Book Doctor on Editing & Self-publishing Fees

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Q: Someone at my office inquired about the going rate for editors. His daughter was offered a chance to edit proposals seven to fifteen pages long. I did not know what to tell them to charge. Do you have any idea?

A: “The going rate” for editors won’t be the same rate as a person just starting into the business, and if editors do not know what to charge, they are definitely newcomers.

It’s unfair to start out charging an hourly rate, because inexperienced but conscientious editors spend more hours completing a job than experienced editors would spend. Under an hourly arrangement, clients would pay more money for a novice than a professional.

When it comes to setting rates, only the editors themselves can decide what they are willing to accept while they get their on-the-job training, but read on for some ideas.

For a project as short as seven to fifteen pages, I suggest beginning editors should charge a minimum of $25 for fifteen or fewer pages. If that price seems low, remember that editing is not a “get rich” plan, it’s simply another job, and if you don’t love it and enjoy delving into all the details and continuing to learn during your entire career, it’s best to find something else that you do love.

Once you land your first project, though, time yourself to see how long it takes to finish the project, to get an average of how long it takes you per page. From that starting point—also with the knowledge that you will get faster as your skills improve—you can decide what your time is worth. You can raise your rates gradually as you gain more experience”

Editing is a critical step in the self-publishing process to achieve credibility and success in the marketplace. Does your self-publishing option offer editing. What do they charge?

Bobbie Christmas, book doctor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor” questions and answers at www.zebraeditor.com.



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Ghostwriting for the Self-publishing Author

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How is your content coming? Do you have a protagonist stuck in a loss of direction or buried in a dissipating story arc? Are you an industry leader in green building with every resource save time to pen your own book? Have you developed years of research on a story that needs to be told but lack the composition experience to make it as successful as possible?

We want to hear what you have to say. Perhaps its time to consider ghostwriting.

Ghostwriting functions as a collaborative writing effort between a principal author and contracted ghostwriter to develop content ranging in scope from a preliminary idea or outline to nearly completed manuscript.

Having existed in the publishing industry for generations, ghostwriting is finding a new niche in the growing self-published base of printed work . For self-publishing authors, ghostwriters can fulfill the role of acquisitions editor, content developer, and partner. But counter to the the traditional publishing model, the self-publishing author will remain in the driver’s seat through the process with their ghostwriter, working to develop direction based on the best interest of the author.

Ghostwriters can be contracted independently, and a handful of self-publishing options now provide them in-house and often at lower rates.

- Karl Thomas Schroeder


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Have fun and keep writing…

Ask the Book Doctor: Editing and Reviews

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Q: I have started to write a novel based on facts [that took place] in the 1865-1880 time frame [sic]. I have no experience writing anything, I just know I wish to write a story. Is there some where [sic] to send a few chapters to be read over to determine if there is hope in proceeding [with] it. [sic]

 

A: I am one of many editors who provide professional feedback for a fee, but if you want free feedback, join a critique group and get free feedback from peers, to see if fellow readers find the information captivating.

 

My strongest suggestion is to take a class or a course in creative writing before or while attempting to tackle writing a novel. Creative writing requires much more than simply owning a computer and knowing how to type, and novels require even more specialized knowledge, such as how to handle pace, point of view, dialogue, characterization, and plot, among other things. Any good creative writing teacher will also give you feedback on some of the writing, during the time you take a course.

 

Although I don’t believe e-mails have to be flawless, the errors in the one asking this question show me that the novel will need careful editing before it is ready to market.

 

If you want professional feedback, or if you do not want to take a class or join a critique circle, or if you can’t find anything suitable in your area, by all means go to my Web site at http://www.zebraeditor.com, click on “Editing Request Form,” and follow the prompts to learn now to submit work to me for a professional evaluation and/or editing.

 

Bobbie Christmas, book doctor, author of Write In Style (Union Square Publishing), and owner of Zebra Communications, will answer your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor” questions and answers at www.zebraeditor.com.

The Importance of Editing in Self-Publishing

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Whether you are a self-publishing fiction author, online social network professional, or compulsive blogger, errors in your writing can be a source of discredit, if even implicitly. Here is an example noted by an industry professional where an author titled an article, “What is your worse fear?

As can often happen comments exploded following it’s publication. English majors came out of the woodwork to argue usage and the article gained the author attention, but perhaps not the kind intended. Comments didn’t pertain to content, but instead on whether or not the author was proficient with the English language.

While publishing online is holds presence, technology often allows us instantaneous revision. Book publishing is much more permanent. Make sure your writing is bombproof. Below are five tips you can employ to drastically decrease the chance of mistakes finding their way into your business writing, whether it be a proposal, a website, or a newsletter. 

1 – Use an editor

The most common mistakes are minor, such as misspellings or incorrect use of punctuation. Other common errors are incorrect word use (their, they’re, there; or worse, worst, borscht, etc.). A professional editor is adept at noticing and correcting these kinds of mistakes. Your book will reach many human hands; use a human editor.  

2 – Get a second, even third, set of eyes

Since you are overly familiar with your own work you are much more likely to miss obvious mistakes because your mind already knows what it is supposed to say, rather than what it actually reads.  So even if you opt away from a professional editor, which most good self-publishing services provide, anyone who reviews your writing will find mistakes you invariably miss. When someone else reads your work, they have no preconceived notions about your writing. At the same time, human behavior will often motivate them to find fault. Use that to your advantage. In addition to finding mistakes, other people may offer constructive criticism to improve your writing overall. Take nothing personally.

3 – Revisit

Do you wait long enough after writing something to begin editing it? Many writers edit their work as they write it. Not only does this slow down the creative process, it increases the chance that your mind will ignore blatant errors in deference to your intentions. Once your brain thinks a paragraph is free from errors, it tends to overlook any new errors that are introduced during the rewriting process. Put your writing away for several hours, days, or weeks (depending upon your deadlines) and revisit it later. After some time away from your work, you will be more likely to read the words as they appear on the page, not as you envisioned them in your mind. The mind is error-free, the page is not.

4 – Read Backwards

Reading your material backwards makes it seem entirely different and fools your mind into ignoring the intention and only concentrating on the reality. Furthermore, your critical view of the writing at its most technical level will not be corrupted by the flowing exposition you have massaged into sparkling prose. When you read your manuscript backwards, it becomes a collection of words. Without contextual meaning, the brain has nothing to focus upon other than the words themselves. Mistakes literally jump off the page.

5 – Read Out Loud

When you read words aloud, your brain must slow down and concentrate on the material. How fast can you read the following sentence? The quick brown fox jumped over the lazy dogs. Now how fast can you read it out loud? It takes at least twice as long, and those precious milliseconds sometimes make all the difference between a typo that is missed, and one that is caught and corrected. As a popular Internet posting informed us in 2003, it deosn’t mttaer in waht oredr the ltteers in a wrod are, the olny iprmoetnt tihng is taht the frist and lsat ltteer be in the rghit pclae. The rset can be a toatl mses and you can sitll raed it wtihuot any porbelm. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe. But try raednig tihs out luod and see how far you get. An extra bonus for reading your material out loud is that you may discover stumbling blocks like awkward sentence structure and choppy dialogue. Strong business writing is not only dependent on error-free prose; it must be crisp and clear. 

 

Have fun and keep writing

- Karl

Writing for Self-Publishing: Ask the Book Doctor

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Commas

Q: How would you punctuate the following sentence? Would you delete the comma after the first “that?” Would you delete both commas?

Mr. Smith concluded with the vague assertion that, if he ever gets a handle on the IRS situation, he will attempt to pay the client and asked that we call him in ninety days.

A: I would delete the first comma and let the first part of the sentence act as a single introductory phrase. I would also separate his conclusion from his request, so I would write it this way: Mr. Smith concluded with the vague assertion that if he ever gets a handle on the IRS situation, he will attempt to pay the client. He asked that we call him in ninety days.

You could argue that both commas could be left, thereby setting aside the nonessential phrase, “if he ever gets a handle on the IRS situation.” I stand by the fact that what he concluded and what he asked should appear in separate sentences. 

 

What would you like to ask a book doctor? Send your questions to Bobbie Christmas at Bobbie@zebraeditor.com

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