Tag: book doctor

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Writing for Self-Publishing: Ask the Book Doctor

Pseudonyms

Q: I am simply a hobby writer. I do get the occasional how-to article published in a magazine; however, I want to write some western fiction novels. One problem, as I see it, is my surname. It is of eastern European origin and sounds strange to most Americans. If I write under an alias, are there any special rules that might apply to using a nom de plume, getting paid under the assumed name, copyrights under that name, et cetera?

 

A: Without being an attorney, I cannot give you the full and legal answer you deserve, but as I understand it, pseudonyms are not a problem in the publishing business. Your publisher will know your real name and send your checks to your legal name. Once you produce a written piece of work, the copyright automatically belongs to you until and unless you sell those rights, and the rights will belong to you no matter what name you may choose to use when and if you register the copyright.

 

What would you like to ask a book doctor? Send your questions to Bobbie Christmas at Bobbie@zebraeditor.com. 

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Ask the Book Doctor – Writing Flashbacks

Q: My question has to do with formatting. Is there a

standard way to insert a flashback? For example, should I

have an extra line space before and after the flashback?

Should I indent the flashback five spaces on both sides?

 

A: Formatting is not the only way to indicate a flashback;

it must also be handled with a narrative transition from

the present to the flashback and from the flashback back to

the present at the end. You can, however, also add a line

space before and after the transition, but do not indent on

both sides, which is a formatting device reserved for long

quotations. Do indent the beginning of each paragraph,

through.

 

What’s your question for Book Doctor Bobbie Christmas? Send

it today to Bobbie@zebraeditor.com.

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Ask the Book Doctor – Dialogue

Q: When I write dialogue, must I make all my characters

speak in contractions? My critique circle members say all

dialogue should use contractions. Aren’t we supposed to

give each character a unique voice? If so, can’t one of my

characters be so prim and proper that she doesn’t speak in

contractions?

 

A: The members of your critique group have the right idea—

natural dialogue does usually rely on contractions, but

creative writing gives a writer a great deal of leeway. You

know your characters best, and if one doesn’t use

contractions, so be it. Don’t let anyone–not even members

of your critique circle–cram a singular opinion down your

throat. Listen to the suggestions of others, thank them,

and then do whatever you want. If, however, an acquisitions

editor asks you to change something to make your piece more

marketable, that’s the time to listen and follow.

 

What’s your question for Book Doctor Bobbie Christmas? Send

it today to Bobbie@zebraeditor.com

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Ask the Book Doctor – Show n Tell

Q: We hear all the time, “Show, don’t tell.” My feeling is

the point is overused. Better might be “Telling is okay,

but it must be interesting and justified, for example,

moving the story along.” What do you say?

A: Everything in creative writing is a matter of

moderation. Back story almost always includes a little

telling, but keep the “telling” to a minimum. Make sure it

involves as many action verbs as possible, and it probably

will be fine.

What’s your question for Book Doctor Bobbie Christmas? Send

it today to Bobbie@zebraeditor.com.