendation of all is to start deliberately, slowly, and small – with measurable steps that produce measurable results. Then, once you find something that works, ramp it up.

postcards

For instance, some authors have a wide variety of branded and customized promotional materials at their disposal: business cards, publication announcements, postcards, posters, etc.  These are typically best suited for the extrovert author – the type of writer who loves the public eye and attends book fairs, book signings, and author events. At these events, every person you meet is a potential recipient of a branded piece of collateral, especially a business card.  Posters, too, are obvious in their purpose (book event signage to make your space stand out). But what about postcards? Well, stay tuned! If you are an extrovert author (or even if you aren’t), here are six great reasons to add branded, customized postcards to your book marketing arsenal:

  1. Invitations. If you’re attending an author event or book fair, postcards are the perfect way to notify everyone in advance. Sure, you should post the notice on Facebook and your other social media platforms, and email everyone you know, but in this day and digital age of electronic media, there’s still something about receiving a postcard in the mail that makes it stand out.  And standing out is what good book marketing is all about.

  2. Solicitations.  What if there is an event or conference that you want to present at? Same rule applies from number one.  An inquiry into a speaking engagement will literally speak volumes if said out-reach arrives in the way of a branded, customized postcard with your (eye-catching) cover on the front.

  3. Influencers. Speaking of out-reach, a successful book marketer never stops promoting themselves, their book, and their business (with diplomacy, of course). If you’re looking to catch the attention of influence-makers (other authors, experts, bloggers, and book reviewers), a handwritten custom postcard will certainly increase your chances.

  4. Media Chow.  Members of the media get bombarded with interview requests from self-publishing authors all the time, but most of those inquiries come in the form of email, Facebook, Linked-In, or Twitter.  Imagine the impact you would have on a local journalist or DJ if he/she actually received a handwritten postcard from you in the mail, with your eye-catching, full-color book cover on the front and a short pleasant note on the back introducing yourself and asking for a short meeting to pitch your story (remember, you pitch stories to the media, not books, and not yourself).

  5. Follow-Ups.  Many of the people you meet as a published author will present opportunities. In fact, you may not even realize what the opportunity is until later that day or even the following-week.  Sure, you exchanged business cards with them, but so did everyone else. Which author is going to follow-up with an email and which author is going to follow-up with a custom postcard in the mail?  And of those two, which author do you think those influence-makers are going to take the time to contact?

  6. Thank-Yous.  With all these book fairs and author events you attend, and all these media contacts, influencers, and writers you meet, eventually it will be time to thank someone. And that’s a great time for a personalized, branded, customized postcard. You can’t give a free book to everyone you want to thank, and a business card isn’t a “thank you” (it’s a gimmee), so postcards are the perfect compromise!  People typically only receive postcards from loved ones on vacation (if that anymore!), so postcards still possess a degree of intimacy while being entirely professional and appropriate.  And for that, not coincidentally, your recipient will thank you, also.

brent sampson
In 2002, Ernst & Young Entrepreneur of the Year Semi-Finalist Brent Sampson founded Outskirts Press, a custom book publishing solution that provides a cost-effective, fast, and powerful way to help authors publish, distribute, and market their books worldwide while leaving 100% of the rights and 100% of the profits with the author. Outskirts Press was incorporated in Colorado in October, 2003.
In his capacity as the Chief Executive Officer and Chief Marketing Officer, Brent is an expert in the field of book publishing and book marketing. He is also the author of several books on both subjects, including the bestseller Sell Your Book on Amazon, which debuted at #29 on Amazon’s bestseller list.

7 Simple Steps to Succeed at Book Fairs

London Book Fair

Selling books at book fairs can be an exciting event for newly published authors (or any authors, actually). Book fairs, author signings, and other live events offer your chance to meet readers face-to-face, mingle with other writers, and most importantly, sell some books!  Book fairs take place year around all around the country and the world. Your local library most likely has a calendar of upcoming book fairs, or you can always conduct a search online. Once you schedule your appearance and reserve your space at a book fair or author event, it is time to consider what your “space” is going to look like.  Typically, you will be provided a 10-foot x 10-foot space with a 6 foot long table and two chairs. The rest is up to you. But it’s what you do with this “blank canvas” that often separates a successful event (where every attendee stops to check out your book) from an unsuccessful one (where you watch in misery as the crowd passes you by to check out other authors and other books).

So how do you make sure your author space is unskippable? By following these seven simple steps.

  1. Dress to impress. That doesn’t always mean dressing professionally. It means dressing in a way that is related to your book or to your author brand.  Have you written a series of children’s books? Dress as the main character. Do you write spy novels? Dress like James Bond. Westerns? Wear your sharpest cowboy attire, spiffiest cowboy boots, and shotguniest cowboy hat. You get the idea.  

  2. Act the part.  Don’t just stop with the outfit.   If you’re dressing as one of your characters, introduce yourself as the protagonist (or antagonist) of the books on your table. Does your character have an accent? Use it.

  3. Be approachable. Even if the character you are playing is a gruff sour puss, you certainly don’t want to be.  Put on your friendliest face and your biggest smile for this event and stand at the side of your table rather than sitting behind it.  Greet everyone who approaches with a friendly nod, a bright smile, or a chipper “Hello!”

  4. Dress your space.  Now that we have you covered, let’s discuss your space.  Certainly having a lot of copies of your book(s) on the table is important, but that’s not enough to attract the kind of attention you want. This is where posters come in.  Two large posters of your book cover are worth their weight in gold (and are reusable from book fair to book fair). Hang one from the front of the table and one on the wall (or divider curtain) behind you.  This is just another reason why a stellar cover is so important. Make sure your cover is an eye pleaser and a crowd pleaser.

  5. Dress your table.  Depending upon the event, your table may or may not come with a table cloth.  Which is why you want to bring one. Be sure the color contrasts with the cover of your book so your books “pop” while on display.   Another way to make sure the books “pop” is to display them artistically or creatively. Rather than just placing a stack of them on the corner of the table, arrange them face out and at different heights by resting them on and against various sized props or boxes.

  6. Prop your table.  Books aren’t the only thing that should grace your table.  If you have any book awards, be sure to display them. If you don’t have a physical award, print out the certificate or award image and display that instead.  If you have received a glowing review or endorsement, print that and bring it, as well. Or better yet, select the best blurb and incorporate that into your poster.  It’s also not a bad idea to have a dish of candy or some sort of edible “treat” (and if it ties in with your book, all the better!).

  7. Bring business cards and pens.  Another item for the table is a stack of business cards (ideally, they’re also branded with your book cover and include ordering information).  Many of the people you talk with may not buy your book right then and there, but they’ll always take a business card and that may turn into a sale down the road. The pens aren’t to give away (unless you have branded pens with your website on it, which is a good idea); the pens are to sign copies of all the book you’ll be selling, because you’ve followed these seven simple steps to succeed at book fairs. Way to go! 

    brent sampson
    In 2002, Ernst & Young Entrepreneur of the Year Semi-Finalist Brent Sampson founded Outskirts Press, a custom book publishing solution that provides a cost-effective, fast, and powerful way to help authors publish, distribute, and market their books worldwide while leaving 100% of the rights and 100% of the profits with the author. Outskirts Press was incorporated in Colorado in October, 2003.
    In his capacity as the Chief Executive Officer and Chief Marketing Officer, Brent is an expert in the field of book publishing and book marketing. He is also the author of several books on both subjects, including the bestseller Sell Your Book on Amazon, which debuted at #29 on Amazon’s bestseller list

Is Print & Online Advertising Worthwhile for Self-Publishing Authors?

print advertising printer head

Rumors of print’s “death” are greatly exaggerated.  Where else but with specific magazines can you find such a passionate and voracious audience in such a specific niche? How else but through advertising in such specific magazines can you reach every single reader/subscriber with such a passionate interest in that niche? You can’t!  In fact, one might argue that the “print is dead” argument is actually narrowing the focus of magazines, targeting its readership, and therefore helping advertisers successfully discover the specific people (customers) they seek.

If you’ve written a book about dogs, for example, do you think advertising in a dog lover’s magazine would be a better, more focused use of your marketing dollars than advertising on, say, Facebook?  Dog lovers read dog lover magazines cover to cover; they save them; they re-read them; they reference them. And best of all, they see your ad over and over! Compare that to an advertisement posted on Facebook that scrolls by faster than the NY subway they’re taking to work while on their mobile devices.

And once you combine those advantages with bundled/packaged deals nearly all magazines offer to also bring your advertisement to their online audience, print & online advertising really is a marketing and promotional opportunity worth considering.

But this kind of marketing is not without its challenges.  First you need to do your research…

    1. Conduct a Google search. Look for appropriate magazines based upon matching their target audience with the target audience of your book. Compile a list of the 5-10 best options.
    2. Determine the magazine’s subscribers/circulation/print-run.  These numbers are all different, so understand their differences.  Advertising managers will likely lean toward quoting “circulation” because they use a formula (typically created by their own marketing department) that multiplies the print-run total by a “passed-along” variable (which is often exaggerated and differs from magazine to magazine). But they cannot exaggerate a print-run number, and that allows you to compare apples to apples when looking at your 5-10 options.
    3. Determine the magazine’s website visitors.  Here you want to compare monthly unique visitors.  Time spent on the site is also a good parameter.
    4. Determine the magazine’s audience and its reach (demographics). In other words, how successfully is the magazine reaching its target market and is that audience a good match for your book?
    5. Determine print specifications.  This will affect your cost.  How big will your advertisement be (full-page, half-page, 1/3 column, etc.)? Will it be in black/white or 2-color or full-color? How frequently will it run (you typically receive cost incentives to contract for multiple impressions up-front).  These specifications are also important for when you (or your professional designer) create the ad. Some smaller magazines may offer to design the ad for you in order to “close the sale”, so be sure to ask. Don’t know how to design an ad? Your publisher may have a solution.
    6. Research the magazines editorial calendar.  All magazines have an editorial calendar and most of them share it with potential advertisers. The editorial calendar allows the advertiser to match their ad with the content destined to bring the largest and most appropriate audience to a specific issue. If your book is about a Black Labrador, not only do you want to advertise in the dog lover’s magazine, but you want to advertise in the issue featuring a Black Labrador on the front cover.
    7. Get the best deal possible. Print magazines may not be “dead” but many are struggling. Their niche audience is great for you, yes, but in many cases are not reaching the heights (in terms of circulation numbers) most magazines were used to last century.  That usually means you can get a great deal by packaging an advertising buy with some online impressions on the magazine’s website.

 


brent sampson
In 2002, Ernst & Young Entrepreneur of the Year Semi-Finalist Brent Sampson founded Outskirts Press, a custom book publishing solution that provides a cost-effective, fast, and powerful way to help authors publish, distribute, and market their books worldwide while leaving 100% of the rights and 100% of the profits with the author. Outskirts Press was incorporated in Colorado in October, 2003.
In his capacity as the Chief Executive Officer and Chief Marketing Officer, Brent is an expert in the field of book publishing and book marketing. He is also the author of several books on both subjects, including the bestseller Sell Your Book on Amazon, which debuted at #29 on Amazon’s bestseller list.

International Book Fairs as a Networking, Marketing, and Sales Tool

Networking is a powerful marketing tool – as a matter of fact, it is one of the most powerful tools in a self-published author’s marketing arsenal. An author who is skilled at communicating their ideas to others can very well write their own ticket, not only to increase book sales, but to garner speaking engagements and future publishing contracts. The challenge is that far too many authors don’t know how to “network” their way into more sales.

Attending book fairs and festivals is a good place to start.  Local events keep your start-up costs to a minimum and give you a “safe” forum in which to perfect your presentation skills. As you become more comfortable at local events, graduate to state, regional, and then national events.  Then start setting your sights on the major international book festivals everyone in the industry knows about, London, BEA, Beijing, and Frankfurt. Attending book fairs overseas can start to put a strain on even the largest marketing budgets, which is why most authors rely upon representation services provided by their publisher.

Let’s take a look at some major book fairs…

  1. The London Book Fair – This event is recognized as one of the first major publishing events of the year, and one of the most important. There are many opportunities here to capitalize on by attending in person or, alternatively, by exhibiting your book with representatives on your behalf. Key industry professionals (like acquisition directors, editors, agents, and foreign rights editors) are always in attendance.
  2. The Book Expo of America – The United States is home to the Book Expo of America, which traditionally takes place in New York (although there have been various times in the past it was held elsewhere). Every year the Book Expo welcomes over 100,000 international attendees, authors, publishers, agents, and buyers. While the attendance is international, the focus is distinctly American, with American books, publishers, and authors receiving the main interest. As such, all American authors would be doing their book and their writing careers a service by attending, or exhibiting their book with representation.
  3. The Beijing International Book Fair – China continues to “open its doors” to the Western world, and in doing so is becoming a major global economic force. The population alone represents a readership opportunity that no other book fair (or publishing event of any kind) can match. It’s literally a feeding frenzy to meet the demand, which presents an exciting opportunity for all publishers and authors.
  4. The Frankfurt Book Fair – Frankfurt Germany hosts the annual Frankfurt Book Fair which typically claims 50% more international representation than the Book Expo. If foreign rights are your priority, and the potential “culture shock” of Beijing is too daunting, Frankfurt is the book fair to attend, or where to exhibit your book.
  5. Bologna Children’s Book Fair – This Italian Book Fair caters specifically to children’s authors, illustrators, literary agents, booksellers, and librarians. Here you will find the very best of children’s publishing and multimedia production, make exciting new contacts, discover new opportunities, and learn the latest trends in children’s publishing. As a self-publishing children’s book author trying to launch a successful writing career, you simply cannot afford to miss the Bologna Book Fair, or miss the opportunity to exhibit your book there.
  6. American Library Association Exhibition – The ALA (American Library Association) annual book fair & conference attracts librarians from all levels of management, from all types of libraries, and from all across the United States. It serves as a meeting place for thought leaders and as a forum to exchange ideas on the multitude of issues affecting libraries. It’s also a great place to capture attention for your book.
  7. PEN World Voices Festival – More than 1,500 writers and artists from 118 countries have attended the PEN World Voices Festival in New York since its founding. This weeklong series of events traditionally focuses on human rights with the aim of broadening channels of dialogue between the United States and the rest of the world—a mission that, today, has never been more relevant.

London Book Fair

 


brent sampson
In 2002, Ernst & Young Entrepreneur of the Year Semi-Finalist Brent Sampson founded Outskirts Press, a custom book publishing solution that provides a cost-effective, fast, and powerful way to help authors publish, distribute, and market their books worldwide while leaving 100% of the rights and 100% of the profits with the author. Outskirts Press was incorporated in Colorado in October, 2003.
In his capacity as the Chief Executive Officer and Chief Marketing Officer, Brent is an expert in the field of book publishing and book marketing. He is also the author of several books on both subjects, including the bestseller Sell Your Book on Amazon, which debuted at #29 on Amazon’s bestseller list.

7 Tips to Highly-Successful Interviewing for Self-Publishing Book Promotion

share your story author interview

All self-publishing authors should be well-prepared to give interviews. Whether in writing (email/blog interviews), over the phone, or in-person in front of a microphone or camera, the ability to speak articulately about you and your book pays endless dividends. These tips will help.

  1. Anything you say during an interview can be recorded, so choose your words wisely. Off-color jokes may be entertaining in context, but taken out of context can shed a negative light on your image. Try to ensure nothing you say can be misinterpreted.
  2. There is no “off the record.” Even if the interviewer or journalist honors that particular disclaimer, things you say “off the record” still paint a particular “picture” for the interviewer, which will reveal itself within the slant of the piece or from other questions when the “record” is turned back on.
  3. Don’t use acronyms, confusing terminology, or jargon. Your book may be very complex or scientific, but that doesn’t mean you have to be. Demonstrate your intelligence and proficiency in your subject matter by “translating” those confusing terms and concepts so the lay-man can understand it, too.  If you absolutely must use a term that few people will understand, be sure to define/describe it.
  4. Identify three key points you want to convey during the course of the interview.  Prioritize them like this: The most important point falls at the end of the interview, the second most important point falls at the start of the interview, and the third most important point falls somewhere in the middle.
  5. A popular writing adage is “Show, don’t tell.”  Show the interviewer (and the subsequent audience) how your book will entertain/educate them through a personal story or analogy.  This is much more effective than telling them…
  6. Write down ten potential interview questions.  Make the questions a part of your media kit, your book club kit, your virtual book club kit.  Many interviewers may just ask your questions verbatim (less work for them), or may ask a slightly paraphrased version of them.  There’s nothing quite as comforting as answering an interview question you wrote yourself.
  7. Practice, practice, practice. Practice answering those ten questions in front of a mirror. And then practice answering those questions in front of a friend or family member. Try to avoid reading your answers. Have them memorized.  As Seneca said: “Luck is what happens when preparation meets opportunity.”

seneca luck quote


brent sampson
In 2002, Ernst & Young Entrepreneur of the Year Semi-Finalist Brent Sampson founded Outskirts Press, a custom book publishing solution that provides a cost-effective, fast, and powerful way to help authors publish, distribute, and market their books worldwide while leaving 100% of the rights and 100% of the profits with the author. Outskirts Press was incorporated in Colorado in October, 2003.
In his capacity as the Chief Executive Officer and Chief Marketing Officer, Brent is an expert in the field of book publishing and book marketing. He is also the author of several books on both subjects, including the bestseller Sell Your Book on Amazon, which debuted at #29 on Amazon’s bestseller list.