Self-Publishing News: 8.8.2016

And now for the news!

This week in the world of self-publishing:

The title really says it all, in this case: says Alison Flood in The Guardian on August 5th, “A father who tried self-publishing the bedtime story he made up for his daughters has landed a surprise order of 2,000 copies from Virgin Atlantic to help children sleep on night flights.”  The book in question, Stephen Holmes’ The Great Hot Air Balloon Adventure (illustrated by Kev Payne), was inspired by a bedtime story Holmes had been telling his daughters for years–and he never had the intent to publish or sell until Madison, age seven, requested it. The story of how his book connected with Virgin Atlantic is an interesting one: having ordered an intial print run of 1000 copies and having sold roughly half that number, Holmes decided to send a copy to an airline executive via LinkedIn as a spur-of-the-moment inspiration–and the airline enjoyed it so much they decided to order an additional print run of 2000 in order to distribute copies on their night flights. The book, according to Flood, “tells of best friends Tom and Jessica–the names chosen by his daughters – who are taken on a night balloon ride by a ‘very well spoken’ rabbit. They drink hot chocolate and bounce on clouds, before meeting a friendly owl and flying home to bed.”  The icing on the cake?  Flood gives a brief run-down at the end of her article on the progress self-publishing has made in recent years.

“It’s the best choice for self publishers to publish their magazines easily and quickly without any delay,” writes Veronica Linn in this August 5th piece for WhaTech.  FlipHTML5, once voted the “best magazine newsstand app maker by users around the world,” gives publishers “the chance to create realistic CSS3, jQuery and HTML E-magazines from PDF versions instantly which they are distribute through online or offline outlets.” This is good news for self-publishing authors, who often need to capitalize upon timeliness in order to turn a profit.  Says Linn, “All one has to do is to upload the input material, insert personal logo and multimedia content and change themes and backgrounds to achieve the look they want.”  It’s worth noting that Linn, who as an employee of FlipHTML5, is not exactly unbiased in the service of self-publishing–but in many ways her piece hits all of the right notes.  To read the full release, click here!

“More than half of all science fiction magazines failed to publish fiction from black authors in 2015,” writes Andrew Liptak for The Verge on August 4th: “Speculative fiction magazine Fireside Fiction has commissioned and released a report detailing an unwelcome revelation: speculative fiction magazines and online fiction sites are failing to publish stories by black writers.”  Liptak reports on the report, calling it “damning” and that “of the 2,039 short stories published last year across 63 magazines, only 38 were published by black authors.”  These stats are fairly self-evident, indeed, but what do they have to do with self-publishing?  It all has to do with the part short stories have to play in boosting the science fiction genre.  Says Liptak, “Short fiction also allows authors to experiment with form, style, and narratives which can have great impact on the field as a whole. Barriers for specific groups of people hurts the field as a whole by blocking new voices and styles from reaching a wider audience.”  Liptak excerpts an interview with author N.K. Jemisin (author of The Fifth Season and Obelisk Gate), who “noted that some authors that might have otherwise published through traditional markets have found other outlets for their work.”  Says Jemisin (through Liptak), “There’s a gigantic market of self-published and small press published black fiction that kind of eschews the whole traditional published market simply because back in the nineties when all of this really kind of kicked off … the traditional publishing industry basically treated black writers as if they were anomalies.”  So in other words, self-publishing is promoting diversity in a highly structured and often exclusionary genre.  That’s good work, self-publishers!  To read the full Verge article, follow the link.


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As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry. This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.


Kelly

ABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com

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Self-Publishing News: 8.1.2016

Look what we woke up to today!

anniversary

Eight years, really?  Boy, doesn’t time fly?  We are going to commemorate this milestone with a whole new look for the Self Publishing Advisor blog.  It’s now cleaner and faster/easier to navigate. We hope you like it.

And now for the news!

This week in the world of self-publishing:

In this July 28th press release as reposted on Broadway World, Outskirts Press makes known its latest crop of bestsellers, several of which you may already have heard–including, of course, actress Mirtha Michelle Castro Marmol’s Letters, To the Men I Have Loved.  Published just over two years ago in June of 2014, Letters continues to demonstrate its remarkable staying power while it holds on to spot number six.  (Her latest book, Elusive Loves, was published late last year.)  And in tenth place, Chidozie Osuwa’s What She Feels continues to make good on its international acclaim.  (Is it a coincidence, one might ask, that both of these regulars on the Top 10 list are books of poetry?  I don’t think so.  Whoever tells you poetry is dead–and there are plenty of people who do say this–clearly hasn’t looked at sales figures over the last year.)  The list includes several other books of interest (exactly eight, to be precise), several of them centering on the theme of faith, and several others of the memoir and nonfiction genres.  To read up on all ten books, check out the original press release here.

“The dismissal of self-published books in a grand sweeping statement is irresponsible of a modern newspaper editor,” writes Samita Sarkar in this July 28th Huffington Post article.  Her piece, while also a fine defense of self-publishing in general, serves as a highly specific takedown of one particular person: Globe and Mail Books Editor Mark Medley, who made it his mission to downplay the hard work of Canadian self-published author Douglas Gardham earlier in the month.  “It is fine not to consider most self-published books,” Sarkar continues, “but this shouldn’t be because they’re self-published, and if it is, at least have the good sense not to admit this to your audience.”  Sarkar goes on to explain the difference between self-publishing and vanity presses, giving eloquent pause to anyone who might have the audacity to judge or–worst of all–pity an author who chooses to publish and market without the backing of a traditional publishing company.  “By registering an imprint and truly self-publishing their work, self-published authors can compete with traditionally published authors for the attention of readers,” writes Sarkar: “The unethical vanity press ‘middle man’ should have no place in this industry.”  But she saves her final word for the unfolding story of Douglas Gardham, whose hard work is already being discovered–and will no doubt continue to be so.  For the rest of Sarkar’s essay, follow the link!

This is a week for lists, as John Maher’s July 28th post to Publishers Weekly online proves.  Not to be shown up by Outskirts Press, Publishers Weekly is also in the habit of releasing its lists regularly, and this week’s is a doozy.  Says Maher, “The tables were turned against the traditional publishers on the iBooks Bestseller list this past week, as five of the top ten titles on the list were self-published.”  The five titles in question include “top-slotted” Just Friends by Billy Taylor in first position and Helen Hardt’s self-published Obsession down at #4, with several volumes of Kendall Ryan’s self-published Hitched also making the list.  When you consider that Taylor and Hardt both beat blockbuster successes The Girl on the Train and J.K. Rowling’s screenplay for the newest addition to the Harry Potter canon–well, that speaks volumes about how far self-publishing has come in making its mark on book sales.  You can find Maher’s full list here.


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Self-Publishing News: 7.25.2016

And now for the news!

This week in the world of self-publishing:

“Authors of thrillers and mysteries who have endured the woes of traditional publishing may find that the indie route is the best way to go,” declares Nicole Audrey Spector in this July 22 article for Publisher’s Weekly.  The phenomenon of genre fiction authors finding success within the liberations of self-publishing is nothing new: romance and fantasy/science fiction writers have a long and storied relationship with going rogue in order to escape both the stigmas and the constraints unfairly imposed by the gatekeepers of Western literary canon.  And while crime fiction may come as a surprise to some, but Spector writes that “crime fiction lends itself well to self-publishing, in part because authors can pump out a ton of books in a relatively short time while building and engaging with an active audience online.”  Of course, it’s not without its challenges, Spector notes: “It’s a lot of work, but well worth it for those crime authors whose careers have taken off as a result.”  And those ranks are expanding, as more indie crime writers navigate the muddy waters of self-marketing to become “authorpreneurs.”  For the full story, check out Spector’s article at the link!

Anything with “Maverick women writers” in the title is bound to catch my eye!  Self-publishing has long provided refuge for the marginalized and the oppressed, given voice to those who have no means of their own and no access to the traditional publishing model, so it should come as no surprise that indie publishing has come to attract its fair share of women cut from a different cloth.  Says Maria Corte for Quartz in this July 22 article, chronicling the successes of authors like H.M. Ward, whose nice-guy Damaged series was too “weird” to fit comfortably within the bounds of traditional publishing.  Forced into self-publishing by the nature of her books, Ward met almost immediate (and overwhelming) success–books in the NYT bestseller list, massive sales–all while turning down offers from traditional publishers who wanted to capitalize on her now-proven success.

“Romance novels, home of heavy lids, hot breaths, and grabbed wrists, have long been the embarrassing secret money-maker of the book industry,” writes Corte, “But today, a renegade generation of self-published authors like Ward are redefining the romance novel, adapting to digital in a way that has long-lasting lessons for the book industry.”  The average American reads just 12 books a year, notes Corte, but those who fall in love with the romance genre tend to read far more (including one reader who owns up to reading 5 romance novels a week).  However you look at it, good news for the mavericks turns out to be good news for everyone–the more books a reader consumes, the more they support the publishing industry as a whole, traditional  and indie.  For more of Corte’s article, follow the link.

This week’s last big piece of news comes from Publisher’s Weekly, in Mark Coker’s annual list of trends to watch published on July 22.  “The future of publishing is fraught with opportunity and peril,” Coker warns before launching into his list; making note of the fact that many authors (self-publishing and otherwise) lack a complete understanding of market trends (past and present) and that these trends play a large hand in shaping the success or failure of a book’s sales.

But there’s plenty of good news in store for self-publishing authors, too, says Coker.  One of his ten trends centers on the democratization of publishing and distribution as a direct result of self-publishing: “Ten years ago, agents and publishers were the bouncers at the pearly gates of authordom,” writes Coker.  “Publishers controlled the printing press and the access to retail distribution. Today, thanks to free e-book publishing platforms, writers enjoy democratized access to e-book retailers and readers.”  That’s a rather rousing endorsement if ever I saw one!  And indie authors keep raking in the good news; three more of the ten trends include “The rise of indie authorship,” “Indie authors are taking market share,” and (happily) “The stigma of self-publishing is disappearing.”  It’s also worth noting that Coker closes with one final bit of good news: “Indie authors are writing the next chapter of their industry’s story,” he says.  It’s not all fun and games, however, and Coker warns against the continued power Amazon plays in undermining the individual self-publishing authors’ potential.  For more information, check out the original article here.


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Self-Publishing News: 7.18.2016

And now for the news!

This week in the world of self-publishing:

In some cases, an article’s title can mislead, and in other cases, an article’s subtitle can reveal a whole lot more than expected.  This is certainly true of a July 11 article by Aaron Pressman in Fortune, which at first glance might seem to be a bad-news memo but in actual fact is rather packed with hopeful news for the indie author.  The subtitle?  “But growing sales of self-published e-books may offset the drop.”  So in other words, readers continue to read, books continue to sell, and the only change that matters is that self-publishing authors get both a larger slice of the total market and a larger slice of their own royalties (as well as all of those other benefits to going solo).  According to Pressman, 11% drop in e-book sales reported by traditional publishers is in large part the result of the Big Five publishing houses attempting to curb online retailer Amazon’s influence over the market by controlling (read: boosting) their own e-book prices.  Not only is this ploy failing, but it’s failing rather quickly–leaving a real demand amongst avid readers for affordably-priced e-books to fill the gap.  And self-publishing authors, as Pressman documents, continue to step up.  For more of Pressman’s fascinating article, follow the link!

Pretty insane, right?  Not according to Jennifer Blanchard in her July 12 article for the Huffington Post.  According to Blanchard, death is set to come for us all–and just dreaming about being the author she’d always wanted to become wasn’t cutting it.  (“[Y]ou probably thought I was going to say I’m doing it because I’m dying and want to rush and get my books out there before I kick the bucket. And well, you wouldn’t be totally wrong.  I am dying.  But so are you.”)  At the time she made the decision to publish 9 new books, she already had 5 self-published through Amazon and was making $30-$40 a month.  She articulates her dream–and the dreams of many unpublished authors out there–for success as wanting “the big time”:

 I want a huge catalog of self-published books, nonfiction and novels. I want a massive, raving fanbase full of ideal readers who buy all my books. I want a traditional publisher to come to me with a million-dollar book deal. I want Hollywood knocking down my door for the movie rights.

But, she says, she and her dreams were not “aligned.”  She was “playing small.”  And so Jennifer Blanchard decided to change things–and within months of making a public commitment, she was raking in the dividends.  “I became an Amazon Best-Selling author,” she says, and “In June, I sold 1,007 books. In a 30-day period.”  All without changing a thing about how she writes and what she writes.  The only change, Blanchard reports, is that she chose to write and publish more books.  “I created this kind of success because I decided to. Plain and simple,” she writes.  For the entire story, click here.

“A self-published book took the top slot on the most recent iBooks bestseller list,” reports John Maher in this July 14 update for Publisher’s Weekly.  The book in question is Kendall Ryan’s Hitched, Volume 1.  Hitched, the first title in Ryan’s “Imperfect Love” series, took the #1 spot on this week’s list for all ebooks sold through the iBooks Apple store–a truly impressive feat, when you think about it.  It’s not the only  self-published title to make the top 20, with the second volume of Hitched making #15, but it’s the only one to break the top 10.  Billie Taylor’s self-published novel Just Friends sits comfortably at #13, Brenda Rothert’s His at #16, and Find Me by Laurelin Paige holds its own at #18.  Whether or not this wonderful showing for indie authors can be attributed to the trends in ebook sales documented by Aaron Pressman, above, remains unclear–but you can bet this list will continue to demonstrate a strong showing for indie authors of all brands over the coming months.  You can find the original list here.


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Self-Publishing News: 7.11.2016

And now for the news!

This week in the world of self-publishing:

“If the Internet allows people to share their unadulterated ideas, what are zines still doing here?” asks  Dillon Pilorget for The Oregonian on July 10, tracing the history of these “small, self-published magazines” back through the 1970s punk movement and the birth of mass-marketed science fiction and its doppelganger, fanfiction, in the 1930s.  They were, as Pilorget writes, one of the earliest forms of self-publishing, making room in beloved genres for the unsavory or the uncensored–in other words, for creative license without editorial oversight.  Before, Pilorget notes, the internet rendered such literary misbehavior accessible to the average person.  But, he continues, “the medium is perhaps as strong as ever,” and cites his experiences at “the Portland Zine Symposium,” held on July 9th of this year.  Pilorget reports on his conversations with zine makers Quinn Collard and Meilani Allen, as well as Powell Bookstore’s zine procurer, Kevin Sampson.  Well worth a read, I’d think–and you can catch the full article here.

We all know this story: a book is self-published, author uses substantial market savvy to push it into new readerships, and through a series of unlikely events, the book is discovered by a literary “talent scout” and published through a traditional Big Five publisher, leading to world-wide sales and general success.  What we’re not quite so used to, however, is the author in question being anything other than North American, with the rare exception (my current favorite exception to everything being Carl-Johan Forssén Ehrlin’s The Rabbit Who Wants to Fall Asleep).  But as Rachel Deahl reports in this Publisher’s Weekly article on July 8th, we have a new entry to the global self-publishing-to-traditionally-published market: Diary of an Oxygen Thief, originally self-published in Amsterdam by an anonymous British author in 2006.  The book, which Deahl describes as “detail[ing] the travails of a broken-hearted, alcoholic, and bitter misogynist (who is also an unreliable narrator)” was recently picked up by Simon & Schuster, but the real work was done and the real groundwork laid, Deahl says, “due predominantly to the marketing efforts of its anonymous author. He pulled off a savvy publicity campaign that prioritized, above all else, getting the book’s title shared on social media.”  The book’s rise to “respectable” sales in the traditional publishing market does not, in point of fact, prove that real success comes after transitioning away from self-publishing–it proves, rather, that “savvy” and social-media rich marketing by a self-publishing author is what makes or breaks a book’s sales.  Oh–and sometimes, the generosity of a good friend.  For the full article, follow the link!

Actress and self-publishing author Louise Linton is having a rough time in the public eye after the publication of her memoir featuring somewhat terrifying adventures in the heart of Africa, as Michael Schaub writes for The Los Angeles Times in this August 6th report.  Perhaps the politics of her situation are partially to blame for the negative press she’s receiving–after all, she’s dating Republican Presidential Candidate Donald Trump’s hedge-fund manager and campaign manager, Steven Mnuchin, during one of the most linguistically violent and controversial electoral battles of recent memory.  Or perhaps we might attribute the book’s negative reception to the very real necessity for authors to write what they know, and for authors of privilege (white or otherwise) not to steal the limelight away from the underprivileged peoples they ostensibly write about, especially when those people are embroiled in an ongoing conflict that–as in Linton’s case–is treated without full understanding.  Schaub quotes one particularly acerbic reviewer as saying, “If you’ve read the [T]elegraph excerpt and have at least half a brain you can see the string of every possible stereotype of life in Africa: jungle canopy, vines with killer 12-inch spiders, orphan girl with AIDS, rebel soldiers and so on and so on. […] This is 2016. We all know better than cling on to that drivel.”  The moral of this story for self-publishing authors may be manifold, but I think it’s safe to say one should trade neither on stereotypes nor on celebrity to sell a book.  As self-publishing authors, we have the opportunity and therefore the responsibility to color outside the lines, bringing voice to those who lack one, and taking the time to represent the unrepresented–and well.


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.