Conversations With A Self-Publishing Writer: 09/11/2015

OUR RIGHT TO WRITE AND PUBLISH II

Most writers I know have some file or drawer or box FULL of ideas about where they might publish. This is good! Collecting the physical samples of publishing possibilities can be extremely valuable. HOWEVER they must NOT gather dust!

protesters

Much of my personal collection is now on my computer—in a file that I can update with a couple clicks as I reconsider my categories and the lists within them. Most recently, I’ve been looking at each one—magazine, journal, newspaper—traditional publisher, self-publisher, hybrid publisher, etc.—with the following thoughts.

  1. Have I listed one or more editors or directors for each entry on my list? Do I have a current phone number for them? Have I met them personally at a conference or seminar?
  2. Do I understand the vision and/or motivation behind their publication or publishing house? Do I know anything about their personal motivation for working there?
  3. IF I were to have an opportunity to sit down and talk with this person about my current writing dreams or manuscript, do I know what they need to hear—so that they have the best opportunity to accept my work?
  4. Am I prepared to pick up the phone and talk with these people? Have I created a written outline of the points I want them to hear and understand?

After years of attending writers’ conferences, seminars and workshops, I FINALLY accepted the fact that Editors and Publishing Directors are people and writers. The majority of these folks started walking the same path I did—finding joy in putting pen to paper and communicating their ideas. However, when two roads crossed, they found their passion along the publications and/or publishing path. Since that time I’ve decided to respect each one for the journey they’ve taken and seriously look for common ground. Then, after I’ve thoroughly researched the needs of their magazine or journal—or the contracts or packages of their publishing house—I’m ready to talk. Yup—pick up the phone and do whatever it takes to talk with that person.

“Hello Joe. Thank you for taking a minute to talk with me today. I have just finished a short story that fits right into your magazine’s target readership. The title is…, …”

Hello Ms. Andrews. Thank you for talking with me at the California Writer’s Conference. I’m calling today to talk about a new article idea for your Christmas 2016 issue.” (Yes, it is always the best plan to plan months ahead.)

The KEY is to talk with this person as if they are your best friend and totally pumped about the article, poetry, short story, or novel you’re ready to publish.

Today, I leave you with this thought, a quote from author Kurt Vonnegut. “We have to continually be jumping off cliffs and developing our wings on the way down.”  I can easily imagine this comparison because, like the eagle who pulls out every feather to allow new and stronger feathers to grow, writers must continually fly to new creative heights. We must never become petrified wood. ⚓︎

RoyaleneABOUT ROYALENE DOYLE: Royalene has been writing something since before kindergarten days and continues to love the process. Through her small business—DOYLE WRITING SERVICES—she brings more than 40 years of writing experience to authors who need “just a little assistance” with completing their projects. This is a nice fit as she develops these blogs for Outskirts Press (OP) a leading self-publisher, and occasionally accepts a ghostwriting project from one of their clients. Her recent book release (with OP) titled FIREPROOF PROVERBS, A Writer’s Study of Words, is already receiving excellent reviews including several professional writer’s endorsements given on the book’s back cover.  

Royalene’s writing experience grew through a wide variety of positions from Office Manager and Administrative Assistant to Teacher of Literature and Advanced Writing courses and editor/writer for an International Christian ministry. Her willingness to listen to struggling authors, learn their goals and expectations and discern their writing voice has brought many manuscripts into the published books arena.

An Indie Author’s Social Media Primer | Flickr

Remember when I wrote a primer for indie and self-published authors looking to make their debuts on Instagram?  Well, I’m back this week with a new primer geared towards those of a visual bent.  But instead of looking at one of the Big Five (Facebook, Twitter, Tumblr, Pinterest, and Instagram), I’m going to take a quick gander at one of the less talked-about tools in the indie author’s toolbox: Flickr!

flickr

There are, of course, several key differences between Instagram and Flickr.  If you’ll remember, the top 5 “best practices” I recommended for Instagram users were to (1) “Go for the gut;” (2) “Think regular, but not too regular;” (3) “You’re in the inspiration business, so share yours;” (4) “Use the hashtags and @username functions;” and last but not least, (5) “Don’t posture.”  While intuition, inspiration, reliability, authenticity, and metadata remain important when you make the leap to Flickr, the platform is so different that their manifestations must also be.  In fact, I’d suggest we rethink what makes a Flickr image “social” altogether.

Debunking the Great Flickr Myth: “It’s just a place to store photos.”

While it certainly is a place to store photos, Flickr isn’t just a high school locker we pack full to overflowing.  Other visually-oriented social media websites like Instagram or Pinterest “capture” their users by making it easy to interact with photos and share items within the platform itself, and while you can certainly share links to Instagram and Pinterest content, the format of said sharing creates a hit-or-miss prospect when it comes to non-users viewing your material.  That is, someone may choose to follow a link … or they may not.  You may also end up with duplicates of all of your pictures if you have Instagram set to upload photos directly to dedicated Facebook albums.  Not ideal, right?

A lot of people think Flickr is just another cloud storage option, like Dropbox, only complicated by the fact that you can also comment on and interact with the photos on Flickr itself.  Is it trying to be a social media platform, or cloud storage, or what?  When you approach Flickr with the expectation that it will look and feel and function like either Pinterest or Google’s outmoded Picasa Web Album system, you’re bound to get bogged down in a messy and unintuitive tangle of groups and discussion boards and so on.

It’s so much better just to skip all of that chaos and focus on what Flickr does really well, and what it can specifically do for you, an indie or self-published author.

Top 5 Best Practices:

1. Embed, embed, embed.  One of Flickr’s absolute best features is its embedability.  What do I mean by this?  I mean you can copy either a hyperlink for an individual photograph, or a hyperlink for an entire slideshow, and integrate this code into your blog or website to display continually there.  Why is this useful?  First off, you can create either one-off blog posts which feature beautiful high-resolution images (a Flickr specialty)––as The Daily Beast’s Nicole Villeneuve has done in her “Moveable Feast” article––or you can create a slideshow as a permanent feature of your website, as the University of Michigan’s School of Public Health demonstrates here.  While other social media platforms may enable you to interact with your friends’ photographs within the contained environment of their networks, Flickr fills in the gaps by breaking your images out into any web forum imaginable.

2. Ramp up the quality.  Instagram’s strength is that it relies upon timeliness, and a certain “in the moment” quality that brings immediacy and spontaneity to the table.  Flickr, on the other hand, allows its users to upload truly high-quality photographs with minimal compression and data loss (comparatively, at least).  Other social media platforms capitalize on users’ general satisfaction in simply sharing an image, no matter what quality that image is, quickly and easily.  But Facebook compresses all images by as much as 80 percent, which results in a great deal of fuzz and blur.  Flickr displays images at full resolution, making for giant and gorgeous incarnations of your photos in well-curated, smoothly synced pages.  It isn’t just a place where “hip” amateurs upload happy snaps; it’s a digital home for serious photographers.  Take advantage of both Flickr’s 1 terabyte of free storage and its cachet!

3. Think like a designer.  Perhaps this one’s a little … unconventional, but Elite Truong recently wrote a lovely article for Poynter that provides a lot of great pointers on how authors can learn a little from their more visually-inclined fellow artists––and I’m feeling inspired.  Think of Flickr as a medium, just as you do the white page of your word processor (or the physical paper of your notebook!).  How can you build narratives with images that reflect or complement the narrative you’ve already shaped into a book?  You don’t have to become a watercolorist or a professional photographer overnight––but, but––you can definitely steal a hand from their playbook when it comes to connecting with new audiences or better connecting with existing ones.

4. Cross-link your description fields.  As with any other website, Flickr is rich in possibility when it comes to metadata.  You can tag and even geotag your images, add titles and descriptions, and direct viewers to click on hyperlinks that lead back to your personal website.  You can create thematic sets, albums, and slideshows; each new collection that you curate generates its own wave of metadata, which renders you more findable.  There’s so much metadata on Flickr, in fact, that sometimes it can be a struggle to decide just where to begin.  The description field?  Definitely.  The title?  Oh, yes.  You can even tweak some of the camera settings (like aperture and focal length) that are displayed alongside your images.

5. Think “Portfolio” rather than “Scrapbook.”  This is not to say that scrapbooks aren’t awesome.  They are.  They simply aren’t a one-size-fits-all tool for every situation.  Sometimes, you need a beautifully-built, professionally-presented, visually stunning home for your images.  And whether you, as an author, are posting behind-the-scenes pictures of your writing space, or perhaps high-resolution illustrations of certain pages of your upcoming children’s book, or even art prints of certain favorite quotes from your works, there’s no better way to get new readers to do a double take than with a Flickr slideshow.  A handy rule of thumb might be: If a picture is something you simply want to share, then Instagram or Facebook may be well and good; if it’s something you want to sell, then Flickr will showcase your product to maximum visual impact.

Most Overlooked Feature:

Let’s face it, Flickr as a whole is an overlooked feature.  Sure, it may be making a bit of a comeback since its makeover at the hands of former Yahoo! executive Marissa Mayer, but it’s still not the first social media platform that authors think of when they’re looking to branch out into something new.  And as I mentioned before, there are some ways in which it converses easily with other platforms––there are groups, discussion boards, metadata fields, and profile pages to fill out––and ways in which it stands out.

When push comes to shove, Flickr is not a substitute for any of the Big Five, simply because its many users don’t quite amount to the critical mass of millions or even billions that the upper crust of social media websites has locked in.  Its specialized tools are, however, an asset and a credit to a much-needed niche if you happen to be looking for something a little … glossier … than Instagram.

I hope you’ll join me in building this Social Media Primer!  If you have any questions, comments, suggestions, or contributions, please use the comment field below or drop us a line at selfpublishingadvice@gmail.com.  And remember to check back each Wednesday for your weekly dose of social media know-how. ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

From the Archives: “Promoting your Self-Published Book on Google”

Welcome back to our new Tuesday segment, where we’ll be revisiting some of our most popular posts from the last few years.  What’s stayed the same?  And what’s changed?  We’ll be updating you on the facts, and taking a new (and hopefully refreshing) angle on a few timeless classics of Self Publishing Advisor.

∗∗∗∗∗

[ Originally posted: August 7th, 2008 ]

When you are a self published author, sometimes book promotion is about who you know. Other times it is simply about having the time to devote.

Wouldn’t it be great if there was a fast way to find the people or places that were right for your book? Knowing how to conduct an advanced Internet search that yields applicable results is very important. Luckily, it’s also very easy, and in case you don’t know how, I’m going to show you. Go to the Google website at google.com but instead of simply entering a term, use the “Advanced Search” by clicking on the link that says “Advanced Search” in small type next to the “Search” button. You will find a page that enables you to fine-tune your search. By conducting smarter searches, you will find places to promote your book faster. 

You can promote your books on Google for free. You’d sell a lot more books if a lot more people knew about them. Google can help make that happen.

  • Help users discover your books: By matching the content in your books with user searches, Google Book Search connects your books with the users who are most interested in buying them.
  • Keep your content protected: Users are able to preview a limited number of pages to determine whether they’ve found what they’re looking for. 
  • Drive book sales: Links to bookstores, online retailers, and your website make it easy for users to go from browsing to buying — with new ways to buy and access your books coming soon.

Learn more at: books.google.com/partner/

google books

I should warn you right off the bat that a lot has changed since I first blogged about Google’s partnership program for authors, and one of the things that has changed is the link you’ll need to follow for more information.  (The one I provided back in 2008, preserved above, no longer works.)  Your new one-stop shop for know-how as an author interested in Google’s partnership program is:

www.google.com/googlebooks/partners/

The link address may seem only subtly different, but I promise you won’t regret taking the time to access the updated materials Google has compiled there, including recommendations for self-promotion, resources for authors and publishers, and a collection of success stories.  (And let’s face it, we love tapping into the glow of success, if only to learn how others are finding ways to make it work.)  And let’s not forget Google Play’s “Book Partners Center,” a separate (but linked) resource which provides step-by-step instructions on how to publish your book as an e-book in the Google Play store, and put your story on Android devices the world over.

What I wrote in 2008 about optimizing your online presence to help:

a) users discover and access your book,

b) you protect your rights and maintain creative control, and

c) drive book sales …

… remains 100% accurate.  Google can help you do these things, but the ways and means have evolved in the last seven years––dramatically.  I recommend glancing at Self Publishing Advisor’s primer on Search Engine Optimization (SEO); you can find the summary post and links to the individual posts here.  Why?  Because Google is a multi-platform tool now when it comes to self-publishing.  Not only can you use Google Play to host and sell your book as a self-publishing platform, but you can use Google Analytics to analyze engagement on your personal webpage (or webpages), and you can optimize all of your web content across all of your different social media accounts and blogs and so on to better feed into your promotional campaign.

Google is so much more than a search engine, now! ♠

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

News From the Self-Publishing World: 9/7/15

Happy Labor Day to our readers in the United States!

This week in the world of self-publishing:

What is that line from Animal Farm: “All animals are equal, but some animals are more equal than others”?  The market being what it is for indie and self-published authors, the whole enterprise can often seem overwhelming.  But indie and self-published authors have always faced one seemingly insurmountable hurdle––one hurdle that is “more equal” than all the others––in the quest to sell their books: publicity.  Well, this year there’s good news at last!  In a September 4th article for LibraryJournal, James LaRue documents the ground-breaking efforts of librarian Jim Blanton to reshape libraries into a mutually-beneficial platform for self-published authors.

LaRue notes that libraries have often “turned a cold shoulder to local authors” in that “librarians didn’t return [authors’] phone calls, shied away from booking them in meeting rooms, and turned down their books for the ­collection.”  But Blanton knew that librarians––many of whom are self-published or are advocates for self-publishing themselves––could provide vital support to new or struggling authors.  And so, as the director of Daviess County Public Library (DCPL) in Owensboro, KY, Blanton partnered up with a neighboring library in Henderson to create ePublish or Bust.  This website allows indie and self-published authors to “book” appearances at local libraries (there are 24 in Kansas that participate, at present) and to access a variety of other resources.  While the website is currently in a beta stage as Blanton and others iron out the wrinkles with their system, it provides a glimpse of new possibilities as libraries and authors collectively look to prepare for a digitally-driven future.

In anticipation of the FutureBook conference in December 2015 (“the largest digital publishing conference in Europe,” according to its website), journalist and speaker Porter Anderson put out a call for “the FutureBook audience to reflect on five years of digital [publishing] … and to challenge the customs we have begun to adopt.”  The response, Anderson writes, has been “robust,” and the final deadline is today, September 7th.  Several manifestos are already published online at FutureBook, but we’re here to sing the praises of one specific contribution: that which has been put on the table by the founding director of the Alliance of Independent Authors (ALLi), Orna Ross.  In “A Manifesto for Self-Publishing Authors,” Ross strikes both a defiant and compassionate note, all at once.  Not sure how this is possible?  Read the full manifesto.  It’s short and sweet and beautiful.

We tip our hats this week to self-published children’s book author and Swedish behavioral scientist, Carl-Johan Forssén Ehrlin, whose phenomentally successful The Rabbit Who Wants to Fall Asleep was just acquired in a joint deal between Random House U.S. and Penguin Random House U.K.  In this article in Publisher’s Weekly, Rachel Deahl describes how Ehrlin went from selling 24 copies of his book one week in August to selling over 29,000 copies the following week.  And while it’s probably a sure thing that Random House will find new audiences for this delightful little book, there’s no shaking the fact that this book wouldn’t have gotten the attention of the traditional publishing houses if it hadn’t already been such a magnificent self-publishing success story.

Our last stop on the news train this week is this article on PRWeb.com, with the news that the Colorado-based hybrid self-publishing company Outskirts Press is hosting a noteworthy promotion for their “Diamond” and “Pearl” publishing packages.  The promotion, dubbed “Mad Money” by the company, allows customers to apply a promotional code at check-out and recoup some $300 in credit on their Outskirts Press accounts.  These packages cost about $999 and $1,199, so the $300 promotion represents an additional value of roughly one-third and one-quarter, respectively.  Nothing to sneeze at!

The company, described in the PRWeb release as the “fastest-growing full-service self-publishing and book marketing company” in the United States, typifies the possibilities offered by “hybrid” platforms––where authors pay to publish their book, instead of receiving an advance as they would from a traditional publisher, and receive the full benefit of professional editing, design, promotional, and marketing services while retaining full rights and creative control.


As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog every Monday to find out the hottest news. If you have other big news to share, please comment below.

KellyABOUT KELLY SCHUKNECHT: Kelly Schuknecht is the Executive Vice President of Outskirts Press. In addition to her contributions to the Outskirts Press blog at blog.outskirtspress.com, Kelly and a group of talented marketing experts offer book marketing services, support, and products to not only published Outskirts Press authors, but to all authors and professionals who are interested in marketing their books and/or careers. Learn more about Kelly on her blog, kellyschuknecht.com.

Weekly Self-Published Book Review: “Angel’s Gate”

Book reviews are a great way for self-publishing authors to gain exposure. After all, how can someone buy your book if he or she doesn’t know it exists? Paired with other elements of your book promotion strategy, requesting reviews is a great way to get people talking about what you’ve written.

When we read good reviews, we definitely like to share them. It gives the author a few (permanent) moments of fame and allows us to let the community know about a great book. Here’s this week’s book review:

Angel's Gate

Angel’s Gate

Andrew J. Rafkin and Louis Pagano

Publisher: Outskirts Press

ISBN: 9781432780026

Synopsis:

THE LARGEST HEIST IN HISTORY NEVER TOLD:

In 1983, the rapidly growing city of LA and beachfront communities were active in the illicit drug trade, successfully operating through Angels Gate Lighthouse, and LAX, the gate to the City of Angels. This true story is a recounting of the largest monetary heist in history, carried out by four local surfers, and August Taracina, a successful marijuana smuggler. The heist proceeds with only minor hitches…until the bags of loot are opened. Much to the thieves’ chagrin, there is no cash, no gold 5nothing but financial instruments that cannot be cashed. While still in command of one of the largest marijuana smuggling operation on the west coast, August begins a whirlwind, worldwide tour with his connections to organized crime, the Medellin Cartel, and international bankers, as he attempts to fence the items. Other gangs, along with their treachery and murder pursue him, as well as FBI agent Nick Cutler and his team, the Treasury Department, and Interpol. During this maelstorm, August devises an incredible plan to satisfy everyone’s interest and fulfill their dreams. Now, all he has to do is make it happen.

Critique:

     It’s 1983. Four local surfers who work in the luggage department of Los Angeles Airport devise an ingenious plan to smuggle drugs. Their goal? To make quick, easy money in order to fulfill their dreams and open a hotel in Costa Rica. They partner with a rich, successful marijuana smuggler named August Taracina and soon they put their plan into action. Eventually they run into an unexpected problem, an event that, to their surprise, turns out more profitable than ever.

     You may ask yourself how authors Andrew J. Rafkin and Louis Pagano know this event really took place if, as in the story, the main people involved were never caught. This is explained in the preface of the book, where the authors state that the story was told to them by a friend who actually took part in the heist.

     Angel’s Gate is a fictionalized account that at times reads like a novel – minus the characterization. I had to keep reminding myself of that, especially during times when I didn’t like what the characters were doing and felt disturbed by their greedy, irresponsible actions and attitudes. That aside, this is a well written, fictionalized account of what supposedly happened back in 1983, and on what, according to the authors, supposedly is one of the biggest monetary heists in history. Gritty prose, realistic dialogue, and continuous suspense make Angel’s Gate an interesting, enjoyable read, especially to fans of true crime books. [ reviewed by Mayra Calvani ]

Here’s what some other reviewers are saying:

This was a truly great story. Hands down. Right off the bat we are swept into the world of the local surfers Randy, Scott, Terry, and Jeff, who have a dream about building a hotel in Costa Rica. So of course they need money…lots of it. At first they try selling drugs, but after a while they are forced to find other avenues of cash flow. With their unique positions of working at an airline, the boys devise a plan that exceeds even their wildest expectations. And then the real trouble starts. I literally devoured this book every chance I had because it was so interesting! It was really cool to see it from the criminal POV, and there were just so many other details in there it seems as if this book could have only been written from someone who was there (hmmmmm…). But this was a really great crime novel and I recommend it to anyone who enjoys an engrossing read.

Goodreads Reviewer Stacy

This is an amazing, well-crafted true story that will blow your mind. A group of surfers who work together as baggage handlers at LA International airport come up with a scheme to smuggle in high-grade pot, with the help of August Taracina, an ultra-cool, super-smart pot smuggler, whose well-organized operation brings in tons of pot into 1980’s LA. When their smuggling operation must close down, the surfers come up with another avenue to get the money they need to make their dreams come true, and luck into the biggest haul in history.

This is not only a great story, but it gives readers an insiders look at the inner workings of the smuggling trade and how a shrewd “importer” ran his enormous operation. I strongly recommend this exciting and informative book.

Amazon Reviewer John A. Sanders


Thanks for reading!  Keep up with the latest in the world of indie and self-published books by watching this space every Saturday!

Self Publishing Advisor

selfpubicon1