Self-Publishing News: 6.11.2018 – The Interviews!

june

And now for the news!

Some highlights from this month in the world of self-publishing, specifically interviews with or articles written by self-publishing authors and experts!

If you’ve spent much time browsing our blog over the last few years, you’ll know that self-publishing isn’t just a thing for authors of novels and book-length manuscripts; there are all sorts of materials that can be self-published, from music to video games to comics, and that the indie sector in all of these industries is growing at a rapid clip. This week, Nicole Herviou of Comics Verse put together a great interview with comic creator and letterer Ryan Ferrier, who has had a hand in many major “mainstream” comic franchises (including Godzilla and Teenage Mutant Ninja Turtles) over the years, as well as a profound influence and prolific presence in the indie and self-published corners of the comic market, most notably multiple D4VE arcs and Curb Stomp, one of our personal favorites). What’s so special about this particular interview, you might ask? First of all, Ferrier’s experiences run the whole gamut of possibilities for a comic creator, and he’s not shy about talking about any of it. He also delivers some great insights into how the world of comic publishing (and self-publishing) has changed over the years, particularly in relationship to and support of creator-owned material. This is one enlightening conversation, and we highly recommend you read the whole thing if you’re at all interested in pursuing a career in comics.

One of the things we love most about running this blog is the opportunity to identify, discover, and boost the stories of authors who are finding new and unique ways to make self-publishing a part of their lives–and those lives all look very different, making for quite the diverse field of possibilities. Meet Marie Force, another author so prolific that it would take hours simply to list and describe her more than 70 books out on the market. Force is, ahem, quite a force to be reckoned with (sorry, couldn’t resist)–and after years of publishing, she’s now partnering up with Kensington Books (distributed by Penguin Random House, one of the Big Five traditional publishing houses still scraping by) in a deal that at first glance might seem to be trite, but on a closer look is anything but.

What do we mean by that? Well, there’s a common misconception that success in self-publishing–success of the kind that Force has achieved–is followed by an immediate transition to traditional publishing. Force has added Kensington to her arsenal, that’s all. In this Publisher’s Weekly press release, the traditional publishing house notes that Force “continues to see the advantages to both indie and traditional publishing models,” and that their role is to get “behind her on some previously published and forthcoming original novels,” not to replace her indie and self-published presence.* As the release notes, Force is a champion of the “personal touch,” and that extends to honoring all of her readers. As we mentioned earlier, there are as many ways to be an author as there are authors in the world.

 

*NOTE: Marie reached out to us on Twitter to correct a few errors in our original post. She writes: “[Q]uick point of clarification: I’ve been traditionally published, without interruption, since 2008. I’ve been with Harlequin since 2010 for the Fatal series. I’m not a self-pubbed author suddenly discovering trad publishing.” Many thanks to her for keeping us honest and right in the facts.


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As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.

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In Your Corner: More on Podcasts (Part III)

Several weeks ago, I started a series on podcasting for self-publishing authors. For more explanations of why podcasting is an important tool for authors, check out last week’s post. I’m back this week to talk about the nitty-gritty of recording and editing those podcasts!

professional microphone

Generally speaking, there are very few requirements for putting together a fairly decent podcast, and most of the platforms are free. (Or, they only start charging fees after a certain number of podcasts have been uploaded. I’ll touch on distribution platforms and their fees in my next post on the subject.)

The recipe is simple, the ingredients few:

  • something with a decent microphone
  • a robust Internet connection for conducting interviews without lag
  • a software program to allow Voice Over IP (VOIP) conversations for the same
  • a software program to record and edit your audio

That’s really, truly, about it. And if you’re not interested in conducting interviews as a part of your podcast (although I highly recommend it as a way to alert other authors to your work, and to make your podcast feel more collaborative), then you don’t even need to worry so much about the Internet connectivity or the VOIP software. If you do go that direction, and you don’t already have Internet at home, you can probably reserve a study room at your local public library and use their wifi. (Some libraries even have recording studios you can book for free!) I recommend using something like Skype or Google Hangouts for the VOIP software, as they’re both free, and there are other, higher-quality services which you can pay for if it becomes important to your podcast.

The microphone is also negotiable! I have friends who have invested in high-quality standalone mics that plug into their laptops, but I’ve always found that my laptop microphone is decent enough at recording that I don’t need to worry about quality. When I’m traveling, I use a little handheld, battery-operated digital recorder that I bought used on Amazon a decade ago for other reasons (mainly, I had my best writing ideas while driving, and I kept forgetting them by the time I got to my destination, so I picked up the recorder to make recording them easy; I don’t recommend writing while driving). But really, the simplest option is usually the best, and the option you’re most familiar with.

The software you use for recording and editing is by far the most important component of this recipe! As with the VOIP software, there are lots of great options which you can download and use for free; I recommend Audacity, which is robust enough to do all the things you’ll need it for, and used by enough other people that there are lots of “how-to” videos online to explain the more obscure details, like how to reduce background noise and merge two audio files together. Audacity is free, and while it’s not pretty, it gets the job done if you take some time to familiarize yourself with how it looks and feels. I don’t recommend downloading programs from the Internet if you’re not one hundred percent sure you’re getting the right thing and from a reliable, virus-free source, so chat with your local Technology Specialist Librarian or other tech-savvy individual before choosing a program and a source to download it from. If you’re just not comfortable with downloads at all, take a look at the audio editing software programs available for purchase through Amazon; there are lots of options, some of them affordable.

For those of you already deep into the podcasting process, what do you use to record your podcasts?

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 20 years of experience in sales and management, Elizabeth Javor works as the Director of Sales and Marketing for Outskirts Press. The Sales and Marketing departments are composed of knowledgeable publishing consultants, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

 

Tuesday Book Review: “A Debt of Survival”

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.
When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this week’s book review:

a debt of survival l f falconer

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2017 INDIES Finalist

A Debt of Survival

by L. F. Falconer

ISBN: 9781478787082

Synopsis*:

Shimji, a young Channel Island vixen, dreams to go where no Island fox has ever gone: to the place her ancestors came from thousands of years ago. By talking with a sea lion named Malibu and a seagull named Topanga, she finds the island’s harbor and stows away on a boat headed to the California coast. During her adventure on the main-land, Shimji befriends wild and domesticated animals. She learns from their different ways and thus gains knowledge of the world. Her curiosity satisfied, Shimji longs to return home, only to be discovered by humans. Scientists want to send her to a zoo. Can Shimji escape and find her way back to her island home?

 * courtesy of Amazon.com

Featured Review

It’s true that the most terrifying horrors a human being can feel are in the mind and A Debt of Survival by L.F. Falconer aptly justifies this. The reader is introduced to a very compelling character, Don Lattimore, a man who had his stint in the army and who retired to a quiet life in Diablo Springs, serving his community as a sheriff. He thinks his past has been buried and that he has moved on, but when he discovers evidence of evil activities in an abandoned house, he knows it is the beginning of a terrifying journey for him as he begins to live his worst nightmares. Possessed by a powerful evil that causes the death of people in his county, the sheriff has to pay the impossible price if he’ll save lives. The question is: Does he have the courage to do what he needs to do to stop this evil from consuming everyone around him?

The pervading spookiness of this gripping horror tale starts from the very first page. The reader already knows that he or she is in for a dreadful ride the moment they read the first sentences of the story. The plot is beautifully imagined and the author’s writing flows flawlessly; it is measured and so tightly knit that the reader will be blown away by the lyricism in the prose. It is impossible not to feel deeply for Don Lattimore as he struggles helplessly against his own demons. A Debt of Survival is the kind of book that makes readers spend sleepless nights. The drama is intense and the reader can feel their pulse rise as they turn each page. L.F. Falconer is a master at creating a plot that leaves readers engrossed and transported.

– reviewed by Divine Zape for Readers’ Favorite

Other Reviews

A Debt of Survival is an atmospheric novel and an engrossing entry in the horror genre.

A Debt of Survival by L. F. Falconer examines the price of war within an incredible character-driven supernatural horror ordeal.

In the idyllic town of Diablo Springs, Nevada, a gruesome crime takes a toll on Don Lattimore, the sheriff and an army veteran. The scene appears to be a satanic ritual to conjure a demon, but it is quickly written off as a harmless teenage prank—that is, until the town is rocked by mounting violence and grisly deaths.

For Lattimore, the deaths and gore usher in memories of his Korean War experiences and lead to vibrant hallucinations that threaten to unravel his sanity. Unsure who to trust, or even how to confront whatever force is wreaking havoc in his town, Lattimore comes to realize that everything is connected to the war and to himself.

A Debt of Survival is a polished horror story. The writing is sharp and adeptly shows instead of tells, such as when Lattimore is startled by an airplane-like noise and looks up at the moon; the sight causes him to reflect on Armstrong’s current lunar landing and a nightmare from his past. All in one line, the time frame is established and a sense of unease settles over the story. This all occurs outside of the horrific crime scene that has yet to be described, prompting the tension and fear to mount with each paragraph.

All the characters are vividly drawn to life, but none more so than Lattimore. Coping with PTSD and burdened by the duty to protect his family and community, his convictions keep his actions consistent.

Every piece of dialogue and action builds upon another to examine a man damaged by war while suffering from mounting horrors. Character tics like Lattimore’s tendency to quote his idolized father and favor his youngest son and dog over the rest of his family, as well as his discussions with exasperating colleagues, produce a protagonist worth rooting for.

As a horror story, A Debt of Survival excels. A strong and unique internal mythology draws from supernatural legends to add a layer of complexity to the story, which even so remains accessible. That same aspect of the story helps explain Lattimore’s personality and actions. From the intense descriptions of smell to the ramifications of the crimes on Lattimore’s mind and psyche, the horror is ever present.

A Debt of Survival is an atmospheric novel with undertones of social commentary; it is a unique and engrossing entry in the horror genre.

 – reviewed by John M. Murray for Foreword Reviews

 

I love a gripping horror story, so when presented with the opportunity to read “A Debt of Survival,” by L.F. Falconer, I jumped on it! Falconer takes readers on a thrilling ride in this complex, multi-dimensional tale, full of heart-pounding suspense and drama.

Set in 1969, the story follows Don Lattimore, Sheriff of Diablo Springs, Nevada, who finds himself knee-deep in the middle of an investigation involving gruesome satanic activity. Quick to write it off as a prank of the local teenagers, Lattimore cannot ignore the onslaught of murder and destruction happening in his town ever since the “conjuring.” There is something familiar to Lattimore in all this mire, and suddenly the ghosts from his time in the war come back to haunt him with vengeance. As memories of the war come to the surface, Lattimore can’t help but wonder if he’s seeing things and losing his mind, or if the demons are real? When a stranger arrives in town offering assistance, Lattimore is torn –not sure who to trust, or what path to take. In the end, will he be willing to make the ultimate sacrifice for the sake of his community?

“A Debt of Survival” was such an entertaining reading experience. The writing is impeccable, Falconer truly has a style all her own. She clearly knows how to show vs. tell–her descriptions drawing me directly into the plot with intensity and crisp detail. And, I do mean crisp detail – those with a tendency toward a weak stomach be warned – this author has no problem getting down and dirty with grisly particulars. The pace of the story is spot-on as well; I never felt like I was left hanging while waiting for something to happen, or driven through the story too quickly.

Another thing Falconer is right at home with is character development. Lattimore is a genuine protagonist who is well rounded with a diverse personality. He has no trouble being the bad guy when necessary if his convictions are tested, while at the same time being open-minded to learning new things and hearing all sides of a story. All of the characters are distinct, and readers will develop definite opinions about each one as the story progresses.

L.F. Falconer does an amazing job unfolding a clever, well-written story in “A Debt of Survival” with lots of layers, twists, and turns. Suspenseful, intriguing, and easy to follow, readers will be satisfied right up to the very last word. I rate this book an awesome Five-Star read and recommend to all horror fans and thrill seekers. You will not be disappointed.

– reviewed by Susan Violante for Reader Views

tuesday book review

Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space!

Self Publishing Advisor

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Self-Publishing News: 6.4.2018 – The Company Files!

june

And now for the news!

Some highlights from this month in the world of self-publishing, specifically news from or regarding self-publishing companies!

Every once in a while, an article comes along which is the complete package, in that it will address issues relating to self-publishing as a whole, to the authorial experience, and to the method behind our not-madness as we each separately pursue our own writing and publishing goals. This article by Sabine Brix of ArtHub, profiling Melbourne author Alice Boer-Endacott, is one such article–and it’s special in part because rather than placing the establishment (i.e. academia) at odds with self-publishing, it finds the middle ground. Boer-Endacott, writes Brix, sees her graduate studies and her self-publishing experience as complementing her overall goals. Says Boer-Endacott, “I definitely credit the EMA as crystalising what all my various interests were that I loved and then pushing me back towards what I had always – at the heart of it – been circling around.” What was she circling around? Writing, and making a life from it. Boer-Endacott goes on to say: “I am my own business and I think that’s what the course gave me [….] Even if I am not working in a business, to view the world though that lens and be professional in my communications and learn how to set standards for myself and how to protect myself.”

That’s a message for writers and entrepreneurs of all kinds that we can get behind.

Self-publishing isn’t limited to books, as you are probably already well aware, especially if you spend much time on our blog here at Self-Publishing Advisor. We’ve written extensively about the relationship between self-publishing and zines, comics, and video games, after all. But what about other media–is there a place for other forms and kinds of material to be published with a indie or self-publishing ethic?

You bet there is! In fact, that’s exactly what’s been happening with adult coloring materials in the last year. Writes Adam Rowe of Forbes, the adult coloring movement really took off in 2015 and 2016, but in 2017 the bottom fell out of the market.  But only out of the traditionally published market! As Rowe explains, the sharp decline in numbers is indicative of a shift away from traditional methods of publishing by creators of adult coloring books and other materials. If you’re an artist with an interest in line-work and creating interactive coloring pieces, this may just be the year you ought to consider putting that out into the world … and retaining complete artistic control of the process, while at it. Rowe’s article makes for a great starting point if you’re looking to identify some options to get started.

In this week’s news of important self-publishing company discounts, here comes the good word from Outskirts Press: for this month only (the month of June, 2018), authors who publish through this top-rated company will receive a free custom cover design with the purchase of one of their two top self-publishing options. It’s worth a look, especially in light of our various arguments for seeking out professional assistance when it comes to cover art and graphic design.


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.

icon logo self publishing advisor

In Your Corner: More on Podcasts (Part II)

Last week, I started a new series on the merits of podcasting. This week, I’d like to dive in a little deeper….

professional microphone

Podcasts are wonderful. I don’t know how much you know about them, but I spend a fair bit of every day listening to these wonderful recordings which are streamed via a number of apps and websites–SoundCloud, Stitcher, iTunes, YouTube, and more–and saved to my phone by default. They cover an endless variety of subjects, but the ones I mostly listen to have to do with science, technology, film and television, books and book reviews, and gardening. There are knitting podcasts, social justice podcasts, music podcasts, and cute animals doing cute things podcasts.

Having even tried my hand in the past at podcasting myself, I can say with confidence that with a little time and effort, this is something almost anyone with a computer and a built-in microphone can do. Audacity remains the best and most widely-available software in which to record, edit, and otherwise “mix” your audio tracks, but a component of the whole process which has evolved somewhat in recent years is the importance of social networking to a podcast’s success. Just look at how well the Nerdette podcast has done in engaging fans on Twitter, Goodreads, and elsewhere! Science Friday has a great and constantly updated website!

I highly recommend spending a little time exploring the notion, at least. Done well and thoroughly socially networked, podcasts can have enormous reach. And they are also a lot of fun! You don’t have to limit yourself to talking about your book, although that’s certainly an option; you might as well discuss any interesting thing you love.

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 20 years of experience in sales and management, Elizabeth Javor works as the Director of Sales and Marketing for Outskirts Press. The Sales and Marketing departments are composed of knowledgeable publishing consultants, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.