Self-publishing Book Promotion Tip

It’s no secret that self-publishing involves some elbow grease on your behalf as author to promote your work. The control available in that area may be either boon or bane. Ultimately, it’s your choice, and as our real American hero states so poignantly, knowing is half the battle. Tip #1:

Understanding how to conduct an advanced Internet search yielding applicable promotional and review results is very important. Luckily, it’s also very easy.

For example, go to the Google website here http://www.google.com

Then, use access defined search criteria by clicking on the link that reading “Advanced Search” in small type next to the “Search” button.

You will find a page that enables you to fine-tune your search.

For example, search for the words “freelance” or “book reviewer” to find many places to begin with book promotion.

– Karl



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Have fun; keep writing.

The Dont’s of Pitching Your Self-Published Book to Producers

After your book is published, here are 5 things to avoid when pitching to a radio or television producer:

1 – Don’t pitch your book. Pitch an idea for a show.
2 – Don’t over promise. Be able to deliver what you say.
3 – Don’t be dull. Your letter has to communicate how vivacious you are.
4 – Don’t hide your message. Make sure it’s clear what you are suggesting.
5 – Don’t be annoying. Producers are busy. Bombarding the with correspondence or emails will hinder your chances for success.

– Karl Scrhoeder



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Have fun and keep writing.

Self-publishing, Literature and Pop Culture

I opened the Books section in yesterday’s New York Times Urban Eye to read the headline, “Why Literature Doesn’t Matter.” Really? How sad. It matters to me. It matters to my family, friends, and colleagues. It matters to the self-publishing authors I work with every day. Literature doesn’t matter… I wish someone would have told me.

According to Urban Eye, a recent Sunday Book Review article penned buy novelist Kurt Anderson was to fill me in. Anderson writes, “During the 1960s and ’70s…people who hadn’t read a word of a first-rate contemporary novel — no Cheever, no Bellow, no Salinger, Heller, Styron, Doctorow, Updike or Roth — nevertheless knew the novelists’ names… And then everything changed.”

But book sales in the US have remained strong, and are even growing over previous years in Europe. Despite the current recession effects, statistics show that readers are still buying books. Not matter? Anderson goes on to claim, “But irony of ironies, after literature was evicted from mass culture, pop culture itself began to fragment and lose its heretofore defining quality as the ubiqui­tous stuff that everybody consumed.”

Ah, I’m seeing to whom, or rather to what, Literature doesn’t matter to – pop culture. Wait, then this is a good thing for authors and readers. The fragmentation that Anderson talks about is the segmenting of consumers into smaller, more clearly defined profiles. What that means to self-publishing authors of fiction, non-fiction, etc., is not that your work doesn’t matter, that Literature doesn’t matter, but that it doesn’t matter to everyone. Perfect, now you can coordinate and focus your subject matter and marketing efforts to readers who will benefit from, and buy your books.

Talk to your self-publisher early on about your custom marketing plan.

Karl Schroeder


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New Book Review Resource for Self-Published Authors

Book Reviews by Debra is a brand new resource for authors, providing the service of book reviews and editing to authors and publishers.

Book reviews are free or you can pay $75 for an Express Review (a guaranteed review in two weeks or less).

Visit BookReviewsByDebra.com to find out how to submit your self-published book for a review.

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Atlantic Magazine and Self-Published Book Reviews

The Atlantic Magazine is a monthly magazine that has been around for 150 years, focusing on important and controversial issues. They also review books, both fiction and non-fiction. Before submitting your self-published book for review consideration, take a look at the Atlantic website at www.theatlantic.com to see if you think they might be interested in reviewing it (or mentioning it within the body of another article, or contacting you as the expert on a particular subject).

If you determine your book or your expertise is a good match, put together a pitch. Here is some contact information:

The editorial offices are located at:
Editorial Office
The Atlantic
The Watergate
600 New Hampshire Avenue, NW,
Washington, DC 20037

To submit your book for review, first contact Rachael Brown at rbrown@theatlantic.com

Good luck and have fun!
Kelly Schuknecht
selfpublishingadvice.wordpress.com


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