Self-Publishing News: 7.23.2019

July

And now for the news!

Some highlights from this month in the world of self-publishing!

Our first item of news is a fascinating one, coming this week from the GoodEReader’s Michael Kozlowski, who sets out to answer the question of “why are there so few places to buy ebooks?” The answer, he explains, is not quite as complex as you might think: the big distributors—all of which are familiar household names, from Amazon to Apple, Barnes and Noble to Kobo, and Google—already have created a collective monopoly, and they’re able to exert pressure on small startups by virtue of their existing partnerships with the Big 5 publishers (who would be distributing traditionally published ebooks) and major self-publishing companies (who would be distributing many self-published ebooks). Writes Kozlowski, “Starting an ebook store is challenging. Major publishers refuse to do business with anyone that wants to get involved in selling digital content, they have their small list of preferred vendors and that’s it.” It’s a difficult market to break into, and there are few structures in place to make it happen. And since competition is an engine of affordability, the availability of diverse options is something readers would definitely benefit from. Worth keeping in mind.

Adam Rowe of Forbes shows up for self-publishers everywhere yet again in this week’s article on book cover design, a subject we’ve discussed numerous times here on the blog ourselves. But first, what is the “7-second test”? Rowe explains:

You might not have heard of book cover design’s “7 second” test, but if you’ve ever wondered through a bookstore, you’ve undoubtedly tried it yourself. Pick up a book, glance at the front and back covers, and you’ll likely make the decision to either nestle it back on the shelf or seriously consider buying it. That tiny window of time is all an author has to sell their story, and it all comes down to a great book cover design.

With that in mind, authors have to pump up the visual appeal of their book covers in order to have a chance of out-competing fellow authors and seeing their books fly all the way from physical or digital bookstore shelves to the checkout aisle (or virtual checkout, as the case may be). Rowe has some suggestions, all of them good, from reflecting genre expectations to expressing emotion, crafting an attractive thumbnail image, keeping it simple, and ensuring it’s unique. Even in a digital age, when authors aren’t always holding physical books in their hands, Rowe implies, it’s important to consider all of the elements that go into making a beautiful and attractive book cover. A must-read article!

Last but not least, a sweet little article from Laura Hamm of The Bookseller, a privately-owned industry magazine and news engine. Writes Hamm,

I didn’t think I’d ever call myself part of the publishing industry, I’m still not sure I can. I started approaching stories with digital eyes, and have come full circle to print. So I’m now a double self-publisher – I started a self-publishing platform for kids, Fabled, and now I’m creating a book of kid-authored stories, The Future Is Make Believe (live on Kickstarter now). A strange sort of industry beast to be sure, but I think how I’ve grown may be of some interest to the traditional animals out there too.

Hamm’s goal is to render self-publishing accessible and useful to children, a population that by and large has been left untargeted by self-publishers. (There are reasons for that, including the prohibitive costs associated with producing beautiful hardbound books in all the various unusual sizes typical of picture books.) After describing her process and background in creating not just a platform but a book full of stories written by real kids, Hamm closes out with a moving endorsement for all self-publishing authors looking to reach kids:

I think the strange fluidity I’m in as I build my brand mirrors the way children interact with stories. Children are story first and format second – they don’t come with our snobbery about form. They play at Spiderman mashed up with Harry Potter, they read Winnie-the-Pooh, collect the Shopkins and watch Paw Patrol, and it is all fodder for their imagination. It all gets whirled and re-spun in daydreams and their stories. If we give them space to do it that is, if we listen. And I intend to.

We love that.


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

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Self-Publishing News: 7.17.2019

July

And now for the news!

Some highlights from this month in the world of self-publishing!

If you needed a laugh (that’s also, admittedly, kind of a groan), check out Kelly Burke’s article on 7News.com.au (an Australian news website), in which she covers the duplicitous exploits of “contrepreneur” and “demotivational speaker,” Mike Winnet. Winnet, who more or less makes his living (or earns his street cred) from similar pranks and social media efforts, set out to tackle Amazon’s self-publishing process this time around. His prank was simple: self-publish a book (titled How to get a #1 Amazon best-seller) that contains nothing but blank pages, and see what happens. In this case, the system, which is designed to pick up on fraudulent sales of this nature, missed the mark and Winnet’s book became listed on Amazon as a best-seller, even though it sold fewer than 50 copies. The book was only pulled from distribution after Winnet ‘fessed up on social media, which begs the question of how closely Amazon is actually watching its self-publishing platform, and what sorts of legitimately fraudulent activity may be taking place on the site. This may or may not impact authors’ decisions to publish or not publish through Amazon, but it’s worth keeping an eye on.

To end this week’s news post on a positive note, cast your eyes toward author Amanda Alcántara, whose most recent book Chula inspired this article by Erica Nahmad of BeLatina.com. Writes Nahmad, Chula is “an autobiographical look at her childhood as a Latina in the Dominican Republic and later in the United States, is exactly as inspiring and entertaining as you might imagine.” What follows is a resoundingly positive and lengthy look at Alcántara’s background and the details of the book proper, as well as the author’s decision to self-publish. Says Nahmad, “Author Amanda Alcántara had a story to tell, a story that could not wait and that needed to be shared. And despite the typical obstacles in getting a book published, she took matters into her own hands and told the tale she was born to tell.” Later in the article, Nahmad includes a lengthy section titled “How Alcántara was Empowered by Self-Publishing Her Debut Book,” in which she details Alcántara’s experiences. Writes Nahmad:

“I didn’t want to wait one year to find an agent then one year to find a publisher. I didn’t want to wait three years to publish my book,” she told People En Español. “I didn’t want to compromise on the Spanish and English or the format.”

And that creative control allowed her to preserve the very personal tone and also ensure that she built a team that was connected to her vision and her experiences — the editorial team, cover illustrator and photographer are all of Dominican heritage.

How cool is that?


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

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Self-Published Book Review: Dear Folks — A Farm Boy Leaves Home to Fight in the Great War and Falls in Love with an English Lass

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.
When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this week’s book review:

Dear Folks: A Farm Boy Leaves Home to Fight in the Great War and Falls in Love with an English Lass walt hazelton

 

Dear Folks: A Farm Boy Leaves Home to Fight in the Great War and Falls in Love with an English Lass

by Walt Hazelton

ISBN: 9781478793632

 

Synopsis*:

A true story of war and romance. Raised by devout parents on a Canadian farm, naive 17-year-old Walter enlists in the Canadian Infantry during World War I. After six months of training, his unit is active in the trenches near Ypres, Belgium, where he encounters the horrors of warfare, poison gas, and rat-infested trenches. After being sent back to England to recover from illness, Walter falls in love with an English lass-and the relationship blossoms. They become engaged, but there are obstacles. She has been raised in a low-income community, while Walter’s father is a well-educated, practicing doctor. Amid all the uncertainties of war, the two lovers postpone their marriage and continue to see each other as often as possible. But when the war suddenly ends, Walter is shipped back home-alone. Can their wartime romance survive an ocean of distance? Take a step back into history and experience this true story firsthand through Walter’s letters to his parents. Dear Folks is a warm and wonderful read about youth, love, war, and commitment.

 * courtesy of Amazon.com

Reviews

Fascinating Read About Life in the Trenches of WWI
Great read. Fascinating to hear a first-hand account of what it was like to fight in the trenches in WWI.

Great book!

I am almost done reading this and have really enjoyed this. Its even more fun to read because I am related to everyone mentioned in the book. I love seeing all the letters that Walter wrote during his time away at war and hearing about how things were back then. Very good read!

– reviewed by LauraJ on Amazon

An intimate and compelling portrait of a young man in the throes of both love and war, drawn from his letters home, by his own son.

– reviewed by Carol Morris on Amazon

 

 


tuesday book review

Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space!

Self Publishing Advisor

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Self-Publishing News: 7.9.2019

July

And now for the news!

Some highlights from this month in the world of self-publishing!

(Proviso: This article is behind a paywall; subscribers of The New York Times can access the article in full.)

You might have seen this article around, being discussed both by literary elites and by the average Twitter user, in part because it says quite a lot of things about self-publishing, particularly as relates to Amazon’s self-publishing platform. On this blog we have over the years represented a range of opinions about Amazon’s offerings and customer service and central ethic, and we’ll refrain today from passing judgment on the whole—but it’s worth noting that for many of The New York Times‘ thousands of subscribers who trust the paper’s research ethic, opinions about Amazon and opinions about self-publishing are often one and the same thing. This June 24 article by David Streitfeld is intensely critical of Amazon, particularly how the company renders many of the authors who publish through it’s self-publishing arm vulnerable to copycats (and therefore copyright violators). The dangers are well-known, Streitfeld implies, but many authors and small presses feel as though they don’t have a choice other than to work with the problematic industry titan if they want wide distribution. Streitfeld makes no direct statement about the self-publishing industry as a whole, but the bread crumbs dropped throughout the article build to a general negative picture due to the widespread association between the two, and the assumption seems to be that self-publishing leaves authors and readers alike open to exploitation. Which … yes, that’s certainly worth keeping an eye on. But it’s not the only story worth telling on The New York Times broadsheet; it is, instead, a timely reminder that those of us who self-publish works outside of Amazon may need to help advocate for other authors, and raise the profile of alternatives for those seeking to break away from Amazon’s monopoly.

On a different note, this week’s article on Gulf Today by contributor Birjees Hussain serves as a different kind of reminder: That our access to works, whether self-published or traditionally published, hinges on a nascent awareness of what’s out there and how to find it. Hussain’s article serves as both an explanation of why some libraries are disappearing as well as a rallying cry for readers not to despair over the presumed fate of readership at large—routes to publication and options for purchasing and reading books are diversifying, Hussain implies, rather than simply dying out. Hussain’s argument jives nicely with industry reports on the percentage of readers who are sticking with print copies and the percentage switching to digital formats, and the continued relevance of indie bookstores to contemporary readers. Nothing has been lost, but a lot has been gained, Hussain implies. Now that’s an attitude we can support!

We’d bet that you can name at least one of them! Entrepreneur.com‘s Antar Atreya summarizes the changing definition and role of an author as such:

ow, who is an author? A couple of decades ago the definition of an author was purely one dimensional; a person who writes a book and is published by a publisher. However, the definition has now changed. Today an author creates his product; which is her or his manuscript, ensures that it will give readers some value and finds, connects and interacts with the potential target readers. So essentially this is how an author is an entrepreneur. This change is large because publishing tools, scopes and expertise are now easily available. Concepts of self-publishing companies and print on demand have also given an opportunity for authors to get their work published easily. But at the same time, they have to take greater control over their book and use different routes to reach the target readers.

What follows is a concise and useful list of reasons why entrepreneurs ought to be paying attention to self-publishing and authorship, as well as reasons why self-publishing authors ought to be paying attention to entrepreneurship. We highly recommend this read!


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

icon logo self publishing advisor

In Your Corner: Getting Started With Amazon Sales Rankings (Part III: The OTHER Algorithms)

First of all ….

happy 4th of july independence day

Hopefully this newest addition to my latest series of blog posts finds you resting at home, or on some lake shore, or on a deck somewhere, with a large glass of sweet iced tea at your elbow and the scent of grilled burgers wafting on the warm summer breeze. Wherever this finds you, and whatever country you might reside in, I hope that you’re having a splendid afternoon.

Over the last month, I’ve been slowing down and taking a close-up look at some of Amazon’s most useful––and oft-controversial––features when it comes to selling and marketing your self-published books. First, we looked at sales rankings. Next, we looked at pre-orders––and how pre-orders can affect sales rankings. Today, we’re going to spend some time with Amazon’s other algorithms––the ones that you might not even know about, but which are just as important in respect to sales.

First of all, before we get started, a quick proviso: I am neither a computer programmer nor a systems specialist. I’m coming at this subject as, I suppose, a studious and well-informed amateur. I don’t just read about these algorithms––whether we’re talking about Amazon or Google or eBay or any other profit-making enterprise that uses one––once and consider myself knowledgeable; if anything, the most important thing I’ve learned over the years is that the algorithms are constantly changing and being reinvented, so we all need to be constantly dipping in and out of the subject to stay abreast of the latest developments.

What algorithms are those?

An algorithm can be broad in its scope or more constrained; it will vary depending on the needs of its users and the business that develops it. In the case of Amazon, most of what I’m about to talk about are aspects, or mere elements, of what the larger algorithm is capable of. They can be talked about on their own, since they’re units of code with separate goals and applications, but they ought also to be talked about as part of a much larger whole. Amazon has a whole subsidiary––A9––that is dedicated entirely to developing search engine technology and coding architecture.

Amazon’s sales ranking algorithm feeds into its search engine and look-alike (AKA “recommendations”) algorithms in predictable ways: the higher your ranking (the lower your ranking number), the more popular your book is, and the more tried-and-true and the more likely it is in Amazon’s eyes that your book will be salable if it links it to other products. Therefore, if your book achieves a good sales ranking, it’s more likely to be boosted by these other algorithms (or units of the larger Amazon algorithm) and the more likely it will be to show up in front of new readers when they go searching for other products on Amazon.

Amazon’s algorithms are capable of cracking your book open and mining it for information, too. We’ve all heard about the insanity taking place over at Microsoft with its book platform in weeks past, and we’re all aware of the copyrights complaints leveled at Google for its book platform over the years, and Amazon is just as big and just as bad (or good, depending on your perspective) when it comes to picking through your original content for details it can use. This is particularly true if you enable the “Look Inside” feature when selling your book, or if you put up an e-book version for sale through Amazon. For the most part, this mining process is benign in intent, with the goal of figuring out what bits of what you’ve written are most likely to appeal to customers and making that accessible to them. It does, however, also mean that Amazon gets to use your content in ways that haven’t fully been mapped and analyzed yet––particularly since most of Amazon’s algorithm is, as a proprietary development, not transparent to public assessment.

The real value of reading up on Amazon’s algorithms is a heightened awareness of the balance between personal and public rights, between copyright protections and the engine of a profit-driven market. There are too many forces at work, and too many nuances to each of those forces in question, to truly “get to the bottom” of any one question we might have about how things work and how we ought to make decisions as authors, but it certainly pays to keep an eye on the headlines and one foot in the door of learning about advances in algorithms as they happen.

And ultimately, even when it seems that you’re just grist in the wheel of profit-making, you do have allies––us here on the blog, and all of your fellow authors in the business. We’re here for you!

You are not alone. ♣︎

Do you have ideas to share? Please don’t hesitate to drop us a line in the comments section, and I’ll make sure to feature your thoughts and respond to them in my next post!

Elizabeth

ABOUT ELIZABETH JAVOR: With over 20 years of experience in sales and management, Elizabeth Javor works as the Director of Sales and Marketing for Outskirts Press. The Sales and Marketing departments are composed of knowledgeable publishing consultants, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.