In Your Corner: Nom de Plume (Part II)

Last week, I launched a short new series on the pen name, AKA the nom de plume. I examined some of the reasons, historically, why some authors have been drawn to the partial anonymity it provides—as well as some of the “pros” to doing so today. (Hint: some of the old reasons don’t apply any more, so it’s worth knowing that time has not been kind to nom de plume-rs.)

But what are some of the “cons”? What are some of the reasons not to use a pen name for you, the self-publishing author?

pseudonym pen name nom de plume

PEN NAME CONS:

Some reasons which lead authors to publish under a pseudonym can lead to problems, whether legal, ethical, or moral—or might simply be bad for business. If your motivation for using one involves any of the following reasons, you might want to reconsider:

  • Skipping libel lawsuits. Lambasting your rivals under a pen name will not keep you from facing a libel or slander lawsuit in the slightest. The libelees may not be able to personally identify you, but your publisher can be subpoenaed and forced to turn over your name, and you should never underestimate the regular old information highways of the Grapevine and social media to reveal you to fans and foes alike.
  • Riding on someone else’s coattails. Adopting the name of some other, more famous writer can land you in serious trouble for identity theft, or for copyright infringement. So don’t give yourself a nom de plume like “Edgar Poe” or “Stephen King” unless you’re prepared by the original (or the original’s estate, in the case of deceased persons). Besides, that’s just confusing. Some authors whose real and actual names are shared with other, more famous authors will even choose a pseudonym simply to differentiate their works from their more famous namesake’s.
  • Tax evasion. Nope. Don’t do this. It’s dangerous! Tax fraud is something which the IRS takes very seriously, and authors are not exempt from the law. As with other legal issues, your publisher or publishing company can be subpoenaed for your information if the government has fair reason to suspect you (or your pseudonym) of doing something shady.

There are, of course, other “cons” which have nothing to do with misdemeanors. They include:

  • Making the processing of your advances and royalties more complicated, thus complicating your relationship to both your agent (or company) and bank, as well as complicating the sale of your reprints and subsidiary rights, the administration of your personal estate, and the transfer of title to heirs upon your decease.
  • Making marketing an acrobatic act. If you’re trying to maintain anonymity, it is hard to take advantage of your personal and social networks for promotional purposes without immediately giving up your actual identity. Your real name carries a weight with family, friends, coworkers, and even more tenuous connections that a pseudonym won’t. How will you maintain anonymity at readings or signings, if anyone you know might see your face in pictures or other coverage? (And remember: Facebook can ruin things for you too, with its face-matching algorithms which “suggest” name matches to faces in uploaded pictures.)
  • Shortening your copyright protection. This will only apply if you fail to register your pseudonym with the Copyright Office, but it’s a very real concern since so many people do.
  • Not seeing your name in print. I mean, come on! It’s half of the fun.

All of this is not to say that not choosing to publish under a pen name is the only good way to go … but it is to say that you ought to be cautious, and make sure you’re willing to take on all of the challenges associated with doing so.

So: You’re ready. What next?

Don’t worry, that’s what next week is for! We’ll go over how to choose a nom de plume, and best practices for doing so. It’s going to be fun!

You are not alone. ♣︎


Elizabeth

ABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

 

Decluttering…Your Schedule

Making time to write is something we all struggle with. In our day to day lives, when we’re choosing between finishing laundry, making dinner, staying late at work, helping out a friend, etc., we’re probably going to put our hobby on the back burner. Sometimes, this is a necessary evil to remain a functioning human being who still gets eight hours of sleep at night. However, there are a few things that you can cut out of your schedule that are actually just time wasters and there are ways in which you can clear your schedule so that there’s always time for writing.

 

  • Stop using social media as a way to unwind after a long day.

 

In college, I often used StayFocusd, a Google Chrome app that helps you block certain websites for certain blocks of time when you want/need to be productive. Seriously, these things are great. You find yourself drifting off, go to open Facebook, and are immediately reminded that you are procrastinating. Scrolling through a newsfeed does not help you become a more well-rounded human being and does not teach you anything you don’t already know about the world–namely that people are self-absorbed and that politics are frustrating. Writing is time to focus on what matters–you and the things you care about. Clear out time wasters from your schedule and you’ll realize that those 20-40 minutes you spend per day on social media could be spent far more productively.

  • It’s okay to say “No!”

Nobody wants to be the naysayer. Someone needs you to cover a shift at work and they’ve asked you to do it, putting you in the awkward situation of not wanting to be a bad friend, but not wanting to add another shift to your already busy week. Guess what? When you’re overworked, you assuredly will be undermotivated to write. Sometimes you have to just say no. Putting yourself first doesn’t make you a bad person; if you think about it the person asking you for a favor is simply also putting themselves first, so you should follow suit and keep your spare time for partaking in the things you care most about.

  • Use a timer.

If you have two hours that you can allot to writing today, don’t force yourself to sit down and just hammer out two hours straight without blinking or using the bathroom. Set an alarm for every half hour and to give yourself five minutes to stand up from your desk, breathe some fresh air, grab a fresh coffee, etc. If you’re really on a roll and don’t need a break, so be it! But it’s always nice to be reminded that a break is an option, and it’ll keep you fresh!

  • Dial your meals

If you cook for yourself (which, hopefully…you do at least once in awhile), you know how time consuming it can be. Plan your meals out a week in advance and make them ahead of time. Throw together your breakfast and lunch while you make dinner and make lots of extras! This way, tomorrow you won’t be stuck with cooking, dishes, etc. all over again. This will free up hours between mornings, afternoons and evenings!

schedule scheduling agenda


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com

From the Archives: “Google misspelled itself: The weight of word choice in self-publishing a book”

Welcome back to our Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

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[ Originally posted: December 5th, 2010 ]

Scholars and sources claim that William Shakespeare invented as many 1700 in his published and performed writing career. Language is dynamic and words are invented all of the time. Or, in cases like “Google” reinvented through accidentally misspelling the word for the number, googol. When words, specific combinations of words, are used often they can become powerful. They can also become cliché.

An interesting definition of the word cliché from Wikipedia:

“a saying, expression, idea, or element of an artistic work which has been overused to the point of losing its original meaning or effect rendering it a stereotype, especially when at some earlier time it was considered meaningful or novel. The term is frequently used in modern culture for an action or idea which is expected or predictable, based on a prior event. It is likely to be used pejoratively.”

How many of us where taught to avoid cliché in our writing at all cost? One popular creative writing professor focuses an entire week on the subject.

In print, the French derived word, cliché, came to denote a printing plate used as a cast in moveable type. Commonly used words and phrases were cast into a single mold. The idea was to take a novelty and replicate it easily and inexpensively. The overuse of such came to take on a negative connotation.

But cliché can work for the self-publishing author in marketing your book.

What do words and phrases like these bring to mind?

Change we can believe in
All for one…
Don’t leave home without it…
Google

Even if these are terms you don’t personally buy into, or even agree with, they are indelible. Think of them as the cast plate of the new digital work that come in the form of keywords, tags, Twitter handles, and the list goes on. The can become the brand for your book. And the best part is they are free.

Whether you’re published or just finishing the 1st chapter of your book, start thinking about what makes your work unique, and how cliché may become a key component in your book marketing campaign.

On Clichés

They’re not all bad, are they? After all, there’s nothing quite so appealing as the comfort of familiarity, especially in the midst of unfamiliar territory or while on the hunt for something new to stock the shelves––whether those shelves are in the pantry or the office or the library, this rule will always apply. Even people who self-confess to being “adventurous souls” very rarely try the absolute least familiar item available on the menu; humans are hard-wired to be scientists, and to hone their powers of selection by trial and error.

Try something and hate it, and anything connected to it will automatically become a less likely future choice, even subconsciously. Try something and love it, and anything remotely similar or that shares similar ingredients will strike a congenial subconscious note, making that strange seafood dish you’ve never heard of but that contains coconut and shrimp automatically appealing––or that book you’ve never read, but that uses a similar cover design to Adrian Tchaikovsky or Nnedi Okorafor deeply interesting, even though you’ve never heard of the new author.

This process of learning and developing tastes by trial and error leads to another psychological distillation which at first sounds ominous: confirmation bias. Essentially, confirmation bias comes into play when people want a certain idea to be true, and they end up coaxing themselves into believing it to be true. As Psychology Today puts it, “They are motivated by wishful thinking. This error leads the individual to stop gathering information when the evidence gathered so far confirms the views (prejudices) one would like to be true.” Confirmation bias has been blamed for a lot of negative human behavior, including the recent political conversation about “fake news” and the people who do or do not believe the news in question, but it’s not always such a bad thing. It’s the consequence of how humans learn––by trial and error, and learning from not just our personal errors but the errors of others. Oh, that kind of book cover has let me down in the past. Oh, that genre has been a safe choice before! And so on.

Confirmation bias shares the power of clichés on a grand social level––we only believe them to work because we tell ourselves that they work, collectively. But if there’s anything we can learn from human psychology, it’s that these kinds of collective decisions can have powerful, wide-ranging, far-reaching effects. We will use a cliché if we personally or collectively have tested its premise and found it lines up with the universe well. For example, if we’ve “looked a gift horse in the mouth” or known someone who did, and suffered for it, we’re far more likely to use the cliché ourselves in the future––because it lines up with experience.

So:

Experience is the test of whether you should use a certain cliché in your marketing or not. Don’t use a cliché just because it exists and falls easily off of the tongue (and onto your laptop keyboard) … use a cliché because it lines up with the evidence, personally and generally. Readers have phenomenally sensitive “B.S. detectors” (as my father put it once), and they will not forgive you for lapsing into cliché-speak just to drive sales and without verifying the legitimacy of your language usage. As in all things, you want to be true to yourself, to your voice as an author––in marketing as in everything else––and you want to be the most effective, accurate author possible.

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Thanks for reading.  If you have any other ideas, I’d love to hear them.  Drop me a line in the comments section below and I’ll respond as quickly as I can.  ♠


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Saturday Book Review: “Super Mia and the Good Luck Duo – Rescued is the New Black”

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.

When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this week’s book review, courtesy of Midwest Book Review:

super mia and the good luck duo - rescued is the new black by marie-yolaine williams

Super Mia and the Good Luck Duo – Rescued Is the New Black

by Marie-Yolaine Williams (author)
Richa Kinra (illustrator)

Publisher: Outskirts Press

ISBN: 9781478771579

Synopsis*:

Are black cats really bad luck? Are black dogs scarier than other dogs? When Baggins, a champion racing dog, is injured during a race, his owner callously dumps him in a wooded area. There, Baggins meets Evader, a black cat, and the two become fast friends. When the duo are captured by County Animal Services, Baggins discovers that he and Evader have little chance of being adopted because of their black fur. When the shelter’s manager takes a special interest in them, it looks like their luck may finally change for the better. Will Baggins and Evader find their forever home?

 * courtesy of Amazon.com

Critique:

Another outstanding collaboration by author Marie-Yolaine Williams and illustrator Richa Kinra, “Super Mia and the Good Luck Duo – Rescued Is the New Black” is another in their outstanding ‘Shelter Dog Series’ and very highly recommended for the picture book collections of families, elementary schools, and community libraries. For personal reading lists it should also be noted that “Super Mia and the Good Luck Duo – Rescued Is the New Black” is available in a paperback edition as well (9781478771579, $9.95)

reviewed on the Children’s Bookwatch of Midwest Book Review ]

Here’s what some other reviewers are saying:

Five stars all the way! We love this book! I’d say it’s for a 6-9 year old (if your 6 year old is a strong reader).

It’s so amazing to see that the hero who saves the day in the story is a person in a wheelchair. That is something we have never seen in a children’s book and I have to say it’s a breath of fresh air. What a wonderful message for children about inclusiveness! Heroes come in all different forms and it’s long overdue that we communicate this to children. It’s a great conversation starter about disability and illness too (the hero Mia has MS and explains she has good days and bad days – on bad days she needs her wheelchair). I don’t want to give away the ending but we love how it ends!

We learned about black dog syndrome, superstition (which has a negative impact on black cats and their chances at adoption), and the country of Greece. I also love that the author walked us through what happens when an animal is dumped somewhere from the animal’s point of view. I hope this makes people think twice before they discard a pet like thrash. It’s great that some of the proceeds are going to animal rescue.

The interview at the end (the author interviews her rescue dogs and they answer questions like what is your favorite movie or book etc.) really made us laugh.

I strongly recommend this book. It’s well written and a great story. More books like this please. This is part of a series, we have the first book already (we loved that one too) and can’t wait for the next one!

– Amazon Reviewer Amazon Customer

This is an enchanting story, and Mia is its princess! What an excellent book for all. I dearly love the title: “Super Mia and the Good Luck Duo, Rescued is the New Black”. Baggins was a greyhound who broke his leg racing. After the vet said he could race no longer, the owner dropped him off in some woods and left him (something he does often). A cat offered to help Baggins. When County Animal Services captured Baggins, Evader came out of hiding to be with him. It only gets better and better from here.

Both Baggins and Evader have black fur. Marie-Yolaine Williams did a very good deed for cats and dogs by letting Evader announce,”we have a very slim chance of being adopted.” Ms. Williams correctly informs her readers. When Baggins asked why, he replied “Because we have black fur. People are scared of black dogs and think that black cats are bad luck”. My Grandma had that incorrect superstition.

I worked in a Humane Society who stopped adopting out black cats for several days before Halloween to protect them. I fostered and adopted two beauties, my two black cats that I love more than life itself. I won’t give away the ending of the story. It is excellent!

Thank you Marie-Yolaine Williams and Word Slinger for giving me a book to read in exchange for my honest review.

– Amazon Reviewer C M Anderson


saturday self-published book review

Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space every Saturday!

Self Publishing Advisor

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Conversations: 3/3/2017

MARCH INTO SPRING

WITH A SPRING IN YOUR WRITING STEP Part I

Are you one of those writers who learns by doing—learns by experience? I am, too. Yet there is so much that I want to learn about and skills I want to develop that I’d need to live ten lifetimes in order to do and/or experience it all. READING has become my university, but not the textbook educational delivery system that we most often think of as the source for higher education. I learn best through story—either personal experiences shared with the passion they were lived, well-researched historical fiction, or inspired writings by people of deep faith who are telling their story through the beauty of  belief.  So it is that this month I’ll mention a few books written by authors who meet my criteria of educational reading—with an added comment (of course) about how these types of books can enhance the education of all writers no matter what genre we write.

Author William Guthrie calls himself “a student of the human condition.” He’s written several books in various genres. However, the book I’m highlighting today is ahhh Biography/Memoir: A Woman of Valor, A Woman of Strength: The Latchmin Bridgelall Story. This story is heralded as a “touching story” written by the son of an “amazing family matriarch whose sacrifice, courage and wisdom shaped a generation of children.” AND…I will add…will continue shaping generations of children yet to be born.

This is the beauty of Memoir.  Guthrie understands this well and explains it saying: “…if something is not written down or recorded it is lost…. Then the family loses its history and its lore and all that has gone before is virtually lost to future generations. In a fundamental and almost visceral sense, it is what humanizes us on this planet and gives us a sense of identity among billions and billions of other earthlike creatures like ourselves.”

Guthrie also states that “whether we like it or not, we all stand on the shoulders of generations of relatives gone by.” This is also so true of the writers who have gone before us! Therefore, for those of us who have a passion for Memoir/Biography writing it is advised to read the work of the respected biographers such as: Leonie Frieda, author of Catherine de Medici: Renaissance Queen of France; John Taliaferro, author of All the Great Prizes: The Life of John Hay, from Lincoln to Roosevelt; and Humphrey Carpenter, author of J.R.R. Tolkien: A Biography.

Here are a few of my basic “tips” that will help you along the road:

  • Photographs are great memory-refreshers
  • Research into specific daily possessions used during various time periods is essential (cars, radios, telephones, etc.)
  • Letters and journals offer insight, but DO NOT over-step the boundaries of their use.
  • Find the voice of the main person the memoir is about and, if possible, the voices of those closest to them.

The main concept I’ve developed over the years about Memoir writing is this: Start from the heart. Don’t be afraid of the guts. Close with inspiration.

AND…don’t hesitate to self-publish! The “ordinary people” we write about have “extraordinary” information for us to share with the world showing us the way to survive the struggles of life with joy, love and laughter.  ⚓︎


Royalene

ABOUT ROYALENE DOYLE: Royalene has been writing something since before kindergarten days and continues to love the process. Through her small business—DOYLE WRITING SERVICES—she brings more than 40 years of writing experience to authors who need “just a little assistance” with completing their projects. This is a nice fit as she develops these blogs for Outskirts Press (OP) a leading self-publisher, and occasionally accepts a ghostwriting project from one of their clients. Her recent book release (with OP) titled FIREPROOF PROVERBS, A Writer’s Study of Words, is already receiving excellent reviews including several professional writer’s endorsements given on the book’s back cover.  

Royalene’s writing experience grew through a wide variety of positions from Office Manager and Administrative Assistant to Teacher of Literature and Advanced Writing courses and editor/writer for an International Christian ministry. Her willingness to listen to struggling authors, learn their goals and expectations and discern their writing voice has brought many manuscripts into the published books arena.