Self-publishing Guest Post: The Book Doctor Shares

Q: I like English, and it has always been my best subject. I’m trying to find which area of writing I am most talented in. I feel that I can write punchy, short prose well. Do you have any tips for how I can find the type of writing that suits me? Would I be better taking lots of short learning courses? Reading books? Any help you could give would be very helpful.

A: I don’t know your age, but if you’re still in school, I’ll assume you are under thirty, and with that thought in mind, I can tell you what I did with my life and see if it works for you. I loved writing from the time I was young, so I took every creative writing class I had the opportunity to take, in high school, college, from arts institutes, or at continuing learning centers. I majored in journalism in college, because it was the only writing path available to me back in the 1960s, but I didn’t think I would be a journalist. I thought I would be great at writing advertising copy, so I wrote some spec ads to create a portfolio and took them to several ad agencies. To my surprise I garnered some freelance work, which led to my being able to build a strong portfolio of published works. Ad copy was fun to write, but I wanted more, so I volunteered to write articles for the newsletters and magazines that nonprofit organizations produced, and when those articles were published, I added them to my portfolio and went out to find assignments from trade magazines as well as consumer magazines. You get my drift; I never settled into one area.

Eventually I had tried out—and usually enjoyed—just about every kind of writing a person can do to make a living, including ad copy, press releases, brochure copy, business reports, proposals, news articles, personality profiles, magazine articles, radio commercials, resumes, business profiles, white papers, books, memoirs, personal experience essays, and you name it. With a motto of “I’ll write anything for money,” I launched a career in writing and editing that has carried me for more than four decades, and I am doing what I love and making a good living at it.

If I were you, then, I would try everything, and you will find what best suits you. If you find you can do it all, then why specialize? Write! Enjoy! Count your blessings that you’re able to do what you love and make money doing it.

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Self-publishing Guest Post: The Book Doctor

The Book Doctor sets it straight on apostrophe usage for writing on the road to publishing…

Q: When it comes to plurals for last names, which is correct? Hueys or Huey’s or Hueys’? The Robersons or Roberson’s or Robersons’? Microsoft Word always flags these as misspelled. I can never tell the difference.

A: Microsoft Word probably flags them because the words themselves, Hueys and Robersons, are not in the dictionary, plus the computer program cannot decipher whether the name is plural or possessive.

If it is strictly plural, it takes no apostrophe. Examples:
We ate dinner with Joe Huey and the rest of the Hueys.
Mike Roberson said all the Robersons are visiting next week.

If it is plural possessive, it needs an apostrophe. Examples:
We ate dinner at the Hueys’ house.
The Robersons’ dog is visiting, too.

Note that if the name ends in an s, the plural possessive for book style is to add an apostrophe and an s. Examples:
The Jones’s house is painted white.
I agree with all of the Samuels’s suggestions.



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Bobbie Christmas, book editor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor” questions and answers at http://www.zebraeditor.com

Back to Writing on the Road to Self-Publishing

Ezines – they are a fast and free opportunity to self publish. Moreover, publishing in ezines can help you get motivated to write your book, and even promote your book after publication.

We’ve discussed the idea of publishing excerpts of your book as individual articles or stories. You can simply locate a website and query that site’s webmaster about publishing your article. Make sure you include your biographical byline, which mentions your book as well.

This is more of the same, but concentrating on ezine publication.

There really are countless ezines in existence now, each with a specific niche or category. And all of them are voraciously hungry for content.

Rather than seeking them out individually, you can place your articles into databases that ezine editors frequent for content. They use your article free of charge, and in exchange, include your biographical byline, which, again, includes information about you and your book.

Here are some to check out:

http://www.ezinearticles.com

http://www.ebooksnbytes.com

http://www.connectionteam.com

http://www.netterweb.com

http://www.ideamarketers.com

http://www.goarticles.com

http://www.knowledge-finder.com

http://www.articlecity.com

Don’t send an article you’ve already published last week. Instead, write another chapter of your book first (since finishing your book the main goal, after all.)

Have fun. Keep writing.



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Self-publishing Writing Tip: Ask the Book Doctor on Quotions

Q: I have a question about quotation marks. I know the punctuation goes inside the quotation marks when writing dialogue, as in: Ray asked, “What about quotation marks?” What happens when they’re used in titles, though, as in this example: Three very different styles are represented by “Nude Descending a Staircase,” “The Scream,” and “The Mona Lisa.” The punctuation (including the serial comma) doesn’t look right inside the quotation marks. I tried it outside, though, and it looked even less right. Which way is right?

A: The answer is not going to be what you expect. If you are writing a book and correctly following the guidelines set forth in The Chicago Manual of Style, the titles of works of art will be in italics (underlined in manuscript form), rather than in quotation marks, so the punctuation point is moot.



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Bobbie Christmas, book doctor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Visit Bobbie’s blog at http://bobbiechristmas.blogspot.com/. Read more “Ask the Book Doctor” questions and answers at http://www.zebraeditor.com

5 Tips for Finding Errors in Your Writing

1 – Utilize an editor

The most common mistakes are minor, such as misspellings or incorrect use of punctuation. Other common errors are incorrect word use (their, they’re, there). A professional copyeditor is adept at noticing and correcting these kinds of mistakes. Do not make the mistake of relying solely upon a computerized spell-checker, which cannot tell the difference between “worse” and “worst” since they are both properly spelled words. Use an editor – a human one. Good self-publishing options will provide copyediting and other more advanced services. Be sure to ask your rep.

2 – Get a second (and third) set of eyes

Even if you do not wish to pay a professional, anyone who reviews your writing will find mistakes you invariably miss. Since you are overly familiar with your own work you are much more likely to miss obvious mistakes because your mind already knows what it is supposed to say, rather than what it actually says. When someone else reads your work, they have no preconceived notions about your writing. In addition to finding mistakes, other people may offer helpful suggestions to make your business writing stronger.

3 – Come back to it later

Do you wait long enough after writing something to begin editing it? Many writers edit their work as they write it. Not only does this slow down the creative process, it increases the chance that your mind will ignore blatant errors in deference to your intentions. Once your brain thinks a paragraph is free from errors, it tends to overlook any new errors that are introduced during the rewriting process. Put your writing away for several hours, days, or weeks and revisit it later. After some time away from your work, you will be more likely to read the words as they appear on the page, not as you envisioned them in your mind. The mind is error-free, the page is not.

4 – Read your material backwards

You are only familiar with your writing in one direction – forward. Reading your material backwards makes it seem entirely different and fools your mind into ignoring the intention and only concentrating on the reality. Furthermore, your critical view of the writing at its most technical level will not be corrupted by the flowing exposition you have massaged into sparkling prose. When you read your manuscript backwards, it becomes a collection of words. Without contextual meaning, the brain has nothing to focus upon other than the words themselves. Mistakes literally jump off the page.

5 – Read your material out loud

When you read words aloud, your brain must slow down and concentrate on the material. How fast can you read the following sentence? The quick brown fox jumped over the lazy dogs. Now how fast can you read it out loud? It takes at least twice as long, and those precious milliseconds sometimes make all the difference between a typo that is missed, and one that is caught and corrected.

As a popular Internet posting informed us in 2003, it deosn’t mttaer in waht oredr the ltteers in a wrod are, the olny iprmoetnt tihng is taht the frist and lsat ltteer be in the rghit pclae. The rset can be a toatl mses and you can sitll raed it wtihuot any porbelm. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe. But try raednig tihs out luod and see how far you get. An extra bonus for reading your material out loud is that you may discover stumbling blocks like awkward sentence structure and choppy dialogue.



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