In Your Corner : Save the Earth (and maybe even the Whales) with POD!

Do you ever wonder what you can do as an author to save the world?  Are you the sort to take recycling and environmentally-conscious living seriously?  As we get closer to Earth Day 2016 (April 22nd), these conversations rise to the surface and spark all kinds of innovative thinking.  And this year, I’d like to toss one more idea into the ring–one more way you, an author, can do your bit to better protect this beautiful planet of ours:

Convert to Print on Demand (POD) publishing

Remember 50 Shades of Grey?  (Of course you do.  Who could forget?)  In the most interesting anecdote I’ve read all week, the Swansea Oxfam used bookstore received so many donated copies of 50 Shades that they–quite literally!–built a FORT out of them.  Think I’m kidding?  They posted a picture to their Twitter feed:

50shades

The tweet has gone viral, generating a series of articles on the rise and fall of E.L. James’ once-rabidly-popular and now-slightly-less-popular steamy Twilight fanfiction-inspired novel.  More importantly, in my mind, is the fact that this media frenzy has prompted people to take a second glance at how publishing is done–in particular, how the traditional publishing model blankets the world in a flood of books that nobody buys, or that people buy and then dispose of almost immediately.

The second issue–the disposability of a book–is more or less a consequence of its content.  But the first issue–the excessive number of printed books that never find homes–is one that you can avoid simply by choosing the self-publishing model, and choosing to print your books on demand.  What is Print on Demand (POD)?  The clue is in the title: POD is any service that allows authors to print however many copies of their book that they want, as they gauge interest and on the go.  This saves everyone from repeating the dreaded Swansea book fort scenario, and helps mitigate a sad reality in the West: unsold books headed straight to landfill.  I was speaking to a local librarian the other day, and it turns out that despite their best efforts to redistribute all donated books to area Little Free Libraries, book nooks in local businesses, and sales through Amazon … they still sometimes have to send new books straight to the dump, because nobody wants them.  These are usually titles of which so many copies were printed, everyone has already read them, and all the people who want to own copies already have one at home.

So we return to the simple fact: POD is far more earth-friendly than a massive print run.

Instead of being locked into a massive initial print run that they then must recoup the cost of through sales, indie and self-publishing authors can print a smaller number of copies, recoup the cost faster, and go back for more whenever they like or need to.  POD services are included in the cost of many publishing packages, including several of those offered by my own employer, Outskirts Press.  At Outskirts and other hybrid publishing firms, the diversity of packages offered creates additional flexibility–authors only pay for what they need, and not for excesses that underscore a traditional publishing company’s bottom line.  And at least with Outskirts, books are printed mainly on recycled paper (another earth-friendly boon!) and we offer ebook options that require no paper or ink at all!  It’s well worth your time to explore all of the options available to you, and to tailor your publishing experience to suit your resources.

 

I didn’t use the word “convert” earlier lightly.  It has somewhat religious undertones (or overtones, depending on who you ask), and I find it fitting because nature at its best often inspires a kind of spiritual or religious experience.  I remember standing on the South Rim of the Grand Canyon overlooking the Colorado River hundreds of feet below–that was pretty miraculous!  And I remember how I felt walking among the ancient Redwoods in Northern California–a different kind of grandeur.  Greener, more peaceful.  These moments are among the many gifts that the world gives us, an earth that quite literally keeps us alive and breathing.  I think limiting our excesses, whether in respect to printing books or supporting sustainable water usage and so forth, is an important step to take–and in this case, it’s also a way to protect your pocketbook from a different kind of excess.  It’s rare that what’s good for making a profit and what’s good for the environment line up, but Print on Demand (POD) publishing is one of those rare cases!

You are not alone. ♣︎

ElizabethABOUT ELIZABETH JAVOR: With over 18 years of experience in sales and management, Elizabeth Javor works as the Manager of Author Services for Outskirts Press. The Author Services Department is composed of knowledgeable publishing consultants, pre-production specialists, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

Marketing Missteps Episode 4 : Designing your own book cover

Three weeks ago, I began this series to define and explore some of the many important marketing mistakes I’ve made or seen made over my many years of experience in the self-publishing industry.  I say “important” because each of the missteps I’ve listed: Devolving into a self-centered campaigner,  confusing the sales message with the marketing campaign, and waiting till the book is done to start marketing–each of these things can tank your book sales singly and for a long time, and a combination of these mistakes will leave you struggling to recover years in the future.  The worst part is, they’re all incredibly easy to make, and making one or two is no bad reflection on you as a person and writer, but the inevitable consequence of those of us who do know choosing not to share that information.  After all, there are so many hundreds of thousands of blog posts, advice columns, and self-help books out there these days–it seems impossible to filter them all.

That’s why this series is here. These are the Big Ones, the Absolute Disasters, the mistakes you really must work to avoid when possible, and work to minimize if unavoidable. And what’s this week’s misstep, you may very well ask?

Designing your own book cover.

book covers

… or at the very least, designing your own book cover without seeking professional advice.

A book cover is a powerful thing.  It’s the first thing your readers see when they pull books off of the self at their local indie bookstore.  It’s the first thing they see when they Google your name and click on your Amazon author page.  It’s what distinguishes your book, on sight, from every other book on the market–and at the same time, a good cover will clue your readers in on the genre and atmosphere of your book.  It’s one of the most important puzzle pieces in your marketing plan, so crafting a good book cover just isn’t enough.  You need to craft a perfect book cover.

Hiring a graphic designer is worth it.  You’ll hear a lot of waffling on this subject in various corners of the internet, and allowing for the remote possibility that you may be a working graphic designer yourself, perhaps you yourself do have the skill to create something that will knock new readers flat with its beauty and efficacy.  In general, however–and the graphic designers amongst you can affirm this–the best artistic work is done by paid professionals on the clock, working as part of a responsive design team who can provide feedback as the design process is underway.  Graphic designers who have worked in the book industry for years are more than just paid consultants for your book cover: they have been around long enough to know the ins and outs of the big picture, and they are invaluable resources in positioning your book for success in both visual and contextual ways.

The other day, I was browsing the Goodreads giveaway page, and I noticed something.  Every book with a beautiful custom cover that displayed well at the size of a postage stamp had more than a thousand entries–a thousand people vying for copies of that book.  And every book with one of those tacky, generic-looking free template covers?  The numbers fell to somewhere between twenty and forty.  There are of course other mitigating factors (books published by traditional means will have a large-scale marketing campaign funneling more people on to Goodreads in the first place, for example), the trend was noticeable enough to be undeniable.  You want your book to grab people, even in competition with high-powered traditionally published works!

So find yourself a designer, or purchase a package from a hybrid self-publishing company that puts your book in the running for Most Beautiful Book on the Goodreads Giveaway Page.  You want your book to be that book.

 

book cover design


Thank you for reading!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of marketing musings from one indie, hybrid, and self-published author to another. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com. 10:00 AM

From the Archives: A Reader Views Book Awards Retrospective (#2)

Welcome back to our Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

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[ Originally posted: April 5th, 2016 ]

This week we will be leaping off of the platform we set last week, in which we took a look back in our archives at a number of posts related to the Reader Views Literary Awards.  As of last week, the Reader Views Awards committee had revealed its finalists, and this week they have released the winning titles for the 2015-2016 round to their website.  We will not rehash last week’s post, but we will build upon it:

 

readerviews

Last week, I wrote about how the Reader Views Literary Awards are not just for authors, but for readers, too–and this week, with the announcement of not just its finalists but its winners, I can’t help but think how right I was.  (I’m working on humility, too, I promise!)

The award categories are as follows:

  • Children, from toddlers through 5 years of age
  • Children, from 6 to 8 years of age
  • Children, from 8 to 12 years of age
  • Teens, from 12 to 16 years of age
  • Teens, from 16 to 18 years of age
  • Body, Mind, & Spirit
  • Business, Sales & Economics
  • Fantasy
  • Gay, Lesbian & Erotic Novels
  • General Fiction Novels
  • Graphic Novels & Short Stories
  • Health & Fitness
  • Historical Fiction
  • Humor
  • Ebooks
  • Memoir, Autobiography & Biography
  • Mystery, Thriller, Suspense & Horror
  • Poetry
  • Religion
  • Romance
  • Science Fiction
  • Self Help
  • Societal Issues & Spirituality
  • Travel
  • Classics
  • Regional
  • Global

And if that wasn’t enough reading for the awards committee to knock out, there are also fourteen (fourteen!) special individual awards.  If I had to pick five of the books that particularly pique my interest, they would be:

As Executive VP for Outskirts Press, I’m always excited to see so many of our books in the winner’s list.  This year, there are twelve.  (Twelve!)  But really, I’m mostly just honored that my company has attracted people of such talent, and I’m equally excited to pick up the other award winners to get a peek at what great company they keep.  The Reader Views Literary Awards just keep getting better and better, year by year.  Kudos to you, Reader Views!  (I promise to stop fangirling now.  Just for a minute or two.)10:00 AM

Thanks for reading.  If you have any other ideas, I’d love to hear them.  Drop me a line in the comments section below and I’ll respond as quickly as I can.  ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Saturday Book Review: “The Frog That Lost His Croak”

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.

When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this week’s book review, courtesy of Literary Litter:

the frog that lost his croak

The Frog That Lost His Croak

by Anne Toole

Publisher: Outskirts Press

ISBN: 978-1478764137

Synopsis:

A little frog who loved to croak night and day, was very sad when his croak suddenly went away. While waiting and hoping for his croak to return, what valuable lessons did the little frog learn?

Critique:

A little frog who loved to croak night and day,
Was very sad when his croak suddenly went away.
While waiting and hoping for his croak to return,
What valuable lessons did the little frog learn?

(taken from the back of the book)

I like the pictures because it helps you understand what they’re saying in the text. I like that it rhymes because it’s easier to read. Then again, it’s also more fun to read.

There aren’t too many words per page, but there are some pages that have a little bit more than others. This book didn’t take very long to read.

I think kids about five or older would enjoy this book. Possibly younger children, if their parents read it to them.

You can predict what’s going to happen in the story from the title. I liked it because it gave you a heads up on what the book was going to be about.

How the little frog lost his croak, well he was croaking too much but he was also croaking in the rain. So the rain could have been how he lost his croak. I think the frog learned that he was noisy because he was croaking all the time and I think he was upset because he learned that he wasn’t listening to the other animals.

In my opinion, you can learn from books that have life lessons. This book was good because it had a life lesson in it.

[ reviewed Ashlee  of Literary Litter ]

Here’s what other reviewers are saying:

We’ve all known people who couldn’t stop showing off or bragging about themselves, and it happens with characters in stories, too. In this instance, it is a little frog who has a loud croak that he uses all day long. All the other animals are very tired of listening to him, but he is oblivious to their feelings and indulges himself all the time. When he loses his voice, he is forced to listen to the world around him and notice things like the beauty of birdsong or the sound of the wind whispering through the trees. By the time his croak is restored, he has learned to appreciate the sounds around him, to croak less and listen more.

This is similar to Marcus Pfister’s Rainbow Fish with the proud character so taken with himself and his abilities (or appearance), that he has no time to make friends or listen to anyone else. And just like the Rainbow Fish, the little frog has to learn his lesson before his situation can change. The story is told in rhyme and supported with brightly colored illustrations. Some of the wording may seem a bit awkward to adult readers, but the target audience of beginning readers will probably not notice.

Author Anne Toole was a first grade teacher and ESOL instructor before she began writing children’s books. She understands the issues that children deal with on a daily basis – making friends, what makes them special, fitting in, etc. This is the type of story that parents, teachers, and guidance counselors can read with a child (or a group), and then discuss the moral of the story.

– Amazon Reviewer Suzanne R. Costner

There was very little about the book on Amazon. It would be nice if a little more was entered about the book and author. The little paperback has 26 pages (unnumbered). It would be suitable to those learning to read or the little ones you read to. It has a lesson to be learned about boasting. The illustrator made some colorful and bright pictures to go with the story. The story, like most of Ms. Toole’s is in rhyme. This is nice, since it keeps the little one’s attention. The little frog that had a lesson to learn finds out that no one likes him since he has bragged too much. He learns to listen instead of croaking and discovers a valuable lesson. This is a easy to read book that will help teach the little ones that not everything is always about them but to think of others too.This is a great little book for your child’s bookshelf to be read and re-read.

– Amazon reviewer gayle pace


saturday self-published book review

Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space every Saturday!

Self Publishing Advisor

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Conversations: 4/8/2016

THE MUSIC OF WORDS part TWO

I REMAIN AMAZED by the productivity potential of poets (such as Lois Beebe Hayna—see last week’s blog) who have that unique ear and perspective that other writers work so hard to develop. I’ve gleaned a few pointers from her regarding the creative process of writing poetry. I also believe these concepts apply to writing well in all genres. Here are the main tools she’s given me:

  1. “You must have a good sense about words and their definitions, in order to be a good writer. However, you must be in love with words in order to be an excellent writer.”  Truer words were never spoken! If I’ve learned nothing else from Lois it is this: know the definition-s of the words—the dictionary definitions, the slang definitions and the social/cultural definitions.  That is where true creativity comes in play—knowing which definition fits best in the specific spot you’re placing it, or the play of multiple definitions that allow the reader a variety of ways to interpret what is on the page.
  2. Write about the things that interest you: what you care about, what you know about and/or what you might be considered an expert in. There is no substitute for being passionate about your subject matter. If you are bored with the topic, your readers will also be bored.
  3. Don’t be afraid to research! Even though you are comfortable with what you know about a subject, there is always more to learn. In this day of instant information what was accepted as fact yesterday may be totally inaccurate today. Readers will catch authors in misstatements very quickly and that is not the desired reputation to build.

 

With these three key components you, too, will create music with the words you write. Because Lois is willing to release her work to literary journals, chap-book editors, contests and university publications, her poetry (and perspectives) have reached into thousands of homes. Yes, there were the rejections to deal with, but she did not let those stop her. Today there is a Library Room at Regis University (Denver, Colorado) named for her: The Lois Beebe Hayna Creative Writing Center. In it you will find several binders of her published and unpublished writings and young poets sitting at desks or curled up in a cushioned chair—writing!

Lois Beebe Hayna Creative Writing Center
Lois Beebe Hayna Creative Writing Center, courtesy of the Regis University website

I’ve heard writers groan about being “stuck” or experiencing “writers’ block.” Lois Hayna never let us use those words around her, always directing us to discover something new about the things that interest us and then “just let the words fall onto the page. Once they’re there, you can enhance the concepts, cut what doesn’t work, and fine-tune the piece to speak to you.”

SO, where are you in the process of creating your next—and best—piece of writing? Are you researching a new and different subject matter that caught your eye on last night’s TV-news? Did you hear someone use a word in conversation that didn’t fit—triggering discord in your writing ear? Or, have you been writing pages and pages on your favorite topic and are ready to talk to a publisher? Wherever you are—don’t stop! Keep going! You may just be the next author to have a Library Room of creative inspiration named after YOU! ⚓︎

RoyaleneABOUT ROYALENE DOYLE: Royalene has been writing something since before kindergarten days and continues to love the process. Through her small business—DOYLE WRITING SERVICES—she brings more than 40 years of writing experience to authors who need “just a little assistance” with completing their projects. This is a nice fit as she develops these blogs for Outskirts Press (OP) a leading self-publisher, and occasionally accepts a ghostwriting project from one of their clients. Her recent book release (with OP) titled FIREPROOF PROVERBS, A Writer’s Study of Words, is already receiving excellent reviews including several professional writer’s endorsements given on the book’s back cover.  

Royalene’s writing experience grew through a wide variety of positions from Office Manager and Administrative Assistant to Teacher of Literature and Advanced Writing courses and editor/writer for an International Christian ministry. Her willingness to listen to struggling authors, learn their goals and expectations and discern their writing voice has brought many manuscripts into the published books arena.