Self Publishing Cliches: Book marketing food for thought

An interesting definition of the word cliché from Wikipedia:

“a saying, expression, idea, or element of an artistic work which has been overused to the point of losing its original meaning or effect rendering it a stereotype, especially when at some earlier time it was considered meaningful or novel. The term is frequently used in modern culture for an action or idea which is expected or predictable, based on a prior event. It is likely to be used pejoratively.”

How many of us where taught to avoid cliché in our writing at all cost? One creative writing professor I know and studied under focuses an entire week on the subject.

In print, the French derived word, cliché, came to denote a printing plate used as a cast in moveable type. Commonly used words and phrases were cast into a single mold. The idea was to take a novelty and replicate it easily and inexpensively. The overuse of such came to take on a negative connotation.

But cliché can work for the self-published author in marketing your book.

What do words and phrases like these bring to mind?

Change we can believe in
All for one…
Don’t leave home without it…
Even the simple misspelling of the word, Google

Even if these are terms you don’t buy into, or even agree with, they are indelible. Think of them as the cast plate of the new digital work that come in the form of key-words, tags, Twitter handles, etc. The can become the brand for your book. And the best part is they are free.

Whether you’re published or just finishing the 1st chapter of your book, start thinking about what makes your work unique, and how cliché may become a key component in your book marketing campaign.


Share this Post

Craftmanship in Self-publishing, Important Words on an Important Day

“If a man is called to be a street sweeper, he should sweep streets even as Michelangelo painted or Beethoven composed music or Shakespeare wrote poetry. He should sweep streets so well that all the hosts of heaven and earth will pause to say, ‘Here lived a great street sweeper who did his job well.’” – Martin Luther King, Jr.



Share this Post

Self-publishing Advice and the Book Doctor

The Book Doctor expounds on usage: “which” verses “that”

Q: In a former column, someone asked for the rule about when to use “which” and when to use “that.” You answered like this:

“I could give you am involved and boring rule, but one quick-and-easy way to remember when to use ‘which’ and when to use ‘that’ is this: If the word can be eliminated, but the following information cannot, you probably mean ‘that.’ If any word can be eliminated, eliminate it and write tight. (Example: I told Jan that I liked fish. Better: I told Jan I liked fish.) On the other hand, if you have the urge to put a comma in front of it, you probably mean ‘which’ (Example: The fish, which had been caught three days earlier, had a distinct odor.)

This isn’t a rule on when to use “that,” it’s a rule that eliminates the use of “that” from all writing!

A: Thank you for your reply, but I am tempted to say: “That is simply not true!” Look at these examples:

The shoe found in that corner was the clue to the murder.
The fact that she was always late did not mean she did not care.

I stand by my original statement that (!) words that (!) are unnecessary should be deleted. Writers who keep their writing pithy eliminate unnecessary words and employ powerful ones.

Keep me on my toes, though. I like it.

Bobbie Christmas, book doctor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor” questions and answers at http://www.zebraeditor.com.



Share this Post

Self-Publishing Advice: Writing for your Market

The Book Doctor chimes in…

Q: I’ve written a short story [synopsis deleted]. I had three people–one fellow writer and two avid readers who are not writers–read this story and provide feedback. They all love the story, except each one told me that she doesn’t like the ending. Each offered suggestions for alternative endings that range from fairy tale to Barney the Dinosaur endings. (I love you; you love me; oh, how happy we will be.)

I ended it the way I did because it made more sense to me. [The protagonist] grew up a little and learned that sometimes it’s okay to assert himself, even if it brings conflict. Our hero was content with the way the story ended.

I know I’m writing for a market, and I want my stories to entertain and satisfy readers. But I don’t feel right ending a story in a way that I personally think is a cheesy cliché. Should I write something I wouldn’t read myself, just because others like it? Can I even trust the response of such a small sample of readers, even though their independent feedback concerning the ending is resounding and consistent? I know this is a terribly subjective question, but I’d like to know what you would do.

A: You may be asking the wrong person. To be able to make a living writing, I have made it my motto that “I’ll write anything for money.” As a result I have written and/or edited many things that did not reflect my personal opinions.

Examine your motives. If indeed you are writing to sell your work, you do have to consider the market, and if you consider the market–your focus group sounds like a small but good specimen–you will change the ending to suit the market. If you write for yourself without hope of selling your work, you can write anything you want, including gibberish, and it won’t matter. In that case, you can make the ending as unpleasing to the public as you wish, because in reality the public will probably never see it.

You are the god who created your story. You can control the outcome, depending upon your goals. As you know, the endings of many movies have been changed when focus groups did not like the first ending. As a result, some movies have become blockbusters that may have otherwise bombed, if the ending had not changed.



Share this Post

Bobbie Christmas, book doctor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor”