Self-publishing Writing Tip: Ask the Book Doctor on Quotions

Q: I have a question about quotation marks. I know the punctuation goes inside the quotation marks when writing dialogue, as in: Ray asked, “What about quotation marks?” What happens when they’re used in titles, though, as in this example: Three very different styles are represented by “Nude Descending a Staircase,” “The Scream,” and “The Mona Lisa.” The punctuation (including the serial comma) doesn’t look right inside the quotation marks. I tried it outside, though, and it looked even less right. Which way is right?

A: The answer is not going to be what you expect. If you are writing a book and correctly following the guidelines set forth in The Chicago Manual of Style, the titles of works of art will be in italics (underlined in manuscript form), rather than in quotation marks, so the punctuation point is moot.



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Bobbie Christmas, book doctor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Visit Bobbie’s blog at http://bobbiechristmas.blogspot.com/. Read more “Ask the Book Doctor” questions and answers at http://www.zebraeditor.com

5 Tips for Finding Errors in Your Writing

1 – Utilize an editor

The most common mistakes are minor, such as misspellings or incorrect use of punctuation. Other common errors are incorrect word use (their, they’re, there). A professional copyeditor is adept at noticing and correcting these kinds of mistakes. Do not make the mistake of relying solely upon a computerized spell-checker, which cannot tell the difference between “worse” and “worst” since they are both properly spelled words. Use an editor – a human one. Good self-publishing options will provide copyediting and other more advanced services. Be sure to ask your rep.

2 – Get a second (and third) set of eyes

Even if you do not wish to pay a professional, anyone who reviews your writing will find mistakes you invariably miss. Since you are overly familiar with your own work you are much more likely to miss obvious mistakes because your mind already knows what it is supposed to say, rather than what it actually says. When someone else reads your work, they have no preconceived notions about your writing. In addition to finding mistakes, other people may offer helpful suggestions to make your business writing stronger.

3 – Come back to it later

Do you wait long enough after writing something to begin editing it? Many writers edit their work as they write it. Not only does this slow down the creative process, it increases the chance that your mind will ignore blatant errors in deference to your intentions. Once your brain thinks a paragraph is free from errors, it tends to overlook any new errors that are introduced during the rewriting process. Put your writing away for several hours, days, or weeks and revisit it later. After some time away from your work, you will be more likely to read the words as they appear on the page, not as you envisioned them in your mind. The mind is error-free, the page is not.

4 – Read your material backwards

You are only familiar with your writing in one direction – forward. Reading your material backwards makes it seem entirely different and fools your mind into ignoring the intention and only concentrating on the reality. Furthermore, your critical view of the writing at its most technical level will not be corrupted by the flowing exposition you have massaged into sparkling prose. When you read your manuscript backwards, it becomes a collection of words. Without contextual meaning, the brain has nothing to focus upon other than the words themselves. Mistakes literally jump off the page.

5 – Read your material out loud

When you read words aloud, your brain must slow down and concentrate on the material. How fast can you read the following sentence? The quick brown fox jumped over the lazy dogs. Now how fast can you read it out loud? It takes at least twice as long, and those precious milliseconds sometimes make all the difference between a typo that is missed, and one that is caught and corrected.

As a popular Internet posting informed us in 2003, it deosn’t mttaer in waht oredr the ltteers in a wrod are, the olny iprmoetnt tihng is taht the frist and lsat ltteer be in the rghit pclae. The rset can be a toatl mses and you can sitll raed it wtihuot any porbelm. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe. But try raednig tihs out luod and see how far you get. An extra bonus for reading your material out loud is that you may discover stumbling blocks like awkward sentence structure and choppy dialogue.



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Self-publishing Manuscript Length Information

As you continue to develop your content, consider your market, and research self-publishing options, it might be helpful to consider publishing standards regarding page count.

The most important thing to recognize is the difference between your manuscript page size (which is most likely 8.5 x 11) and your published book trim size (which will most likely be smaller). Whenever a publisher discusses page count, or per-page pricing, it is based upon the size of the published page.

The most common published book trim sizes are 5.5 x 8.5 and 6 x 9, although many publishers will offer several more options.

If your manuscript is 100 pages long at 8.5 x 11, you probably have closer to 200 pages of finished text when the book is published. The good news is, your book just got twice as long, which in many cases improves the perceived value of your published book. On the other hand, some authors will be surprised when they see pricing based upon 200 pages instead of 100. Be prepared.

Keep in mind that production cost is directly related to page count. The more pages your book has, the more it will cost to print. Therefore, most authors keep their books between 100-300 published pages.

Have fun and keep writing.


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Self-Publishing ask the Book Doctor: POV in Fiction

Q: Can you tell me if editors (and even reviewers) specifically check or look out for consistency of viewpoint in a novel? I have been reading about being consistent with time and with how close you focus with one or many characters, and it seems a little confusing. Is this something I should take a class in? I was just wondering if many published authors keep these things in mind when writing a story.

A: Editors come in many forms. Some simply handle acquisitions for a publisher and do not edit at all, much less comment on viewpoint. Some editors edit for grammar, punctuation, and syntax and do not pay attention to viewpoint. Only an editor or book doctor who also analyzes the content will pay attention to, point out, or correct viewpoint flaws, which certainly should be addressed, because publishers want clear, consistent, and logical viewpoints in novels.

Viewpoint (also called point of view or POV) is a tricky matter. It refers to which character perceives that particular scene—in whose point of view the action takes place.

Consistency is important in that the point of view should be only one per scene (that is, never get into the head of more than one character per scene). You can get into another character’s point of view by starting a new scene.

Your best bet is to use only main characters as point-of-view characters, and the best novels have no more than three main characters. How the time per character is divvied up, though, does not matter. The choice is up to the author.

I think it’s easier to find a book on point of view than find a class that specifically addresses that issue, but no matter how you choose to educate yourself, if you want to write novels, you do need to know about point of view and how and when to use it to its best advantage.



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Bobbie Christmas, book editor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor” questions and answers at http://www.zebraeditor.com.

Guest Post: Writing Advice for the Self-publishing Author

Q: I started writing books this summer, when family problems started. My books are interesting, or so say my friends, but I feel they lack something, like maybe they are weakly written. I know “big” words make a book seem like the author is intelligent, but it makes it harder for ten- to fifteen-year-olds to understand. So I ask, how do I make my book more interesting without using “big” words?

A: You pose an interesting question; should you write to impress your readers or entertain them? Do you want your readers to think highly of you or of your books? Today’s books entertain, rather than impress. You’re already on the right track to avoid words that others may have to look up in a dictionary.

Big words don’t make a book interesting; conflict and tension do. Fascinating characters do. Realistic dialogue that moves the story forward does. Unique plot turns and unusual situations help, too.

Because you just started writing books this summer, don’t despair. Most writers spend years honing their craft. At least you have begun. Not only do you need good ideas and a strong desire to write, you also have to learn as you go. Besides reading books about how to write a good story, spend time reading or rereading books by authors you admire. Analyze what makes you like that person’s writing and why you enjoyed reading the story. Apply those techniques (but not the story ideas) to your writing.

Also, know the market you want to write for. If you are writing for young adults, read the books young adults are buying and analyze what makes those stories interesting.

Above all, don’t get discouraged. Join writers groups and discuss your issues and learn from others. Do not, however, discuss your story lines. Talking about them not only gives your ideas away but also drains energy from the ideas. Instead, use that energy to write down your ideas and turn them into books.

Bobbie Christmas, book doctor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor” questions and answers at http://www.zebraeditor.com.



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