Copywriting Services in Self-publishing

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More important than copyright registration for many self-publishing authors is professional copywriting assistance. That’s right, a writing service for writers. This is a step to be completed during the pre-production or production phases of your book in preparation for publication and marketing efforts.

The back cover copy and author biography is second only to a dynamic cover when it comes to motivating a reader to buy. Many talented fiction, non-fiction, children’s book authors are wonderfully just that—talented fiction, non-fiction, etc. writers. Writing sales copy is a different skill all together. It is the art of using words to create hype about a product and convince consumers to spend money. The fact is, most authors of any genre are capable of generating decent sales copy, but don’t like the idea of having to justify or brag about their hard work. Sales copy is an important element in getting books in reader’s hands. The good news is with this service, others can do that work for them.

Look for this optional service when researching and partnering with your self-publishing choice. The content should not be entirely out of your control though. Make sure you can submit your book summary and author biography draft to your publisher who will employ its professional staffers to rework it into shiny, packaged sales copy. Do also make sure you have the option to review and approve the final copy (your content control should not be limited to just your manuscript).

You can then continue to use the powerful copy on your webpage, on your book’s back cover, in media, and virtually anywhere you find a productive venue as your book promotion efforts unfold.


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Copyright and Copywrite in Self-Publishing

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Many authors often confuse the terms copyright and copywrite. Both are important elements in quality self-publishing and your publisher should offer both.

Let’s start with copyright – often the source of a deeper misconception. Some may be under the impression that copyright registration is a must prior to submitting their work to a publisher. That is not the case. Protecting your work is a good idea and should be on your radar, but actual registration is not necessary prior to submission.

The Basics: Copyright law provides the creator of a work (manuscript in this case) exclusive rights to control who may copy or create derivatives of that work. When do those exclusive rights take effect? The instant that creative effort is placed in tangible form – the first sentence put on paper. This specific protection was originally drafted under what is commonly known as The Berne Convention (for the Protection of Literary and Artistic Works), an international agreement governing copyright law. This agreement has been signed by nearly every major nation including the United States.

So what does official registration with the US Copyright office accomplish? Protection in the event litigation concerning the creative work, or book, arises, the likeliness of which is rare.

Publishers should offer official registration with the US Copyright Office nevertheless. Make sure yours does. It’s a good idea to let them take care of that process through their professional services. Here is how it works: once your book is published your publisher will likely have you submit the required forms to complete the registration process with the Copyright Office on your behalf. Your copyright is registered on the date the Copyright Office receives all the necessary information, regardless of how long it takes them to mail your Copyright Certificate to you. Keep in mind it is taking the Copyright Office roughly 12 MONTHS to mail the certificates and this is a timeframe outside the control of any publisher.

If you have already applied for a copyright don’t wait for that to become official to begin working with your publisher. Remember, your work is already protected, and readers are ready for your book now.

There is a work-around for concerned authors called the “poor man’s copyright”. Simply mail a hardcopy version of your work in a sealed envelope to yourself and keep for your records. The sealed document will contain proof of ownership in a stamped and dated form. This is not a substitute for registration, but provides a measure of temporary protection.

Side note: Titles cannot be copyrighted.



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Importance of Book Cover Copy in Self-Publishing

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Readers really do judge books by their covers. That is what your cover is designed to do – communicate the value of all of the great material in between. Keep this in mind when developing your back cover copy and make sure it’s professionally drafted by your self-publishing provider – this is marketing writing; artistic writing.

The BACK COVER COPY is restricted by the size of the book’s back cover.   Ideally, the size of the cover should be taken into account when composing the back cover copy to ensure the ultimate balance between font size and aesthetics. You don’t want too much copy so as to require an illegibly small font. You also don’t want too little copy, leaving big empty spaces on the back cover.   There are three main components to the back cover copy: 1) the headline, 2) the synopsis or marketing copy, and 3) the author biography.  There may also be quotes, cover blurbs, or other testimonials about either the book or the author. In some cases, these cover blurbs may justify more exposure than the summary of the book. Ultimately, the entire back copy should be composed with the goal of getting a browser to become a buyer.  Bullet point and numbered lists are good, effective elements of back cover copy for non-fiction books.  Cover copy for fiction books should demonstrate highly effective prose.

Have fun and keep writing.

- Karl Schroeder

More Copyright Information for the Self-Publishing Author

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Copyright infringement is not a pleasant topic. Some self-publishing authors find themselves in trouble without even knowing it, by doing something as innocent as including the lyrics from their favorite songs in their book.

Music is one of the most protected copyrightable works; infringement of copyright can carry heavy fines for which the author is responsible. If you are going to use the lyrics from a song in your book, you will need to have permission from the original copyright holder. This includes cases where you are only using a stanza or two and sometimes even if you are using anything more than a single line.

Only song lyrics created and first published prior to 1923 are in the Public Domain in the United States. If the song was created after that, you will need permission to use it (or parts of it) in your work.

There are two great resources on the Internet for finding the rights holders for most music and song lyrics, from the two leading music entities, ASCAP and BMI, respectively:

http://www.ascap.com/ace/search.cfm?mode=search
http://www.bmi.com/licensing

Copywriting done right in Self-Publishing

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Okay, copywrite is not actually a word. Copywriting is, and an equally important element in self-publishing your book as successfully as possible on the market.

Copywriting, as spelling would imply, has less to do with copying anything and more to do with writing. So what is copy? Copy in this case as a noun is, according to Merriam-Webster, “something considered printable or newsworthy.”

Copywriting by that definition is akin to marketing, and helps promote your book once published. It is perhaps most effectively implemented on your book’s back cover.

Studies show that a book has around 8 seconds to convince the reader to buy it. 3 seconds for the cover image to captivate them and 5 seconds for the back cover copy to sell them on the contents. The fact is most authors don’t know how to write sales copy. Sales copy is an entirely different animal, after all. A skill honed by advertisers and marketing folks.

A handful of quality self-publishers offer those services. Look for that option when choosing yours.

Have fun and keep writing (just not copy).

-Karl Schroeder

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