And now for the news!
Some highlights from this month in the world of self-publishing, specifically regarding publishing trends within the publishing industry, and their implications for all authors!
Our first stop on this week’s tour through the week’s news when it comes to publishing trends is the UK, where The Bookseller‘s distinguished contributor, Gordon Wise, offers up a salient and timely defense of … well … the country’s success! Or rather, the successes of the Association of Authors’ Agents (or AAA, not to be confused with roadside assistance). This organization, which is now more than 100 member institutions strong, provides vital services to these members, not least its ability to raise the profile of publishing at large. Writes Wise, the AAA has become “a named body that the Intellectual Property Office has consulted on various publishing-related matters,” including matters as lofty as Brexit and the goings-on at 10 Downing Street, where the Prime Minister makes his home while in office. But this isn’t just a celebration of hard-won successes already in hand; it’s a rallying cry for industry professionals in a country riven and likely to continue being riven by deep political and cultural conflicts–many of which have the potential to impact all creative industries. A worthy read!
Next we move to Australia, where the BooksAndPublishing.com.au website has recently posted a report on the findings of a Macquarie University study into innovation within the Australian publishing industry. The full article is restricted to subscribers, which many of you may already be. If not, you’ll have to be content with the highly suggestive hints delivered in the first paragraph, or you can sift through the research summary published on the Macquarie University website (go to: https://www.mq.edu.au/newsroom/2018/02/08/australian-book-publishers-lift-their-game-to-be-more-competitive-but-some-are-faring-better-than-others-new-study/ for more)! The general consensus seems to be: yes, everything’s not perfectly peachy, but Australian authors and publishers are finding a way, and one of the contributing factors to their adaptability is the rise of self-publishing!
Last but not least, we go to Gillian Tett of the Financial Times, who recently published an article digging into that very same rise of self-publishing, only from the perspective of a mother to young writers–writers who are taking full advantage of the many self-publishing options open to them, including Wattpad and others. This article, which reads more like a journey of self-discovery than it does an exposé or a crunching of the numbers, provides a valuable insight not often to be found in reflections on self-publishing: what it’s like to come at the industry from the outside, and from a place of personal connection to very young writers, writers who are completely untethered from traditional publishing’s stifling expectations and even the first wave of self-publishing companies’ insistence on following the form as closely as possible. A fascinating aspect of this transition to the brave new world of second- or third- or fourth-wave self-publishing is that it’s firmly rooted in the social–not just social media, but the social motivation, a desire to write for others and place one’s work within the larger ongoing conversations of one’s peers. It’s an insightful look, and well worth reading the full article!