Category: Advocacy in Self-Publishing

Advocacy in Self-Publishing, Choosing a Publisher, from the archives, Kelly Speaks, Uncategorized

From the Archives: “7 THINGS TO KNOW ABOUT TRADITIONAL PUBLISHERS”

Welcome back to our Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

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[ Originally posted:June 18th, 2010 ]

Things every author consider when considering self-publishing vs. the old-fashioned model…

7 – Traditional publishers lose money on over 85% of the books they publish, so they only accept around 2% of those that are submitted.

6 – They typically accept manuscripts only from established authors who have demonstrated a proven track record.

5 – Authors lose content control of their work during the editing process.

4 – Authors must still invest an enormous amount of time, energy, and money promoting a traditionally-published book.

3- Authors typically receive 5-10% royalty on the wholesale price of the book, and from that have to give 15-25% to their agent. Do the math.

2 – The majority of books published by old-fashioned publishers go out of print within 3 years. Many books that are stocked on book shelves remain stocked for as little as five weeks before being returned, unsold, to the publisher.

1- Old-fashioned publishers acquire all rights to your book and keep them, even when the book goes out of print or the publisher goes out of business. Yikes.

Publishing is hard and weird, and the process takes far more energy and attention than it rightfully should.  If you’re lingering in the balance between opting in to the traditional publishing mechanism or choosing to pursue a self-publishing option, this list from 2010 may just provide the last swing vote.  To pretend that we are unbiased would be disingenuous, I know, but isn’t there another side to this list?  Isn’t there some dirty laundry to air about indie, hybrid, and self-publishing companies, too?

Yes, no doubt.  That’s the honest answer.  The self-publishing model isn’t for everyone, and there are certainly the requisite number of soulless opportunists who have spotted a new means to exploit newcomers, as there are in any industry, but for the most part I do find that the people who work with and alongside self-publishing authors are a good lot.  They’re genuinely interested in helping you succeed–according to your own standards and expectations, not under the unrealistic ones set by traditional publishing.

So here’s my claim for the day, with a proviso:

When self-publishing is done right and all of the people involved in a project operate by the foundational tenets of the indie spirit, the experience provides authors the exact opposite experience of traditional publishing.

7: Self-publishing has no gatekeepers, censors, or men in suits wagging their fingers at innovation.

6: Anyone can self publish, no matter their background or prior experience with publishing (traditionally or otherwise).

5: Authors retain full artistic and legal control over their work.

4: Authors get to see a direct proportional relationship between the time, energy, and money they spend promoting and marketing their book–and sales figures.

3: With no middleman to split the earnings, self-publishing authors can keep anywhere up to 100% of their own royalties.  That’s, well, a lot better.

2: Self-publishing authors have a weapon in their artillery that traditionally published authors do not which resolves both the overstocked and the understocked problems facing traditionally published authors and their distributers: Print on Demand (POD).  Because you can always go back and print more copies of your book, there’s no danger of running out.  And because you get to choose how many books you print in the first place and how they’ll be distributed, you’re not shipping crates of untouched books to distributers who will never be able to move copies.  Precision targeted sales, that’s what POD enables!

1: Nobody will ever own your work except you.  Nobody.

When you cast things in a certain light, it gets really and truly hard to see the benefits of opting in to a broken system that has yet to meet the rapidly-evolving needs of a digital market where they live.  And I’m not just saying this because I’m biased–I am biased, 100%–but because I’ve been through the wringer of traditional publishing.  I know what it’s like.  Like most self-publishing authors, I’ve dipped my toe into the world of traditional publishing and come away angry, hurt, and disappointed.  And I’m committed to making sure as many authors get to move on to far better and more positive things, as I have.  I’m committed to making sure authors know they have another, better option.

And yes, it’s called self-publishing.

Thanks for reading.  If you have any other ideas, I’d love to hear them.  Drop me a line in the comments section below and I’ll respond as quickly as I can.  ♠

Advocacy in Self-Publishing, from the archives, Kelly Speaks, Uncategorized

From the Archives: Self-publishing vs. Independent Publishing

Welcome back to our Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

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[ Originally posted: July 28th, 2010 ]

Guest Post: The Book Doctor on Self-Publishing vs. Independent Publishing

Q: When you spoke at a conference recently, I heard you refer to self-publishing. Isn’t “independent publishing” the correct term now?

A: Yes and no. An independent publisher is a small publisher that may or may not publish the works of the owner, but it always publishes the works of other authors, as well. When you publish only your own books, you are self-publishing. I know the distinction is vague; in either case you have to set up a company and be a publisher, but an independent publishing house accepts the works of others, as well as the works of the owner.

Also, when you use a firm that helps you publish, so that you don’t have to set up your own company, you are a self-published author, as opposed to a traditionally published author.

In the end, we are simply talking semantics. If you spend any money at all toward the printing of your book, you are self-published. Being self-published used to carry a stigma, and perhaps that’s why some people don’t want to use the term, but the market has changed over the years, and people’s attitudes have changed with it. At a time when selling a book to a traditional publisher is almost impossible, yet printing your own book has become easier than ever, self-publishing has taken on a whole new character and lost much of its prior poor image. Nowadays the only stigma comes from a poorly written or unedited self-published book. If the book looks good, reads well, is thoroughly edited, and sells well, who cares who paid for the printing?

While the words of the Book Doctor remain as true in 2016 as they were in 2010, I’d like to play devil’s advocate for a moment and argue that no, we’re not just “talking semantics” when we talk about the distinction between “independent publishing” and “self-publishing”–and in part I’m inspired by yesterday’s news compendium, or more specifically, Alex Palmer’s “Indie Authors Business Guide” for Publisher’s Weekly.  A self-publishing author who does not run an indie press may or may not choose to pursue becoming a limited liability corporation (LLC), but an independent publisher has no choice in whether or not to run his or her work as a business.  (Besides, passions run hot when it comes to these distinctions, as Judith Briles of AuthorU explains at length.)

And there’s an additional wrench in the works: “independent publishing” is not the same thing as being an “indie author.”  As Joanna Penn of The Creative Penn writes, “The term ‘indie author’ has been increasingly claimed by authors who want a new label, one that does justice to the work involved.”  This isn’t a matter of semantics, but of self-identification and empowerment.

As Penn goes on to point out, the proliferation of publishing platforms and models means that there’s a lot more confusion between the clear-cut definitions that we have relied on in the past, as we did in our 2010 Book Doctor post.  “Indie” could mean someone who publishes online and cuts out the middleman entirely, someone who publishes through an indie press, someone who partners up with other self-publishing authors to create a micro-business, someone who publishes through unpaid digital platforms and relies on sponsorships and donations, and so on and so forth.

One of the things I like best about using the term “indie” is that it takes the heat out of the situation.  There’s a tendency to consider self-publishing the opposing binary or even “enemy” of traditional publishing, but the savvy author knows that it’s less about the inherent components of the model than it is about the people working within that model and how well they serve the author.  Self-publishing may be “friendlier” on the whole to its authors by design, but that does not mean every traditional publishing option is inherently evil or that every hybrid or self-publishing company treats its authors well.  Indie authors take control of their publishing experience by finding the right option and team of professionals for them, without pitching publishing models against each other in some kind of Game of Thrones death match.  Indie authors are entrepreneurs as well as consummate businessfolk, and I respect them so much!

Close up of innovate definition

Thanks for reading.  If you have any other ideas, I’d love to hear them.  Drop me a line in the comments section below and I’ll respond as quickly as I can.  ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.
Advocacy in Self-Publishing, from the archives, Kelly Speaks, Uncategorized

From the Archives: A Reader Views Book Awards Retrospective

Welcome back to our Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

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[ Originally posted: March 16th, 2009 ]

Last week Reader Views announced the official winners of their 2008 Literary Awards and just in time for National Reading Month.

The Reader Views annual literary awards were established to honor writers whoself-published or had their books published by a subsidy publisher, small press, university press, or independent book publisher geared for the North American reading audience.

If you’re looking for something good to read this month, why not try one of these award winning books: Click here to view Reader Views winners.

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[ Originally posted: November 14th, 2012 ]

As a self-publishing author, it is important to constantly market your book and improve your credibility. One of the best ways to accomplish both of those tasks is entering your book into contests. Winning awards shows potential readers that your book is worthwhile and that you are a serious author, and it often results in great publicity as well. One of my favorite book award contests for self publishing authors is the Reader Views Literary Book Award. Here are all of the details.

What is the Reader Views Literary Book Award?

The annual literary awards were established to honor writers who self-publishedor who had their books published by a subsidy publisher, small press, university press, or independent book publisher.  POD books are accepted.

Who is eligible?

Reader Views Literary Awards are open to all authors  regardless of residency; however, the books must be published in the English language and targeted for the North American market. Works published by major book publishers are not eligible.  Books must  have a 2012 copyright date.  Submission for more than one category or more than one title is acceptable.  Books that have racist themes will be not be accepted.

Three finalists will be chosen in each fiction and non-fiction category. First and second place winners will be awarded in each category. Third place will receive an honorable mention. One finalist, the top score in each area, will be chosen in each regional and global category. Each winner will receive a certificate.

Finalists will be announced in Reader Views’ weekly e-mail newsletter on March 4, 2013 and the winners on March 25, 2013.

For more information, visit http://readerviews.com/Awards.html.

I’d love to know, have you entered your book into the Reader Views Literary Awards before or are you planning to do so this year? Tell us about it in the comments below.

Well, it’s that time of year: Reader Views have released their list of finalists for their 2015/16 Literary Book Awards, with winners and placements to be announced in upcoming weeks.

readerviews

We’ve been following Reader Views and the awards in question for some time, as you’ll see in the first post above, which ran on Self-Publishing Advisor back in 2009.  We’ve kept up with them, too, and in 2012 I took a moment to break down what, exactly, the awards are all about.  (Hint: You.)  And the good news is, in the interim Reader Views has kept up its good work, delivering year after year of high-quality indie finalists for their subscribers to discover and enjoy.  Books appearing in the final rounds of competition see, as a matter of course, spikes in popularity and sales–and this is exactly the kind of exposure that you should pursue as a part of your holistic marketing strategy!

It’s for Authors

Luckily, submitting your book for consideration remains as easy in 2016 as it was in 2009 and 2012, and all the information you might need to do so can be found at the Reader Views website, under the “Literary Awards” tab.  Submission dates change from year to year, of course, so it’s always worth double-checking what this year’s requirements are (particularly if you’re a time-traveler and stumble across this in some other year than 2016)!

It’s for Readers, Too

That’s right!  As I’ve already mentioned, the exposure finalists and winners alike receive throughout the submission and consideration process reaps all sorts of rewards for authors–but it has a wonderful side-effect of benefiting readers of indie and self-published works in equal share.  How?  First and foremost, the competition generates lists.  Several lists!  Lists of nominees, lists of finalists, and lists of winners and their placements.  Each list serves as a siren call to readers looking for something new to add to their to-read bookshelves and to their Amazon shopping carts. By raising awareness about such a carefully curated list of high-quality indie works, Reader Views broadens the discerning reader’s horizons.

It’s Worth a Look

A lot of book awards are the province of institutionalized hierarchies enforced and policed by the traditional publishing industry–but Reader Views is something else altogether.  In the spirit of discovering the undiscovered, recognizing the unrecognized, and treasuring the undervalued, the Reader Views Literary Book Awards filter through the noise of a crowded self-publishing market to find the very best of the best–and then they present their findings to the public, free of charge and free of any agenda other than celebrating the good work done by good authors.  That’s an agenda I can get behind–and I think you can, too!

Thanks for reading.  If you have any other ideas, I’d love to hear them.  Drop me a line in the comments section below and I’ll respond as quickly as I can.  ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.
Advocacy in Self-Publishing, Alternative Marketing Methods, elizabeth speaks, in your corner, outskirts press

In Your Corner : Celebrate National Reading Month With These Marketing Tips! (part four)

Exactly three weeks ago, I started us off on a month-long exploration of what I revealed to be one of my favorite subjects–the intersection of reading with writing and publishing–in light of the fact that the month of March is National Reading Awareness Month here in the United States.  I continued my series two weeks ago and last week with a number of additional ways in which you, the indie or self-publishing author, can take advantages of the resources on offer to bolster both your existing writing methods and your book sales.  This week, I would like to invite you to continue in joining me in making reading a focus all month long, here in our Thursday blog post slot.  We may have one more week left in the month of March, but I’m holding nothing back–you get only the best of the best, my absolute top tips, here today! 

TIP TWELVE : Give your blog or website a face lift

If you already have a blog or website where you have been promoting your book in advance of its release, there’s no better time than the present to refresh the look and feel or add content.  And by “refresh,” I don’t just mean a couple of small tweaks or optimizations here and there–I mean a complete overhaul.  As in all things, the self-publishing author must demonstrate full willingness to meet readers where they live, rather than expecting them to stumble across one’s book by happenstance.  There are no (or at least, very very few) happenstances in the publishing industry, since everyone and their lawyer is out to make a profit off of gaming the system.  You don’t want to play your readers–in fact, you want to be wholly honest and authentic at all times–but you do want to show them that you care enough about them to design a website or a blog that meets their needs and outperforms their expectations.  Think big, not small, and make sure your site is inviting and reflects who you are as a writer.  

facelift

TIP THIRTEEN : Play well with others

It should come as no surprise that I’m an advocate for sharing.  After all, I didn’t ignore every single admonition to play well with others when I was a child–some of that well-intentioned parental advice rubbed off.  But in the world of self-publishing, there’s nothing more powerful than sharing!  It’s not just a “good idea”–it’s a vital and impactful way of reaching new readers.  The first step to sharing promotions with other indie authors is one of logistics and networking: I recommend getting started by connecting with other independent authors whose work compliments yours or who live nearby.  Local writers’ groups are a fantastic resource for this!  From there, you can discuss how best to share advertising in your local media to promote your books and events.  Sharing an event with another writer is an excellent way to generate more interest among venues and readers.

sharing

TIP FOURTEEN : Take the Grand Tour

In years gone by–that is, from the mid 1600s to the mid 1800s–it was the custom of the European and American elite to send their children on the Grand Tour of the European continent and parts of Asia Minor and Northern Africa.  The point of the Tour was to expose people of taste to the primary object of their taste–the cultural legacy of the West.  But there’s a far better Grand Tour which you can partake in as an indie author!  There are dozens upon dozens of prime opportunities for promoting your book throughout the year outside of your homeland, including the London Book Fair, BookExpo America, Beijing Book Fair and the Frankfurt Book Fair.  But who, you may ask, has the time or money to do that?  Self-publishing may be a recourse for those of humble budgets, but it is also a haven for ingenuity and creative thinking.  You don’t need to stress if you don’t have the time (or money) to travel the world this year: a number of self-publishing companies, including the one I work for (Outskirts Press) offer the opportunity to represent your book at any (or all) of these events throughout the year.  There is usually still some sort of cost associated with this project, of course, but it is a dramatic reduction on what you might pay individually to travel to these places, register for display space and lodging, and for marketing materials.  Just a thought: you can be a world travel vicariously through your book!

That’s it for this week, but I’ll be back next Wednesday with some final tips and ways forward!  And …

… always remember: you are not alone. ♣︎

ElizabethABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.
Advocacy in Self-Publishing, elizabeth speaks, in your corner, Uncategorized

In Your Corner : Celebrate National Reading Month With These Marketing Tips! (part three)

Two weeks ago, I started us off on a month-long exploration of one of my favorite subjects: the intersection of reading with writing and publishing, a journey that I continued last week in honor of National Reading Awareness Month.  I said it then but I think this bears repeating: here at Self-Publishing Advisor, we love the fact that there’s an entire month devoted to celebrating the written word–as well as the ways in which we can spread the joy of literacy–and so I would like to invite you to continue joining me in making reading a focus all month long, here in our Thursday blog post slot.  How am I going about that?  Well, for starters, I’m running down my go-to list of tips and tricks for the new and ingenue self-publishing author.  This week, I’ll be starting with …

 

TIP EIGHT : Craft a “keep in touch” plan

Last week, we examined the benefits to putting together an active mailing list and/or using a Facebook group to keep in touch with your readers through direct messaging.  But what’s next?  Once you have put together your active mailing list, you’ll need to decide how you want to keep in touch.  And by “how,” I’m talking about the content and quality of your communication, not just the platform.  One thing is absolutely, unarguably true: over-sharing can prove more toxic to your message than bad grammar and condescension put together.  I highly recommend that you find a reasonable frequency–for example, a monthly newsletter–to touch base with your readers.  You can write about topics related to the genre of your book or other similar books that you think your readers would enjoy, or you can stick to more of a “behind-the-scenes” glimpse into your writing process, if you feel like you have enough to share without spoiling the reading experience itself.  If you plan on publishing multiple books–say, in a series–your followers would no doubt love updates on the status of each upcoming book, the research you’re doing or interesting things you’ve discovered during the writing process.  Give them just enough to whet their appetite, but not so much that they feel like they have to sift through an essay to find the important facts!

keep in touch

TIP NINE : Go to the Press

And by that, I mean: It’s time to start thinking about putting out a press release.  Any time you have important news to share about your book–such as announcing its publication, the advent of a book signing event, or spreading the news about an award it has won– you should definitely look to your local newspapers, radio stations, and other media sources … but this shouldn’t preclude you from looking further afield, to national media outlets and popular blog sites, for example.  You can use online press release distribution sites or try contacting your local newspaper as a first step, and if you’re working with a hybrid or full-service self-publishing company you should definitely check out their list of marketing options.

press release

TIP TEN : Get your next manuscript off the drawing board

Hollywood scriptwriters and directors often talk about “development hell,” but this term isn’t the exclusive property of the rich and/or famous: it applies to authors of all kinds, too!  We all know the dangers and struggles facing us in the form of the dreaded Writer’s Block, so if you’re ready to start publishing–or you’re getting close–you should definitely try to give yourself the necessary kick in the pants necessary to put the finishing touches on your manuscript and start the publication process today.  Delay hurts no one more than you, and that’s the truth!  Many companies offer publishing packages or offer the services of a Publishing Consultant to assist with this process, and sometimes a little help really is necessary.  There’s no shame in turning to a professional for help if it means your book gets off of the drawing board and into the hands of your readers!

drawing board

TIP ELEVEN : The book must be blogged!

An oft-overlooked component of a successful marketing strategy is the beloved book blogger.  We love them, we read their posts, but we don’t often think of them as partners in our journey to publication.  But they are!  They really, most definitely, can give your book a boost in visibility.  So, my last tip is more of a suggestion, really: Find those book bloggers you need to increase the exposure to your book.  Check out websites such as BookBloggerList.com to find bloggers interested in the genre of your book, and look to the book bloggers you personally admire and find readable.  Find out which bloggers would be open to reading and reviewing your book and contact them–or vice versa.  You might even get a link to your website or your Amazon book page out of it!

I’ll be back next week with some more tips!  And …

… always remember: you are not alone. ♣︎

ElizabethABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.