Christopher Meeks talks self-publishing and the AWP

The annual AWP conference is here in Denver this week, with a number of heavy hitters at the event including Sapphire, and a keynote address by Pulitzer winning author, Michael Chabon.

This event recalls an insightful blog published several months ago by this year’s AWP panel moderator and author, Christopher Meeks – a nice contribution to the dialogue surrounding self-publishing and the publishing industry. While I don’t necessarily encourage practicality, Meeks’ thoughts are certainly worth a few minutes of your day.


Share this Post

Ask the Book Doctor: Punctuation

Q: What is the correct punctuation for the following?

“You makin’ fun of my name, or you be callin’ me a buzzard?” Linus asked.
Kendra’s infuriating “Whatever” was followed by “If the buzzard-shoe
fits, lace it up.”

A: The punctuation is fine as is, as long as the sentence beginning “Kendra’s” starts a new paragraph, which didn’t seem to be the case in the e-mail, but that’s a format issue and not a punctuation issue.

Also not a punctuation issue is my concern about the use of dialect (makin’, callin’) which is not recommended, for quite a few reasons. Rarely can an author maintain the dialect throughout, and when one does, dialectical dialogue grows tedious for readers. Dialect is not only difficult to write but also difficult to read, and many publishers shun it. Instead of dropping letters to show dialect, rely on word choice to show the speaking style of characters, as was skillfully done in the last piece of dialogue, “If the buzzard-shoe fits, lace it up.”



Share this Post

Bobbie Christmas, book doctor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor” questions and answers at http://www.zebraeditor.com.

5 Tips for Finding Errors in Your Writing

1 – Utilize an editor

The most common mistakes are minor, such as misspellings or incorrect use of punctuation. Other common errors are incorrect word use (their, they’re, there). A professional copyeditor is adept at noticing and correcting these kinds of mistakes. Do not make the mistake of relying solely upon a computerized spell-checker, which cannot tell the difference between “worse” and “worst” since they are both properly spelled words. Use an editor – a human one. Good self-publishing options will provide copyediting and other more advanced services. Be sure to ask your rep.

2 – Get a second (and third) set of eyes

Even if you do not wish to pay a professional, anyone who reviews your writing will find mistakes you invariably miss. Since you are overly familiar with your own work you are much more likely to miss obvious mistakes because your mind already knows what it is supposed to say, rather than what it actually says. When someone else reads your work, they have no preconceived notions about your writing. In addition to finding mistakes, other people may offer helpful suggestions to make your business writing stronger.

3 – Come back to it later

Do you wait long enough after writing something to begin editing it? Many writers edit their work as they write it. Not only does this slow down the creative process, it increases the chance that your mind will ignore blatant errors in deference to your intentions. Once your brain thinks a paragraph is free from errors, it tends to overlook any new errors that are introduced during the rewriting process. Put your writing away for several hours, days, or weeks and revisit it later. After some time away from your work, you will be more likely to read the words as they appear on the page, not as you envisioned them in your mind. The mind is error-free, the page is not.

4 – Read your material backwards

You are only familiar with your writing in one direction – forward. Reading your material backwards makes it seem entirely different and fools your mind into ignoring the intention and only concentrating on the reality. Furthermore, your critical view of the writing at its most technical level will not be corrupted by the flowing exposition you have massaged into sparkling prose. When you read your manuscript backwards, it becomes a collection of words. Without contextual meaning, the brain has nothing to focus upon other than the words themselves. Mistakes literally jump off the page.

5 – Read your material out loud

When you read words aloud, your brain must slow down and concentrate on the material. How fast can you read the following sentence? The quick brown fox jumped over the lazy dogs. Now how fast can you read it out loud? It takes at least twice as long, and those precious milliseconds sometimes make all the difference between a typo that is missed, and one that is caught and corrected.

As a popular Internet posting informed us in 2003, it deosn’t mttaer in waht oredr the ltteers in a wrod are, the olny iprmoetnt tihng is taht the frist and lsat ltteer be in the rghit pclae. The rset can be a toatl mses and you can sitll raed it wtihuot any porbelm. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe. But try raednig tihs out luod and see how far you get. An extra bonus for reading your material out loud is that you may discover stumbling blocks like awkward sentence structure and choppy dialogue.



Share this Post

Self-publishing Manuscript Length Information

As you continue to develop your content, consider your market, and research self-publishing options, it might be helpful to consider publishing standards regarding page count.

The most important thing to recognize is the difference between your manuscript page size (which is most likely 8.5 x 11) and your published book trim size (which will most likely be smaller). Whenever a publisher discusses page count, or per-page pricing, it is based upon the size of the published page.

The most common published book trim sizes are 5.5 x 8.5 and 6 x 9, although many publishers will offer several more options.

If your manuscript is 100 pages long at 8.5 x 11, you probably have closer to 200 pages of finished text when the book is published. The good news is, your book just got twice as long, which in many cases improves the perceived value of your published book. On the other hand, some authors will be surprised when they see pricing based upon 200 pages instead of 100. Be prepared.

Keep in mind that production cost is directly related to page count. The more pages your book has, the more it will cost to print. Therefore, most authors keep their books between 100-300 published pages.

Have fun and keep writing.


Share this Post