Why You Must Market Your Book

If you want to make a career out of book publishing, you must make peace with the fact that you will be marketing your books.

I know, not everyone’s excited by the prospect of promoting one’s work, especially us writerly types. However, read on if you’re hoping to make money from your books.

Let’s start with self-publishing. Imagine that you’ve finished your debut novel, uploaded the file to an online bookstore, and launched your book’s product page. You then leave your book there and let the website do its job in selling your book. Yay! One ticket to authorship success.

Not quite! If this is all you do, the likeliest outcome is that you will get a couple of sales—if even that—then your book slips into obscurity.

Here’s the thing about self-publishing your novel: if you don’t work to find readers for your book, no one will buy it.

On the major self-publishing platforms—like Amazon, Barnes & Noble, and Apple—there are millions of other self-publishing books competing for attention. Few titles make high on the popular sale rankings, and even fewer get featured. These listings overwhelm readers, so you’re unlikely to get many customers from browsing.

Furthermore, self-publishing books have an unfortunate reputation of being low quality, so many readers are less likely to give a self-published book a chance. Assuming you put in the work and money to get your book high-quality editing and design, these concerns should be unfounded, but you still need to get past the stigma to get the sale.

And I must make sure to emphasize this point. Even if you do everything right marketingwise, if your book is unedited, has broken formatting, and has a poor book cover and store listing, you might as well be promoting a cat’s used litterbox. Marketing only works with a good product.

So, how does an author get that book out to readers? Marketing and promotion require ongoing effort: create professional-level store listings, promote through social media, reach out to book reviewers and other promotional outlets, solicit book reviews, build your audience and mailing list, run ad campaigns, and embark on interviews and articles.

And most importantly, keep on writing and publishing books. For a career author, the backlist is gold. The more books you put out, the more ways you need to find new readers and the more sales you get from fans. With a catalog, marketing becomes multiplicative.

Meanwhile, you may be considering publishing your book traditionally. This way, you submit it to a publisher and receive help from your publishing house’s marketing department.

Yes, “trad pub” authors do benefit from receiving a marketing team alongside editorial and production staff. But here’s another hard truth: if you traditionally published your book, you still have to market.

Few authors receive a full-on marketing campaign from their publishers. Full-page advertisements and Barnes & Noble displays are usually reserved for bestselling authors, celebrities, and the rare debut author who wins the industry equivalent of the lottery with a six-figure-plus advance. More likely than not, you’re not in any of those categories.

For the rest, publishers often practice discretion in allocating their limited marketing funds. Often, they give little to no marketing budget to first-time novelists. That leaves the greenhorn author to handle most of the promotional work to earn back the advance and justify the next book.

So, why have a traditional publisher if they don’t market your books? That’s one reason why some aspiring career novelists opt for self-publishing.

But here’s another fact to keep in mind: the most successful authors are putting out bestsellers because they’re working with their publishers to promote.

Let’s loop back to those celebrities with a book deal. One dirty secret is that publishers frequently lose money on celebrity authors because those celebrities aren’t promoting their books. Millions of Instagram followers and a preestablished entertainment career don’t guarantee that a celebrity will make back the advance and marketing budget. On the other hand, the authors who do turn a profit for themselves and their publishers do their share of the marketing and work with their publishers’ departments so that everyone in the endeavor benefits.

Fortunately, all the techniques I describe for self-publishing markets also apply to traditional authors. You just happen to obtain a marketing team in a different way.

If any of this article bums you out, let me leave you with some reassurance: if you put the work into marketing and publicity, you will become better over time, and you will see more results from your promotion.

It’s like with book writing. When you’re deep into a manuscript, it’s hard to know if efforts will pay off. It’s the same with marketing, especially when it feels like you’re shouting into the void.

But both writing and marketing take time. If you plan out marketing campaigns, maintain discipline, and expand your backlist, your efforts will snowball, and you will see the results of your hard work.

I have faith in you!

Over to you: How do you feel about book marketing? What tips do you have for getting over the difficult parts of promoting your books?

Elizabeth Javor Outskirts Press

ABOUT ELIZABETH JAVOR: With over 20 years of experience in sales and management, Elizabeth Javor works as the Director of Sales and Marketing for Outskirts Press. The Sales and Marketing departments are composed of knowledgeable publishing consultants, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

The Importance of Securing Amazon Review

When I’m looking for a new book on Amazon, I often wish I had the psychic ability to look at a novel and know right away whether I’d enjoy it. But sadly, I don’t have psychic powers. But I do have Amazon’s Customer Review section. And this is why I’m here to teach you the importance of securing Amazon reviews.

Why in the world do you need Amazon customer reviews? Wouldn’t your book be able to sell itself from the title, the cover design, the blurb, the store category and keywords, and the preview of the first few pages? All of those are important, but they’re not enough.

Amazon itself encourages shoppers to leave customer reviews. The power of reviews pans out in practice, as successful self-publishing authors observe that sales increase with positive reviews.

Generally, readers are reluctant to buy the book of an unknown author. It’s understandable, as a reader spends both money and time when buying and reading a book. But conversely, readers love to buy books from their favorite authors—so what can you do when you’re starting out?

That’s where customer reviews can bridge the gap. If they see that the book has stellar reviews, customers are much more likely to take a chance on buying it.

Now, reviews are a pain point for many self-publishing authors. Reviews are key for attracting sales, yet they’re one of the factors authors have the least control over. You can write a great story and craft a solid product description, but you can’t write reviews of your own book.

(Seriously, don’t pretend to be a reader and review your own book. Amazon will catch you and kick you off their storefront.)

Don’t know where to begin with reviews? You have several methods for soliciting reviews, and you should employ multiple approaches simultaneously.

  • Ask your friends and family not only to read the book (which they should!) but also to post a review on Amazon. Yes, friends and family are allowed to leave reviews.
  • Run an office contest for your coworkers. The first colleague to leave a great review gets lunch on you.
  • Post on social media channels, especially Facebook and Twitter, asking your followers to leave a review. Emphasize to your readers that reviewing is a great way to support their favorite authors and that you appreciate each review. You could even read positive reviews and share them on your feed, engaging your most supportive fans in a fun way!
  • Research book reviewers and review blogs in your book’s genre and category, then send complimentary copies. Recurring and professional reviewers have an audience who read their writing, making them a great publicity asset. Just be careful to contact reviewers and bloggers who read the type of book you’re publishing. For example, if you send your steamy romance novel to a Christian memoir reviewer, she will not be happy!
  • Keep publishing more titles. With more books, you’ll get more opportunities to obtain reviews from regular readers. There are few other people you want on your team than a power customer who recommends all your books!

Don’t be stingy in giving away free copies to potential reviewers. If a reviewer is willing to buy your book, awesome! If they’re not, it doesn’t hurt to be generous to reel in a reader who would’ve otherwise passed up your book.

Remember that under Amazon guidelines, you can’t force a reader to leave a review in exchange for a free copy, so don’t take it personally if some prospective reviewers don’t follow through.

This is an excellent point to emphasize one perk of digital publishing. When you have eBooks, you don’t have to spend money to produce galleys or advance reviewer copies. Instead, you can send a reviewer an eBook with a single email. In addition, Amazon provides options for you to gift a reader an eBook to make it easier on both ends.

Nevertheless, it’s always a good idea to have physical copies on hand to give away, as Amazon lists the reviews from all a book’s formats under one section. Believe it or not, there are still readers out there who want a physical copy. I certainly wouldn’t turn a print book down!

It can be frightening to ask readers to review your book on Amazon. The ask can be intimidating by itself, and the prospect of a negative review can be outright terrifying. But even with those risks, an author is her best publicist and a self-publishing author more so.

With practice, you will get better at asking for reviews. As your titles grow, so do your audience and the reviews. Over time, more readers will review your books without you asking, and even the dreaded one-star reviews will soon be buried underneath an avalanche of five-star praise.

If you’re in self-publishing for a long and exciting career, you need to secure Amazon reviews right now. Fortunately, you can start today.

Maybe someday, I’ll find your book, be impressed enough by its reviews to click that buy button, and leave a review of my own. I look forward to the opportunity to do so.

Now, I’ll turn it over to you. As a reader, what leads you to review a book? As a writer, what tips and tricks do you have to secure Amazon reviews?

Elizabeth Javor Outskirts Press

ABOUT ELIZABETH JAVOR: With over 20 years of experience in sales and management, Elizabeth Javor works as the Director of Sales and Marketing for Outskirts Press. The Sales and Marketing departments are composed of knowledgeable publishing consultants, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

Reposting Royalene Doyle’s Conversation on FEED MIND, IMAGINATION, AND SPIRIT

There are few things in my life as special as walking the aisles of my local library. This is where book scents and muffled conversations create an environment that feeds my imagination and prepares my mind to function at peak performance. Here are the comfy chairs where I open book after book to explore research topics that support my clients—and my own writing projects. This is where I enjoy the unique whispered quiet that lifts my writer’s spirit and encourages me to get the job done—despite the tumult that circles the globe.

A Journey to Manhood
The Village t

Today, I focus on feeding the writers’ minds through reading nonfiction. I’m not talking about the chemistry or political science textbooks of the university kind, although they can be an excellent resource for mystery and science fiction writers. Today’s topic is the True Story genre—authentically written life events that offer perspectives for me (as a person and writer) and the characters I am developing in my work of fiction.

One such True Story is A JOURNEY TO MANHOOD: The Village that Raised the Boy by Ty Burton. This is Mr. Burton’s first book, written with passion, and acknowledges the value of teachers, coaches, mentors, and friends who step up to make a difference in someone else’s life. It lets readers understand “the high stakes that hang in the balance of every action we take.” Mr. Burton holds dual master’s degrees in Administration of Justice and Human Resource Development. Although he did the university work to obtain these degrees, reading his book reveals that much of his education came much earlier in life.


The second book I’ll mention is 17 HOURS: Tracking Down Our Runaway. This True Story is getting a lot of attention because of the “imminent threat” all young women must be aware of in the world we live in today. As the book cover states, “No family is immune to the dangers of sex trafficking.” The author, Diane Bassett, is one of many moms whose beautiful daughter had been drawn into a dark world operating in local parks, a world that pushes naive girls into such no-win positions. Bassett’s story details their 17-hour journey to save their daughter’s life. The book also places a Tip Guide in the hands of every reader with resources that will help locate a runaway child.

This nonfiction genre of True Stories holds many teachable moments for writers of every genre. Here are the key concepts I believe help us improve our skills as well as reader appreciation:

  • Before sitting down to write, prepare your mind to function at peak performance. If you need to set up your personal writing station in the library—or close your office door and relax with a cup of morning tea or coffee—then do it.
  • Write the story and the characters (real or imagined) with passion. Let the world hear their voices and feel their experiences as if you and each reader were experiencing them.
  • Keep your project (chapters) balanced. Nonfiction, real-life stories can be intense. Our reading audience today lives pretty intense lives themselves. However, learning about others who have survived is a valuable tool to encourage us all. So, balance the heart-pounding moments with lighter events—tender moments with family and friends—a pillow fight with other children, etc.
  • A major aspect of real-life stories is exposing the “imminent threats” that could very quickly impact our lives. These books can—and do—make a real difference, especially when helpful resource information is also provided. Keep a list as you do your research and consider adding it to the back of your book.

The last checkmark on this list is to GET THE JOB DONE! Your nonfiction, real-life True Stories need to be on library bookshelves, in bookstores, and online! This genre is a big part of what inspires future generations to step up and make their own “difference” in the world. So, don’t give up! Complete your book! Get it PUBLISHED!

ABOUT ROYALENE DOYLE: Royalene has been writing something since before kindergarten days and continues to love the process. Through her small business—DOYLE WRITING SERVICES—she brings more than 40 years of writing experience to authors who need “just a little assistance” with completing their projects. She developed these blogs for Outskirts Press (OP) a leading self-publisher, and occasionally accepts a ghostwriting project from one of their clients. Her recent book release (with OP) titled FIREPROOF PROVERBS, A Writer’s Study of Words, has received excellent reviews including several professional writer’s endorsements given on the book’s back cover.

Royalene’s writing experience grew through a wide variety of positions from Office Manager and Administrative Assistant to Teacher of Literature and Advanced Writing courses and editor/writer for an International Christian ministry. Her willingness to listen to struggling authors, learn their goals and expectations and discern their writing voice has brought many manuscripts into the published books arena. December 2017 marked the end of Royalene’s tenure at Self Publishing Advisor. and we will be spending the next few weeks celebrating some of her all-time hits, her most well-received articles for our blog, in thanks for years of generous service.

Beware the Internet Egg Basket: On Diversifying Your Social Media Presence

Recent events have reminded me of an adage: don’t put all your eggs in ONE basket.

This warning primarily applies to the social media and other online platforms we use in self-publishing. Here’s the thing: some websites decline in popularity, and some even disappear altogether.

MySpace used to be considered a worthy competitor to Facebook. These days, MySpace is lucky to be mentioned as Facebook forges deeper into the “metaverse.”

Old services such as Google+ and Vine used to bustle with many users. Sadly for their users and creators, these sites no longer exist.

Even the longest-running social media services may not endure as recommendable options. Who knows what direction Elon Musk may go with Twitter!

My point is: if you market your books only on one website, figuratively putting your eggs into the basket of that one platform, you risk your career dropping with the platform.

I know I harp all the time about how you must put yourself out there online if you want to advance your publishing career, so it’s doubly important that you don’t invest your efforts in only one platform.

Here are some considerations as you future-proof your marketing and publicity:

Diversify your platform

When businesspeople talk about “egg baskets,” it’s usually to exalt diversification. In most cases, it’s in the context of financial investment, but you can also invest in multiple platforms.

Return to your marketing plan—or if you don’t have one, write up several ideas for one. Consider the websites you use the most in promoting your book and the platforms where you want to expand. Write a few reasons you have questions you want to answer during your research and experience.

Then, aim to promote on at least two to three platforms during any particular week. I recommend focusing mainly on one (more on that below), but keep your accounts open on a couple of other platforms just in case your leading player becomes unviable.

Funnel readers toward platforms that you own

Here’s a scary thought: you don’t own your social media account. Sure, you have the password to your account, and you run your profile. But if the platform goes away, you’ll be left with nothing.

Having your account suspended or even banned is a common risk! It could be a mistake, but you could find yourself disconnected from most of your readers at a moment’s notice.

To mitigate this, build up platforms you have more “ownership” over. For instance, I recommend websites. First, buy a web hosting plan—and importantly, buy your own URL. Then once you build your website, back it up frequently to multiple locations.

While it requires money, paid hosting and domain services give you more ownership than most social media platforms, where you could be considered a virtual renter.

You’re much less likely to be kicked off their servers when paying for hosting. But if it happens, then you have a backup plan. You can switch hosts, move your domain, reupload your website, and be back in business, all at the same address.

In a similar vein, look into running a mailing list. Email has endured over the decades. You can also be equally flexible with mailing list providers, with the option of exporting your list of emails to another service when necessary.

In any case, use your social media platforms to “funnel” your readers toward these self-owned platforms. Not only will your readers stay more in the loop about your publishing, but they’ll also be further invested in your career.

But don’t overcorrect with TOO many baskets

Don’t stretch yourself thin by using too many platforms.

Whenever we see news of another platform declining or dying, it’s tempting to join up with all its competitors. With the announcement of Elon Musk buying Twitter, many users tweeted to their followers that they were moving to Discord, Tumblr, their new mailing list, TikTok . . .

But the ephemerality of platforms doesn’t preclude the dangers of burning yourself out.

If you find your favorite service a sinking ship, don’t decide your next destination out of panic. Instead, do the research, pick one or two other alternatives, and maintain your self-owned platforms like your website and mailing list. And keep in mind you can prioritize your accounts differently yet adjust your usage based on how each platform rises and falls.

In the end, it comes down less to the state of any particular basket (or platform) but rather the skills you build and transfer throughout your publishing career that will serve you the best.

Maybe we can create another expression: don’t put your eggs in TOO many baskets.

I’ll let you workshop that one . . .

Over To You: How do you diversify your internet presence? What precautions have you taken just in case one of your main platforms collapses?

Elizabeth Javor Outskirts Press

ABOUT ELIZABETH JAVOR: With over 20 years of experience in sales and management, Elizabeth Javor works as the Director of Sales and Marketing for Outskirts Press. The Sales and Marketing departments are composed of knowledgeable publishing consultants, customer service reps and book marketing specialists; together, they all focus on educating authors on the self-publishing process to help them publish the book of their dreams. Whether you are a professional looking to take your career to the next level with platform-driven non-fiction or a novelist seeking fame, fortune, and/or personal fulfillment, Elizabeth Javor can put you on the right path.

Reposting Original Book Review: “Forgotten But Not Gone” by Barbara Peckham

Forgotten But Not Gone by Barbara Peckham

OFFICIAL DESCRIPTION*:

Forgotten But Not Gone is an interwoven story about a married housewife and part-time librarian living in coastal Massachusetts in 1965. She is happy and very active in her life there. However, she has a background that no one knows about except her husband, George, and even he doesn’t know anywhere near the whole story. He knows she has amnesia about her early childhood but very little else.

All Liz really remembers is that, at the age of about fourteen or fifteen, she found herself running, panicked, down an Appalachian mountainside. She had no idea then, nor did she now have any memory of what had happened before that, what she was running from, or what had frightened her so much. So now she seldom thought about it. She had managed to get on with her life and what was past was past.

That is, until a strange letter arrives in her mailbox one day. It appears someone knows things about her that she doesn’t even know, and it frightens her. Not long after, other occurrences begin, and they escalate more and more in intensity and danger. She is sure all this has to do with the past she can’t remember, and she begins to fear for her life. Ever since she can remember, she has had some silver teaspoons with initials engraved on them and a diamond ring, but she has no idea whose they were or what the initials mean. Did she steal them? Is someone finally going to find her? Then a teaspoon exactly like hers turns up in a friend’s collection. Where did she get it? How are they connected?

Still, try as she might, all she can remember is that she ran until she came across a hardscrabble farm, where an elderly couple took her in. They treated her like the daughter they had lost. She stayed and worked the farm with them until, after a few years, they died, one shortly after the other, and she was forced to leave the only home she remembered to go out on her own with few resources and little education. The years following were years of hard work and night school.

The story weaves back and forth between the present, [with] Liz revealing more of her past, a mysterious man who has come to town with a vengeance, and a young woman who has in her possession another of the silver spoons. All comes together with a terrible fire at the end, and the truth finally comes out.

REVIEW:

Once upon a time, a girl stumbled out of the thickly forested Appalachian foothills and into the lives of an elderly couple on a small farm. Uncertain of what had happened before she entered the forest, her exact age, and even her own name, the girl is dubbed “Nell” and nurtured by the Ekburgs until their deaths send her out into the world, ready to make a new life for herself under a new name, and equally determined to make new memories to replace the ones she’d lost.

Thus begins the story of Forgotten But Not Gone: The Silver Spoons, a new cross-genre historical fiction plus mystery novel from Barbara Peckham. The novel leaps twenty-odd years into the future and catches up with Nell, now Mrs. Elizabeth (“Liz”) Everson, who lives a calm life as a part-time librarian and housewife just before Halloween in 1965. And yes, a set of silver spoons really does connect the dots between the stories of Nell/Liz/? and those of the book’s other point-of-view characters, including her husband George, the young Joyce, Liz’s new friend Elaine, the local police chief, and an unnamed mystery man who thinks he knows exactly what happened during Liz’s forgotten years––and is determined to punish her for it.

Told in a combination of straightforward narrative and flashbacks from their prior lives, Forgotten But Not Gone: The Silver Spoons perfectly melds those elements it borrows from historical fiction and cozy mystery genres. Peckham has an eye for detail, walking her readers back through the years to a time when phones were analog and had those spiral cords (you still can find them for sale as “antiques” on Etsy, which makes me feel absolutely ancient), and when people sent letters that were made of actual paper. She also embraces all the pomp and circumstance (and obsessive planning) behind many a community celebration of the variety still common in older, tourist-friendly East Coast shore towns. As a librarian, Liz enlists Elaine and her other Book Club friends to assist in organizing Seaside’s Christmas parade and neighborhood gathering––a subplot that is blessedly free of the sinister elements that are becoming routine in the Everson household suddenly. It is here, with her friends around her and a project to complete, that Liz’s fundamental personality really shines––and her natural aptitude for winning people over. It’s only when Liz returns home that she is haunted by danger and the nagging feeling that someone is out to get her for things she can’t even remember begins to sink its claws into her mind.

So, what happened in those years she’s forgotten? I can’t tell you exactly since to do so would be an unforgivable spoiler. Still, Peckham weaves together the various elements of the novel into one cohesive and compelling story of fractured and found families, suspense and seeking sanctuary, and the making of a whole and complete life.

At a time when the world seems to be either on fire or consumed by some other tragic breaking news, Peckham invokes an era when the local police were also neighbors and friends, when daily life felt comfortable like a favorite sweater, and when libraries were the surest place to discover critical information in a mystery so old the trail is beyond cold––it’s pure ice. And I find this somewhat ironic, given that fire and ice (or at least, icing bruises) are common themes in Forgotten But Not Gone: The Silver Spoons. I heartily encourage you to take a peek at this novel if you liked Big Little Lies but wished that people would just talk to each other and figure out a solution together, or if you find yourself hankering for a seasonally appropriate read in the months between Halloween and Christmas. After all, we all need a satisfying spook every now and then.

IN SUMMARY:

Compassionately written characters learn crucial details about their own lives in this cozy, genre-bending novel from Barbara Peckman. Forgotten But Not Gone: The Silver Spoons is precisely the right book at the right time for those of us who love old houses and old towns and old memories relived.

WHERE TO BUY?

Find out more about the book Forgotten But Not Gone: The Silver Spoons on the Outskirts Press author page.

I received a copy of this book in exchange for an honest review. 

* Courtesy of Amazon book listing.


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ABOUT KENDRA M.: With nine years in library service, six years of working within the self-publishing world, as well as extensive experience in creative writing, freelance online content creation, and podcast editing, Kendra seeks to amplify the voices of those who need and deserve most to be heard.