book doctor – Page 6 – Self Publishing Advisor

Self-publishing Advice: Ask the Book Doctor

Writing advice for the self-publishing author.

Q: I use three periods in my dialogue a lot to indicate pauses of speech, interruptions of words, etc., but I haven’t seen this in many books. I keep trying to limit myself or use other means of communicating, but I don’t know what to substitute them with. Are they okay to use? Can I use them a lot? What are some alternatives? Below are some examples:

“Goodbye, brother.” John took her hand and squeezed it. “We have to go. I’m sorry…I’m just,…I’m sorry we couldn’t save you.”

“Matt…what did you trade for them?” He looked up, tried to smile, and was about to give an excuse, but her disapproving stare made him look down again.

A: Although three periods (called ellipses) can represent hesitation in dialogue, so can a comma, and the two should never be used together, as it was in the first example. In the second example, a simple comma would suffice. “Matt, what did you trade for them?”

The use of ellipses for hesitation (not for interruption) is acceptable, but like any creative writing device, it should not be overused, which is why you won’t find the device used too often in good literature. Use ellipses only when hesitation is vital to the dialogue, as it was in the first example. Use a dash (sparingly) to indicate interruption, as in the example below.

“I’m sorry, but I—”
David scoffed. “Sorry? Don’t give me any of your excuses.”

Bobbie Christmas, book doctor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor” questions and answers at http://www.zebraeditor.com.

Self-Publishing

Guest Post – Ask the Book Doctor: Self-publishing

Q: When you spoke at a conference recently, I heard you refer to self-publishing. Isn’t “independent publishing” the correct term now?

A: Yes and no. An independent publisher is a small publisher that may or may not publish the works of the owner, but it always publishes the works of other authors, as well. When you publish only your own books, you are self-publishing. I know the distinction is vague; in either case you have to set up a company and be a publisher, but an independent publishing house accepts the works of others, as well as the works of the owner.

Also, when you use a firm that helps you publish, so that you don’t have to set up your own company, you are a self-published author, as opposed to a traditionally published author.

In the end, we are simply talking semantics. If you spend any money at all toward the printing of your book, you are self-published. Being self-published used to carry a stigma, and perhaps that’s why some people don’t want to use the term, but the market has changed over the years, and people’s attitudes have changed with it. At a time when selling a book to a traditional publisher is almost impossible, yet printing your own book has become easier than ever, self-publishing has taken on a whole new character and lost much of its prior poor image. Nowadays the only stigma comes from a poorly written or unedited self-published book. If the book looks good, reads well, is thoroughly edited, and sells well, who cares who paid for the printing?

Bobbie Christmas is a book doctor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, and she will answer your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor” questions and answers at http://www.zebraeditor.com.

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The Book Doctor on BIG WORDS: Advice for the self-publishing writer

Q: I started writing books this summer, when family problems started. My books are interesting, or so say my friends, but I feel they lack something, like maybe they are weakly written. I know “big” words make a book seem like the author is intelligent, but it makes it harder for ten- to fifteen-year-olds to understand. So I ask, how do I make my book more interesting without using “big” words?

A: You pose an interesting question; should you write to impress your readers or entertain them? Do you want your readers to think highly of you or of your books? Today’s books entertain, rather than impress. You’re already on the right track to avoid words that others may have to look up in a dictionary.

Big words don’t make a book interesting; conflict and tension do. Fascinating characters do. Realistic dialogue that moves the story forward does. Unique plot turns and unusual situations help, too.

Because you just started writing books this summer, don’t despair. Most writers spend years honing their craft. At least you have begun. Not only do you need good ideas and a strong desire to write, you also have to learn as you go. Besides reading books about how to write a good story, spend time reading or rereading books by authors you admire. Analyze what makes you like that person’s writing and why you enjoyed reading the story. Apply those techniques (but not the story ideas) to your writing.

Also, know the market you want to write for. If you are writing for young adults, read the books young adults are buying and analyze what makes those stories interesting.

Above all, don’t get discouraged. Join writers groups and discuss your issues and learn from others. Do not, however, discuss your story lines. Talking about them not only gives your ideas away but also drains energy from the ideas. Instead, use that energy to write down your ideas and turn them into books.

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Ask the Book Doctor: Word Usage and Vocabulary

Q: I would like to know of a book or Web site that shows complete sentences in which a specified word is used. I have a good vocabulary and know how to use a thesaurus, but I’m fearful when it comes to promoting a word from my cognitive vocabulary to my active vocabulary; i.e., actually using a word I know in a sentence I write. (For example, I stepped out on a limb to use the word “cognitive.”)

A: First, never use a word in your writing that you wouldn’t use in casual conversation, and you’ll never go wrong.

Next, if you never stretch your own vocabulary, you won’t grow, so after the first caution, I’ll add my favorite source: American Heritage Dictionary. It often, but not always, uses words in a sentence.

A third warning: When you look something up in a thesaurus, be cautious, because each word has its own connotation, and choosing a word from a list does not ensure that the exact meaning you intend will be relayed to the reader. One of my clients for whom English was not a native language, for example, wanted to impart excitement, so after referring to a thesaurus, he wrote, “Oh, no!” he ejaculated. Yes, the sentence and word use are both technically correct, but Americans more often use ejaculate to mean something other than exclaim, so the word choice was less than ideal. It did give this editor a chuckle, however.

Editing Your Self-Published Book, Self-Publishing

Ask the Book Doctor: Punctuation

Q: What is the correct punctuation for the following?

“You makin’ fun of my name, or you be callin’ me a buzzard?” Linus asked.
Kendra’s infuriating “Whatever” was followed by “If the buzzard-shoe
fits, lace it up.”

A: The punctuation is fine as is, as long as the sentence beginning “Kendra’s” starts a new paragraph, which didn’t seem to be the case in the e-mail, but that’s a format issue and not a punctuation issue.

Also not a punctuation issue is my concern about the use of dialect (makin’, callin’) which is not recommended, for quite a few reasons. Rarely can an author maintain the dialect throughout, and when one does, dialectical dialogue grows tedious for readers. Dialect is not only difficult to write but also difficult to read, and many publishers shun it. Instead of dropping letters to show dialect, rely on word choice to show the speaking style of characters, as was skillfully done in the last piece of dialogue, “If the buzzard-shoe fits, lace it up.”

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