Ten Things to Consider in Self-publishing

Ten things to consider in self-publishing Source: LiberalArtsColleges.org

Self-publishing enables the writer to control every aspect of the creation and promotion of their book. It’s an appealing option for creative people who have the confidence and time to undertake such a large task. But most writers enter the process not knowing what to expect, relying on their well-honed research skills to learn the ins and outs of the publishing biz. Before you dig too deep, read through the list of 10 things to consider before self-publishing and determine if you’re up for the challenge.

The success rate is tiny – Very few self-publishers experience success because they simply don’t know what they’re doing. In many cases, they lack the foresight and perseverance required of a self-proprietor. Some of the common problems encountered by first-time self-publishers include the refusal to seek the help they need, the use of unprofessional covers and weak titles, overprinting and lazy marketing. It takes a lot of time and effort to write, print and market a book, so plan accordingly.

Do it for the right reasons – Because of the amount of risk involved, it’s wise to go into the process not expecting to make money. In other words, don’t expect self-publishing to become your primary source of income – if it generates any income. Also, don’t self-publish because you don’t feel that you need any help. If your book has been rejected by multiple publishers, then it could likely use a change or two.

It helps to have a niche – Most successful self-publishers are experts in a field with a narrow target audience. If you’ve already made a name for yourself in that niche – perhaps through lectures or previously published articles and papers and you have at least a modest audience, then you could market the book to those same people. Professors often utilize this strategy because they don’t immediately intend to mass market their books.

You’ll be running a business – That means a business license is required. You’ll need to know the cost of the operation – as you’ll see below – and you’ll need to devise a marketing strategy if you intend to reach an audience beyond the modest one that may already be established. As a publisher, you’ll need to create a name that include -books, press or publishing- so that people will know what it represents.

You’ll need money – Self-publishing is a big investment. In addition to the cost of printing, money must be set aside for marketing and hiring an editor, illustrator and/or graphic designer. A traditional publishing house is normally responsible for those costs, but since you’ll be doing it on your own, they’ll be your responsibility. Be sure to research and establish a budget beforehand so that you won’t encounter any unforeseen financial problems.

You’ll still need an editor – Because you won’t be dealing with a publishing house, you’ll need to find an editor to look over your work and offer his or her sage advice. Self-publishers hire freelance developmental editors to perform those tasks – they ensure you have an interesting and readable book. The final say on all matters is still yours, but their expertise will be needed if you have little or no previous publishing experience.

Know the details – Before your book hits the shelves, it’ll need an International Standard Book Number (ISBN) and a Library of Congress catalog number. The ISBN enables book retailers to identify the title amid their vast collections of books. You can obtain one from the RR Bowker Company. The Library of Congress catalog number enables you to get your book into libraries.

Sales will be your job – As previously mentioned, self-publishers must know how to run a business. In order for a business to be successful, it must have an efficient sales team – in this case, it’s you. You’ll need to convince brick-and-mortar bookstores, online bookstores, distributors and wholesalers that your book will be profitable. It’s important to know that different buyers require a different cut of the sales, so don’t demand for every buyer to take the same amount. And remember, patience is a virtue – your books won’t fly off the shelves all at once.

Respect will be hard-earned – If you’re fortunate enough to earn respect, it will be hard-earned. Reviewers tend to ignore self-published books because self-publishers tend to be amateurs who, honestly, produce unappealing work. It’ll be entirely your responsibility to get your work noticed by reviewers, retailers and readers. The process by which you compose your book will help determine how much success you’ll have.

It’ll never be too late to sell your book to a commercial publisher – If you successfully reach your intended market and have shown there’s potential to reach an even larger audience, then a commercial publisher will likely express interest in taking over the title. But this doesn’t always mean they’ll push it into the next stratosphere of sales. Make sure the people with whom you work will have as much interest in promoting the books as you have – otherwise, the transaction will be pointless.


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Self-published Book Review of the Week

MANNIE'S DIET and ENZYME FORMULA
Mannie’s Diet and Enzyme Formula
Emanuel Barling & Ashley F. Brooks
9781432750961, $36.95

A good diet goes a long way in good health. “Mannie’s Diet and Enzyme Formula: A Change of Lifestyle Diet Designed for Everyone”” is a guide for those who want a healthier diet and that conventional wisdom may not be the most clear and helpful thing in the matter. Saying that the typical practices of health come with pitfalls and some dangers not commonly exposed, he gives recipes for organic foods that help the PH balance that often goes ignored. “Mannie’s Diet and Enzyme Formula” is a health guide that shouldn’t be missed.



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Common Self Publishing Complaint

A common misconception that authors have about publishers is that publishing is not a business. Perhaps it isn’t even a misconception; perhaps the author just doesn’t think about it. Why would they? They have enough to think about, what with writing, editing, rewriting, proofreading, rewriting some more, designing, printing, shipping, marketing, invoicing, destroying all the books that are returned.

Authors are a busy bunch with their hands full! It’s easy to forget that publishing is a business, and in order to stay in business, publishers must make money. And here is the rub with “self-publishing.” Authors who self-publish, or writers who harbor negative feelings about so-called “self-publishing companies” often use words like “vanity” or even “scam” when referring to companies like Xlibris, Outskirts Press, iUniverse, AuthorHouse, Trafford, and the like. In some cases they even get angry that these businesses make money on a book that only sells 100 copies.  Shouldn’t they lose money on books like that, just like New York publishers do?  Well, no.  The two groups have different business models.

Anger is often the result of misinformation or misinterpretation. Writers who hold this grudge misunderstand the purpose of these companies. Granted, some of these companies are guilty of stoking that confusion, but that’s a topic for a future post.  The topic for this post is this: Would it help these authors to view such businesses not as publishers, per se, but as service companies?

With apologies in advance, allow me to share a dirty little story about oil. My uncle Fred loves working on cars. There isn’t a car he cannot fix. When it gets a ding, he hammers it out. When it gets a scratch, he buffs it. When it needs its oil changed, he rolls on up under there with a big grin on his weathered ol’ face. In fact, my Uncle Fred gets such a bang out of changing oil, he even changes his neighbors’ oil for free because he likes it.  Some neighbors have actually offered to pay him, but he waves them off. Changing oil is actually a hobby of his.

Believe it or not, my Uncle Fred hates  the Grease Monkey franchises.  He cannot fathom why someone would actually pay a company to do something so easy and fun as changing oil in a car.    After all, it only takes him 15 minutes because he has been doing it since he was eight, and he already has oil stains on his shirt, so what’s a little more?  And yet Grease Monkey has the audacity to charge upwards of $99 for the same task.  Fred thinks it is highway robbery!  “That’s $400 per hour,” he’ll sputter. “Who do they think they are, New York lawyers!” He trails off muttering something about snake oil salesmen.

Seething and red-faced, there is no use arguing with him. He’s past the point of logic and has entered a state of emotion. 

I think you can see where I’m going with this… That’s right, some writers simply don’t want to change their own oil.   It takes skill and knowledge to do it correctly; you get dirty; and you know it will take you at least an hour.  You’d rather spend time playing catch with your son or going to your daughter’s play. And, hey, look! You can be in and out of Grease Monkey inside twenty minutes.  Is that worth $99?  Depends… wouldn’t you like to think your time is worth $100-$400 an hour (even if your current boss disagrees with you)?

I wonder how Uncle Fred would feel if a customer paid Grease Monkey to change her oil, and then immediately afterwards ran a red light and totaled her car.  Fred would probably be mad at Grease Monkey!  “They made money on a car that didn’t even need an oil change!”

Self-published book review of the week: Body Parts

Body Parts

Body Parts
Janet Cameron Hoult
978143275598 – $10.95

I always love when someone takes a subject that can make us a little downcast and turns it around, giving it a kick of humor. To my delight that is what I found in this book of poetry by, Janet Cameron Hoult. She has taken many subjects that we deal with as we age, put them in verse and allowed us to giggle and even in certain ones feel a sense of tenderness. Well done.

My favorites were: Hair Today – Gone Tomorrow, Leaky Pipes (I giggled all day over that one), Tired of Being Tired, and Body Works. I have often referred to people as cars as they age. We go in to get one part fixed and another one messes up. She touched this subject very well. Actually she hit just about every subject we are experiencing and did it with class.

There is no way to end the aging we all must face, unless we die young, and none of us want to take that alternate route. This book lets you know there are others facing the same things you are, it’s not a personal attack, although at times it feels as if it is. Our author tells it like it is in a light manner yet she breaths into each poem a bit of heart and soul. Very nicely done. Enjoy!

Shirley Johnson
Senior Reviewer

Vogel’s Bookshelf

Stocking Self-published Books

Understanding how distribution works in the current POD publishing model makes a strong case for focusing book sales and marketing exclusively from literally tens of thousands of online exclusive venues from the micro-niche outlets to the whopper marketplace that is Amazon.

Even though this model is over a decade old, the concept has been slow to absorb among authors and retailers alike. Visiting a brick-and-mortar store is an experience after-all, and there is value in reaching real readers in real spaces.

Whether or not to stock a book in a brick-and-mortar store is a decision for each author to make upon careful consideration to the content, market, and return-on-investment, etc., because there are distinct qualifications most books must meet in order for a store buyer to decide whether or not to physically stock a book in their store. Remember, Amazon can stock virtually every book available in the ‘cloud’ or virtual space. Brick-and-mortar stores have very real limitations in terms of space and their own ROI to consider.

So if your goal is to stock your self-published ‘on-demand’ book in physical retail locations, consider these 3 qualifications when preparing your book for publication:

  1. Retail Returns – this is like insurance for the retailer, allowing them to return any unsold books after a set period of time. A handful of full-service on-demand publishers offer this option. It will come at a cost to the author.
  2. Distribution Discount – while online retailers will often stock a book as low as 25%, offline stores will require a steeper discount – 50-55%. Their cost and investment is higher. The downside means lower royalties and/or higher retail prices for the book.
  3. Buzz – sure, books printed and sold on-demand require ‘buzz’ too, but that buzz comes before the book is sold, and sells the book. A brick-and-mortar store is taking a bigger risk, buying books that have yet to actually sell to a reader, so they’ll be looking for a book they feel has a potential to move. Don’t hesitate blowing your own horn. Or, look for a publisher that will help do it for you through options like copywriting, custom design work, personal marketing assistance, and press campaigns.



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