Book Marketing, Book Promotion, Choosing a Publisher, Self-Publishing

Self-publishing, On-demand, Espresso, and a look at what’s in store

“We knew there’d be a mix of self-publishing, of out of print and in-copyright books. But actually the bulk of it at the moment is the self-publishing which is more than we expected,” commented Gareth Hardy of the Espresso Book Machine.

The BBC Click featured a story late last week entitled, “Budding authors publish own work online and in print.” The write-up introduces a topical and promising perspective on the self-publishing industry. It’s worth checking out. If nothing else, consider the final quote in your self-publishing endeavors (but don’t be discouraged by Harris – self-publishing sees plenty of titles doing just fine).

Self-Publishing Book Review of the Week

Self Published Book Review of the Week: The Adventures of PJ and Split Pea

The Adventures of PJ and Split Pea, Vol. 1: Fine Feathered Friends

by S.D. Moore

This self-published book was recently reviewed by www.readerviewskids.com:

“The Adventures of PJ and Split Pea, Vol. 1: Fine Feathered Friends” begins with a boy named PJ trying to decide what kind of pet he wants to get. After not being able to decide he hears a voice say hi to him. He sees that it is a bird named Split Pea. Nobody has wanted to bring Split Pea home because his feathers look like they have splits in them, so the pet shop owner just gives him to PJ.

Cayden: “In the beginning of the book it said they were going to the pet shelter to get a pet that was lost or that someone got rid of but then on the next page they were in a pet store. A pet store isn’t the Humane Society. We went to the Humane Society and brought the dogs treats and other stuff, remember? I liked that he got a bird that no one else wanted though. That was good that they gave it a home. It was funny when PJ tried to fix Split Pea’s wings. I liked that the bird could talk to him.”

Parent’s comments:
I agree with Cayden that there was a little bit of an inconsistency in the beginning about stating that “his mom was going to take him to the pet shelter to adopt a lost and abandoned pet” and then three sentences later it says that “PJ and his mom arrive at Mr. Peppy’s Pet Store.” However, they do end up with a pet that no one else seems to want so it all evens out in the end. The story of PJ and Split Pea was a creative one and we enjoyed reading about all of the “solutions” to the split wing problem. I also liked the great lessons taught in the story of self-acceptance and of accepting others the way that they are. We recommend “The Adventures of PJ and Split Pea, Vol. 1: Fine Feathered Friends” by S.D. Moore.

For more information or to buy the book, visit the author’s webpage: www.outskirtspress.com/pjandsplitpea


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Self-Publishing

Self-publishing and Harlequin Kicking-up Dust

A mass of heated discussion is being shouted around the publishing world in the wake of recent announcements by Harlequin and Thomas Nelson to step in the direction of self-publishing.

Responses have exploded across the industry from the New Yorker to Publisher’s Weekly. Crotchety, curious, and shocked are among the many opinions swirling about, with the resurgence of the term ‘vanity press’ included in the semantical outcry of the literati.

Shocking at best. Inevitable indeed. Masturbatory? Opinions will be opinions. While I cannot fault traditional publishing houses from offering genuine detraction of these decisions – they are business too, after-all. As authors we must be wary of drinking the cool-aide. Not an easy thing to do. Writing is a personal, often intimate endeavor, which propagates a natural to desire for validation – something agents and traditional publishers have a monopoly on.

If writing is an art, publishing is a business. In business, components such as, ingenuity, creativity, evaluating risk, and (gulp), diversification have a proven track record. Those elements should be considered on the micro and macro levels – the success of your own book along with the industry in general.

Agent Richard Curtis provides a rather pragmatic perspective on the subject worth taking a look at on his site E-Reads. What are your thoughts?

– Karl



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Self-Publishing Book Review of the Week

Self-Published Book Review of the Week: The Heroes of Googley Woogley

The Heroes of Googley Woogley

by Dalton James

This self-published book was recently reviewed by www.readerviewskids.com:

“The Heroes of Googley Woogley” is a creative book written and illustrated by seven-year-old Dalton James. The book tells the story of a boy and his father going off to space to help the people of the rectangle-shaped plant of Googley Woogley.  Cayden: “I liked that a kid wrote this book and drew the pictures. He colors and stays in the lines good like me. I liked the pictures of the SooDos and the SooDonts. My favorite part was when the bad guys got stuck. That was funny! This was a good story.”

Parent’s comments:
We found “The Heroes of Googley Woogley” to be an interesting and fun book. I love the fact that it was created by a child! I hope that Dalton James continues to follow his dreams and produce more work in the future.

For more information or to buy the book, visit the author’s webpage: www.outskirtspress.com/DaltonJames


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Uncategorized

7 Reasons to Self-Publish, From the Top…

I’ve helped savvy authors transition their books away from traditional publishing houses, newly publishing authors make informed decisions to pursue other options, and even had personal experience publishing under my own traditional contract. Here are the top 7 or so reasons to re-consider holding out for that traditional contract and self-publish today…

7 – Traditional publishers lose money on over 85% of the books they publish, so they only accept 2% of those that are submitted.

6 – Traditional publishers typically accept manuscripts only from established authors who have already demonstrated a proven platform.

5 – Authors lose all control of their content during the editing process with a Traditional Publisher.

4 – Authors must still invest an enormous amount of time, energy, and money promoting a traditionally-published book.

3- Traditional Publishing: Authors typically receive 5-10% royalty on the wholesale price of the book, and from that have to give 15-25% to their agent. Do the math.

2 – The majority of books published by Traditional publishers go out of print within 3 years. Many books that are stocked on book shelves remain stocked for as little as five weeks before being returned, unsold, to the publisher.

1- Traditional publishers acquire all rights to your book and keep them, even when the book goes out of print or the publisher goes out of business!


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– Karl Schroeder