In Your Corner: Do we still need to talk about the pandemic?

Writing and publishing is difficult enough without added challenges being added on top of the usual brainstorming, crafting, editing, strategizing, and marketing that self-publishing authors take on as a part of the process. (Allowing, of course, for some variation, depending on existing skills and assistance provided by third parties.) We heard a great deal last year about some of the pandemic’s additional challenges last year, particularly during the summer, but much of that conversation has either died down or been reframed as a part of the “new normal.” So I just have to wonder, do we still need to talk about the pandemic outside of its health- and social-specific effects? Is it still worth grappling with the “extras” that COVID-19 has added to our writing and publishing lives?

I, personally, happen to think that we are entering a new phase of this whole thing. By and large, one year in, we’ve figured out how to live with the restrictions and their consequences (eagerly or otherwise). Two vaccines have passed all the standards that need passing in order to achieve wide distribution, and state governors are working on specific distribution plans for each state. Where I am just now, many of the restrictions themselves have begun to loosen, although most people I know are still being fairly cautious. Some schools are back in operation. My favorite bakery reopened! … and then closed again, then reopened again, and so on and so forth a number of times as the occasional worker came down with the virus. By and large, we are now well-acquainted with this open-closed-open-closed-etc cycle, and well-acclimated to last-minute changes in plans as the knock-on effects of the virus continue to manifest.

But what about when it comes to books? I see that the news posts here on the blog have dealt occasionally with the effects of COVID-19 on the publishing industry since March (summary version: book sales are up, particularly in digital, and so too with digital library offerings, as more library users make use of them). Most of the data, however, is coming from traditional publishers and indie bookstores (which are still struggling). Publishers Weekly (and probably many other organizations) keeps an updated list of COVID-19-related cancellations and postponements––again, privileging the traditionally published lineup, which is usually decided years in advance.

Getting a handle on just how this same situation is affecting those who choose to go indie is another matter. For one thing, self-published books don’t require the same long (up to two-years!) run-up to release as their traditionally published cousins, so there are very few compendiums of upcoming indie publications to build buzz. As we’ve seen throughout this last year, it is entirely feasible to progress from initial thoughts through writing and publication within two months with self-publishing, although we don’t recommend that many sleepless nights to everyone who wants to publish in the next year. (Chances are, anyway, that you have already been working on a manuscript before you read this post.)

Where do we look for self-published book statistics these days? Publishing through Amazon might be an indicator (and the company does love to release its self-reported statistics when they’re good news for them), but due to Amazon’s diversification and movement into the traditional publishing sphere with its own imprint and so forth, “publishing through Amazon” can look any one of a hundred different ways. It is not necessarily a good indicator of general self-publishing statistics anymore, in my opinion––the data I’ve seen talks big about the total amount its authors have earned in the last year, but the company hasn’t released any comparative reports to pre-COVID-19 times, or on whether their authorship has remained steady, much less grown.

About the only people reporting on the effects of COVID-19 on self-publishing are individual authors themselves, on their blogs or in their newsletters or social media feeds. To my knowledge, no one has a good handle on how many books are self-published even during a good year, much less this last year (this is because ISBN purchases, while tracked rather well, only apply to those authors who choose them––and they aren’t required for the publication of ebooks). Perhaps I’m so stuck on this because I myself work in the industry, and I want to know just how the virus’ long-term effects will challenge and/or benefit those authors I work with on a daily basis. Do we even know?

I’ve heard by word of mouth and on social media that many authors are struggling to write because of the persistence of work-from-home directives continuing for a large sector of the marketplace, and because many schools are also either working remotely or in hybrid systems. I’ve also heard that there is a huge wave of pandemic-related works in the pipeline for publication in the near future, although most traditional publishers haven’t quite gotten there without cutting corners. I’ve heard a lot of stories involving children’s books, particularly, when it comes to pandemic-related publications this last year, with the first ones appearing within months of the outbreak, published by schoolteachers and grandparents and other caregivers. But these are just the stories that I, Elizabeth, have heard. I am not representative of the entire industry, for sure.

What have you heard? Do you think we still need to talk about the pandemic when it comes to self-publishing, as I do? I’d love to hear your stories. And as always, I’d love to hear about your 2021 writing goals. ♣︎

This image has an empty alt attribute; its file name is gettyimages-1286378605.jpg
Do you have ideas to share? Please don’t hesitate to drop us a line in the comments section, below.
ABOUT ELIZABETH JAVOR: With over 20 years of experience in sales and management, Elizabeth Javor works as the Director of Sales and Marketing for Outskirts Press. The Sales and Marketing departments are composed of knowledgeable publishing consultants, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

Self-Publishing News: 10.27.2020

And now for the news.

Highlights from this month in the world of self-publishing:

When it comes to speaking directly to the troubles of the present, one can’t overlook the impact of articles such as this one by Tiffany Johnson for the Spokesman Reporter, in which she records details of a conversation with self-published author W.D. Foster Graham, who is using his experience and voice as a Black author in America to broaden the diversity of local library collections both through the inclusion of his own books as well as by requesting a number of books by other authors be added to their catalogs. Foster Graham is most well know for “Never Give Up and Mark My Words, which are both part of his Christopher Family Novel series.” Writes Johnson, “He used the self-publishing process as an opportunity to care for his project in a way that was relevant to his unique narrative as a Black voice in the United States. “I had to vet editors. I would ask them, ‘What does cultural sensitivity mean to you?’” he said.” Once his books reached publication, he began approaching libraries. The Hennepin County library welcomed his books into their collections, and other libraries began to follow suit.

According to Foster-Graham, now seven counties in the Twin Cities metro area plus St. Paul, Rochester, and St. Cloud, offer his books and other Black authors that he has requested. He urges the Black community to do the same. “You need to come at them with data on how they can access more African American books. I provided them with an alternative [solution],” he said.

We cannot recommend this article highly enough. It’s not too long, so we don’t want to steal too much of the limelight from Johnson’s excellent writing, but suffice it to say this is a positive, proactive approach to improving the quality and quantity of voices represented in a regional way, and it just might offer a roadmap for other authors and readers to assist in starting tough but necessary conversations with their own local libraries.

Alright, now this is interesting––and if the first reviews of the crowdfunding project Spark Books Accelerator Program by the Spark Project come back positive, then this might prove to be an incredibly useful tool for some self-publishing authors who have struggled to raise the money to pay for premium services, like copyediting and illustrations (just to name two). According to Patricia Mirasol of Business World, this “accelerator program uses a similar model as the local crowdfunding platform that matches creators with backers who are willing to pitch in money for ideas they find compelling and worthwhile.” Sounds nice, right? As more details are made public and the Spark Project beta tests its first few crowdfunding attempts, we will report further on this subject! Quoting from one of the project’s founders, Mr. Dulay, Mirasol repeats his words that “The beauty of crowdfunding is that it [offsets expenses]. Our goal is for the whole process to pay for itself.” Nice idea, nice plans, and now we watch and wait for nice test runs.

Prabbhan’s article in The Free Press Journal is something of a wake-up call. Not only do writers struggle with the same COVID-19 inspired challenges that we all face, but they are also struggling with the additional challenge of not being able to access their local libraries and bookstores (or at least, not in the same ways as they did before––most bookish spaces have pretty robust online presences these days). Bookstores offer inspiration, research pathways, and much more, hints Prabbhan, who interviews a number of young writers for the article. That said, one interview––with author Karan Puri––is especially illuminating in a positive sense. Writes Prabbhan:

[Puri] believes that the ‘stay home stay safe’ phase can be a terrific option for those wanting to maximise their side-hustles. “The lockdown gave me the time to complete my book and release it all over the world through Amazon self-publishing. A great platform, I took advantage and first launched the ebook version of the book. I started interviewing a few people who had gone through such issues for my book, and it’s been a worthwhile pursuit.

Whether or not his local bookstore is open for business, Puri sees possibilities. That’s a notion we will keep in mind when the days seem especially hard. There is a silver lining, perhaps, for some authors who never quite found the time in their busy lives to complete their manuscripts!

Every list needs to end with something as pure and sweet as this article from the Green Bay Press-Gazette! As Clough himself puts it in the article’s opening lines, “It’s not often a golden retriever gets a writing credit, but that’s the case on Baby Bumbu, a book from writer John Koski and illustrator Ben Toyne, both of Sturgeon Bay.” The cover is adorable, and the idea is adorable: “tells the fictional story of a puppy taken to join a circus in France and her efforts to return to her Wisconsin home,” writes Clough. Bumbu has been “dognapped”! Obviously we’re going to have to read the book so we find out what happens to poor Bumbu. In addition to the regular edition of the book, a special addition is available for an additional fee that goes directly to a nonprofit. Clough sums up the details: “Those who order directly from Koski can have their books ‘signed’ with a paw print from Grace Ellen.” We don’t know much else about this particular book yet on the blog, but we can’t wait to learn more. Find out more information at the link above!

As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

Self-Publishing News: 9.16.2020

And now for the news.

Highlights from this month in the world of self-publishing:

We’ve written about Technavio reports before; unfortunately most of each of their reports is hidden behind a paywall, but they always create an attractive summary infographic that is useful all on its own. Their timeliness in collecting and publishing data means that they’re often among the first to note new trends and developments in both traditional and self-publishing. Their latest report (and infographic) is out now, and the news is mostly positive: Technavio reports that the data suggests publishing will actually grow in 2020, albeit incrementally and not dramatically all at once. (Which would be fun, but also potentially unsustainable.) They also speculate on possible dates when the market might “normalize” after COVID-19, which ranges from the third quarter of 2021 (at the earliest) to the first quarter of 2022. It’s always worth being reminded to be patient with a market as large as publishing (traditional and self-publishing) when going through something as disruptive as this virus. We can only imagine what’s hidden behind that paywall at present in respect to further information, but even just that news is both encouraging and realistic.

This week in The Arrow, Lucas Irizarry covers the story of Jasmine Jones, a student at Southeast whose first self-published book came out in 2018 when she was, herself, only 18––and who has just released her second and latest book of poems in July. According to Irazarry, Jones “said the process of getting self-published is surprisingly easy, and she learned of the opportunity by watching poetry Youtubers.” That’s not an avenue one might expect, given that most of the stories we’ve heard and reported over the years have focused on careful comparisons of existing self-publishing platforms, and not so much the possibility of discovering a resource by way of YouTube. But Jones’ story is interesting in many ways, not just her source point of discovery; she published through the B&N website, and states that the appeal of self-publishing was in that it “allows the user to decide the color of the pages, if the book will be hardback or paperback and the size of the book. Jones designed the covers for both of her books, but she said authors can hire any designer or illustrator to create them. She said it took about a week for her to perfect each of her covers.” We’re always excited to hear about new young authors embracing the process of publishing, and Jones seems to be emblematic of that particular trend. We’re excited to see what Jones does next!


As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

Self-Publishing News: 8.5.2020

On-trend 2020 calendar page for the month of August modern flat lay.

And now for the news.

Highlights from this month in the world of self-publishing:

That’s more like it! Last week might have been a slow news week for self-publishing, but this week has more than made up for it. We’ll start with Rob Price’s opinion piece on earlier this week, a piece which sets out to explain why it is that self-publishing is where it is right now, poised to take huge chunks of the publishing market share with the advent of COVID-19 and a big turn towards reliance on e-books. And Price should know what he’s talking about, since he’s the president of Gatekeeper Press as well as a former chairman of the Independent Book Publishers Association (IBPA). He himself has sold 200,000 copies of his self-published books, so he’s writing as both an industry professional and an author who has achieved incredible success. Price, who founded Gatekeeper Press in 2015, writes that “When the coronavirus pandemic hit five months ago, something big happened: Author consultations and publishing services skyrocketed.” (This confirms what we’ve suspected for a while, and we’re very much looking forward to retrospectives once the full year’s book data comes in.) But why? Price points to authors having more free time as a result of the pandemic, as well as the society-wide emphasis on storytelling during both the pandemic and the  BLM protest movement. This is also a time of fast-moving news headlines and struggle, so the timeliness and turnaround speed of self-publishing is a major asset, getting books into peoples’ hands before public attention moves on. He’s also certain that in a time of great disconnect and distancing, the personal assistance a small press or self-publishing can provide is critical to the forward momentum of new and inexperienced authors. We recommend taking a look at all of his points in more detail!

This week on Entrepreneur, contributor Ken Dunn brings us an interview with bestselling author Jack Canfield, who co-created the “Chicken Soup” series that has become one of the world’s top-selling nonfiction series of all time. (His founding partner was Mark Victor Hansen.) Writes Dunn, “Jack’s books have sold over 500 million copies around the world. Although there is no way to confirm this definitively, Jack Canfield is likely one of the top non-fiction authors of all time.” That’s quite a resume. What Canfield goes on to tell Dunn amounts to a rousing top five suggestions for authors looking to break into self-publishing, and they include knowing who you’re writing for, and how you want to help them; finding a competent editor before publication; embracing persistence in an industry that requires both lots of attempts and lots of legwork; taking advantage of free media opportunities like podcast interviews to boost public awareness of your book; and lastly, following the “rule of five.” Says Canfield, this “rule” requires self-published authors to “Do five things a day toward the achievement of your breakthrough goal. Our breakthrough goal was to get this book to be a bestseller.” And eventually he and Hansen achieved that goal––but it wasn’t by way of immediate breakout success. After fourteen months of work, they hit their first bestseller list, and after a slow ascent it stayed on the New York Times bestseller list for three years. This success depended on the authors’ dedication to that rule, Dunn implies. You absolutely must check out the full article.

Our final must-read news item for the week comes from Forbes, which has over the last couple of years made a point of regularly publishing articles on self-publishing by various contributors. This week’s contributor is Serenity Gibbons, whose work centers on entrepreneurs and how they achieve success. Despite the quick uptick in e-book sales as a result of the COVID-19 shutdown, Gibbons answers the question “Has digital content demolished print books?” with the answer: “No more than elevators replaced stairs, points out British comedian Stephen Fry.” She goes on to make note of the fact that over the last few years, print sales have been slowly increasing their market share, not decreasing in the way that many expected after the first advent of e-books and their sharp rise in sales. She also notes that many wealthy readers consider print books “because they view this material as more meaningful than what they read online.”  Gibbons draws upon conversations with a number of authors to lay out her ten recommendations, which run the gamut from purpose to planning to researching the competition to cultivating feedback and partnership and creating a “circle” of personal influencers. We highly recommend reading up on all ten of her tips!


As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.

Self-Publishing News: 5.5.2020

Well, due to the way the dates have shaken out with our weekly schedule, we have officially missed the two best May-themed memes that there are:

it's gonna be may Justin Timberlake

… and …

Art Deco May the 4th be with you (May 4) Star Wars celebration Day text.

Be that as it … ahem … may, we have some news for you this week!

On-trend 2020 calendar page for the month of May modern flat lay

We apologize for the interruption to our normal routine! This has certainly been a disrupting time for everyone, not just us, and we hope that now we are settling into all of our respective new routines that this post finds you well and thriving despite the difficulties.

And now for the news.

Highlights from this month in the world of self-publishing:

We’ve written often on the virtues and happenings in the world of zines for self-publishing authors, both as a first platform for experimentation and as a sort of written publication that is so fast in its turnaround time that it provides the perfect way to respond to current events. This is certainly the case with the zines featured in Ysabelle Cheung’s article for last week, which includes the telling subtitle: “There may never have been a better time for the zine, since as COVID-19 rages on, many artists are turning to self-publishing as an alternative way to connect while in isolation.” Cheung, citing the input of zine expert Beatrix Pang, notes that there has been an uptick in zine publications (including zines specifically relating to COVID-19) during the global slowdown associated with the virus. Writes Cheung, some of the best “includ[e] Pop & Zebra’s The New Coronavirus Abecedary, a mini-zine of COVID-19 terminology, and artist Eunice Tsang’s forthcoming No Play Today, featuring photos of cordoned-off playgrounds. In this time of anxiety, Pang says, ‘A zine can narrate ephemeral and mundane daily life experiences, and also deliver important messages and advocate for individual or collective freedom.'” If you have been thinking about self-publishing a zine, or self-publishing in general, but haven’t quite known what to do to get started, we highly recommend taking a look at Cheung’s article and paging through some of the examples if you can. Maybe one day soon we can look forward to getting a glimpse into your quarantine life … by way of a quaranzine!


As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.