Self-Publishing News: 4.4.2016

This week in the world of self-publishing:

In the world of self-publishing, we know just how important precedents can be–and we have a lot to learn about and deal with when it comes to the legal ramifications of going solo.  And well–another precedent has just been set, as reported in this April 1st article for the National Law Review by Jeffrey Neuburger, a Partner in the New York office as well as co-head of the Technology, Media & Communications Group and a member of the Privacy & Data Security Group.  In short, Neuburger is an expert.  He knows what he’s about, and he takes the conversation about self-publishing’s future seriously.

Writes Neuburger, “We live in a world that has rapidly redefined and blurred the roles of the ‘creator’ of content, as compared to the roles of the ‘publisher’ and ‘distributor’ of such content.”  And what exactly is the nature of this precedent?  In short: “This past month, an Ohio district court ruled that several online self-publishing services were not liable for right of publicity or privacy claims for distributing an erotic (and so-called “less than tasteful”) book whose cover contained an unauthorized copy of the plaintiffs’ engagement photo because such services are not publishers.”  The plaintiff brought suit not just against the author but against Amazon’s Kindle Digital Publishing, Barnes & Noble’s Nook Press, and Smashwords.  Luckily for self-publishing, the suit was dismissed on the grounds that the author had signed agreements with all three companies stating he owned the rights to all material he published–and therefore bore sole responsibility for violating the plaintiff’s privacy.  But the implications, should a similar case be brought against self-publishing authors and companies in the future, are massive.  And in an industry that is increasingly hybridizing–with companies offering book cover design packages among many others–the boundaries become even more blurred.

Have you ever wondered if there might be a hidden cost to the self-publishing industry’s near-rampant success?  Well, there is one, but it might not be what you think: The rise of self-publishing and the high demand for uber-cheap stock photos of steamy men to grace the covers of new (self-published) romance novels has cut the bottom out of the industry that used to supply these photos.  Or at least that’s what Laura Holson argues in this March 30th article for the New York Times Business Day.

The demand for steamy cover photos has never been higher–but indie authors aren’t willing or able to pay what traditional publishing companies have paid in the past, so the (mostly male) cover models make less per photo.  Holson quotes Liz Pelletier, “the chief executive of the romance novel company Entangled Publishing” as saying: “I never thought I would say this […] but I am so tired of looking at men’s abs. I don’t know if these ones are sexier than those other ones.”

Most telling of all is the average income for these models, and Holson singles out a Mr. Baca to illustrate the difficulties facing them now: “Few romance models, if any, make enough money to eke out a living. Mr. Baca, for example, works at the Housing Authority of the Santa Clara County, Calif., as a customer-service clerk. And although he has an agent, he said he earned only $20,000 in his best year. This, despite the fact that he is a tireless self-promoter who fancies himself the next Fabio.”  And appeared on the cover of Playgirl in 2004. While you may or may not be a romance novelist in addition to being a self-publishing author, Holson’s article serves as a useful reminder that every change in the status quo or in a market trend is bound to have some kind of human cost.  To read the rest of Holson’s article, follow the link.

In his March 31st interview with self-publishing sensation Elyse Salpeter for The Island Now, Adedamola Agboola begins with the author’s rocky path to improvement. “I wasn’t always a great writer but I had great ideas,” Agboola quotes Saltpeter as saying, after recounting her early humiliation at the hands of an unkind schoolteacher.  And more importantly, Saltpeter never gave up: “Since 2011,” writes Agboola, “Salpeter has self-published nine books in four different genres from thrillers, horror, fantasy to young adult novels.” Nine books!  And all of them brought into existence as the final product of a creative mind set at liberty to realize its full potential–without the limitations and criticisms systemic to traditional publishing.  But Saltpeter didn’t start with self-publishing; as Agboola recounts, she published her first book through the traditional imprint of Coolwell Press.  But over time, her relationship with her editors deteriorated, and after they “trashed” another round of drafts, it took “almost 15 years to hit [her] strides” again–and she did so by going indie.  While Saltpeter is honest about the challenges facing self-publishing authors in a crowded marketplace, she sticks by her decision.  For more information about Saltpeter and her latest book, The Call for Mount Someru, you can access Agboola’s full interview here.


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As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Saturday Book Review: “What Was I Thinking? Volume 1: My Brainy Best Friend”

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.

When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this week’s book review, courtesy of The Fairview Review:

What Was I Thinking? Volume 1: My Brainy Best Friend

What Was I Thinking?

Volume 1: My Brainy Best Friend

by Zac Lange

Publisher: Outskirts Press

ISBN: 978-0996849005

Synopsis:

As everyone who has ever been a kid knows, mistakes and accidents are a part of growing up. “What Was I Thinking?” is a series that examines and finds solutions to an endless list of experiences that are universal to both children and families using the incredible tool of brainpower. It is told from the engaging, humorous, and relatable perspective of a young boy in the process of figuring out his place in the world, and whose creative mind, Brain, is his own best friend. “What Was I Thinking? Volume 1” encourages kids to celebrate their brains and their amazing potential. It also teaches the importance of using those powerful brains to think before acting, and to consider consequences both good and bad. Ultimately, the series wants to help kids be aware of their own thought processes, so they can make positive decisions for any given situation in their own lives. Hopefully, there will be fewer and fewer times when they have to ask themselves, “What was I thinking?”

Critique:

“As much as I love my brain, sometimes it seems like it takes a break for a while and forgets to tell me.” Who hasn’t had that feeling at one time or another? The narrator of the story imagines his brain snoozing in a hammock under some palm trees while taking a break. That is the reason he decides to kick a ball inside the house and winds up breaking his mother’s favorite vase. As soon as his mother sees the damage she asks, “What were you thinking?” Of course he didn’t think, he just did it. And then, when the damage is done, his brain decides to show up again. Kids and parents alike will recognize such a familiar situation and the results. Our narrator and his brain come up with a plan to avoid this trouble in the future; a plan which begins with STOP and THINK.

Readers will find plenty to laugh about in the story and the illustrations. The boy and his brain do everything together (except when Brain takes those unexpected breaks). A picture of the boy when he was a baby shows his brain nearby, also wearing a diaper. When the boy is at the playground, he is on one end of the see-saw and his brain is on the other. His mother is also shown in humorous ways. When she hears the vase break and runs into the room, she is shown dressed as a police officer and the boy is in a prison uniform. When he claims it was an accident, the picture shows his mother behind the desk at “Moms’ Olde Tyme Excuse Shoppe” pointing to ‘No Sale” because she does not buy his excuse. (That’s probably my favorite of the illustrations.)

Youngsters will enjoy the story line and see the similarities to their own experiences. Parents and teachers will appreciate the suggestion to stop and consider consequences before acting. Talking about what happens in the story can lead to a very helpful discussion on thinking things through instead of acting impulsively. It could also spark a class discussion where students might share their own memories of times when they should have taken a moment to consider their actions, but didn’t.

Recommended for children up through elementary school age, as well as the adults who care for them.

reviewed Suzanne Costner of The Fairview Review  ]

Here’s what another reviewer is saying:

Everyone has one and believe it or not you cannot function without one
You need to love it, admire it and use it wisely in order to succeed in life
It is always with you helping to guide you to make the right choices
It is your very best friend and you are never alone without this precious thing. Everyone loves friends, mom’s brownies or even just hanging out with friends. But, how any of us realize that our Brains share our feelings too and without it we would not be able to think!

Using your brain you can tell when something is sad, funny or just plain fun
Look at the pictures and see just how your brain helps you when you need to feel loved and wanted. Sometimes great things happen and it’s your brain that lets you know. Check out what happens when the bulb stays lit and you realize you have a great and fantastic idea. Great ideas come and guess where you get them? You experience things together so it is wise to take care of yourself and keep your best pal, your brain healthy!

You love to play with your friends and even have fun exploring outside and having adventures and my favorite things that helps keep my brain active, healthy and smart is reading lots of books just like this one and the ones the boy in the book is showing up that he is reading too. But, sometimes we are careless and mistakes happen when we forget to consult our brain and we accidentally kick something and our mother’s flower vase breaks and the flowers and water splatter all over the place. The author of this great book will now teach all children and parents some valuable lessons when this happens so that he understands that mistakes happen but it’s how we handle them in the present and hoping to avoid more in the future. You start by making a thinking chart and placing the words and heading it with Thought Process! Interesting as this is the first step to remembering what to do and not to do. Number one says: Do it when you admit to yourself that you forget to think before you did something and just did it! Excuses do not always work so sometimes we need to rethink our actions and create something to help us to remember. When you are not sure of what you do wrong check with you brain and find out! Ask “Where were you brain when I messed up? Hopefully the two of you will come to some sort of solution and figure out where you both went wrong!

After much deliberation and thinking and rethinking both our narrator, our little boy and of course our brain with the help of our creative author came up with what young children and even adults need to do before something else happens. Check out the Special List that gives you three steps that will help keep you out of trouble. If you stop and think decide if this could hurt and could doing this get you in trouble before you do it you might not do the wrong thing. If the answers to the last two questions happen to be YES: DON’T DO IT! The author continues with examples of how you can implement this great list to keep you out of trouble and not has to deal with mom’s consequences.

Each time you do something and if you are not sure stop and think, look at the chart, think again and figure out if you should do it or not. Check with your brain, remember no one is perfect, check out the checklist and see add who will be happy as a result of what you have learned and if you remember to Think before doing something. Learning is the best and soaking up as much knowledge and information will keep you and your brain healthy, smart, growing and having fun together now and forever. So, create your own checklist of who you want to make happy besides you and you can add things to your list like: Will I get a consequence if I do this? Will my parents be disappointed in me? Will I let myself down? Is there someone I can ask about what I am about to do before I do it and get into trouble? Stop: Look: Think and Listen. This is a great book for teachers to help children avoid getting consequences in school. This is great for parents to teach children how to understand the differences between doing the right thing and the wrong. Great for discussion groups and teachers and parents can even create lists of things that I do that are great and things that I know I should avoid and look at the lists to make sure you are not doing the ones that will get you in trouble. This is a great book for everyone. What Was I Thinking: I was thinking that I just read a great FIVE GOLDEN BRAIN BOOK! Your brain is what keeps you alert, alive, thinking and in the know: Keep reading, keep learning and keep out of trouble.

– Amazon Reviewer Amazon Customer

Book Trailer:


saturday self-published book review

Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space every Saturday!

Self Publishing Advisor

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Website Glitch Addressed : 4.1.2016

Dear Readers,

There was a glitch with the schedule this morning, and those of you who subscribe to the blog will notice that you got a little early “preview” of tomorrow’s book review–only for the actual post to disappear.  Well, I have only good news for you: the universe has re-aligned, the book review will reappear as if by magic at its designated time tomorrow, and we have every hope that the technology we love so much will continue to behave.

so full of questions

Thanks for all for your patience, and thank you for reading!  Keep up with the latest in the world of indie and self-published books by watching this space every day.

Self Publishing Advisor

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Conversations: 4/1/2016

THE MUSIC OF WORDS

It was in early 2014, I believe, that I mentioned my creative writing mentor, Lois Beebe Hayna, in my blogs. She had just turned 101 years young and was actively writing and selecting poems to publish her next book of poetry titled Lagniappe (released in December 2014). The word lagniappe means a little bit extra. Lois tells us that she feels she’s been given extra time in this life to write poetry, and that’s exactly what she intends to continue doing. Today at 103, she ignores the physical challenges of losing her hearing and eyesight, and continues to create her unique music with words.

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This month marks the 20th anniversary of National Poetry Month, and I can think of no better way to honor the great poets of history—past, present, and future—than by sharing Lois’ story of becoming a highly respected poet and mentor to anyone who knows her and reads her works. The following is how Lois speaks about her writing life “in brief” calling it “a cautionary tale.”

Lois Beebe Hayna
[ Lois Beebe Hayna ]
“If you want your life to include writing or painting or any of the vocations which don’t produce a paycheck, nobody’s going to make it easy for you. Nobody’s even going to take you seriously until after you’ve somehow done it. In my case, friends and neighbors had plenty of reasons to caution me. I grew up in a one-parent family in the tiny village of Vesper, up in the center of Wisconsin. It was the middle of the Depression—that big one—and I think we knew no one who was not worried about his future. Even the best of farmers were going bankrupt.

I went from our two-room school which did offer good teaching, to high school in neighboring Wisconsin Rapids, and then I taught a one-room rural school, fortunate to be hired. During that winter I learned I’d been awarded a partial scholarship which allowed me to enter the University of Wisconsin at Madison. Aside from great classes and wonderful teachers—among them S.I Hayakawa and Helen C. White, William Sumner, and R.E.N. Dodge, I met other writers and even published a few poems.

The Depression was still on. A degree helped no one find work, and certainly nobody was paying for poetry, then or now. We drifted into low-paying jobs or no-paying research, or, as in my case, got married; which introduced me to the southern states.

After three children and many moves, I found myself newly-divorced in Denver, Colorado, at a time when luckily for me, jobs had become available, never mind that for someone with no training or experience, the pay scale was dismal. But the children grew up. I remarried, and somehow, though I still read poetry avidly, I thought my chance for writing was past.

Only a remark from a college classmate sent me back to see if I still had anything to say, or any skill in saying it. I was in my early sixties. I was that close to never writing anything.”

SO POETS! Writers of one or multiple styles! Follow this example. NEVER QUIT! Hang in there and keep writing! And don’t hesitate to self-publish! Should you be as blessed as Lois Hayna and live into your 100s, you’ll deeply enjoy holding ALL your books in your hands! And, so will your fans! ⚓︎

RoyaleneABOUT ROYALENE DOYLE: Royalene has been writing something since before kindergarten days and continues to love the process. Through her small business—DOYLE WRITING SERVICES—she brings more than 40 years of writing experience to authors who need “just a little assistance” with completing their projects. This is a nice fit as she develops these blogs for Outskirts Press (OP) a leading self-publisher, and occasionally accepts a ghostwriting project from one of their clients. Her recent book release (with OP) titled FIREPROOF PROVERBS, A Writer’s Study of Words, is already receiving excellent reviews including several professional writer’s endorsements given on the book’s back cover.  

Royalene’s writing experience grew through a wide variety of positions from Office Manager and Administrative Assistant to Teacher of Literature and Advanced Writing courses and editor/writer for an International Christian ministry. Her willingness to listen to struggling authors, learn their goals and expectations and discern their writing voice has brought many manuscripts into the published books arena.

From the Archives: “Setting up Book Signings as a Self Published Author”

Welcome back to our Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

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[ Originally posted: August 14th, 2008 ]

How would you like to sell more copies of your book? Would you like to read excerpts from your book to a captivated audience?

Book signings at local bookstores are one of the cornerstone of an author’s post-publication foundation. But how do you set them up?

Organizing book signings, readings, and public appearances is one of the most important parts of a successful marketing campaign.

A book signing or reading is a bookstore event that features you and your latest book. This is your opportunity to meet potential buyers face to face. Plus it adds a personal touch to your promotion efforts.

Many customers may feel more motivated to purchase a copy of your book if they hear it explained or read from your point of view. And the opportunity to get a copy signed by the author doesn’t hurt, either!

Independent book stores and larger chain retailers both organize book signings. Your chances for finalizing an appearance are greater with the local independent stores. They have to compete with larger chains and are therefore more willing to support local (and self-published) authors.

In order to pinpoint potential book stores, check your local newspapers or see if book retailers in your area offer a “calendar of events” or post upcoming events on a public bulletin board.

By asking around for the owner of the store or the communications manager you can typically find the appropriate person with whom to propose your book signing. In many cases, both the large and small retailers will have their events planned weeks or even months in advance. Plan early.

When you have a list of people and/or stores you plan on contacting, prepare your pitch. Have a small script that outlines what your book is about and why people would be interested in meeting you or reading the book. The store manager or PR person will most likely ask. After all, they are not there just to help you. They are there to make money selling books. Tell them why your book will make their store money.

If your subject matter is timely, all the better! Remember, this is the point during which the store manager or book buyer will be screening your presentation skills, either over the phone or in person. If they are not captivated by your presentation, they will have very little faith in your ability to captivate a crowd. Be extroverted and dynamic.

It also helps to be concise. Understand that these are busy people. You want to sell them on your event fast. Have your press release and/or sell sheet ready. It’s helpful in case they ask for a copy or if they ask about specific information about the book. They may want to know the retail price, the discount, and the ISBN number immediately so they can order a review copy themselves prior to deciding.

Provide them with your web site address. They might be impressed enough by your initial marketing initiatives to go forward with the book signing.

Offer to help them with promotion, especially if you’re targeting smaller book stores. They will be more interested in offering to host an event if they know you will be absorbing some of the burden of marketing it. Tell them all your friends and family will be attending the event (and then make sure to invite your friends and family!), and if it’s within the scope of your marketing budget, offer to advertise in the local paper at your expense. Remember, the easier you make it for the book store owner or manager, the more likely they will say yes.

Follow-up with prospective book stores who have not confirmed dates. Selling yourself and your book is a number’s game, and as any salesperson will tell you, the amount of contact is directly proportionate to the amount of sales. So be persistent without being annoying. If you experience three or four unsuccessful attempts with a particular store or person, move on to another prospect.

And don’t forget your signing pen….

by Kelly Schuknecht

Looking back eight years can reveal a lot of holes in any article, but I’m fairly certain my original treatise on searching out opportunities for book signings has aged as well as is humanly possible for a blog post (by its nature, a medium that fosters timeliness) on the subject of self-publishing (a moving target in and of itself).  That said, I think there’s room for improvement, expansion, and a bit of an update.

What does 2016 Kelly have to say about book signings that 2008 Kelly didn’t know or didn’t think to share?  I’ll give you a clue: venues.

book reading

Traditionally, book signings have been carried out at a narrow and very specific range of venues.  And by that, I mean bookstores.  But in the silicon age, when internet sales are king and even the biggest box bookstores are facing mounting challenges to keeping their doors open, what can self-publishing authors do to launch a book tour?  I simply don’t accept the mindset that limitations present anything other than opportunities for a little creative thinking.

In that mindset, here are a few alternative venues I think you should consider for your book signing:

  • the LIBRARY : libraries and librarians are among some of the most powerful advocates an indie author could hope for, and most libraries offer space or a choice of spaces to host events. My local library ordinarily only allows not-for-profit uses in its meeting room, but when an author comes to town, they never fail to make an exception.  In fact, now that I think about it, the last author to travel through didn’t even have to bring his own books–the library partnered with a local bookstore to spread out the cost (and yes, a little of the profit) of those for-purchase books.  Since you will probably want to sell books as well as sign them at your event, it’s well worth exploring what options your local library has to offer, and pick the right situation for you!
  • the CAMPUS : this one can be a bit tricky, simply because there are so many different ways to set up an event at a local school, university, or church campus.  Many schools host fairs and other such events where you might be able to purchase display space for an affordable fee, and many might welcome you for a reading or roundtable discussion in addition to a signing–perhaps even as a featured guest in a classroom environment.  It’s worth not just checking with school administrators like the Principal (in the case of an elementary school) or Pastor (in the case of a church) but also with the head of the English or Creative Writing faculty (particularly in the case of a college campus).  The university library or bookstore may also prove a fruitful option to pursue.
  • the CAFE : restaurants, bars, coffee shops, and cafés have long been a second home for authors seeking refuge, but they also have a legacy of making room for authors as performance spaces. Giant chains like Starbucks are a little leery of hosting events, but local joints tend to pull together to feature local authors–and are often far more congenial when it comes to pricing (if they charge anything at all).  Check with your local havens to see whether they might be interested, and don’t forget to mention that a signing will very likely help drive traffic to their store–especially if you and the venue pool together marketing resources.
  • the SPECIALTY RETAILER : if your book touches upon something distinctive that a local store perhaps caters too–say, if your book is set on the French Riviera and you happen to have a French bakery or a wine merchant featuring high-quality French wines–you should at least pose the question of whether they’d be interested in hosting an event.  In the case of specialty retailers of the expensive variety, you may have more complicated logistics to work out: who foots the bill?  Can you split the cost, or at least get a discount?  If you set up the event along the lines of a “wine and paint” party, it’s expected that everyone who attends pays a bit into a central pot of money to cover the night’s bill.  This may not leave a lot of money left over to generate a profit–but book signings are as much about raising awareness as they are about raising money, so it still may have a part to play in your larger marketing campaign.
  • the GUERRILLA LAUNCH : the best part of the guerrilla launch is that nobody pays for parking or for the event venue, because the whole point is to generate interest via a “flash mob” mentality.  Set up a viral campaign on Twitter, Facebook, email, SMS, and everywhere else you have a thriving following, and pick a time and a place to show up.  The more interesting or offbeat the place, the better!  A local mall is a good starting point, but many authors choose local landmarks of interest as well.  If you’re hosting it on public or private lands, I advocate for checking with whoever manages the land–generating controversy may land you a little extra buzz, but ultimately you’re looking to set up a sustainable practice that can be replicated over time.
  • the INTERNET : the internet is not, contrary to some thinking, the death of the classical literary career–and anyway, self-publishing is all about meeting readers where they are at and freeing up authors to use their full set of skills to capacity!  There are many ways you might host a digital signing, even though that might sound counter-intuitive, and a live drawing or giveaway is a fantastic twist on the time-honored signing tradition.  And that’s just one thought I had this morning; I’m sure you can think up an infinite variety!

 

poetry reading

Thanks for reading!  If you have any other ideas, I’d love to hear them.  Drop me a line in the comments section below and I’ll respond as quickly as I can.  ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.