Book Copy Values & Pricing in Self-publishing

The royalty percentages your publisher pays on retail is an important, somewhat complicated, and too often overlooked consideration when selecting among the many self-publishing service providers available.

Royalties are only one of many pricing considerations to make during the production and book pricing phase. Examine also whether or not you earn a royalty on copies of your book that you buy directly.

Here is where many self-publishing companies play the smoke and mirror game.

“How great is this!?! We’ll even pay you royalties on copies you buy directly!”

Sounds good – getting money from yourself on books you buy for your yourself. Wait…

Here is my advice:  Always calculate the exact dollars and cents it is costing you to buy your book, and if you receive a royalty for it, simply include that amount in the calculation.  Book publishing the right way requires some math. A good publisher will offer a variety of resources for you, including a dynamic pricing calculator and personal book publishing representative to help explain those pricing specifics.


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Ten Things to Consider in Self-publishing

Ten things to consider in self-publishing Source: LiberalArtsColleges.org

Self-publishing enables the writer to control every aspect of the creation and promotion of their book. It’s an appealing option for creative people who have the confidence and time to undertake such a large task. But most writers enter the process not knowing what to expect, relying on their well-honed research skills to learn the ins and outs of the publishing biz. Before you dig too deep, read through the list of 10 things to consider before self-publishing and determine if you’re up for the challenge.

The success rate is tiny – Very few self-publishers experience success because they simply don’t know what they’re doing. In many cases, they lack the foresight and perseverance required of a self-proprietor. Some of the common problems encountered by first-time self-publishers include the refusal to seek the help they need, the use of unprofessional covers and weak titles, overprinting and lazy marketing. It takes a lot of time and effort to write, print and market a book, so plan accordingly.

Do it for the right reasons – Because of the amount of risk involved, it’s wise to go into the process not expecting to make money. In other words, don’t expect self-publishing to become your primary source of income – if it generates any income. Also, don’t self-publish because you don’t feel that you need any help. If your book has been rejected by multiple publishers, then it could likely use a change or two.

It helps to have a niche – Most successful self-publishers are experts in a field with a narrow target audience. If you’ve already made a name for yourself in that niche – perhaps through lectures or previously published articles and papers and you have at least a modest audience, then you could market the book to those same people. Professors often utilize this strategy because they don’t immediately intend to mass market their books.

You’ll be running a business – That means a business license is required. You’ll need to know the cost of the operation – as you’ll see below – and you’ll need to devise a marketing strategy if you intend to reach an audience beyond the modest one that may already be established. As a publisher, you’ll need to create a name that include -books, press or publishing- so that people will know what it represents.

You’ll need money – Self-publishing is a big investment. In addition to the cost of printing, money must be set aside for marketing and hiring an editor, illustrator and/or graphic designer. A traditional publishing house is normally responsible for those costs, but since you’ll be doing it on your own, they’ll be your responsibility. Be sure to research and establish a budget beforehand so that you won’t encounter any unforeseen financial problems.

You’ll still need an editor – Because you won’t be dealing with a publishing house, you’ll need to find an editor to look over your work and offer his or her sage advice. Self-publishers hire freelance developmental editors to perform those tasks – they ensure you have an interesting and readable book. The final say on all matters is still yours, but their expertise will be needed if you have little or no previous publishing experience.

Know the details – Before your book hits the shelves, it’ll need an International Standard Book Number (ISBN) and a Library of Congress catalog number. The ISBN enables book retailers to identify the title amid their vast collections of books. You can obtain one from the RR Bowker Company. The Library of Congress catalog number enables you to get your book into libraries.

Sales will be your job – As previously mentioned, self-publishers must know how to run a business. In order for a business to be successful, it must have an efficient sales team – in this case, it’s you. You’ll need to convince brick-and-mortar bookstores, online bookstores, distributors and wholesalers that your book will be profitable. It’s important to know that different buyers require a different cut of the sales, so don’t demand for every buyer to take the same amount. And remember, patience is a virtue – your books won’t fly off the shelves all at once.

Respect will be hard-earned – If you’re fortunate enough to earn respect, it will be hard-earned. Reviewers tend to ignore self-published books because self-publishers tend to be amateurs who, honestly, produce unappealing work. It’ll be entirely your responsibility to get your work noticed by reviewers, retailers and readers. The process by which you compose your book will help determine how much success you’ll have.

It’ll never be too late to sell your book to a commercial publisher – If you successfully reach your intended market and have shown there’s potential to reach an even larger audience, then a commercial publisher will likely express interest in taking over the title. But this doesn’t always mean they’ll push it into the next stratosphere of sales. Make sure the people with whom you work will have as much interest in promoting the books as you have – otherwise, the transaction will be pointless.


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Guest Post: Poetry Publishing

Q: How would I go about publishing an original one-hundred-page poetry book? Generally how much would the profit be from such a book?

A: You have quite a few options and potential paths when it comes to publishing. Before you decide to self-publish or try to sell a book to a publisher, first you must know your goals and assess your abilities. My fifty-minute seminar on CD called “I Finished My Book; What Should I Do Next?” covers the decision-making process, so you’ll know which way to go, whether you want to self-publish or attempt to find a publisher, and if you self-publish, whether you want to use a traditional printer, print-on-demand (POD), or a company that helps in the publishing process. I crammed the seminar with information and included many pages of supplemental printed material, so you can understand why I can’t answer your question in detail in only a few paragraphs.

Here’s a little information to help, though.

If you already know you want to self-publish, your next step depends on whether you want to handle all the pre-printing details, such as editing, internal and cover design, ISBN numbers, and finding a printer, or whether you prefer to rely on a company that handles those details for you—for a price. Read a good book on self-publishing and learn all aspects of it before you make your decision. Also carefully scrutinize the company you choose as a printer or publisher—know there is a difference—and carefully ensure that the services the company provides are the services you need.

You also asked how much profit to expect. Let me first ask a question: When did you last buy a poetry book? If you are like most Americans, you have not bought a single poetry book in the last ten years. Although millions of people write poetry, not many write it well, and even fewer buy poetry books. Poetry books rarely make any profit at all.

Although few Americans make much if any money from poetry, it is the highest form of literary art. Once writers master poetry, they can apply those skills to their fiction and nonfiction and increase their chances of making money with their prose.

My news should not discourage you, however. If you put a great deal of time and effort into marketing, you might make some money after all. At least one poet I know used POD for his books and travels the country giving readings. He writes excellent poetry and performs it well, and he has sold close to a thousand copies of his book. He chose POD, which gives him less profit per book than if he had chosen a traditional printer, but he did not have to invest a huge amount of money up front or store thousands of books, so the tradeoff suits his needs.

As you can see, the answer to both questions—how to go about getting a poetry book published and how much you might profit—are the same: It depends on what you are willing and able to do, and none of the paths are simple. Educate yourself first and then decide what works best for you.


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Bobbie Christmas, book editor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor” questions and answers at http://www.zebraeditor.com.

Self-publishing Book Pricing and Trade Discount

Like many you’re probably considering the upfront costs advertised by the various self-publishing options available. Pricing is a critical step in self-publishing, and goes much deeper that how much it costs to simply have your book published. Just as writers consider the cost to value of publishers, so will readers when deciding whether (and where) to buy your book. “Trade Discount” plays in important role in your book’s pricing. What is it and what should you know about it?

Trade discount is the percentage of your retail price that you offer to the publishing trade for distributing your book to retailers. The “publishing trade” consists of wholesalers, distributors, and retailers. Instead, everyone involved with your book after the publisher all the way to the reader falls into the “publishing trade” circle, and they all take a piece of the trade discount.

Obviously, the larger the trade discount, the more money there is to split up among the parties involved. Standard trade discounts have ranged from 50% – 70%.

Most publishing companies do not offer any information about their trade discounting policies up-front, nor do they give the author any say in the matter. Ask your publisher. And make sure you to keep 100% of your profits.

Depending on your distribution goals, look for the flexibility to establish a trade discount from 0% – 55%. A 55% trade discount will generally result in an industry standard 40% retail margin, which is what a typical book retailer seeks when considering whether or not to order a book. So in addition to availability on Amazon.com and Barnes & Noble’s websites among other online sales channels, your book can be published at the retail margin that bookstores and chains are looking for.


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The Kindle effect in self-publishing

Commerce doesn’t exist without value, or in today’s age, pricing. Pricing is about availability, and availability implies no easy substitutes (real or perceived).

The internet has dramatically flattened and widened availability. The number of books a brick-and-mortar store can make available is a kernel compared to the capacity of Amazon, not to mention what the advent of digital formats and the Kindle have contributed. Real availability is virtually limitless. That effect cannot but have implication on pricing, right? It seems that some traditional publishers are slow to catch on when pricing books, especially their digital and Kindle titles.

But this is big news for the self-publishing author. With full-service self-publishing options, you can now integrate a Kindle edition into the version library of your book AND control your own pricing, keeping 100% of your royalties. And here is the key – Amazon pays royalties based on one of two retail price categories:

$2.99 – $9.99 received 70% royalties

Above or below receive just 35%.

It seems like Amazon understands one or two things about commerce, and this couldn’t be better for self-publishing authors.


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