And now for the news!
Some highlights from this month in the world of self-publishing!
We don’t often see self-publishing referenced on Book Riot, one of the foremost book recommendation services out there on the Internet, but this week Enobong Essien really stepped up in this article on the pros, cons, and functions of a book coach. We’ve written about book coaches here on the blog before, but Essien brings a unique approach and voice to the subject. Writes Essien, “If you’re pursuing the self-publishing route, then a book coach could be the difference between a book that never makes it off the shelves to a breakaway Amazon bestseller.” ‘Book Coach’ is in itself an umbrella term of a title for a number of support positions to both traditional and self-published books, including our favorite, the publishing consultant. Essian goes on to answer the all-important question: Do *I* need a book coach? when she writes:
Self-publishing sounds like a great idea. You have full control over your vision, you don’t have to face piles of rejection letters (or more likely emails) and you can get your book out there in a matter of hours if you so wish but more likely months instead of the minimum year and a half of traditional publishing. But it can also be a very lonely road and at the end of it you’re going to want some sales to back up all your efforts, right?
A book coach is a shepherd that will guide you through the ins and outs of the whole process, highlighting both the strengths and weaknesses of your writing and keeping you on track. A good book coach will have some industry experience, even if it’s not necessarily in book coaching, and will therefore have the contacts to refer you to for book cover design, Kindle formatting, and marketing strategies. But, most importantly, they will ensure that what you put out there is a well thought out, well-written, quality book.
Concluding her article with some expert advice on how to become a book coach if being the helper rather than the helped seems more your speed, Essian’s article is an absolute must-read.
One group of authors who might make good use of a book coach or two is the academic community—or so we might assume from reading Rose Ernst’s article for The Good Men Project. While money, writes Ernst, “isn’t the reason academics should consider self-publishing, […] it’s a fantastic side benefit.” But there are more important reasons to consider going indie, Ernst notes, including the fact that academic presses really fail to reach the general audiences that a self-published work can. Self-publishing is also timely, with a much more rapid turnover from manuscript submission to distribution of the finished product, an important facet of the publishing experience for those writing in fast-moving fields where getting ahead of the curve is important to guiding the conversation. Ernst gives academics a template for getting started in publishing, with suggestions for those well-established in the academic sphere but looking to extend and widen their audience.
As a self-publishing author, you may find it helpful to stay up-to-date on the trends and news related to the self-publishing industry.This will help you make informed decisions before, during and after the self-publishing process, which will lead to a greater self-publishing experience. To help you stay current on self-publishing topics, simply visit our blog each month to find out the hottest news. If you have other big news to share, please comment below.