In Your Corner: At the #NaNoWriMo Midway Point!

First of all, if you’ve made it this far and are still achieving your 2019 NaNoWriMo goals, whether they’re the traditional 1,667 word per day or something else–all projects are valid and celebrated!–congratulations!! It’s an accomplishment simply to get anything done, and you deserve to feel affirmed for the important work that you are doing. Well done!

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Now that you’re halfway through the month, the true doldrums of NaNoWriMo, you’re no doubt facing the universal challenges all writers face, only condensed down into a two-week span: the hard slog of keeping on keeping on even when the finish line isn’t quite in sight yet, tying together plot threads that are doing their absolute best to defy your control, and (depending on whether you draft consecutive chapters consecutively or jump around) writing those final and all-important moments of drama leading to the climax and denouement of the book’s action (if it’s fiction).

If you’re writing poetry or memoir or any number of other genres, you face a slight variation on these problems; just as with fiction, poetry and other genres still need to build toward some sort of emotional beat, and identifying the heart of a book that isn’t fiction can often be a challenge. Memoirists often decide upon what scene from life will serve as their crux in advance, but since many people (pantsers like me) get underway without a lot of preparation, one of the key challenges for Wrimos is developing the book’s structure after the fact (or partially after the fact). This is much easier to do at the midway point than at the end, which is why I mention it now. Unfortunately, it’s not always a lot of fun to do, so doing so can contribute to the general misery of the mid-month doldrums.

Giving you an itemized list of suggestions for what to do runs somewhat against the spirit of NaNoWriMo–remember, you’re not supposed to edit yourself as you write this month, in the interest of generating as much raw material as possible toward your final manuscript–so I’m going to keep my advice simple:

  • Spending the first five minutes of each day’s writing session thinking about the emotional heart of your book–before you set your pen to paper!–may just be the best possible service you can do your manuscript just now. In a separate document or on a scratch piece of paper, consider jotting down whatever comes to mind, whether it’s snatches of dialogue you want to include or descriptive words that evoke the feelings you want to inspire, and tape that up somewhere near your computer (or keep the document open in the background, if it’s digital).
  • Remember to write for yourself first and your ideal audience second. If you’re prone to obsessing over what your readers will think or need, as I am, this can totally paralyze your writing process and keep you from doing the necessary free-flowing writing exercises that are needed to reach your word goal for the month. The time to worry about other people is December, if you’re doing NaNoWriMo. Although if it helps you focus to get those thoughts down on paper and out of your head, consider jotting them down the same way you would material in the previous point (see above).
  • Clear your mind of all the things other people have told you makes for good writing or the “right approach” unless you immediately are 100% convinced that it is actively helping you write. We all love Stephen King and Margaret Atwood and all of the other authors who’ve put out “how to write [x]” books, but sometimes we get so caught up thinking about how other people think we should be writing that we freeze. Or at least, I do. The fact of the matter is, you will have your own “right approach” that is specific to you, and you don’t need to worry about anything else right now than what feeds your work and your heart as you write.

That’s it! That’s my advice for the coming weeks of NaNoWriMo! As always, I wish you all the best and look forward to hearing about your projects!

You are not alone. ♣︎

Do you have ideas to share? Please don’t hesitate to drop us a line in the comments section, and I’ll make sure to feature your thoughts and respond to them in my next post!

Elizabeth

ABOUT ELIZABETH JAVOR: With over 20 years of experience in sales and management, Elizabeth Javor works as the Director of Sales and Marketing for Outskirts Press. The Sales and Marketing departments are composed of knowledgeable publishing consultants, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

Self-Publishing News: 11.12.2019

november

And now for the news!

Some highlights from this month in the world of self-publishing!

The biggest news in self-publishing this week comes from The Good Men Project (again! We’re so excited about their new focus on self-publishing, as evidenced by multiple recent related articles on the subject). Contributor Rose Ernst put together this list of, you guessed it, twenty-nine must-listen podcast episodes on the subject of self-publishing. Writes Ernst, “My life changed when I discovered independent publishing in December 2017. Since then, I’ve published seven mysteries, one non-fiction book, and have two more in the pipeline. I’ve sold over 5,500 copies and given away 40,000. And I owe it all to Joanna Penn. The host of the Creative Penn Podcast.”

Chances are, if you’ve spent much time around both self-publishing and podcasts, you will already have heard of the Creative Penn. But if you haven’t listened to the show before, it can feel incredibly daunting to figure out where to start with Penn’s enormous backlist of episodes. And that’s where Ernst’s list comes in really useful, providing as it does a list of recommendations not just for several must-not-miss Creative Penn episodes but also recommendations for where to start when digging into The Author Biz, Rocking Self-Publishing, the Self-Publishing Roundtable, How Do You Write, and numerous other amazing podcasts. This list is absolutely critical guidance for anyone interested in self-publishing, period! We are so grateful to Ernst for taking the time to put together such a thoughtfully curated selection of episodes (all of which are hyperlinked for easy listening, another bonus!).


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

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Ask the Book Doctor: Are Book Titles Protected by Copyright?

Q: I’m considering a title for my novel that is already being used on another book. Can titles by copyrighted?

A: Titles are not eligible for protection under current copyright law (a search on Amazon will often reveal many different books all sharing the same title).  However, titles can be trademarked if used to cover more than one item in a series, such as a cluster of seminars based on a book of the same name. Or try self-publishing a book with “Harry Potter” in the title and get ready to hear from some lawyers.

<Image of Harry Potter not shown below, due to copyright…>

red candle
Photo by Pixabay on Pexels.com

While you can legally use a  book title that has been used by someone else, a better idea is to change the title and make it different, so people who search for your title will find only your book, and not others.  This is your chance to come up with something memorable and unique, and you’d be a muggle if you didn’t take advantage of that opportunity.

Bobbie Christmas, book doctor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor” questions and answers at www.zebraeditor.com. This article republished from the Self Publishing Advisor Archives.

Self-Publishing News: 11.5.2019

november

And now for the news!

Some highlights from this month in the world of self-publishing!

Woohoo! We are always excited to learn about new review services and opportunities for self-published authors, and this one comes from an extremely reliable and legitimate source with an already-extensive existing reach. This article from John Maher of Publishers Weekly covers the launch of BookLife Reviews, a new paid service from PW dedicated exclusively to covering self-published book reviews. Writes Maher:

BookLife Reviews will be written by Publishers Weekly reviewers, but remain distinct from Publishers Weekly reviews. The service is designed to help self-published authors reach readers by providing them with credible and reliable assessments of their work from reviewers with expertise in their genres and styles.

BookLife Reviews differ from Publishers Weekly reviews in that they are longer—approximately 300 words, compared to 200-250 words for a Publishers Weekly review—and are focused on reaching readers rather than booksellers and librarians. Authors are guaranteed to receive a review, and may elect whether to have it published in the monthly BookLife supplement, which is bound into the print edition of Publishers Weekly. Participants will receive their reviews within four to six weeks of submission. Self-published authors are also still invited to submit their books to Publishers Weekly for review consideration at no cost.

Given the reach of PW and its status in the publishing community, it is perhaps to be expected that these reviews do not come cheap, however. You can find out more about BookLife Reviews at https://booklife.com/about-us/booklife-reviews-faqs.html.

That’s right, self-publishing made waves at Forbes again this week, with an article from Bernhard Schroeder on its powerful slice of the market. And while publishing industry statistics have stayed fairly flat, writes Schroeder,

[…] year over year, self publishing is rapidly rising with e-books, print on demand and audiobooks bringing in billions of U.S. dollars in revenue each year. According to the latest report from ProQuest affiliate Bowker, self-publishing grew at a rate of more than 28% in 2017. The total number of self-published titles grew from 786,935 to 1,009,188, surpassing the million mark for the first time.

This is good news for self-publishing authors, Schroeder notes, before going on to also make note of several key ways that authors can make use of the (buzzword alert) gig economy to further their aims. And while it’s never a bad thing to make headlines at Forbes or any other major industry news engine, the continued thrivingness of self-publishing only seems to come as a surprise to those who haven’t been plugged into the publishing story over the last decade. For the rest of us, self-publishing’s continued outperformance of its own preexisting highwater marks is less of a surprise than a happy affirmation of what we already suspected: self-publishing is around for good.


spa-news

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

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Self-Published Book Review: “Rise of the Gig Leaders”

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.
When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this month’s featured book review:
rise of the gig leaders neil grant

Rise of the Gig Leaders:
Why Interim Leaders Are Vital In Today’s Organizations

by Neil Grant

ISBN: 9781977200662

 

Synopsis*:

Interim leaders are becoming essential change agents for organizations in today’s gig economy. To propel their companies forward, human resource professionals, change management specialists, project managers, and all business executives must understand and make use of this changing talent economy. Neil Grant’s Rise of the Gig Leaders: Why Interim Leaders Are Vital in Today’s Organizations provides this understanding.

Grant, himself an interim leader for almost two decades, provides a detailed analysis of the DNA of interim leaders–what defines them and how they add value. Rise of the Gig Leaders is rich in case studies, testimonials, and examples of how interim leadership has made a difference in many organizations. With this knowledge, business leaders and prospective interim leaders will have confidence choosing this as a viable leadership strategy.

 * courtesy of Amazon.com

Reviews

An expert examines the role of interim leaders as an important part of business strategy.

In this debut book, Grant draws on both research and case studies based on his own professional experience working with a variety of companies to make the case for the value of interim executives, or “gig leaders.” The author distinguishes between these interims and acting or consultant executives, seeing the former as high-level workers with specific skills who are hired under short-term contracts to accomplish certain corporate goals, a highly paid professional tier of the broader gig economy. The volume guides readers through evaluating the need for interims using Grant’s copyrighted SCILL model, which describes the five “attributes” of these executives (Savvy, Critical, Impact, Leadership, Legacy). And the author shows how to assess those leaders through GREAT (Gravitas, Resilience, Engagement, Attitude, Transformational) competencies. While the book largely discusses these roles in general terms (“An interim makes the most impact, however, when intentionally hired to deliver specific results that require a leader with experience and dynamism”), case studies offer more concrete examples of the positive use of interims, from refreshing a company’s technology infrastructure to implementing turnaround plans without the complications of long-term employee politics. Grant is clearly experienced and knowledgeable and makes a compelling argument in favor of employing this short-term workforce to execute clearly defined goals. The title’s intended audience is corporate decision-makers who will hire interim leaders. Although readers looking to follow this career path will read glowing descriptions of interims (“An interim has battle scars from crisis management and like a first-responder in a disaster zone, is objective, decisive, and has emotional stability shaped from years of being in the front line”), they will not find guidance on pursuing this road. But for its target audience, the volume is a useful tool for appraising the need for interims and establishing a framework for their success. Although recent research suggests that gig employment is less widespread than previously thought, the author presents a context in which it can be fruitful for both employers and employees.

A thorough and coherent discussion of how companies can make effective use of interim executives as part of the broader gig economy.

Book Trailer

 

 


tuesday book review

Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space!

Self Publishing Advisor

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